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Sousveillance Capitalism 监督资本主义
IF 2 Q2 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2020-06-17 DOI: 10.24908/ss.v18i2.13920
G. Borradaile, Joshua Reeves
The striking commercial success of Shoshana Zuboff’s 2019 book, The Age of Surveillance Capitalism, provides us with an excellent opportunity to reflect on how the present convergence of surveillance/capitalism coincides with popular critical and theoretical themes in surveillance studies, particularly that of sousveillance. Accordingly, this piece will first analyze how surveillance capitalism has molded the political behaviors and imaginations of activists. After acknowledging the theoretically and politically fraught implications of fighting surveillance with even more surveillance—especially given the complexities of digital capitalism’s endless desire to produce data—we conclude by exploring some of the political possibilities that lie at the margins of sousveillance capitalism (in particular, the extra-epistemological political value of sousveillance). 
肖珊娜·祖博夫(Shoshana Zuboff) 2019年出版的《监控资本主义时代》(The Age of Surveillance Capitalism)取得了惊人的商业成功,为我们提供了一个极好的机会,让我们反思当前监控/资本主义的融合如何与监控研究(尤其是社会监控)中流行的批评和理论主题相吻合。因此,本文将首先分析监控资本主义是如何塑造活动家的政治行为和想象力的。在承认了用更多的监视来对抗监视的理论和政治上令人担忧的含义之后——特别是考虑到数字资本主义无休止地产生数据的欲望的复杂性——我们最后探讨了一些处于监视资本主义边缘的政治可能性(特别是监视的超认识论政治价值)。
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引用次数: 4
Review of Low and Maguire’s Spaces of Security: Ethnographies of Securityscapes, Surveillance, and Control 洛和马奎尔的《安全空间:安全景观、监视和控制的民族志》述评
IF 2 Q2 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2020-06-17 DOI: 10.24908/ss.v18i2.13984
J. Coaffee
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引用次数: 0
Introduction: The State of Sousveillance 简介:Sousveillance的状态
IF 2 Q2 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2020-06-16 DOI: 10.24908/ss.v18i2.14013
B. Newell
Introduction to Dialogue section on "The State of Sousveillance."
“Sousveillance的状态”对话部分介绍
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引用次数: 4
Mapping Interfacial Regimes of Control: A Qualitative Analysis of America’s Post-9/11 Security Technology Infrastructure 映射控制的界面机制:对美国后9/11安全技术基础设施的定性分析
IF 2 Q2 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2020-06-16 DOI: 10.24908/ss.v18i2.13268
Emma J. Knight, A. Gekker
Recent technological advancements in surveillance and data analysis software have drastically transformed how the United States manages its immigration and national security systems. In particular, an increased emphasis on information sharing and predictive threat modeling following the terrorist attacks of September 11, 2001, has prompted agencies such as the Department of Homeland Security to acquire powerful data analysis software from private sector vendors, including those in Silicon Valley. However, the impacts of these private sector technologies, especially in the context of privacy rights and civil liberties, are not yet fully understood. This article interrogates those potential impacts, particularly on the lives of immigrants, by analyzing the relational database system Investigative Case Management (ICM), which is used extensively by Immigration and Customs Enforcement (ICE) to track, manage, and enforce federal immigration policy. As a theoretical framework, the we use Benjamin Bratton’s concept of the “interfacial regime,” or the layered assemblages of interfaces that exist in modern networked ICT infrastructures. By conducting a document analysis, we attempt to visually situate ICM within the federal government’s larger interfacial regime that is composed by various intertwined databases both within and outside the government’s realm of management. Furthermore, we question and critique the role ICM plays in surveilling and governing the lives of immigrants and citizens alike.
