Pub Date : 2024-02-06DOI: 10.1177/13675494231221659
Clive Nwonka
In recent years, the UK screen industries have exhibited a renewed interest in racial difference that can be understood as the outcome of policy interventions into the unequal labour practices within film production and film culture. This has emerged with new modes of Black cultural visibility that have accompanied the increased presence of mainstream, publicly funded feature films. Here, the increasing body of Black filmic practitioners who have now occupied the creative status of writer-director is an outcome of not just the expanded and strategic racial equality agenda within the UK film industry, nor the intrinsic need to extend the representation of Black identities and related themes and characterisations within the screen industrial landscape. In identifying a conjunctural shift in Black cultural politics and the production of Blackness as a cultural value through film as a linear social and political phenomenon that has produced a heightened moment of cultural visibility, this article identifies how the presence of industrial actors as creative practice within Black film production and presentation has inaugurated a glacial but no less significant period of industrial reconfiguration and subsequently, new forms of cultural meaning being ascribed to the cultural image of the Black writer-director. As Black Britishness comes into a greater industrial visibility in the film sector, its entanglements with neoliberalist logics of the marketed individual frame the Black cultural intermediary as the inevitable outcome of Black cultural identity’s continued trajectory into the popular.
{"title":"Black cultural intermediaries: Difference, neoliberalism and the negotiation of Black cultural value","authors":"Clive Nwonka","doi":"10.1177/13675494231221659","DOIUrl":"https://doi.org/10.1177/13675494231221659","url":null,"abstract":"In recent years, the UK screen industries have exhibited a renewed interest in racial difference that can be understood as the outcome of policy interventions into the unequal labour practices within film production and film culture. This has emerged with new modes of Black cultural visibility that have accompanied the increased presence of mainstream, publicly funded feature films. Here, the increasing body of Black filmic practitioners who have now occupied the creative status of writer-director is an outcome of not just the expanded and strategic racial equality agenda within the UK film industry, nor the intrinsic need to extend the representation of Black identities and related themes and characterisations within the screen industrial landscape. In identifying a conjunctural shift in Black cultural politics and the production of Blackness as a cultural value through film as a linear social and political phenomenon that has produced a heightened moment of cultural visibility, this article identifies how the presence of industrial actors as creative practice within Black film production and presentation has inaugurated a glacial but no less significant period of industrial reconfiguration and subsequently, new forms of cultural meaning being ascribed to the cultural image of the Black writer-director. As Black Britishness comes into a greater industrial visibility in the film sector, its entanglements with neoliberalist logics of the marketed individual frame the Black cultural intermediary as the inevitable outcome of Black cultural identity’s continued trajectory into the popular.","PeriodicalId":502446,"journal":{"name":"European Journal of Cultural Studies","volume":"100 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139859531","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-04DOI: 10.1177/13675494231225659
Sydney Sheedy
Astrology, magic, and other psychic healing practices are undergoing a cultural revival, notably among those on the Left who employ it as a language for social justice. Queer practitioners have claimed kinship with the occult through a perceived shared abjection, deeming it an inherently queer resource for self- and community empowerment, and naming anti-racism and decolonization key aims of their work. At the same time, these forms of occultism draw suspicion, not least among practitioners themselves, who are critical of the ways these knowledge traditions have been complicit in ‘spiritual genocide’. Drawing from ethnographic fieldwork with 30 informants in Montréal in 2022, I investigate the occult’s appeal among queer people as a process of affective expansion, wherein practitioners attune to heretofore repressed lifeways, knowledges and worlds that machineries of empire have rendered invisible. If contemporary occult movements represent a turning towards putatively repressed modalities that may rival those which we have otherwise inherited, queer informants claim a special relationship to these objects through a framework of sensitivity that magic allows them to workshop. Theorizing the occult as a biopolitical affect regime, I argue that informants ironically invest in historically racialized language of impressibility as indexes of social health at the same time that they locate queerness, rather than whiteness, as a conduit for that affective expansion. I argue that white informants demonstrate a particular anxiety about how to learn to become open to this otherwise, positing ‘bottoming’ as a spiritual and political imperative to become receptive to forms of accountability, reparations and solidarity. How does the occult represent an attempt to build capacity for receptivity among participants, and how do they link this capacity to the healing of white supremacy and decolonization?
