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“A GUESSER IN THIS VALE OF TEARS”: ON THE POLITICS OF HISTORY WRITING “泪谷中的猜测者”:关于历史写作的政治
IF 1.1 2区 历史学 Q1 HISTORY Pub Date : 2025-01-19 DOI: 10.1111/hith.12379
Joan W. Scott

The essay makes three points about historians’ responsibilities in the current moment. The first has to do with making sense of the present by bringing the past to bear on it—that is, offering to the current eruptions of politics a history that can help explain what has brought them to this point in the form of narratives that counter the dominant ones. The second is what Foucault called a “history of the present.” That is a critical interrogation of the terms we use to represent the past, a dismantling of the naturalized understanding of history that has long served to legitimize modernity as the inevitable outcome of a singular chronology. The third calls for the avowal of our ethical investments in the history we write.

这篇文章就历史学家在当下的责任提出了三点看法。第一个是通过将过去与现在联系起来来理解现在,也就是说,为当前的政治爆发提供一段历史,可以帮助解释是什么把它们带到这一点,以叙述的形式来对抗主流。第二种是福柯所说的“当下的历史”。这是对我们用来代表过去的术语的批判性质疑,是对历史的自然化理解的瓦解,这种理解长期以来一直有助于将现代性合法化,认为现代性是单一年代的必然结果。第三个要求我们承认我们在书写历史时的道德投资。
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引用次数: 0
THE STUPID NINETEENTH CENTURY: PHILOSOPHY OF HISTORY IN CRITICAL POSTHUMANIST AND POST-ANTHROPOCENTRIC THOUGHT 愚蠢的十九世纪:批判后人文主义和后人类中心主义思想中的历史哲学
IF 1.1 2区 历史学 Q1 HISTORY Pub Date : 2024-12-19 DOI: 10.1111/hith.12373
CALLUM BARRELL, SARA RAIMONDI

This article addresses the charge of “stupidity” leveled at nineteenth-century thought by recent critical posthumanist and post-anthropocentric theorists. The article's first section traces a particularistic reading of nineteenth-century philosophy of history in the writings of Rosi Braidotti and Bruno Latour, both of whom have employed the nineteenth century as an intellectual shorthand for human exceptionalism and its implicit collusion with the present ecological crisis. Their respective posthumanist and post-anthropocentric provocations (1) question the composition, agency, and exceptionalism of the human, and (2) posit multiple temporalities as an alternative to the linear time of universal history. While intellectual historians have begun to complicate the first provocation in relation to the nineteenth century, we lack an equivalent intervention for the second. In response, the article's second section draws on John Stuart Mill's (1806–1873) reception of Auguste Comte (1798–1857) to demonstrate that speculative philosophy of history in fact grappled with its own problems of scale, multiplicity, and direction. We show that Mill, partly in response to Comte, employed incommensurable historical registers, such as the universal and the relative, to interpret the past at different scales of analysis. These scales were undeniably human, not to mention Eurocentric, but they nevertheless invite a more nuanced reading of the nineteenth century as well as a less linear and troubled logic of overcoming that afflicts Braidotti, Latour, and others. In this spirit, the article's final section suggests that nineteenth-century philosophy of history may actually facilitate the recomposition of the human in time, a task that is central to the multifaceted crisis of the present posthumanist, post-anthropocentric, and Anthropocenic conjuncture.

