Pub Date : 2023-09-07DOI: 10.5594/JMI.2023.3300016
George Joblove;Alex Forsythe;Cesario Tio
With a membership of more than 10,500 global film industry artists and leaders, an acclaimed film museum and collection, and world-renowned awards, the Academy of Motion Picture Arts and Sciences is the world’s preeminent movie-related organization. The Academy recognizes and celebrates all aspects of the film industry and the people who make motion pictures; connects global audiences through their shared passion for the movies; and leads honest and relevant initiatives about cinema’s past, present, and future.
美国电影艺术与科学学院(Academy of Motion Picture Arts and Sciences)是世界上最杰出的电影相关组织，拥有超过10,500名全球电影行业艺术家和领袖成员，一个广受赞誉的电影博物馆和收藏，以及世界知名的奖项。该学院认可和颂扬电影工业的各个方面和制作电影的人;通过对电影的共同热情连接全球观众;并领导有关电影的过去、现在和未来的诚实和相关的倡议。
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Pub Date : 2023-09-07DOI: 10.5594/JMI.2023.3297240
Sally Hattori
Welcome to the SMPTE Standards Community Progress Report 2023!
欢迎阅读SMPTE标准社区进展报告2023!
{"title":"Introduction From the Standards Vice President","authors":"Sally Hattori","doi":"10.5594/JMI.2023.3297240","DOIUrl":"https://doi.org/10.5594/JMI.2023.3297240","url":null,"abstract":"Welcome to the SMPTE Standards Community Progress Report 2023!","PeriodicalId":49512,"journal":{"name":"SMPTE Motion Imaging Journal","volume":"132 8","pages":"7-15"},"PeriodicalIF":0.0,"publicationDate":"2023-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49945279","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-07DOI: 10.5594/JMI.2023.3302922
Michael Dolan
In this column, we provide interesting historical briefs from the journal articles of days past. The purpose of this column is primarily entertainment, but we hope it will also stimulate your thinking and reflection on the Society’s history, how far we have come in the industry, and (sometimes) how some things never change. This column has been sponsored by Television Broadcast Technology, Inc., since March 2001: http://ieeexplore.ieee.org/document/7257346
{"title":"SMPTE Almanac","authors":"Michael Dolan","doi":"10.5594/JMI.2023.3302922","DOIUrl":"https://doi.org/10.5594/JMI.2023.3302922","url":null,"abstract":"<fig> <graphic> </fig>\u0000<italic>In this column, we provide interesting historical briefs from the journal articles of days past. The purpose of this column is primarily entertainment, but we hope it will also stimulate your thinking and reflection on the Society’s history, how far we have come in the industry, and (sometimes) how some things never change. This column has been sponsored by Television Broadcast Technology, Inc., since March 2001: <uri>http://ieeexplore.ieee.org/document/7257346</uri></i>","PeriodicalId":49512,"journal":{"name":"SMPTE Motion Imaging Journal","volume":"132 8","pages":"91-92"},"PeriodicalIF":0.0,"publicationDate":"2023-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://ieeexplore.ieee.org/iel7/7261654/10243412/10243432.pdf","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49945280","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-07DOI: 10.5594/JMI.2023.3288913
Mike Nugent
Public service media (PSM) companies are undertaking a continued and significant transformation of their operations to further develop digital platforms, reduce costs, and simultaneously improve quality, reach and engagement with all audiences. At the same time, the recent sequence of crises has alerted members to further develop resilience and business continuity strategies for media production to distribution.
{"title":"European Broadcasting Union (EBU) Progress Report","authors":"Mike Nugent","doi":"10.5594/JMI.2023.3288913","DOIUrl":"https://doi.org/10.5594/JMI.2023.3288913","url":null,"abstract":"Public service media (PSM) companies are undertaking a continued and significant transformation of their operations to further develop digital platforms, reduce costs, and simultaneously improve quality, reach and engagement with all audiences. At the same time, the recent sequence of crises has alerted members to further develop resilience and business continuity strategies for media production to distribution.","PeriodicalId":49512,"journal":{"name":"SMPTE Motion Imaging Journal","volume":"132 8","pages":"22-27"},"PeriodicalIF":0.0,"publicationDate":"2023-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49945394","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-07DOI: 10.5594/JMI.2023.3292951
Madeleine Noland;Jerry Whitaker
This report summarizes work currently under way in the Advanced Television Systems Committee (ATSC) relating to technical standards for ATSC 3.0.
