Pub Date : 2023-06-18DOI: 10.31338/2657-599x.ph.2023-1.6
Elżbieta Sękowska
The article discusses speeches of praise against a historical background spanning from the mid-15th century to the Enlightenment. Next, the genological concepts of eulogies and the genre of laudation recommended in academic life are presented. The latter is characterized using a pragmatic approach. The text of the laudation is interpreted in a social and cultural context.
{"title":"Współczesne laudacje naukowe: tradycja – gatunek – realizacja","authors":"Elżbieta Sękowska","doi":"10.31338/2657-599x.ph.2023-1.6","DOIUrl":"https://doi.org/10.31338/2657-599x.ph.2023-1.6","url":null,"abstract":"The article discusses speeches of praise against a historical background spanning from the mid-15th century to the Enlightenment. Next, the genological concepts of eulogies and the genre of laudation recommended in academic life are presented. The latter is characterized using a pragmatic approach. The text of the laudation is interpreted in a social and cultural context.","PeriodicalId":500644,"journal":{"name":"Przegląd Humanistyczny","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135422535","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-18DOI: 10.31338/2657-599x.ph.2023-1.5
Agnieszka Milewska
"In The World, a Moment on Trial" ("Próba chwili świata") Stanisław Swen Czachorowski reaches back to the pre-war literary tradition, to the formula of a love story, and endeavours to capture the experience of a moment, an impression. The same volume contains "The Scene Brought Unto Us" ("Pejzaż doczekany") – a stylized short form in which the author employs well-known means of expression, exaggerating and taking them to extremes. Tracing the changes introduced in successive versions of the text highlights the significance of seemingly minor stylistic decisions that turn out to be crucial for the consistency of its composition. The genetic approach allows for a diligent, close reading of this intricate literary undertaking, dense with symbols and meaning.
“在这个世界上，一个考验的时刻”(“Próba chwili świata”)Stanisław斯文·查乔洛夫斯基回到了战前的文学传统，一个爱情故事的公式，并努力捕捉一个时刻的经历，一个印象。同一卷还包括“带给我们的景象”(“pejzazeh doczekany”)，这是一种程式化的短篇形式，作者采用了众所周知的表达方式，夸张并将其发挥到极致。追溯文本连续版本中引入的变化，突出了看似微小的风格决定的重要性，这些决定对其组成的一致性至关重要。遗传方法允许勤奋，仔细阅读这个复杂的文学事业，密集的符号和意义。
{"title":"\"Pejzaż doczekany\" Stanisława Swena Czachorowskiego – próba edycji genetycznej","authors":"Agnieszka Milewska","doi":"10.31338/2657-599x.ph.2023-1.5","DOIUrl":"https://doi.org/10.31338/2657-599x.ph.2023-1.5","url":null,"abstract":"\"In The World, a Moment on Trial\" (\"Próba chwili świata\") Stanisław Swen Czachorowski reaches back to the pre-war literary tradition, to the formula of a love story, and endeavours to capture the experience of a moment, an impression. The same volume contains \"The Scene Brought Unto Us\" (\"Pejzaż doczekany\") – a stylized short form in which the author employs well-known means of expression, exaggerating and taking them to extremes. Tracing the changes introduced in successive versions of the text highlights the significance of seemingly minor stylistic decisions that turn out to be crucial for the consistency of its composition. The genetic approach allows for a diligent, close reading of this intricate literary undertaking, dense with symbols and meaning.","PeriodicalId":500644,"journal":{"name":"Przegląd Humanistyczny","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135422538","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-18DOI: 10.31338/2657-599x.ph.2023-1.8
Franciszek Ignacy Fortuna
The history of Pomerania, like that of many other regions of Poland, is most often presented in the scientific literature in a political context. In the 1990s, Gerard Labuda proposed an alternative approach – the next great synthesis of the history of Pomerania was to focus on one of the ethnic groups living there. Józef Borzyszkowski’s book on the history of the Kashubians in 19th-century Pomerania is a worthy continuation of this idea. The analysis of this publication in the context of the already long-standing methodological discussions concerning the history of Pomerania and, more broadly, regional studies allows one to see new interesting problems and research perspectives.