{"title":"Queer occultism, sentimental biopower, and becoming ‘bottoms’ as a means to divest from white supremacy among practitioners of magic in Montréal","authors":"Sydney Sheedy","doi":"10.1177/13675494231225659","DOIUrl":"https://doi.org/10.1177/13675494231225659","url":null,"abstract":"Astrology, magic, and other psychic healing practices are undergoing a cultural revival, notably among those on the Left who employ it as a language for social justice. Queer practitioners have claimed kinship with the occult through a perceived shared abjection, deeming it an inherently queer resource for self- and community empowerment, and naming anti-racism and decolonization key aims of their work. At the same time, these forms of occultism draw suspicion, not least among practitioners themselves, who are critical of the ways these knowledge traditions have been complicit in ‘spiritual genocide’. Drawing from ethnographic fieldwork with 30 informants in Montréal in 2022, I investigate the occult’s appeal among queer people as a process of affective expansion, wherein practitioners attune to heretofore repressed lifeways, knowledges and worlds that machineries of empire have rendered invisible. If contemporary occult movements represent a turning towards putatively repressed modalities that may rival those which we have otherwise inherited, queer informants claim a special relationship to these objects through a framework of sensitivity that magic allows them to workshop. Theorizing the occult as a biopolitical affect regime, I argue that informants ironically invest in historically racialized language of impressibility as indexes of social health at the same time that they locate queerness, rather than whiteness, as a conduit for that affective expansion. I argue that white informants demonstrate a particular anxiety about how to learn to become open to this otherwise, positing ‘bottoming’ as a spiritual and political imperative to become receptive to forms of accountability, reparations and solidarity. How does the occult represent an attempt to build capacity for receptivity among participants, and how do they link this capacity to the healing of white supremacy and decolonization?","PeriodicalId":502446,"journal":{"name":"European Journal of Cultural Studies","volume":"2012 16","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139807374","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-02-04DOI: 10.1177/13675494231225659
Sydney Sheedy
Astrology, magic, and other psychic healing practices are undergoing a cultural revival, notably among those on the Left who employ it as a language for social justice. Queer practitioners have claimed kinship with the occult through a perceived shared abjection, deeming it an inherently queer resource for self- and community empowerment, and naming anti-racism and decolonization key aims of their work. At the same time, these forms of occultism draw suspicion, not least among practitioners themselves, who are critical of the ways these knowledge traditions have been complicit in ‘spiritual genocide’. Drawing from ethnographic fieldwork with 30 informants in Montréal in 2022, I investigate the occult’s appeal among queer people as a process of affective expansion, wherein practitioners attune to heretofore repressed lifeways, knowledges and worlds that machineries of empire have rendered invisible. If contemporary occult movements represent a turning towards putatively repressed modalities that may rival those which we have otherwise inherited, queer informants claim a special relationship to these objects through a framework of sensitivity that magic allows them to workshop. Theorizing the occult as a biopolitical affect regime, I argue that informants ironically invest in historically racialized language of impressibility as indexes of social health at the same time that they locate queerness, rather than whiteness, as a conduit for that affective expansion. I argue that white informants demonstrate a particular anxiety about how to learn to become open to this otherwise, positing ‘bottoming’ as a spiritual and political imperative to become receptive to forms of accountability, reparations and solidarity. How does the occult represent an attempt to build capacity for receptivity among participants, and how do they link this capacity to the healing of white supremacy and decolonization?