这篇文章讨论了最近批判的后人类主义和后人类中心主义理论家对19世纪思想的“愚蠢”指控。文章的第一部分追溯了罗西•布莱多蒂和布鲁诺•拉图尔的著作中对19世纪历史哲学的特殊解读,这两人都将19世纪作为人类例外论及其与当前生态危机的隐含勾结的智力缩影。他们各自的后人类主义和后人类中心主义挑衅(1)质疑人类的构成、能动性和例外论,(2)假设多重时间性作为普世历史线性时间的替代方案。虽然有思想的历史学家已经开始将第一次挑衅与19世纪的关系复杂化,但我们缺乏对第二次挑衅的同等干预。作为回应,文章的第二部分借鉴了约翰·斯图尔特·穆勒(1806-1873)对奥古斯特·孔德(1798-1857)的接受,以证明历史的思辨哲学实际上是在努力解决其自身的规模、多样性和方向问题。我们表明密尔,在一定程度上是对孔德的回应,使用不可通约的历史记录,如普遍和相对,在不同的分析尺度上解释过去。不可否认,这些尺度是人类的,更不用说欧洲中心主义了,但它们还是让我们对19世纪有了更细致的解读,以及一种不那么线性和麻烦的克服逻辑,这种逻辑折磨着布莱多蒂、拉图尔和其他人。本着这种精神,文章的最后一节提出,19世纪的历史哲学实际上可能促进了人类在时间上的重构,这一任务是当前后人类主义、后人类中心主义和人类世危机的核心。
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引用次数: 0
WHY STILL KOSELLECK? 为什么还在吃素?
IF 1.1 2区 历史学 Q1 HISTORY Pub Date : 2024-12-05 DOI: 10.1111/hith.12370
Fernando Esposito

Those seeking to gain a deeper understanding of the complex interrelationship between Reinhart Koselleck's oeuvre and the turbulences of the Age of Extremes would be well advised to consult Stefan-Ludwig Hoffmann's Der Riss in der Zeit: Kosellecks ungeschriebene Historik. Hoffmann shows how “Koselleck's personal experience of the abysmal meaninglessness of history” and his “experiences of time in extremis” formed the starting point for his numerous historiographical endeavors and, ultimately, for his unwritten Historik. Hoffmann provides an accessible interpretation of Koselleck's oeuvre, contextualizes its insights as a reflex of the latter's experience of the abysmal crises of the twentieth century, and invites a series of far-reaching questions that point beyond Koselleck. The significance of Koselleck for contemporary historical thought is founded on his historicization of historicism. Whereas the initial crisis of historicism constituted the point of departure for Koselleck's project, it was before the backdrop of a second crisis of historicism that he historicized historicism, embarked on a search for a theory of the conditions of possible histories, and opened up a horizon for a new historical concept of history and understanding of time.

那些想要深入了解莱因哈特·科塞莱克作品与极端时代动荡之间复杂相互关系的人,最好参考一下斯特凡-路德维希·霍夫曼(Stefan-Ludwig Hoffmann)的《时代中的危机:科塞莱克ungeschriebene Historik》。霍夫曼展示了“科塞莱克对历史毫无意义的深渊的个人体验”和他“在极端情况下的时间体验”如何形成了他无数的历史编纂努力的起点,并最终形成了他的《不成文的历史》。霍夫曼对科塞莱克的全部作品提供了一种通俗易懂的解释,将其见解作为后者对20世纪严重危机的经历的反映,并提出了一系列超越科塞莱克的深远问题。科塞列克对当代历史思想的意义在于他对历史主义的历史化。虽然历史主义的最初危机构成了科塞莱克计划的出发点,但在历史主义的第二次危机背景之前,他将历史主义历史化,开始探索一种可能历史条件的理论,并为新的历史历史概念和对时间的理解开辟了一个视野。
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引用次数: 0
HISTORY, THEORY, VERTIGO: HOMODIEGESIS IN CONTEMPORARY HISTORIOGRAPHY 历史、理论、眩晕:当代史学中的同质叙事
IF 1.1 2区 历史学 Q1 HISTORY Pub Date : 2024-12-03 DOI: 10.1111/hith.12374
Andrew Baird

Enzo Traverso's Singular Pasts: The “I” in Historiography argues that contemporary historical writing is undergoing a “subjectivist turn” characterized by the increasing prevalence of first-person narration, or homodiegesis. Traverso attributes this shift to the influence of neoliberalism and its emphasis on individual experience. This review essay follows Judith Surkis's analysis of the linguistic turn in questioning whether “turn talk” obscures more than it illuminates about contemporary historiography, especially given the extreme diversity of the field in terms of method, object, and approach. This essay proposes Hayden White's notion of the “practical past” as a better context for understanding the increasing prevalence of first-person narration in historiography, insofar as it brings to the foreground what is lost or ruled out when history bases its authority and epistemological status on third-person narration and a rigid distinction between historical and literary writing.