最近在监控和数据分析软件方面的技术进步极大地改变了美国管理其移民和国家安全系统的方式。特别是,在2001年9月11日的恐怖袭击之后,人们越来越重视信息共享和预测威胁建模,这促使国土安全部(Department of Homeland Security)等机构从包括硅谷在内的私营部门供应商那里购买功能强大的数据分析软件。然而,这些私营部门技术的影响,特别是在隐私权和公民自由的背景下,尚未完全了解。本文通过分析关系数据库系统调查案件管理(ICM)来探讨这些潜在的影响,特别是对移民生活的影响,该系统被移民和海关执法局(ICE)广泛用于跟踪、管理和执行联邦移民政策。作为理论框架,我们使用了本杰明·布拉顿的“界面机制”概念,或者存在于现代网络化ICT基础设施中的界面分层组合。通过进行文档分析,我们试图直观地将ICM置于联邦政府更大的接口体系中,该体系由政府管理领域内外的各种相互交织的数据库组成。此外,我们质疑和批评ICM在监视和管理移民和公民生活方面所起的作用。
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引用次数: 6
Making the Body Electric: The Politics of Body-Worn Cameras and Facial Recognition in the United States 让身体带电:美国随身相机和面部识别的政治
IF 2 Q2 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2020-06-16 DOI: 10.24908/ss.v18i2.13285
Jacob Hood
This paper explores the rapid deployment of police body-worn cameras (BWCs) and the subsequent push for the integration of biometric technologies (i.e., facial recognition) into these devices. To understand the political dangers of these technologies, I outline the concept of “making the body electric” to provide a critical language for cultural practices of identifying, augmenting, and fixing the body through technological means. Further, I argue how these practices reinforce normative understandings of the body and its political functionality, specifically with BWCs and facial recognition. I then analyze the rise of BWCs in a cultural moment of high-profile police violence against unarmed people of color in the United States. In addition to examining the ethics of BWCs, I examine the politics of facial recognition and the dangers that this form of biometric surveillance pose for marginalized groups, arguing against the interface of these two technologies. The pairing of BWCs with facial recognition presents a number of sociopolitical dangers that reinforce the privilege of perspective granted to police in visual understandings of law enforcement activity. It is the goal of this paper to advance critical discussion of BWCs and biometric surveillance as mechanisms for leveraging political power and racial marginalization.
本文探讨了警察随身携带摄像头(BWC)的快速部署,以及随后推动将生物识别技术(即面部识别)集成到这些设备中。为了理解这些技术的政治危险,我概述了“使身体带电”的概念,为通过技术手段识别、增强和固定身体的文化实践提供了一种关键的语言。此外,我认为这些做法如何加强对身体及其政治功能的规范性理解,特别是在生物武器公约和面部识别方面。然后,我分析了在美国警察对手无寸铁的有色人种实施高调暴力的文化时刻,生物武器公约的兴起。除了研究生物武器公约的伦理外,我还研究了面部识别的政治以及这种形式的生物识别监控对边缘化群体构成的危险,反对这两种技术的结合。BWC与面部识别的结合带来了许多社会政治危险,这些危险加强了警察在对执法活动的视觉理解中享有的视角特权。本文的目标是推动对生物武器公约和生物特征监测作为利用政治权力和种族边缘化机制的批判性讨论。
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引用次数: 9
Everyday Surveillance, Goffman, and Unfocused Interaction 日常监视,戈夫曼和无焦点互动
IF 2 Q2 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2020-06-16 DOI: 10.24908/SS.V18I2.13346
Louise Eley, B. Rampton
It is often said that surveillance has massively transformed our social lives (Lyon, Haggerty, and Ball 2012: 1), but this claim is weakened by the admission that its “effects are difficult to isolate or observe, as they are embedded within many normal aspects of daily life.” Picking up this analytic challenge, this paper investigates the everyday interactional practice and experience of being surveilled. To do so, it draws on Goffman’s account of the interaction order, dwelling closely on unfocused interaction in which people maintain a side-of-the-eye, half-an-ear awareness of the people, objects, and events in the space around them. After introducing key concepts from Goffman, the paper discusses three scenes of surveillance: a woman walking down a city street, two men putting up street stickers (a civil offence), and passengers being scanned at an airport (Pütz 2012). It shows how different senses of potential threat and illegality enter the experience of surveillance, and it builds a rudimentary model. This paper considers only a tiny fraction of contemporary surveillance, but it shows Goffman’s value as an analytic resource that can hold large-scale generalisations about the surveillance society to account, allowing us to see agentive responses to surveillance that are too subtle to be captured by notions like subversion and resistance. Indeed, Goffman corroborates Green and Zurawski’s (2015) suggestion that surveillance is a basic mode of the social, elaborated in different ways in different environments.
