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Adopted heritage: German objects in the Western Territories of Poland 被采纳的遗产:波兰西部领土上的德国物品
3区 社会学 Q3 ANTHROPOLOGY Pub Date : 2023-10-23 DOI: 10.1177/13591835231208912
Anna Kurpiel, Katarzyna Maniak
The article focuses on the material culture of regions that underwent a shift in statehood when, post-World War II, formally German territories became Polish. It seeks to analyse how the heritage of post-conflict territories was integrated into everyday life and, in some instances, affirmed and appreciated by second and third-generation settlers. Through research conducted amongst contemporary city-dwellers, the authors scrutinise the relationships between people and pre-war German objects, identifying a form of relation referred to as ‘kinship’. By exploring the mechanisms through which objects are incorporated into individual and/or group history, they elaborate on the concept of ‘adopted heritage’, as demonstrated in various field research cases. This concept is derived from the idea of affinity and its application to material culture studies, and enhanced by theories that emphasise the role of emotions in heritage.
这篇文章的重点是在二战后,德国领土正式成为波兰领土时,经历了国家地位转变的地区的物质文化。它试图分析冲突后领土的遗产如何融入日常生活,并在某些情况下得到第二代和第三代定居者的肯定和赞赏。通过对当代城市居民的研究,作者仔细研究了人与战前德国物品之间的关系,确定了一种被称为“亲属关系”的关系形式。通过探索物品被纳入个人和/或群体历史的机制,他们详细阐述了“被收养遗产”的概念,正如在各种实地研究案例中所展示的那样。这一概念来源于亲和力的概念及其在物质文化研究中的应用,并通过强调情感在遗产中的作用的理论得到加强。
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引用次数: 0
Making time: Knitting as temporal-material entanglement 制造时间:编织作为暂时的物质纠缠
3区 社会学 Q3 ANTHROPOLOGY Pub Date : 2023-10-09 DOI: 10.1177/13591835231206231
Susan Jones
This article presents data from interviews with amateur knitters to explore the temporal-material entanglements which constitute meaning-making in everyday life, and the potential of thinking with knitting to better understand these entanglements. It follows three strands which reflect different aspects of the temporal-material in how knitting comes to matter for amateur makers. Firstly, knitters discuss the threads to and from the past which recursively shape their ongoing thinking and feeling about their craft. Secondly, temporal dimensions entwine with the material as participants describe the process of turning threads into a knitted surface. Thirdly, participants’ experiences of un-making and re-making, and the role of ‘stash’, challenge unilinear models of both time and meaning. Thinking with knitting not only re-opens ways of understanding it as a significant meaning-making practice in the present, it also dynamically re-connects us to the past and offers ways of re-imagining the future and how we make this together.
本文通过对业余编织者的采访,探讨了日常生活中构成意义制造的时间-物质纠缠,以及用编织思考的潜力,以更好地理解这些纠缠。它遵循三条线,反映了编织对业余制造者来说是如何重要的临时材料的不同方面。首先,编织者讨论过去的线索,这些线索递归地塑造了他们对工艺的持续思考和感受。其次,当参与者描述将线变成针织表面的过程时,时间维度与材料纠缠在一起。第三,参与者的“拆解”和“重新制造”的经历,以及“藏匿”的角色,挑战了时间和意义的线性模型。用编织思考不仅重新打开了理解它作为一种重要的意义创造实践的方式,它还动态地将我们与过去重新联系起来,并提供了重新想象未来的方式,以及我们如何共同创造未来。
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引用次数: 0
The travel of a thangka: Crossing gender and cultural boundaries with Lutso's stories 唐卡的旅行:用鲁索的故事跨越性别和文化界限
IF 0.9 3区 社会学 Q3 ANTHROPOLOGY Pub Date : 2023-08-08 DOI: 10.1177/13591835231193969
Ming Xue
The article examines how the life experiences of a Tibetan female thangka painter, Lutsojam (known as Lutso), are intertwined with the meaning of her artworks, in particular, with the thangka painting, “Avalokiteśvara with Mind at Rest,” which I followed from its birth in Amdo Rebgong (Qinghai, China), to its visit to an art gallery in Beijing, and finally to its entry into the collection of an ethnographic museum in New York. Through painting thangkas and training her own apprentices (especially female apprentices), Lutso is able to support her family, empower other Tibetan women, and authenticate a religious identity that has been elided in the official narrative of Tibetan thangka art.