恩佐·特拉弗索的《单一的过去:史学中的“我”》认为,当代历史写作正在经历一种“主观主义转向”,其特征是第一人称叙述或同形叙述日益流行。特拉弗索将这种转变归因于新自由主义的影响及其对个人经验的强调。这篇评论文章遵循朱迪思·索尔基斯对语言学转向的分析,质疑“转向谈话”是否模糊了当代史学,而不是阐明了当代史学,特别是考虑到该领域在方法、对象和途径方面的极端多样性。本文提出海登·怀特的“实践的过去”概念,作为更好地理解第一人称叙述在史学中日益流行的背景,因为它将历史的权威和认识论地位建立在第三人称叙述和历史与文学写作之间的严格区分之上时所失去或排除的东西置于前台。
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引用次数: 0
REVISITING MONTAILLOU 回顾《蒙太罗》一书
IF 1.1 2区 历史学 Q1 HISTORY Pub Date : 2024-11-21 DOI: 10.1111/hith.12372
EWA DOMANSKA

Based on extensive scholarship in English and French, this article offers an analytical survey of both the laudatory and critical reception of Emmanuel Le Roy Ladurie's Montaillou (1975). I revisit the Latin text of Jacques Fournier's register and compare it with relevant fragments in the French and English translations of Montaillou. This comparison provides a starting point to comment on Le Roy Ladurie's novelistic writing style and the “hypnotic effect of narrative” achieved by the book. It also enables me to address historians’ criticisms of how Le Roy Ladurie used historical sources. In the second part of the article, I discuss anthropological history and the history of mentality as subdisciplines of contemporary historical writing, and I situate Montaillou within this tradition. Following Charles Tilly, I argue that Le Roy Ladurie's work is an example of “retrospective ethnography,” a term that more accurately describes Le Roy Ladurie's traditional approach to anthropological research, particularly the method of participatory observation. I also highlight prosopography as a method in Le Roy Ladurie's study of social relations in the medieval village. In conclusion, I reflect on the contemporary relevance of Montaillou for supporting human dignity and agency as well as the “humanity of history” needed in times of social and political upheaval.

本文在广泛的英法学术研究的基础上,对伊曼纽尔·勒罗伊·拉杜里的《蒙太罗》(1975)的褒贬评价进行了分析考察。我重新审视了雅克·富尼耶的拉丁语文本,并将其与蒙太罗的法语和英语译本中的相关片段进行了比较。这一对比为评论勒罗伊·拉杜里的小说写作风格和该书所达到的“叙事催眠效果”提供了一个起点。这也使我能够解决历史学家对勒罗伊·拉杜里如何使用历史资料的批评。在文章的第二部分,我将人类学历史和心理史作为当代历史写作的分支学科进行讨论,并将蒙太罗置于这一传统之中。继查尔斯·蒂利之后,我认为勒罗伊·拉杜里的工作是“回顾性人种志”的一个例子,这个术语更准确地描述了勒罗伊·拉杜里的传统人类学研究方法,特别是参与式观察方法。我还强调了在勒罗伊·拉杜里对中世纪村庄社会关系的研究中,人格学作为一种方法。最后,我反思了蒙太罗在支持人类尊严和能动性方面的当代意义,以及社会和政治动荡时期所需要的“历史的人性”。
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引用次数: 0
MISFITS, POWER, AND HISTORY: RETHINKING ABILITY THROUGH AN ANIMAL LENS 不适应、权力和历史:从动物的视角重新思考能力
IF 1.1 2区 历史学 Q1 HISTORY Pub Date : 2024-11-21 DOI: 10.1111/hith.12368
ANDREW FLACK, ALICE WOULD