{"title":"Kulturowo-językowe konteksty historii Pomorza jako nowa koncepcja historii regionalnej XIX wieku","authors":"Franciszek Ignacy Fortuna","doi":"10.31338/2657-599x.ph.2023-1.8","DOIUrl":"https://doi.org/10.31338/2657-599x.ph.2023-1.8","url":null,"abstract":"The history of Pomerania, like that of many other regions of Poland, is most often presented in the scientific literature in a political context. In the 1990s, Gerard Labuda proposed an alternative approach – the next great synthesis of the history of Pomerania was to focus on one of the ethnic groups living there. Józef Borzyszkowski’s book on the history of the Kashubians in 19th-century Pomerania is a worthy continuation of this idea. The analysis of this publication in the context of the already long-standing methodological discussions concerning the history of Pomerania and, more broadly, regional studies allows one to see new interesting problems and research perspectives.","PeriodicalId":500644,"journal":{"name":"Przegląd Humanistyczny","volume":"135 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135422539","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-18DOI: 10.31338/2657-599x.ph.2023-1.4
Paweł Majerski
Andrzej Bursa’s poem Painting Gone Mad (Malarstwo obłąkanego) takes over and sets in motion a machinery of images that are gradually disembodied. The recorded image of the world is superimposed here with the world of delusions and mental “deviations”, deforming all that is subject to poetic intervention and – in the case of other poems – perceived perhaps in terms of existential paradoxes. The psychotic construction of the subject allows the activation of games of imagination, which, in the field of creative possibilities, activate “surreal” images. The perspective of post-human transformations of years ago, technicization, and indeed fantastic, “surrealistic” textualization of borderline states of consciousness (madness, insanity) of a person from a triumphantly and dramatically modernized world is intriguing. The sketch includes interpretive remarks on the poems of Tytus Czyżewski and the text Without the Help of the Physicians by Jan Brzękowski. These works are juxtaposed with Painting Gone Mad due to the common perspective of psychiatric confrontation with the world and “mechanization” and, in the case of the latter poet, the organic-technical experience of the lyrical character.
Andrzej Bursa的诗《疯狂的绘画》(Malarstwo obłąkanego)接管并启动了一个逐渐脱离实体的图像机器。在这里，世界的记录图像与妄想和精神“偏差”的世界叠加在一起，扭曲了所有受诗歌干预的东西，在其他诗歌的情况下，它们可能以存在悖论的方式被感知。主体的精神建构允许激活想象游戏，在创造可能性的领域中，激活“超现实”图像。多年前的后人类转变、技术化，以及对一个人的边缘意识状态(疯狂、精神错乱)的梦幻般的“超现实主义”文本化的视角是有趣的，这个人来自一个胜利和戏剧性的现代化世界。草图包括对泰图斯的诗Czyżewski和Jan Brzękowski的文本《没有医生的帮助》的解释性评论。这些作品与《疯狂的绘画》并列，因为它们都是精神对抗世界和“机械化”的共同视角，而后者则是抒情人物的有机技术体验。
{"title":"Bursa – po awangardzie? Powrót do lektury Malarstwa obłąkanego","authors":"Paweł Majerski","doi":"10.31338/2657-599x.ph.2023-1.4","DOIUrl":"https://doi.org/10.31338/2657-599x.ph.2023-1.4","url":null,"abstract":"Andrzej Bursa’s poem Painting Gone Mad (Malarstwo obłąkanego) takes over and sets in motion a machinery of images that are gradually disembodied. The recorded image of the world is superimposed here with the world of delusions and mental “deviations”, deforming all that is subject to poetic intervention and – in the case of other poems – perceived perhaps in terms of existential paradoxes. The psychotic construction of the subject allows the activation of games of imagination, which, in the field of creative possibilities, activate “surreal” images. The perspective of post-human transformations of years ago, technicization, and indeed fantastic, “surrealistic” textualization of borderline states of consciousness (madness, insanity) of a person from a triumphantly and dramatically modernized world is intriguing. The sketch includes interpretive remarks on the poems of Tytus Czyżewski and the text Without the Help of the Physicians by Jan Brzękowski. These works are juxtaposed with Painting Gone Mad due to the common perspective of psychiatric confrontation with the world and “mechanization” and, in the case of the latter poet, the organic-technical experience of the lyrical character.","PeriodicalId":500644,"journal":{"name":"Przegląd Humanistyczny","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135422540","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-18DOI: 10.31338/2657-599x.ph.2023-1.2
Jerzy Stachowicz
The car treated as a media machine undergoes a specific process of remediation and can be reflected upon within the framework of media theory. The article analyzes the changes that the automotive industry and the car as its product are undergoing under the influence of ubiquitous digitization, surveillance capitalism, and related visions of the future.