这篇文章探讨了西藏女唐卡画家鲁索加姆(Lutsojam,又名鲁索)的生活经历如何与她的艺术作品的意义交织在一起,尤其是与唐卡画作《静心观世音》交织在一起,最后,它被纽约一家民族志博物馆收藏。通过绘画唐卡和培训自己的学徒(尤其是女学徒),鲁索能够养家糊口,赋予其他西藏女性权力,并验证一种在西藏唐卡艺术官方叙事中被忽视的宗教身份。
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引用次数: 0
Invasive group A streptococcal (iGAS) surveillance in Island Health, British Columbia, 2022. 2022 年,不列颠哥伦比亚省岛屿卫生部对侵袭性 A 群链球菌 (iGAS) 进行监测。
3区 社会学 Q3 ANTHROPOLOGY Pub Date : 2023-08-01 DOI: 10.14745/ccdr.v49i78a06
Andrea Nwosu, Andrea Schut, Christie Arlotti Wood, Christine Urquhart, Claudia Bachman, Katelyn Thompson, Julia Evans, Kathleen Mills, Lisa Wenstob, Theresa Restemeyer, Trista Galbraith, Shannon Mason, Stephanie Gabriel, Twyla Gasper, Cheryl Broeren, Francine Lewis, Dee Hoyano, Sandra Allison, Pamela Kibsey, Angela Reid, Maritia Gully, Carl Swanson

Background: Invasive group A streptococcal disease (iGAS) is caused by Streptococcus pyogenes group A bacteria. In 2022, multiple disease alerts for iGAS in the Island Health region, in the context of increased infections in the paediatric population in Europe and the United States, prompted further investigation into local trends. This surveillance study summarizes epidemiological trends of iGAS in the region covered by Island Health, a regional health authority in British Columbia, in 2022.

Methods: In British Columbia, iGAS is a reportable disease; all confirmed cases are reported to the regional authority and the provincial health authority (BC Centre for Disease Control). Island Health's iGAS surveillance system is passive and collects information on cases that are identified through laboratory testing. Surveillance data were summarized for 2022 and compared with historical data from 2017-2021.

Results: In 2022, the incidence rate was 11.4 cases per 100,000 population (n=101), the highest observed rate in the last six years. The median age of cases was 53 years, with a range of 0-96 years, and 64% of cases were male. The highest risk of infection was reported in men 40-59 years of age, with an incidence rate of 21.3 cases per 100,000 population. The most common emm types were emm92 (n=14), emm49 (n=13), and emm83 (n=12). Overall, 85% (n=86) of cases were hospitalized, 21% (n=21) were admitted to the intensive care unit, and 6% (n=6) died.

Conclusion: This study highlights that the incidence of iGAS in the Island Health region continued to increase throughout the coronavirus disease 2019 (COVID-19) pandemic, reaching its highest annual rate in 2022. In contrast to reports from Europe and the United States, there was no notable increase in infections in the paediatric population. Given the sustained increase in iGAS activity, continued monitoring and description of the epidemiology of these cases on a regular basis is imperative.

