Pub Date : 2023-08-21DOI: 10.1080/13527258.2023.2243457
Marc R. H. Kosciejew
ABSTRACT Cultural heritage in Ukraine is presently endangered. As Russia’s war against the country continues, Ukrainian cultural heritage has been damaged, destroyed, and remains at risk. Interventions into the war initiated by the international cultural heritage community commenced with the issuance of formal public statements regarding the war and its implications. This article reviews the statements by some of the world’s leading cultural heritage organizations, specifically the International Council on Archives (ICA), the International Council of Museums (ICOM), the International Federation of Library Associations and Institutions (IFLA), and the United Nations Educational, Scientific and Cultural Organization (UNESCO). Twin objectives are offered: first, establishing an overview of the international cultural heritage community’s early communications regarding the war; and second, comparing and critiquing these public pronouncements and implications for Ukrainian cultural heritage. Ultimately, a joint contemporary and historical snapshot situating the international cultural heritage community within the war’s early stages is presented.
{"title":"Endangered cultural heritage in the Russia–Ukraine war: comparing and critiquing interventions by international cultural heritage organizations","authors":"Marc R. H. Kosciejew","doi":"10.1080/13527258.2023.2243457","DOIUrl":"https://doi.org/10.1080/13527258.2023.2243457","url":null,"abstract":"ABSTRACT Cultural heritage in Ukraine is presently endangered. As Russia’s war against the country continues, Ukrainian cultural heritage has been damaged, destroyed, and remains at risk. Interventions into the war initiated by the international cultural heritage community commenced with the issuance of formal public statements regarding the war and its implications. This article reviews the statements by some of the world’s leading cultural heritage organizations, specifically the International Council on Archives (ICA), the International Council of Museums (ICOM), the International Federation of Library Associations and Institutions (IFLA), and the United Nations Educational, Scientific and Cultural Organization (UNESCO). Twin objectives are offered: first, establishing an overview of the international cultural heritage community’s early communications regarding the war; and second, comparing and critiquing these public pronouncements and implications for Ukrainian cultural heritage. Ultimately, a joint contemporary and historical snapshot situating the international cultural heritage community within the war’s early stages is presented.","PeriodicalId":47807,"journal":{"name":"International Journal of Heritage Studies","volume":null,"pages":null},"PeriodicalIF":1.8,"publicationDate":"2023-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72679471","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-11DOI: 10.1080/13527258.2023.2243478
Leticia Saldi, María José Ots, Luis Mafferra
ABSTRACT This paper employs the concepts of heritage-making, communal identity formation, and landscape production to analyse the spaces that contribute to local, provincial, and national identities. Specifically, we examine how these spaces, now valued for their natural and historical significance, shape contemporary collective identity. Our study is located in the Andes mountain range, in an area called Manzano Histórico, in central- western Argentina, which is part of a larger nature reserve created to protect the headwaters of the basin and mountain areas from large-scale economic projects. This paper utilises a qualitative methodology that combines archaeological and historical studies with ethnographic techniques and a survey to describe and analyse the millennial occupation of the region. This continuous occupation has been shaped by multiple ways of inhabiting the world, some dominant and others marginalised or made invisible, resulting in ongoing present-day tensions. The heritage landscape proposed is a partial result of these tensions, a textured, fractured, and patched product of diverse, historically enabled practices. By analysing these spaces, we aim to acknowledge the various ways of being in the world that intersect within them, as well as the identity formations of alterity that hierarchise or invisibilise these practices.