人们常说,监控极大地改变了我们的社交生活(Lyon,Haggerty,and Ball 2012:1),但这一说法因其“影响很难隔离或观察,因为它们嵌入了日常生活的许多正常方面”而被削弱,本文调查了被监视的日常互动实践和体验。为了做到这一点,它借鉴了戈夫曼对互动顺序的描述,密切关注非焦点互动,在这种互动中,人们对周围空间中的人、物体和事件保持着一只眼睛、半只耳朵的意识。在介绍了Goffman的关键概念后,本文讨论了三个监控场景:一名女子走在城市街道上,两名男子张贴街头贴纸(民事犯罪),以及乘客在机场被扫描(Pütz 2012)。它展示了不同的潜在威胁和非法感是如何进入监视体验的,并建立了一个基本的模型。这篇论文只考虑了当代监控的一小部分,但它展示了戈夫曼作为一种分析资源的价值,可以对监控社会进行大规模的概括,让我们看到对监控的代理反应,这些反应太微妙了,颠覆和抵抗等概念无法捕捉到。事实上,Goffman证实了Green和Zurawski(2015)的观点,即监控是一种基本的社会模式,在不同的环境中以不同的方式进行阐述。
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引用次数: 4
Normative Paradoxes of Privacy: Literacy and Choice in Platform Societies 隐私的规范悖论:平台社会中的素养和选择
IF 2 Q2 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2020-06-16 DOI: 10.24908/ss.v18i2.13356
P. Helm, Sandra Seubert
Privacy scholars, advocates, and activists repeatedly emphasize the fact that current measures of privacy protection are insufficient to counter the systemic threats presented by datafication and platformization (van Dijck, de Waal, and Poell 2018: 24). These threats include discrimination against underprivileged groups, monopolization of power and knowledge, as well as manipulation. In this paper, we take that analysis one step further, suggesting that the consequences of inappropriate privacy protection online possibly even run counter to the normative principles that underpinned the standard clause for privacy protection in the first place. We discuss the ways in which attempts at protection run the risk of producing results that not only diverge from but, paradoxically, even distort the normative goals they intended to reach: informational self-determination, empowerment, and personal autonomy. Drawing on the framework of “normative paradoxes,” we argue that the ideals of a normatively increasingly one-sided, liberal individualism create complicities with the structural dynamics of platform capitalism, which in turn promote those material-discursive practices of digital usage that are ultimately extremely privacy-invasive.
隐私学者、倡导者和活动家一再强调,当前的隐私保护措施不足以应对数据化和平台化带来的系统性威胁(van Dijck, de Waal, and Poell 2018: 24)。这些威胁包括对弱势群体的歧视、对权力和知识的垄断以及操纵。在本文中,我们将这一分析进一步推进,表明不适当的在线隐私保护的后果甚至可能与最初支撑隐私保护标准条款的规范性原则背道而驰。我们讨论了保护的尝试冒着产生结果的风险的方式,这些结果不仅偏离了他们想要达到的规范目标,而且矛盾的是,甚至扭曲了这些目标:信息自决、赋权和个人自治。利用“规范悖论”的框架,我们认为,规范上日益片面的自由个人主义的理想与平台资本主义的结构动态创造了共通之处,这反过来又促进了那些最终极端侵犯隐私的数字使用的物质话语实践。
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引用次数: 15
Safe is a Wonderful Feeling: Atmospheres of Surveillance and Contemporary Art 安全是一种美妙的感觉:监视与当代艺术的氛围
IF 2 Q2 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2020-06-16 DOI: 10.24908/ss.v18i2.12756
Karen Louise Grova Søilen
This paper examines how the combined prism of contemporary art and the notion of atmosphere may offer alternative perspectives on our encounters with places and practices of surveillance. Specifically, this article investigates the atmospheres of surveillance surfacing in the video installation Safe Conduct (2016a) by British contemporary artist Ed Atkins. The artwork recreates the well-known situation of going through an airport security check. Through a combination of visual narrative and a soundscape blending the sounds of the conveyor belt and X-ray machines with heavy breathing and Ravel’s Boléro, the work builds up an uncanny anticipation of something awful. Death and violence linger at its edges, and a disquieting atmosphere fills the exhibition space. The objective of the article is twofold: First, it explores the shifting and ambiguous atmospheres produced by contemporary surveillance practices through an immersive reading of the artwork Safe Conduct. Second, and connected to the first, it offers an experimental methodology of written vignettes responding to the embodied, aesthetic experience of atmospheres of surveillance. The article concludes that being more sensitive to the atmospheres of surveillance in our environment can give us a space to think critically about how these atmospheres affect us, how they are absorbed bodily, and how they attune our being: how surveillance is “in the air.”