{"title":"Queer occultism, sentimental biopower, and becoming ‘bottoms’ as a means to divest from white supremacy among practitioners of magic in Montréal","authors":"Sydney Sheedy","doi":"10.1177/13675494231225659","DOIUrl":"https://doi.org/10.1177/13675494231225659","url":null,"abstract":"Astrology, magic, and other psychic healing practices are undergoing a cultural revival, notably among those on the Left who employ it as a language for social justice. Queer practitioners have claimed kinship with the occult through a perceived shared abjection, deeming it an inherently queer resource for self- and community empowerment, and naming anti-racism and decolonization key aims of their work. At the same time, these forms of occultism draw suspicion, not least among practitioners themselves, who are critical of the ways these knowledge traditions have been complicit in ‘spiritual genocide’. Drawing from ethnographic fieldwork with 30 informants in Montréal in 2022, I investigate the occult’s appeal among queer people as a process of affective expansion, wherein practitioners attune to heretofore repressed lifeways, knowledges and worlds that machineries of empire have rendered invisible. If contemporary occult movements represent a turning towards putatively repressed modalities that may rival those which we have otherwise inherited, queer informants claim a special relationship to these objects through a framework of sensitivity that magic allows them to workshop. Theorizing the occult as a biopolitical affect regime, I argue that informants ironically invest in historically racialized language of impressibility as indexes of social health at the same time that they locate queerness, rather than whiteness, as a conduit for that affective expansion. I argue that white informants demonstrate a particular anxiety about how to learn to become open to this otherwise, positing ‘bottoming’ as a spiritual and political imperative to become receptive to forms of accountability, reparations and solidarity. How does the occult represent an attempt to build capacity for receptivity among participants, and how do they link this capacity to the healing of white supremacy and decolonization?","PeriodicalId":502446,"journal":{"name":"European Journal of Cultural Studies","volume":"13 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139867009","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-31DOI: 10.1177/13675494231225742
Amit Singh, Sivamohan Valluvan, James Kneale
The pub is often romanticised as a site of idyllic English ‘working-class’ sociability that is now under threat. Such melancholic invocations of the pub’s plight are invoked amid the wider resurgence of a racialised English nationalism that makes particularly effective claims to a ‘white working-class’ and their putatively ‘left-behind’ anguish. This article challenges such dominant accounts, juxtaposing such racially defensive readings of the working-class pub against the otherwise overlooked phenomenon of England’s ‘desi pubs’ (Indian-run pubs) through recourse to David Jesudason’s Desi Pubs as well as drawing upon the accounts of the founder of Glassy Junction, a historic desi pub in Southall. Importantly, this overdue engagement of ‘desi pubs’ is considered not through frameworks of race and nation alone but also within conjunctural webs of capitalist stratification and subjectivity. Ultimately, we argue that attentiveness to desi pubs helps draw out convivial modalities of working-class sociability that exist outside of both otherwise ascendant racial and nationalist grievance frames and the sanitised but also prohibitive consumerist webs of aspirational distinction and individualism.
{"title":"A pub for England: Race and class in the time of the nation","authors":"Amit Singh, Sivamohan Valluvan, James Kneale","doi":"10.1177/13675494231225742","DOIUrl":"https://doi.org/10.1177/13675494231225742","url":null,"abstract":"The pub is often romanticised as a site of idyllic English ‘working-class’ sociability that is now under threat. Such melancholic invocations of the pub’s plight are invoked amid the wider resurgence of a racialised English nationalism that makes particularly effective claims to a ‘white working-class’ and their putatively ‘left-behind’ anguish. This article challenges such dominant accounts, juxtaposing such racially defensive readings of the working-class pub against the otherwise overlooked phenomenon of England’s ‘desi pubs’ (Indian-run pubs) through recourse to David Jesudason’s Desi Pubs as well as drawing upon the accounts of the founder of Glassy Junction, a historic desi pub in Southall. Importantly, this overdue engagement of ‘desi pubs’ is considered not through frameworks of race and nation alone but also within conjunctural webs of capitalist stratification and subjectivity. Ultimately, we argue that attentiveness to desi pubs helps draw out convivial modalities of working-class sociability that exist outside of both otherwise ascendant racial and nationalist grievance frames and the sanitised but also prohibitive consumerist webs of aspirational distinction and individualism.","PeriodicalId":502446,"journal":{"name":"European Journal of Cultural Studies","volume":"59 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140475941","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-30DOI: 10.1177/13675494231218407
Jessica Simpson
Using one sex worker-led collective as a case example, this paper explores how feminism, precarious work and entrepreneurialism coexist together in contradictory ways. I begin by highlighting how freelance work within UK strip clubs creates precarity and hostile work environments for sex workers when coupled with exploitative managerial practices; however, when similar, equally precarious gig work and promotional activities are combined with sex worker-led collectivist practices, they can instead be used to advance feminist politics. The paper then shifts to a discussion of how the transformative potential of the sex worker collective and their efforts to fight for labour rights and safer working conditions are continually and violently undermined by the feminism of those outside the stripping industry and with access to more privilege, power, and resources. While there are many different feminisms, the article ends by arguing for the ongoing need to seek some reconciliation within the movement to ensure that the voices and concerns of those most marginalised remain at the centre of politics and action.