背景:侵袭性 A 组链球菌疾病(iGAS)由化脓性链球菌 A 组细菌引起。2022 年,在欧洲和美国儿科感染率上升的背景下,Island Health 地区多次发出 iGAS 疾病警报,促使人们进一步调查当地的趋势。本监测研究总结了 2022 年不列颠哥伦比亚省地区卫生局 Island Health 所辖地区 iGAS 的流行趋势:在不列颠哥伦比亚省,iGAS 是一种需要报告的疾病;所有确诊病例都要向地区卫生局和省卫生局(不列颠哥伦比亚省疾病控制中心)报告。岛屿卫生局的 iGAS 监控系统是被动的,收集通过实验室检测确定的病例信息。对2022年的监测数据进行了汇总,并与2017-2021年的历史数据进行了比较:2022 年的发病率为每 10 万人 11.4 例(n=101),是过去六年中观察到的最高发病率。病例年龄中位数为 53 岁,范围在 0-96 岁之间,64% 的病例为男性。据报告,40-59 岁的男性感染风险最高,发病率为每 10 万人 21.3 例。最常见的emm类型为emm92(14人)、emm49(13人)和emm83(12人)。总体而言,85%(n=86)的病例住院治疗,21%(n=21)入住重症监护室,6%(n=6)死亡:本研究强调,在冠状病毒病2019(COVID-19)大流行期间,海岛卫生地区的iGAS发病率持续上升,在2022年达到最高年发病率。与欧洲和美国的报告不同的是,儿科人群的感染率没有明显上升。鉴于 iGAS 活动的持续增加,继续定期监测和描述这些病例的流行病学情况势在必行。
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引用次数: 0
A tiny home of one's own 自己的小家
IF 0.9 3区 社会学 Q3 ANTHROPOLOGY Pub Date : 2023-07-12 DOI: 10.1177/13591835231187555
J. Smitheram, A. Nakai Kidd
The home occupies a prominent place in our popular and material imagination. The ideal home is a powerful image because it is understood to be a haven from the ills of the world and a material expression of our true selves. This article considers how home, as a tiny home, is framed through two YouTube channels, Living Big in Tiny Homes and Kirstin Dirksen. Extending Sara Ahmed's work on affect, we present this framing as twofold: first, through a sense of ‘with-ness’ where YouTube facilitates an intimate storytelling with materiality; and second, a sense of ‘against-ness’ where both channels facilitate the notion of the materiality of home as separate and bounded. The study draws on detailed analysis of 42 video episodes and accompanying written comments to consider how materialities, affects, and experiences of tiny homes are intersected with the constraints of the ideal of a stand-alone home.
这个家在我们的大众和物质想象中占有突出的地位。理想的家是一个强大的形象,因为它被理解为远离世界弊病的天堂,是我们真实自我的物质表达。这篇文章考虑了家作为一个小家是如何通过两个YouTube频道构建的,分别是《在小家里过大日子》和《Kirstin Dirksen》。扩展Sara Ahmed关于情感的工作,我们将这种框架呈现为两个方面:首先,通过一种“与性”的感觉,YouTube促进了一个具有实质性的亲密故事;第二,一种“反对”的感觉,这两种渠道都促进了家的物质性是分离和有界限的概念。这项研究对42集视频进行了详细分析,并附上了书面评论,以考虑小房子的物质性、影响和体验如何与独立房子的理想约束相交叉。
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引用次数: 0
Tourists of their own past: Aural palimpsests from the Mao era 他们自己的过去的游客:毛时代的听觉重写
IF 0.9 3区 社会学 Q3 ANTHROPOLOGY Pub Date : 2023-02-14 DOI: 10.1177/13591835221135404
Shelley Zhang
This article explores how individuals in contemporary China use songs to both express and protect their memories of the Cultural Revolution and Mao era. As individuals who experienced the Cultural Revolution find ways to voice their recollections of the past, they casually listen to and perform songs from the Mao era, pursue domestic tourism, and engage with other material culture from that time. Their actions index individuals’ complicated nostalgias and continual negotiations with their political presents. Drawing from ethnographic fieldwork in the Hunan province, this article analyzes song objects as ‘aural palimpsests’ that allow individuals to gesture towards their political presents without criticizing the government or articulating traumatic memories. Aural palimpsests are performed and heard in architectural spaces that shape how music from different eras and genres become layered atop one another to create new social meaning in a contemporary China that is still grappling with its recent history.
这篇文章探讨了当代中国的个人如何用歌曲来表达和保护他们对文化大革命和毛时代的记忆。当经历过文化大革命的人找到表达他们对过去的回忆的方式时,他们会随意地听和表演毛时代的歌曲,追求国内旅游,并参与当时的其他物质文化。他们的行为反映了个人复杂的怀旧情绪,以及与政治礼物的持续谈判。从湖南省的民族志田野调查中,本文分析了歌曲对象作为“听觉重写”,允许个人在不批评政府或表达创伤记忆的情况下对他们的政治礼物做出手势。在建筑空间里演奏和聆听听觉上的改写,塑造了不同时代和流派的音乐如何相互叠加,在一个仍在努力应对近代史的当代中国创造新的社会意义。
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引用次数: 0
Did destructive leadership help create the conditions for the spread of Covid-19, and what are the early warning signs? 破坏性领导是否为 "科威德-19 "的传播创造了条件?