In this article, we construct a critical history of “ability” by focusing on the specific case study of dark-dwelling animals and the ways in which they have been understood over the course of modernity. Such creatures were frequently the subjects of assumptions and judgments about what they could and could not do. Dark places have historically been imagined as extreme environments and as home to equally strange beings. We argue that discourse relating to dark-dwellers—from bats and hedgehogs to deep-sea creatures—reveals that ability, in the animal context, relates to several connected ideas and phenomena. Not least, these include ideas around specialization, adaptation and adaptability, the concentrated interrogation of “special” sensory organs and neurological pathways, and the idealized coherence between a body and its wider environment. We also show that the idea of ability became increasingly inseparable from notions of vulnerability, resilience, and care especially in the context of twentieth- and twenty-first-century environmental change. The concept of ability, then, was a shifting constellation of many different ideas, and our study underlines how big ideas such as ability are far from homogenous in character but instead are complex, multilayered, and of their time. Reconceptualizing these kinds of ideas about “ability,” particularly as they manifested across diverse contexts, is crucial for understanding how people understood themselves and other beings across time and space. Such an approach to the history of ability matters. It points to the urgency of interrogating the roots of a seemingly everyday idea, one that appears commonplace and apparently unproblematic but that has material consequences for all living beings, human and animal, across a wide range of environments.

在这篇文章中,我们通过对居住在黑暗中的动物的具体案例研究,以及它们在现代性进程中被理解的方式,构建了一个关于“能力”的批判性历史。这些生物经常是关于他们能做什么和不能做什么的假设和判断的对象。黑暗的地方历来被认为是极端的环境,是同样奇怪的生物的家园。我们认为,从蝙蝠和刺猬到深海生物,与黑暗居民有关的话语揭示了这种能力,在动物的背景下,与几个相互关联的想法和现象有关。尤其重要的是,这些理念包括专业化、适应和适应性、对“特殊”感觉器官和神经通路的集中询问,以及身体与其更广泛环境之间的理想化一致性。我们还表明,在20世纪和21世纪的环境变化背景下,能力的概念与脆弱性、恢复力和关怀的概念越来越密不可分。因此,能力的概念是由许多不同的概念组成的一个不断变化的星座,我们的研究强调了像能力这样的大概念在性质上远非同质的,而是复杂的、多层次的、具有时代特色的。重新定义这些关于“能力”的概念,特别是当它们在不同的背景下表现出来时,对于理解人们如何跨越时间和空间理解自己和他人是至关重要的。这种研究能力历史的方法很重要。它指出了追问一个看似日常的想法的根源的紧迫性,这个想法看起来很普通,显然没有问题,但它对所有生物,人类和动物,在广泛的环境中都有重大影响。
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引用次数: 0
INHERITANCE AND INCEST: TOWARD A LÉVI-STRAUSSIAN READING OF MONTESQUIEU'S DE L'ESPRIT DES LOIS1 继承与乱伦:对孟德斯鸠《论法律的精神》lÉvi-straussian的解读
IF 1.1 2区 历史学 Q1 HISTORY Pub Date : 2024-11-21 DOI: 10.1111/hith.12369
Paul Cheney

The premise of this article is that Montesquieu, while seen as an Enlightenment thinker who contributed centrally to the development of the social sciences before the period of discipline formation in the nineteenth century, is generally appreciated in only the vaguest of terms. To the degree that he has been seen as a social theorist rather than as a belletrist or a political writer, scholars have had to amputate major sections of his masterwork, De l'esprit des lois (1748). In so doing, they have tended to give false or at least only partial readings of a work whose author insisted must be read as a whole. This article proceeds in an unorthodox fashion—at least for a historian—through a reading of De l'esprit des lois against Claude Lévi-Strauss's Les structures élémentaires de la parenté (1949). Through this parallel reading, I establish that Montesquieu's treatment of inheritance bears a remarkable homology with Lévi-Strauss's treatment of incest in Les structures élémentaires. These authors saw their respective objects—the incest taboo, in one case, and inheritance law, in the other—as fundamental to regulating sociability itself. This technique offers a more unified reading of De l'esprit des lois and, in so doing, reassesses Montesquieu's contribution to modern social theory. From a methodological point of view, I am hoping to interest my readers in an alternative way of reading historical texts: juxtaposing texts or corpora that do not have the clear genetic links between them that are generally highly valued by historians. This is an example of what Robert B. Pippin has called “interanimation” and what I have elsewhere likened to the painterly technique of simultaneous contrast.