{"title":"Heritage-making, landscapes, and experiences in tension in the Southern Andes mountains, Argentina","authors":"Leticia Saldi, María José Ots, Luis Mafferra","doi":"10.1080/13527258.2023.2243478","DOIUrl":"https://doi.org/10.1080/13527258.2023.2243478","url":null,"abstract":"ABSTRACT This paper employs the concepts of heritage-making, communal identity formation, and landscape production to analyse the spaces that contribute to local, provincial, and national identities. Specifically, we examine how these spaces, now valued for their natural and historical significance, shape contemporary collective identity. Our study is located in the Andes mountain range, in an area called Manzano Histórico, in central- western Argentina, which is part of a larger nature reserve created to protect the headwaters of the basin and mountain areas from large-scale economic projects. This paper utilises a qualitative methodology that combines archaeological and historical studies with ethnographic techniques and a survey to describe and analyse the millennial occupation of the region. This continuous occupation has been shaped by multiple ways of inhabiting the world, some dominant and others marginalised or made invisible, resulting in ongoing present-day tensions. The heritage landscape proposed is a partial result of these tensions, a textured, fractured, and patched product of diverse, historically enabled practices. By analysing these spaces, we aim to acknowledge the various ways of being in the world that intersect within them, as well as the identity formations of alterity that hierarchise or invisibilise these practices.","PeriodicalId":47807,"journal":{"name":"International Journal of Heritage Studies","volume":null,"pages":null},"PeriodicalIF":1.8,"publicationDate":"2023-08-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79304296","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-11DOI: 10.1080/13527258.2023.2243479
A. Pizam, Marcos Medeiros, Villy Abraham
ABSTRACT This study proposes a novel conceptual model for exploring how the interaction between first, the severity of the dark event(s) related to dark attractions, secondly, the recency of the event(s) related to the attraction, and third, the sharing of a common heritage with the event(s) related to the attraction, can affect tourists’ emotional reactions while visiting dark attractions. This study reviews the literature on the generalisability of dark attractions, as well as the current state of the art on tourists’ emotional reactions during visits to dark attractions, focusing on the effects of severity (i.e. number of deaths) and recency (i.e. number of years ago) of the dark event, as well as the sharing of a common heritage with the dark event. The proposed conceptual model differs from previous ones by focusing on a 2 × 2×2 framework, thus enabling measuring each variable’s effect on tourists’ emotional reactions. Implications for adopting and testing the proposed conceptual model are discussed.
{"title":"Factors affecting tourists’ emotional reactions during a visit to a dark attraction: a conceptual model","authors":"A. Pizam, Marcos Medeiros, Villy Abraham","doi":"10.1080/13527258.2023.2243479","DOIUrl":"https://doi.org/10.1080/13527258.2023.2243479","url":null,"abstract":"ABSTRACT This study proposes a novel conceptual model for exploring how the interaction between first, the severity of the dark event(s) related to dark attractions, secondly, the recency of the event(s) related to the attraction, and third, the sharing of a common heritage with the event(s) related to the attraction, can affect tourists’ emotional reactions while visiting dark attractions. This study reviews the literature on the generalisability of dark attractions, as well as the current state of the art on tourists’ emotional reactions during visits to dark attractions, focusing on the effects of severity (i.e. number of deaths) and recency (i.e. number of years ago) of the dark event, as well as the sharing of a common heritage with the dark event. The proposed conceptual model differs from previous ones by focusing on a 2 × 2×2 framework, thus enabling measuring each variable’s effect on tourists’ emotional reactions. Implications for adopting and testing the proposed conceptual model are discussed.","PeriodicalId":47807,"journal":{"name":"International Journal of Heritage Studies","volume":null,"pages":null},"PeriodicalIF":1.8,"publicationDate":"2023-08-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78163549","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-09DOI: 10.1080/13527258.2023.2244921
Seong Lin Ding
ABSTRACT This study explores the collective memory and identity of a Chinese neighbourhood at the old city centre of Kuala Lumpur, Malaysia. Since the 1990s, this old neighbourhood, which has a famous Cantonese name – ‘Chee Chong Kai’ (CCK) – has been contentiously rebranded by the state as ‘Chinatown’. The purpose of the present study is twofold. First, by drawing on observational data, interviews, questionnaires and photographic data, this paper uncovers the collective memory of the neighbourhood. Second, this study offers a critical insight into the renaming and rebranding of the CCK, identifying the ways in which the renaming/rebranding has affected the neighbourhood’s collective identity. The findings reveal concerns over the changing landscapes in the neighbourhood that have affected or erased its character and heritage and the potential contention between the official and the ‘vernacular’ collective memory/identity. More importantly, the renaming/rebranding of the place itself reflects, paradoxically, the pressure to forego the neighbourhood’s Chineseness. Drawing on the wider international tourism market and other power-related concerns, this study argues the need to reposition the CCK and an absence of major efforts to sustain the urban space and urban heritage in a way that would represent and proclaim a truly integrated (and inclusive) Malaysian society.