本文探讨了当代艺术的棱镜和氛围的概念如何为我们遇到监视的地方和实践提供替代的视角。具体而言,本文调查了英国当代艺术家埃德·阿特金斯的视频装置《安全行为》(2016a)中出现的监控气氛。这件艺术品再现了人们熟知的通过机场安检的情景。通过视觉叙事和声景的结合,将传送带和X光机的声音与沉重的呼吸和Ravel的Boléro融合在一起,这部作品建立了对可怕事情的离奇预期。死亡和暴力在其边缘徘徊,令人不安的气氛充斥着展览空间。这篇文章的目的有两个:首先,它通过身临其境地阅读艺术品《安全行为》,探索了当代监控实践所产生的变化和模糊的氛围。第二,与第一个相联系,它提供了一种实验性的书面小插曲方法,以回应监视氛围的具体化、审美体验。这篇文章的结论是,对我们环境中的监视大气层更加敏感,可以让我们有空间批判性地思考这些大气层是如何影响我们的,它们是如何被身体吸收的,以及它们是如何调节我们的存在的:监视是如何“在空中”的
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引用次数: 0
Identifying Suspicious Bodies? Historically Tracing Criminal Identification Technologies in Portugal 识别可疑尸体?历史追溯犯罪识别技术在葡萄牙
IF 2 Q2 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2020-03-16 DOI: 10.24908/ss.v18i1.12543
Diana Miranda
This article explores how criminal identification technologies evolved in Portugal since the end of the nineteenth century from anthropometric measurements to descriptive, photographic, dactyloscopic, and genetic methods. The historical trajectory of these identification technologies allows us to reflect on the continuities and discontinuities of past and current practices that aim to inscribe the individual identity as a bureaucratic category. The chronological and geographical contexts are fundamental to understanding the archival uses of different techniques that seek to document (on paper and electronically) the suspicious body. Through the collection of documentary evidence (such as case files, reports, personal records, and legislation), this historical analysis situates the use and implementation of these techniques in the Portuguese context. This article demonstrates that the need to identify the criminal and to follow technological developments has been constantly used as a political argument to legitimise the implementation of these technologies. But it also concludes that these identification procedures tend to be extended to the entire population, widening the political will to identify and monitor not only “suspicious” bodies but also those who are regarded as “respectable” citizens.
本文探讨了自19世纪末以来,葡萄牙的犯罪识别技术是如何从人体测量到描述、摄影、指趾学和遗传方法的演变。这些识别技术的历史轨迹使我们能够反思过去和现在的实践的连续性和不连续性,这些实践旨在将个人身份作为官僚类别。时间和地理背景是理解不同技术的档案使用的基础,这些技术试图记录(在纸上和电子上)可疑的尸体。通过收集文献证据(如案件档案、报告、个人记录和立法),这一历史分析将这些技术的使用和实施置于葡萄牙的背景下。本文表明,识别罪犯和跟踪技术发展的必要性一直被用作使这些技术实施合法化的政治论据。但报告也得出结论,这些识别程序往往会扩展到全体人口,扩大了不仅要识别和监测“可疑”尸体,还要识别和监测那些被视为“受人尊敬”的公民的政治意愿。
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引用次数: 0
Lines of Resistance 阻力线
IF 2 Q2 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2020-03-16 DOI: 10.24908/SS.V18I1.13529
R. Butler
Lines of Resistance is filmed at the Berlin Wall Memorial, a preserved and sealed section of the former wall and death strip. The film, informed by the narration of tour guides and visitors comments, explores their interaction with and reactions to the memorial and considers the space as a site of control.
《抵抗线》在柏林墙纪念馆拍摄,这是前柏林墙和死亡地带的一个保存和密封的部分。这部电影通过导游和游客评论的叙述,探讨了他们与纪念碑的互动和反应,并将空间视为一个控制场所。
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引用次数: 1
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Surveillance & Society
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