本文的前提是,尽管孟德斯鸠被视为启蒙思想家,在19世纪学科形成之前对社会科学的发展做出了主要贡献,但人们对他的评价通常是最模糊的。在某种程度上,他被视为一个社会理论家,而不是一个文学家或政治作家,学者们不得不删去他的杰作《法的精神》(De l’esprit des lois, 1748)的主要部分。在这样做的过程中,他们往往会对一部作者坚持必须整体阅读的作品给出错误的解读,或者至少只是部分解读。本文以一种非正统的方式进行——至少对一个历史学家来说是这样的——通过阅读克劳德·拉斯特劳斯1949年出版的《Les structures郁闷的父母》来反对克劳德·拉斯特劳斯的《Les esprit des lois》。通过这一平行阅读,我确立了孟德斯鸠对遗传的处理与斯特劳斯在《Les structures》中对乱伦的处理有着显著的同源性。这些作者认为他们各自的目标——一个是乱伦禁忌,另一个是继承法——是规范社会活动本身的基础。这种方法提供了一种更统一的解读《论法的精神》的方法,并以此重新评估孟德斯鸠对现代社会理论的贡献。从方法论的角度来看,我希望我的读者对另一种阅读历史文本的方式感兴趣:并置文本或语料库,这些文本或语料库之间没有明确的遗传联系,而历史学家通常高度重视这些联系。这是罗伯特·b·皮平所说的“交互动画”的一个例子,我在其他地方把它比作同时对比的绘画技巧。
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引用次数: 0
CREATIVE DISINTEGRATION: THE PERPETUAL EMERGENCE OF MODERN POLITICAL THOUGHT 创造性解体:现代政治思想的不断涌现
IF 1.1 2区 历史学 Q1 HISTORY Pub Date : 2024-11-21 DOI: 10.1111/hith.12376
IAN HUNTER

Michael Sonenscher's After Kant: The Romans, the Germans, and the Moderns in the History of Political Thought offers a rich overview of nineteenth-century French, Swiss, and German political thought. The work's central argument is that modern political thought emerges in a series of attempts to close germinal “gaps” opened in the fabric of European intellectual life by Kant's philosophy and philosophical history. Less a narrative than a bricolage, the work consists of a myriad of intellectual cameos, walk-on roles, philosophical speculations, and political and social theories whose detail threatens to overwhelm even the most assiduous reader. The most striking feature of Sonenscher's book, however, is its theoretical method. Measuring his distance from both dialectical philosophical history and Cambridge school contextualism, Sonenscher makes powerful use of a method of intellectual history whose last great exponent was Arthur Lovejoy. Under this method, political thought is neither governed by the telos of self-consciousness nor explicable in terms of the historical circumstances in which it has arisen and whose uses and purposes it might serve. Instead, political thought “emerges” unforeseen from a condition of sheer metaphysical indeterminacy. This condition is brought about by the dissolution of prior conceptual oppositions in an amnesic maelstrom of inversions, arguments, and debates. New oppositions are then created through “chance and choice” only to disintegrate in their turn, leading to further cycles of destruction and recreation that Sonenscher calls “palingenesis.” This anti-contextual method is responsible for the rich mosaic of intellectual fragments that the reader encounters in this engaging book. It is also responsible for the book's central shortcoming, for it renders the author oblivious to the way in which their impact on those forced to live and think through them makes historical circumstances resistant to their metaphysical liquefaction, with this in turn making Sonenscher heedless of the historian's duty to investigate these circumstances.