{"title":"Collective memory and identity of a rebranded ‘Chinatown’","authors":"Seong Lin Ding","doi":"10.1080/13527258.2023.2244921","DOIUrl":"https://doi.org/10.1080/13527258.2023.2244921","url":null,"abstract":"ABSTRACT This study explores the collective memory and identity of a Chinese neighbourhood at the old city centre of Kuala Lumpur, Malaysia. Since the 1990s, this old neighbourhood, which has a famous Cantonese name – ‘Chee Chong Kai’ (CCK) – has been contentiously rebranded by the state as ‘Chinatown’. The purpose of the present study is twofold. First, by drawing on observational data, interviews, questionnaires and photographic data, this paper uncovers the collective memory of the neighbourhood. Second, this study offers a critical insight into the renaming and rebranding of the CCK, identifying the ways in which the renaming/rebranding has affected the neighbourhood’s collective identity. The findings reveal concerns over the changing landscapes in the neighbourhood that have affected or erased its character and heritage and the potential contention between the official and the ‘vernacular’ collective memory/identity. More importantly, the renaming/rebranding of the place itself reflects, paradoxically, the pressure to forego the neighbourhood’s Chineseness. Drawing on the wider international tourism market and other power-related concerns, this study argues the need to reposition the CCK and an absence of major efforts to sustain the urban space and urban heritage in a way that would represent and proclaim a truly integrated (and inclusive) Malaysian society.","PeriodicalId":47807,"journal":{"name":"International Journal of Heritage Studies","volume":null,"pages":null},"PeriodicalIF":1.8,"publicationDate":"2023-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90286109","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-08DOI: 10.1080/13527258.2023.2243450
P. Lau, Ophios P.Y. Chow
ABSTRACT This paper aims to delineate the transformation of theatre design in Hong Kong, which was initially born out of Chinese settlements, through socio-cultural dimensions. It studies the factors that altered the design of theatre buildings from the early colonial years in the 1860s to around the second World War in the late 1930s. By adopting a postcolonial analytical framework as well as interpretive-historical and archival research methods to examine primary resources including government documents, historical photos and drawings, interviewing descendants of cinema operators and architects, as well as film archivists and architectural historians, this paper details how socio-cultural factors evolving building regulations and the local industry had impacted upon the transition of theatre architecture over half a century, witnessing indigenous efforts that resisted certain colonial narratives in the design process. The paper also scrutinises what potentials the architectures, demolished or still existing, can serve in the context of theatre heritage in postcolonial Hong Kong.
{"title":"Theatre heritage in pre-WWII Hong Kong: a postcolonial reading","authors":"P. Lau, Ophios P.Y. Chow","doi":"10.1080/13527258.2023.2243450","DOIUrl":"https://doi.org/10.1080/13527258.2023.2243450","url":null,"abstract":"ABSTRACT This paper aims to delineate the transformation of theatre design in Hong Kong, which was initially born out of Chinese settlements, through socio-cultural dimensions. It studies the factors that altered the design of theatre buildings from the early colonial years in the 1860s to around the second World War in the late 1930s. By adopting a postcolonial analytical framework as well as interpretive-historical and archival research methods to examine primary resources including government documents, historical photos and drawings, interviewing descendants of cinema operators and architects, as well as film archivists and architectural historians, this paper details how socio-cultural factors evolving building regulations and the local industry had impacted upon the transition of theatre architecture over half a century, witnessing indigenous efforts that resisted certain colonial narratives in the design process. The paper also scrutinises what potentials the architectures, demolished or still existing, can serve in the context of theatre heritage in postcolonial Hong Kong.","PeriodicalId":47807,"journal":{"name":"International Journal of Heritage Studies","volume":null,"pages":null},"PeriodicalIF":1.8,"publicationDate":"2023-08-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88813836","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-04DOI: 10.1080/13527258.2023.2243469
Maya Brahmam
{"title":"The Best We Share: Nation and World-making in the UNESCO World Heritage Arena","authors":"Maya Brahmam","doi":"10.1080/13527258.2023.2243469","DOIUrl":"https://doi.org/10.1080/13527258.2023.2243469","url":null,"abstract":"","PeriodicalId":47807,"journal":{"name":"International Journal of Heritage Studies","volume":null,"pages":null},"PeriodicalIF":1.8,"publicationDate":"2023-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79667263","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-04DOI: 10.1080/13527258.2023.2243481
Amy Iwasaki, José Luiz Pederzoli
ABSTRACT This article presents the results of a global, cross-cultural survey conducted by ICCROM that invited people from all walks of life to describe the impacts that cultural heritage collections have on their lives. The qualitative responses of nearly 2,400 collected surveys were coded to extract main themes, which were subsequently analysed against respondents’ ages, geographic distribution, and occupations using asymmetrical correspondence analysis. Across eight main themes, this research explores recurring justifications observed in the survey data describing how heritage collections were perceived to impact – or not impact – people’s lives, considering variance across different demographic groups. It further engages contemporary heritage debates to discuss what the results might say about the actual and potential roles of heritage collections in today’s global societies, as well as some possible implications on their management.