本报告总结了先进电视系统委员会(ATSC)目前正在进行的有关ATSC 3.0技术标准的工作。
{"title":"Progress Report of the Advanced Television Systems Committee","authors":"Madeleine Noland;Jerry Whitaker","doi":"10.5594/JMI.2023.3292951","DOIUrl":"https://doi.org/10.5594/JMI.2023.3292951","url":null,"abstract":"This report summarizes work currently under way in the Advanced Television Systems Committee (ATSC) relating to technical standards for ATSC 3.0.","PeriodicalId":49512,"journal":{"name":"SMPTE Motion Imaging Journal","volume":"132 8","pages":"35-39"},"PeriodicalIF":0.0,"publicationDate":"2023-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49945399","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-07DOI: 10.5594/JMI.2023.3297239
Kenneth Williams
Celebrating its 30th year, the Entertainment Technology Center (ETC) at the University of Southern California’s (USC) School of Cinematic Arts (SCA) is a think tank and research center, with the mission to be a neutral organization devoted to identifying pivotal, emerging entertainment technologies and creating programs to analyze and test them. ETC is funded by major studios and leading technology companies to explore and act upon topics and issues related to creating, archiving, distributing, and consuming entertainment content. ETC helps drive collaborative projects among its member companies and engages with next-generation consumers to understand the impact of emerging technology on all aspects of the media and entertainment (M&E) industry, especially technology development and implementation, creative process, business models, and future trends.
{"title":"Update From the Entertainment Technology Center","authors":"Kenneth Williams","doi":"10.5594/JMI.2023.3297239","DOIUrl":"https://doi.org/10.5594/JMI.2023.3297239","url":null,"abstract":"Celebrating its 30th year, the Entertainment Technology Center (ETC) at the University of Southern California’s (USC) School of Cinematic Arts (SCA) is a think tank and research center, with the mission to be a neutral organization devoted to identifying pivotal, emerging entertainment technologies and creating programs to analyze and test them. ETC is funded by major studios and leading technology companies to explore and act upon topics and issues related to creating, archiving, distributing, and consuming entertainment content. ETC helps drive collaborative projects among its member companies and engages with next-generation consumers to understand the impact of emerging technology on all aspects of the media and entertainment (M&E) industry, especially technology development and implementation, creative process, business models, and future trends.","PeriodicalId":49512,"journal":{"name":"SMPTE Motion Imaging Journal","volume":"132 8","pages":"83-85"},"PeriodicalIF":0.0,"publicationDate":"2023-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49945416","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-07DOI: 10.5594/JMI.2023.3296834
Pat Griffis;Ben Schwarz
Founded in 2015, the Ultra HD Forum (UHDF) is a dynamic platform dedicated to expediting the deployment of Ultra HD technology. This collective brings together thought leaders spanning diverse industry sectors, including broadcasting, service provision, consumer electronics, and technology vendors. The collaborative spirit of the Forum enables its members to tackle real-world challenges in implementing advanced media formats, with a shared goal of establishing viable solutions for widespread adoption.
{"title":"Recent Activities of the Ultra HD Forum","authors":"Pat Griffis;Ben Schwarz","doi":"10.5594/JMI.2023.3296834","DOIUrl":"https://doi.org/10.5594/JMI.2023.3296834","url":null,"abstract":"Founded in 2015, the Ultra HD Forum (UHDF) is a dynamic platform dedicated to expediting the deployment of Ultra HD technology. This collective brings together thought leaders spanning diverse industry sectors, including broadcasting, service provision, consumer electronics, and technology vendors. The collaborative spirit of the Forum enables its members to tackle real-world challenges in implementing advanced media formats, with a shared goal of establishing viable solutions for widespread adoption.","PeriodicalId":49512,"journal":{"name":"SMPTE Motion Imaging Journal","volume":"132 8","pages":"86-87"},"PeriodicalIF":0.0,"publicationDate":"2023-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49945418","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-07DOI: 10.5594/JMI.2023.3295479
Yasuko Sugito
Versatile video coding (VVC)1 is the latest video coding standard that can compress ultrahigh-definition (UHD)-1/4K and UHD-2/8K videos efficiently. Since its standardization in July 2020, various applications of VVC have been studied. This report introduces two types of VVC applications. First, in VVC, multilayer video coding is simple to use as opposed to previous standards. Herein, future service examples utilizing spatial and content scalability are provided to demonstrate its extensibility and user-selectable content, respectively. Second, quality assessment on 8K VVC video is conducted at various viewing conditions, and a simple regression equation reveals how the screen size and viewing distance affect subjective quality.
{"title":"Progress Report on VVC Applications","authors":"Yasuko Sugito","doi":"10.5594/JMI.2023.3295479","DOIUrl":"https://doi.org/10.5594/JMI.2023.3295479","url":null,"abstract":"Versatile video coding (VVC)1 is the latest video coding standard that can compress ultrahigh-definition (UHD)-1/4K and UHD-2/8K videos efficiently. Since its standardization in July 2020, various applications of VVC have been studied. This report introduces two types of VVC applications. First, in VVC, multilayer video coding is simple to use as opposed to previous standards. Herein, future service examples utilizing spatial and content scalability are provided to demonstrate its extensibility and user-selectable content, respectively. Second, quality assessment on 8K VVC video is conducted at various viewing conditions, and a simple regression equation reveals how the screen size and viewing distance affect subjective quality.","PeriodicalId":49512,"journal":{"name":"SMPTE Motion Imaging Journal","volume":"132 8","pages":"74-77"},"PeriodicalIF":0.0,"publicationDate":"2023-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49945410","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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