迈克尔·索南舍尔的《康德之后:政治思想史上的罗马人、日耳曼人和现代人》对19世纪法国、瑞士和德国的政治思想进行了丰富的概述。本书的中心论点是,现代政治思想是在一系列试图弥合康德哲学和哲学史在欧洲知识分子生活结构中打开的萌芽“缺口”的尝试中出现的。与其说是叙述,不如说是拼凑,这部作品由无数的知识分子客串,跑龙套的角色,哲学思考,政治和社会理论组成,其细节甚至可能压倒最勤奋的读者。然而,索南舍尔这本书最显著的特点是它的理论方法。索南舍尔在衡量自己与辩证哲学史和剑桥学派语境主义的距离时,有力地运用了一种思想史的方法,这种方法的最后一位伟大代表是阿瑟·洛夫乔伊。在这种方法下,政治思想既不受自我意识的目的支配,也不能用它产生的历史环境及其可能服务的用途和目的来解释。相反,政治思想从纯粹形而上学的不确定性中不可预见地“浮现”出来。这种情况是由于在颠倒、论证和辩论的失忆漩涡中,先前的概念对立被消解而造成的。然后,通过“机会和选择”创造出新的对立,只会反过来瓦解,导致进一步的破坏和再造循环,索内舍尔称之为“轮回”。这种反语境的方法是读者在这本引人入胜的书中遇到的丰富的智力片段的马赛克。这也是这本书的主要缺点,因为它使作者忽略了它们对那些被迫生活和思考它们的人的影响,使历史环境抵制了它们形而上学的升华,这反过来又使索南舍尔忽视了历史学家调查这些环境的责任。
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引用次数: 0
THE ADVANCEMENT OF KNOWLEDGE NOW, OR THE HISTORY OF KNOWLEDGE AND THE ELEPHANT IN THE ROOM 是现在知识的进步,还是知识的历史和房间里的大象
IF 1.1 2区 历史学 Q1 HISTORY Pub Date : 2024-11-13 DOI: 10.1111/hith.12371
CLIFFORD SISKIN

What role should history play in the advancement of knowledge? Because it was so “hard,” so “unbelievably difficult … to get people to believe” in his Great Renewal, Francis Bacon thought a history of knowledge could provide evidence of advancement—a reason to “believe” and participate in his experiment. By indexing advancement, historians of knowledge could foster it. If Bacon were with us today, he would be happy to hear that the history of knowledge is a thriving enterprise. But upon reading our version, he would be dismayed to discover that advancement is nowhere to be found. It's the elephant in the room. That shouldn't surprise him or us—the great difficulty of The Great Renewal is that it always needs to be renewed—but this is a new kind of precarity. I call it friendly fire, because it's damage done not by those who wish to contain or undermine knowledge but by those whose purpose it is to produce and valorize it. Why, I ask in this article, is a volume that offers so much of value—Information: A Historical Companion—so unattuned to issues of advancement? Although occasioned by the current ubiquity of “information,” its focus is not on change—asking such questions as “why information?” and “why now?”—but on asserting the “belief” that “every age is an information age.” In a history built on that belief, change is relegated to subordinate clauses (“while recognizing changes over time”) and advancement isn't even on the table. I put it back on not by rejecting this companion but by providing a companion for it, one in which identifying and classifying change is the central task. I take two preparatory steps. First, I clarify how the concept of “culture” configures the agenda and the findings of Companion 1 while fencing out advancement. Second, I set the agenda for Companion 2 by specifying that the knowledge at stake in advancement is “explanatory knowledge.” I both address concerns about the notion of “progress” and provide a vocabulary for explanation highlighted by the concepts of “fit” and “reach.” Companion 2 then approaches the elephant from a number of angles, from a shift in information over four centuries from a matrix of currency to a matrix of possibility to the pacing of that change by a feature of the history of knowledge that I call the “sequence of surprise.” Since Bacon's highest hope for his history of knowledge was to make us better at advancing it, I conclude with a speculative turn to information's future, from Alan Turing's first use of the word “information” in its modern sense to a rethinking—through the history of knowledge—of the “hallucination” issue in our new forms of generative AI.

