Eurasip Journal on Audio Speech and Music Processing最新文献

Speech emotion recognition methods combining articulatory information with acoustic features have been previously shown to improve recognition performance. Collection of articulatory data on a large scale may not be feasible in many scenarios, thus restricting the scope and applicability of such methods. In this paper, a discriminative learning method for emotion recognition using both articulatory and acoustic information is proposed. A traditional ℓ ₁-regularized logistic regression cost function is extended to include additional constraints that enforce the model to reconstruct articulatory data. This leads to sparse and interpretable representations jointly optimized for both tasks simultaneously. Furthermore, the model only requires articulatory features during training; only speech features are required for inference on out-of-sample data. Experiments are conducted to evaluate emotion recognition performance over vowels /AA/,/AE/,/IY/,/UW/ and complete utterances. Incorporating articulatory information is shown to significantly improve the performance for valence-based classification. Results obtained for within-corpus and cross-corpus categorical emotion recognition indicate that the proposed method is more effective at distinguishing happiness from other emotions.

The identity of musical instruments is reflected in the acoustic attributes of musical notes played with them. Recently, it has been argued that these characteristics of musical identity (or timbre) can be best captured through an analysis that encompasses both time and frequency domains; with a focus on the modulations or changes in the signal in the spectrotemporal space. This representation mimics the spectrotemporal receptive field (STRF) analysis believed to underlie processing in the central mammalian auditory system, particularly at the level of primary auditory cortex. How well does this STRF representation capture timbral identity of musical instruments in continuous solo recordings remains unclear. The current work investigates the applicability of the STRF feature space for instrument recognition in solo musical phrases and explores best approaches to leveraging knowledge from isolated musical notes for instrument recognition in solo recordings. The study presents an approach for parsing solo performances into their individual note constituents and adapting back-end classifiers using support vector machines to achieve a generalization of instrument recognition to off-the-shelf, commercially available solo music.

Humans exhibit a remarkable ability to reliably classify sound sources in the environment even in presence of high levels of noise. In contrast, most engineering systems suffer a drastic drop in performance when speech signals are corrupted with channel or background distortions. Our brains are equipped with elaborate machinery for speech analysis and feature extraction, which hold great lessons for improving the performance of automatic speech processing systems under adverse conditions. The work presented here explores a biologically-motivated multi-resolution speaker information representation obtained by performing an intricate yet computationally-efficient analysis of the information-rich spectro-temporal attributes of the speech signal. We evaluate the proposed features in a speaker verification task performed on NIST SRE 2010 data. The biomimetic approach yields significant robustness in presence of non-stationary noise and reverberation, offering a new framework for deriving reliable features for speaker recognition and speech processing.