{"title":"Kalifornizacja motoryzacji – samochód jako cyfrowa maszyna medialna","authors":"Jerzy Stachowicz","doi":"10.31338/2657-599x.ph.2023-1.2","DOIUrl":"https://doi.org/10.31338/2657-599x.ph.2023-1.2","url":null,"abstract":"The car treated as a media machine undergoes a specific process of remediation and can be reflected upon within the framework of media theory. The article analyzes the changes that the automotive industry and the car as its product are undergoing under the influence of ubiquitous digitization, surveillance capitalism, and related visions of the future.","PeriodicalId":500644,"journal":{"name":"Przegląd Humanistyczny","volume":"137 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135471871","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-18DOI: 10.31338/2657-599x.ph.2023-1.3
Mário Veverka
The article presents the methods and means by which German writer Johannes Bobrowski, in his significant novel Lewin’s Mill. 34 Sentences About My Grandfather (Młyn Lewina. 34 zdania o moim dziadku), seeks to deconstruct and relativize national stereotypes and clichés (established superstitions), with a particular focus on the carnivalizing elements present in the work. Analyzing the novel in the framework of, among others, Bakhtin’s theories of carnival, or more precisely, the aesthetics of carnivalization, I try to highlight the author’s specific approach or attitude to national conflicts on the German and other axes, which are the leitmotiv of his entire oeuvre. The presented sketch is closed, including considerations about the measure of its impact on the audience, and reduced to the cognitive categories of immersion and emersion.
本文介绍了德国作家约翰内斯·波布罗斯基在其重要小说《Lewin’s Mill. 34句About My Grandfather》(Młyn Lewina. 34 zdania o moim dziadku)中试图解构和相对化民族刻板印象和陈腐迷信的方法和手段，并特别关注作品中存在的狂欢元素。在巴赫金的狂欢理论，或者更准确地说，狂欢化美学的框架内分析这部小说，我试图突出作者在德国和其他轴线上对民族冲突的具体方法或态度，这是他整个作品的主旨。所呈现的草图是封闭的，包括对其对受众影响的衡量，并简化为沉浸和再现的认知类别。
{"title":"Relatywizacja przesądów. Johannesa Bobrowskiego estetyka karnawalizacji","authors":"Mário Veverka","doi":"10.31338/2657-599x.ph.2023-1.3","DOIUrl":"https://doi.org/10.31338/2657-599x.ph.2023-1.3","url":null,"abstract":"The article presents the methods and means by which German writer Johannes Bobrowski, in his significant novel Lewin’s Mill. 34 Sentences About My Grandfather (Młyn Lewina. 34 zdania o moim dziadku), seeks to deconstruct and relativize national stereotypes and clichés (established superstitions), with a particular focus on the carnivalizing elements present in the work. Analyzing the novel in the framework of, among others, Bakhtin’s theories of carnival, or more precisely, the aesthetics of carnivalization, I try to highlight the author’s specific approach or attitude to national conflicts on the German and other axes, which are the leitmotiv of his entire oeuvre. The presented sketch is closed, including considerations about the measure of its impact on the audience, and reduced to the cognitive categories of immersion and emersion.","PeriodicalId":500644,"journal":{"name":"Przegląd Humanistyczny","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135422536","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-18DOI: 10.31338/2657-599x.ph.2023-1.7
Jakub Bobrowski
The article is devoted to the use of the achievements of the Polish ethnolinguistic school in the study of feature films. The author believes that the model of cognitive definition, created by Jerzy Bartmiński, can be applied to the analysis of the semantic layer of film media texts. This type of semantic explication is able to encompass and organize not only linguistic data but also information transmitted by means of other semiotic systems. The author tries to prove this using the example of a cognitive definition of the cinematic conceptual category of a BADYLARZ (‘owner of a horticulture business’). The research material consists of crime films made during the Polish People’s Republic period.
{"title":"Próba zastosowania modelu definicji kognitywnej w analizie semantycznej mediotekstów filmowych","authors":"Jakub Bobrowski","doi":"10.31338/2657-599x.ph.2023-1.7","DOIUrl":"https://doi.org/10.31338/2657-599x.ph.2023-1.7","url":null,"abstract":"The article is devoted to the use of the achievements of the Polish ethnolinguistic school in the study of feature films. The author believes that the model of cognitive definition, created by Jerzy Bartmiński, can be applied to the analysis of the semantic layer of film media texts. This type of semantic explication is able to encompass and organize not only linguistic data but also information transmitted by means of other semiotic systems. The author tries to prove this using the example of a cognitive definition of the cinematic conceptual category of a BADYLARZ (‘owner of a horticulture business’). The research material consists of crime films made during the Polish People’s Republic period.","PeriodicalId":500644,"journal":{"name":"Przegląd Humanistyczny","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135472149","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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