历史在知识的进步中应该扮演什么角色?因为让人们相信他的伟大复兴是如此“困难”,如此“难以置信的困难”,弗朗西斯·培根认为知识的历史可以提供进步的证据——一个“相信”和参与他的实验的理由。通过索引进步,知识历史学家可以促进进步。如果培根今天和我们在一起,他会很高兴地听到,知识的历史是一项蓬勃发展的事业。但在阅读我们的版本后,他会沮丧地发现,进步无处可寻。这是房间里的大象。这不应该让他或我们感到惊讶——《伟大复兴》的最大困难在于它总是需要更新——但这是一种新的不稳定。我称之为“友军之火”,因为这种伤害不是由那些希望遏制或破坏知识的人造成的,而是由那些以创造和增值知识为目的的人造成的。我在这篇文章中问道,为什么一本提供了如此多价值的书——《信息:历史的伴侣》——与进步问题如此格格不入?尽管“信息”的普遍存在引起了人们的关注,但它的焦点并不是改变——而是问诸如“为什么是信息?”和“为什么是现在?”——而是坚信“每个时代都是信息时代”。在建立在这种信念基础上的历史中,改变被贬为从句(“随着时间的推移认识到变化”),进步甚至不在讨论范围之内。我不是通过拒绝这个伴侣,而是通过为它提供一个伴侣,在这个伴侣中,识别和分类变化是中心任务。我采取了两个准备步骤。首先,我澄清了“文化”的概念是如何配置议程和同伴1的发现,同时阻止了晋升。其次,我为《同伴2》设定了议程,明确了在发展过程中面临风险的知识是“解释性知识”。我既关注“进展”的概念,又提供了一个词汇表来解释“适合”和“达到”的概念。《同伴2》随后从多个角度探讨了大象,从四个世纪以来信息的变化,从货币矩阵到可能性矩阵,再到这种变化的节奏,这是知识历史的一个特征,我称之为“惊喜序列”。由于培根对他的知识历史的最高希望是让我们更好地推进它,我以一个对信息未来的推测来结束,从艾伦·图灵第一次在现代意义上使用“信息”这个词,到通过知识的历史重新思考我们新形式的生成人工智能中的“幻觉”问题。
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引用次数: 0
SENSORY EXPERIMENTS, SENSORY ORDERS, AND AESTHETIC EDUCATION 感官实验、感官指令与审美教育
IF 1.1 2区 历史学 Q1 HISTORY Pub Date : 2024-11-10 DOI: 10.1111/hith.12375
Premesh Lalu

Erica Fretwell's Sensory Experiments: Psychophysics, Race, and the Aesthetics of Feeling (2020) raises crucial questions about the making of a concept of difference through marshaling the senses to the ends of a sensory order in postbellum United States. In this essay, I argue that Fretwell's book has opened a crucial horizon for rethinking how race and ideas of difference marking gender and disability were remade through the short-lived but deeply consequential science of psychophysics. While the study focuses on how psychophysics and its aftermaths recast questions of difference in the US, Fretwell indirectly poses a major challenge for the critique of the twentieth-century experience of race elsewhere—for example, of apartheid in South Africa. In this review essay, I argue that, beyond the US, Fretwell's meticulously elaborated argument renews approaches to the problem and problematization of race and difference. Read in relation to the making of race in South Africa, the book inadvertently brings into view a deceptive plot of petty apartheid, a banal everyday constitution of a sensory order that shares its origins in the discourse of psychophysics. When placed alongside the more pronounced forms of grand apartheid, the resultant psychophysical aesthesis conscripts the human sensorium to a cybernetic mode of power that shifts between a racialization of labor and a racialization of desire. Fretwell effectively invites us to consider the endpoints of psychophysics in a hierarchy of the senses, for which an aesthetic education may yet be required to short-circuit and reroute the senses through intervals of synesthesia.

艾丽卡·弗雷特韦尔(Erica Fretwell)的《感官实验:心理物理学、种族和感觉美学》(2020)提出了关于通过将感官整理到战后美国感官秩序的末端来形成差异概念的关键问题。在这篇文章中,我认为弗雷特韦尔的书打开了一个重要的视野,让我们重新思考种族、性别和残疾的差异观念是如何通过短暂但影响深远的心理物理学被重塑的。当弗雷特韦尔的研究聚焦于心理物理学及其后果如何重塑美国的差异问题时,他间接地对20世纪其他地方的种族经验——例如南非的种族隔离——的批判提出了重大挑战。在这篇评论文章中,我认为,在美国之外,弗雷特韦尔精心阐述的论点更新了对种族和差异问题和问题化的方法。如果把这本书与南非的种族形成联系起来读,它会不经意地把一个小小的种族隔离的欺骗性情节带入人们的视野,这是一种感官秩序的平庸的日常构成,它的起源与心理物理学的论述相同。当与更明显的大种族隔离形式放在一起时,由此产生的心理物理美学将人类感官征兵到一种在劳动种族化和欲望种族化之间转换的控制论权力模式。Fretwell有效地邀请我们在感官层次中考虑心理物理学的终点,为此,审美教育可能需要通过联觉的间隔来缩短和改变感官的路径。
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History and Theory
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