{"title":"Why collections matter: impacts of cultural heritage collections on people’s lives","authors":"Amy Iwasaki, José Luiz Pederzoli","doi":"10.1080/13527258.2023.2243481","DOIUrl":"https://doi.org/10.1080/13527258.2023.2243481","url":null,"abstract":"ABSTRACT This article presents the results of a global, cross-cultural survey conducted by ICCROM that invited people from all walks of life to describe the impacts that cultural heritage collections have on their lives. The qualitative responses of nearly 2,400 collected surveys were coded to extract main themes, which were subsequently analysed against respondents’ ages, geographic distribution, and occupations using asymmetrical correspondence analysis. Across eight main themes, this research explores recurring justifications observed in the survey data describing how heritage collections were perceived to impact – or not impact – people’s lives, considering variance across different demographic groups. It further engages contemporary heritage debates to discuss what the results might say about the actual and potential roles of heritage collections in today’s global societies, as well as some possible implications on their management.","PeriodicalId":47807,"journal":{"name":"International Journal of Heritage Studies","volume":null,"pages":null},"PeriodicalIF":1.8,"publicationDate":"2023-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73775095","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-25DOI: 10.1080/13527258.2023.2234350
Liv Nilsson Stutz
ABSTRACT Collections of old human remains in museums are currently under increased scrutiny and pressure. On the one hand they are problematised from a post-colonial and human rights point of view as the material remains of historic and ongoing structural violence connected to scientific knowledge production. On the other, new methods in archaeological science have led to increasing demand for destructive sampling. Without guidance and support by laws and formal standardised professional guidelines, museums may find themselves squeezed from two opposing sides. Based on an analysis of laws and professional guidelines, and a large-scale survey of the practical handling of old human remains in Swedish museums, this article argues that the lack of a shared professional process that recognises the complexity of old human remains as both objects of science and lived lives, risks undermining the role of museums in their relationship to both the public and the research community.
{"title":"Between objects of science and lived lives. The legal liminality of old human remains in museums and research","authors":"Liv Nilsson Stutz","doi":"10.1080/13527258.2023.2234350","DOIUrl":"https://doi.org/10.1080/13527258.2023.2234350","url":null,"abstract":"ABSTRACT Collections of old human remains in museums are currently under increased scrutiny and pressure. On the one hand they are problematised from a post-colonial and human rights point of view as the material remains of historic and ongoing structural violence connected to scientific knowledge production. On the other, new methods in archaeological science have led to increasing demand for destructive sampling. Without guidance and support by laws and formal standardised professional guidelines, museums may find themselves squeezed from two opposing sides. Based on an analysis of laws and professional guidelines, and a large-scale survey of the practical handling of old human remains in Swedish museums, this article argues that the lack of a shared professional process that recognises the complexity of old human remains as both objects of science and lived lives, risks undermining the role of museums in their relationship to both the public and the research community.","PeriodicalId":47807,"journal":{"name":"International Journal of Heritage Studies","volume":null,"pages":null},"PeriodicalIF":1.8,"publicationDate":"2023-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82616534","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-20DOI: 10.1080/13527258.2023.2237495
Yinzi Yi
ABSTRACT The pervasiveness of digital media has profoundly transformed how we preserve and promote intangible cultural heritage (ICH). With the growing popularity of Douyin, a video-focused social networking platform, ICH inheritors in China have begun to post videos that showcase their artisanship. On the one hand, the affordances of Douyin encourage its users to keep up with the latest trend, subjugating them to mimetic participation; on the other hand, heritage policies in China foster the top-down formation of nationalist identity. Therefore, how heritage practitioners negotiate between the top-down authority of policies and the horizontal mimesis of the platform is a matter of concern. This paper applies performance analysis to explore the Douyin videos of a Chinese craftsperson, Li Niangen, a municipal ICH inheritor whose Douyin videos are highly popular. ICH policies in China and the affordances of the platform may support the formation of distinct identities. However, by assuming multiple and even contrasting roles in his videos, Li is fully engaged in none of them. This paper proposes that the presentation of multiple roles copes with the conflicting logic in Chinese society. In addition, the misalignment of these roles may simultaneously utilise and unsettle the administrative and digital authorities.