3区 社会学 Q3 ANTHROPOLOGY Pub Date : 2023-02-01 DOI: 10.1177/17427150221104890
Eugene Sadler Smith, Vita Akstinaite

This research asks: 'were there any objectively identifiable signals in the words leaders used in the early stages of the Covid-19 pandemic that can be associated with ineffective management of the crisis?' We chose to focus on the leaders of the two English-speaking nations that fared worst and best in the pandemic, the United States and New Zealand. By way of background and in order to contextualise the research, we compared and contrasted Trump's and Ardern's leaderships using the toxic triangle framework of destructive leadership. We then focused on the leader behaviour element of the triangle by using computerised text analysis (CTA) to analyse Trump's and Ardern's public pronouncements during the critical early stages of the pandemic. Based on a similarity index (S), we identified linguistic markers associated with destructive leader behaviours and negative outcomes (Trump) and non-destructive leader behaviours and positive outcomes (Ardern). We discuss future applications of these linguistic markers for the diagnosis both of incumbent and potential leaders' responses to crises management.

本研究的问题是:"在 Covid-19 大流行病的早期阶段,领导人使用的词语中是否有任何客观可识别的信号,可以与危机管理不力联系起来?我们选择了在大流行中表现最差和最好的两个英语国家--美国和新西兰的领导人作为研究对象。作为研究背景的说明,我们利用破坏性领导力的 "有毒三角 "框架,对特朗普和阿德恩的领导力进行了比较和对比。然后,我们利用计算机文本分析 (CTA) 分析了特朗普和阿德恩在疫情早期关键阶段的公开言论,重点研究了三角关系中的领导行为要素。根据相似性指数(S),我们确定了与破坏性领导行为和消极结果(特朗普)以及非破坏性领导行为和积极结果(阿德恩)相关的语言标记。我们讨论了这些语言标记在诊断现任和潜在领导人危机管理对策方面的未来应用。
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引用次数: 0
Beneath the Laarve: Masking during the Basel Carnival of Fasnacht (Faasnacht) 夜幕下:巴塞尔狂欢节的面具(Faasnacht)
IF 0.9 3区 社会学 Q3 ANTHROPOLOGY Pub Date : 2023-01-19 DOI: 10.1177/13591835221149681
O. Cieslarová, Martin Pehal, Werner Kern
Describing the historical development of the mask (Laarve) 2 within the carnival tradition of the Basel Fasnacht (Faasnacht, Switzerland) during the twentieth and twenty-first centuries, this article offers a case study of the so-called reflexive turn in late modern (‘post-traditional’) societies. Drawing on the concept of ritual reflexivity, we argue that the gradual development of the Fasnacht masks into oversized constructions covering the ritualist's whole head (Laarve) went hand in hand with the development of various other ritual mechanisms aimed at facilitating within the ritual framework a meditative, inward-oriented stance (enstasis). 3 This is especially interesting as carnivals tend to be associated with precisely the opposite dynamics: transcending social norms through the celebration of excess and inebriation which, in its extreme forms, may lead to ekstasis (or at least a headache). The described ritual elements are interpreted as a series of mirroring mechanisms nested within one another. The ritual handling of the Laarve by the ritualists (its donning and taking off at regular intervals) is then understood simultaneously as a facilitator and a marker fuelling and isolating individual phases of an otherwise non-discrete reflexive process. Based on first-hand accounts of ritualists’ experiences of mask-wearing, we will show how Basel Fasnacht walks a tightrope between ‘modelling’ and ‘mirroring’ societal, communal and idiosyncratic levels of meaning-making.