{"title":"Negotiating performance between policy and platform — heritage practice of a Chinese craftsperson on Douyin (TikTok)","authors":"Yinzi Yi","doi":"10.1080/13527258.2023.2237495","DOIUrl":"https://doi.org/10.1080/13527258.2023.2237495","url":null,"abstract":"ABSTRACT The pervasiveness of digital media has profoundly transformed how we preserve and promote intangible cultural heritage (ICH). With the growing popularity of Douyin, a video-focused social networking platform, ICH inheritors in China have begun to post videos that showcase their artisanship. On the one hand, the affordances of Douyin encourage its users to keep up with the latest trend, subjugating them to mimetic participation; on the other hand, heritage policies in China foster the top-down formation of nationalist identity. Therefore, how heritage practitioners negotiate between the top-down authority of policies and the horizontal mimesis of the platform is a matter of concern. This paper applies performance analysis to explore the Douyin videos of a Chinese craftsperson, Li Niangen, a municipal ICH inheritor whose Douyin videos are highly popular. ICH policies in China and the affordances of the platform may support the formation of distinct identities. However, by assuming multiple and even contrasting roles in his videos, Li is fully engaged in none of them. This paper proposes that the presentation of multiple roles copes with the conflicting logic in Chinese society. In addition, the misalignment of these roles may simultaneously utilise and unsettle the administrative and digital authorities.","PeriodicalId":47807,"journal":{"name":"International Journal of Heritage Studies","volume":null,"pages":null},"PeriodicalIF":1.8,"publicationDate":"2023-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85804642","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-19DOI: 10.1080/13527258.2023.2236590
Chiara Bortolotto, B. Ubertazzi
ABSTRACT In this article we explore the use of Intellectual Property Rights (IPRs) in the implementation of the Convention for the Safeguarding of the Intangible Cultural Heritage. In retracing the ambiguous role accorded to IPRs since the drafting of the Convention and considering the practice of the Organs of the Convention, we highlight discrepancies in the decisions and debates of the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage vis-à-vis IPRs. Drawing on our own anthropological and legal perspectives, we shed light on the fragmentation of different disciplinary standpoints and specialist knowledge in the practice of the Organs of the Convention, revealing how observed inconsistencies in the role of IPRs are neither acknowledged nor addressed. This makes the issue of IPRs a blind spot. Yet, ‘working misunderstandings’ facilitate rather than hinder successful interaction among the many players within the Convention, allowing different, and sometimes contradictory, stances to imperfectly coexist.
{"title":"Intellectual property as a blind spot in the UNESCO Convention for the safeguarding of the intangible cultural heritage","authors":"Chiara Bortolotto, B. Ubertazzi","doi":"10.1080/13527258.2023.2236590","DOIUrl":"https://doi.org/10.1080/13527258.2023.2236590","url":null,"abstract":"ABSTRACT In this article we explore the use of Intellectual Property Rights (IPRs) in the implementation of the Convention for the Safeguarding of the Intangible Cultural Heritage. In retracing the ambiguous role accorded to IPRs since the drafting of the Convention and considering the practice of the Organs of the Convention, we highlight discrepancies in the decisions and debates of the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage vis-à-vis IPRs. Drawing on our own anthropological and legal perspectives, we shed light on the fragmentation of different disciplinary standpoints and specialist knowledge in the practice of the Organs of the Convention, revealing how observed inconsistencies in the role of IPRs are neither acknowledged nor addressed. This makes the issue of IPRs a blind spot. Yet, ‘working misunderstandings’ facilitate rather than hinder successful interaction among the many players within the Convention, allowing different, and sometimes contradictory, stances to imperfectly coexist.","PeriodicalId":47807,"journal":{"name":"International Journal of Heritage Studies","volume":null,"pages":null},"PeriodicalIF":1.8,"publicationDate":"2023-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82279333","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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