本文描述了面具(Laarve)2在二十世纪和二十一世纪巴塞尔Fasnacht(Faasnacht,瑞士)狂欢节传统中的历史发展,并对现代晚期(“后传统”)社会中所谓的反射性转向进行了个案研究。根据仪式反射性的概念,我们认为,Fasnacht面具逐渐发展成为覆盖仪式主义者整个头部的超大结构(Laarve),与各种其他仪式机制的发展齐头并进,这些机制旨在促进仪式框架内的冥想、内向立场(enstasis)。3这一点尤其有趣,因为狂欢节往往与恰恰相反的动态联系在一起:通过庆祝过度和醉酒来超越社会规范,而醉酒在其极端形式下可能会导致窒息(或至少头痛)。所描述的仪式元素被解释为一系列相互嵌套的镜像机制。仪式主义者对Laarve的仪式处理(每隔一段时间穿脱)被同时理解为一种促进者和一种标记,为原本不离散的反射过程的各个阶段提供燃料和隔离。基于对仪式主义者戴口罩经历的第一手描述,我们将展示巴塞尔·法斯纳赫特如何在“建模”和“反映”社会、社区和特殊意义层面之间走钢丝。
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引用次数: 0
The ophthalmoscope and the physician: Technical innovations and professionalization of medicine 检眼镜与医生:技术创新与医学专业化
IF 0.9 3区 社会学 Q3 ANTHROPOLOGY Pub Date : 2023-01-08 DOI: 10.1177/13591835221149683
Corinne Doria
This article examines the impact of the ophthalmoscope on medical practice and the transformation the medical profession undertook during the second half of the nineteenth century. It argues that the ophthalmoscope had been at the same time an indicator and an accelerator of the transition of medicine from a learned profession to a discipline based on empirical observation, collection and interpretation of data performed by experts. The first six decades since the invention of the ophthalmoscope correspond to a moment when medicine became well established as a hospital-based discipline grounded on clinical observations. This explains the reasons for the instrument's success amongst physicians and the small number of hesitancies it provoked, especially when compared to earlier devices such as the stethoscope. The history of the ophthalmoscope shows hence the close connexion, characteristic of modern medicine, between the medical profession and the use of instruments capable of providing observable data about the patient's body. Furthermore, the ability to perform ophthalmoscopy demonstrated that a physician possessed solid observational, interpretive and analytical skills. Its use hence contributed significantly to shaping the professional identity of medical doctors.
本文探讨了检眼镜对医学实践的影响以及19世纪下半叶医学界所进行的变革。它认为,检眼镜同时也是医学从学术专业向基于专家经验观察、收集和解释数据的学科过渡的指标和加速器。检眼镜发明后的前60年,正是医学作为一门以临床观察为基础的医院学科得到良好发展的时刻。这解释了该仪器在医生中取得成功的原因,以及它引发的少量犹豫,尤其是与听诊器等早期设备相比。因此,检眼镜的历史表明,医学专业与能够提供患者身体可观察数据的仪器的使用之间有着密切的联系,这是现代医学的特点。此外,进行检眼镜检查的能力表明,医生具有扎实的观察、解释和分析技能。因此,它的使用大大有助于塑造医生的职业身份。
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引用次数: 0
‘Just a souvenir?’ Entangled identities within an early 20th century American Indian basket collection “只是个纪念品?”20世纪早期美国印第安人篮子收藏中的纠缠身份
IF 0.9 3区 社会学 Q3 ANTHROPOLOGY Pub Date : 2023-01-08 DOI: 10.1177/13591835221149685
L. Ahlqvist, Bryn Barabas Potter
In this article, we examine a collection of 47 American Indian baskets collected in the early 20th century, at the height of the ‘basket craze’. Currently stored in a Danish museum without much archival information, the baskets encapsulate art historical developments taking place at the turn of the century, a time fuelled by the Euro-American preoccupation with collecting and displaying Native American artefacts. Academic debates developed around the derived ‘tourist art’ and the colonial framework still haunt Euro-American notions of authenticity. We investigate the baskets, their role, cultural affiliation and significance in a bottom-up approach, with a persistent view to this historical context as well as their material testimony to the agency of the weavers navigating in a transformed economy and legislative restrictions. We show how the baskets materialize the entangled identities of makers, collectors and museums and how interdisciplinary research can provide a spatio-temporal context to overlooked collections.
在这篇文章中,我们研究了一组47个美国印第安人的篮子,这些篮子是在20世纪初“篮子热”的高峰期收集的。这些篮子目前存放在丹麦的一家博物馆里,没有太多的档案信息,它们包含了世纪之交的艺术史发展,当时欧美人专注于收集和展示美洲原住民的手工艺品。学术辩论围绕衍生的“旅游艺术”展开,殖民框架仍然困扰着欧美人对真实性的看法。我们以自下而上的方式调查篮子,它们的角色、文化归属和意义,并坚持这一历史背景,以及它们对编织者在转型经济和立法限制下的代理机构的物质见证。我们展示了篮子如何物质化制造者、收藏家和博物馆的纠缠身份,以及跨学科研究如何为被忽视的藏品提供时空背景。
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引用次数: 0
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Journal of Material Culture
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