{"title":"The emergence and undermining of sex worker-led freelance feminism","authors":"Jessica Simpson","doi":"10.1177/13675494231218407","DOIUrl":"https://doi.org/10.1177/13675494231218407","url":null,"abstract":"Using one sex worker-led collective as a case example, this paper explores how feminism, precarious work and entrepreneurialism coexist together in contradictory ways. I begin by highlighting how freelance work within UK strip clubs creates precarity and hostile work environments for sex workers when coupled with exploitative managerial practices; however, when similar, equally precarious gig work and promotional activities are combined with sex worker-led collectivist practices, they can instead be used to advance feminist politics. The paper then shifts to a discussion of how the transformative potential of the sex worker collective and their efforts to fight for labour rights and safer working conditions are continually and violently undermined by the feminism of those outside the stripping industry and with access to more privilege, power, and resources. While there are many different feminisms, the article ends by arguing for the ongoing need to seek some reconciliation within the movement to ensure that the voices and concerns of those most marginalised remain at the centre of politics and action.","PeriodicalId":502446,"journal":{"name":"European Journal of Cultural Studies","volume":"36 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140481181","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-29DOI: 10.1177/13675494231224589
Jo Littler
This short article, based on a lecture, offers fragments for a genealogy of female entrepreneurship in the Global North. It argues that in business and management books and social texts, the entrepreneur has historically been overwhelmingly figured as male – as ‘entrepreneurial man’. Yet, over the past few decades, encouraged by both gender mainstreaming and neoliberal feminism, the symbolic locus of entrepreneurialism in popular culture has increasingly gravitated towards women. It shows how we might trace a mediatised evolution of female entrepreneurialism and its ideologies: from tragic 1950s entrepreneurial stars, through to the plucky shoulder-padded heroines of women’s magazines and films of the 1980s, through to the girlbosses, Instagram entrepreneurs and hustle culture of the present. What, it asks, is happening to the female entrepreneur in an era of neoliberal crisis? And what ‘left feminist’ alternatives to, or intersections with, this figure might be in our midst, or on the horizon?
{"title":"The female entrepreneur: Fragments of a genealogy","authors":"Jo Littler","doi":"10.1177/13675494231224589","DOIUrl":"https://doi.org/10.1177/13675494231224589","url":null,"abstract":"This short article, based on a lecture, offers fragments for a genealogy of female entrepreneurship in the Global North. It argues that in business and management books and social texts, the entrepreneur has historically been overwhelmingly figured as male – as ‘entrepreneurial man’. Yet, over the past few decades, encouraged by both gender mainstreaming and neoliberal feminism, the symbolic locus of entrepreneurialism in popular culture has increasingly gravitated towards women. It shows how we might trace a mediatised evolution of female entrepreneurialism and its ideologies: from tragic 1950s entrepreneurial stars, through to the plucky shoulder-padded heroines of women’s magazines and films of the 1980s, through to the girlbosses, Instagram entrepreneurs and hustle culture of the present. What, it asks, is happening to the female entrepreneur in an era of neoliberal crisis? And what ‘left feminist’ alternatives to, or intersections with, this figure might be in our midst, or on the horizon?","PeriodicalId":502446,"journal":{"name":"European Journal of Cultural Studies","volume":"53 31","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140486985","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-26DOI: 10.1177/13675494231224398
Ben Glasson
In the era of undeniable climate crisis, investors too have become wary of corporate greenwashing. Far from heralding progress, this development appears to legitimise a collective greenwashing project better described as corporate environmentalism. Through this meta-greenwashing, corporations as a bloc are exploiting their communicative platforms to renarrate climate crisis into climate opportunity, positioning the corporation as an indispensable agent of overcoming the crisis. From one perspective, the entry of big capital into climate discourse promises to overcome the contradiction between endless growth and a finite planet. Yet, from another, it merely sustains the contradiction, fuelled by unjustified hope. This article critiques corporate environmentalism through the example of the Olympic Games. As the world’s largest media event that fuses half the population by technology while producing vast carbon emissions, the Games has in recent decades countered environmental critique through policies and discourses exemplary of corporate environmentalism. Analysing Olympic sustainability discourse shows how it sustains the double reality of climate crisis and capitalism by conjuring a seductive vision of a future of sustainability – a vision that floats free of present-day unsustainability in the same way net-zero targets rely on leaps of faith and undeveloped technologies. The examples analysed show how a new grammar of ‘future perfect sustainability’ offsets environmental concerns by rendering the present in light of a hoped-for future sustainability, just as it pushes sustainability ever farther away.
{"title":"Reality offsets: Climate meets capitalism at the Olympic Games","authors":"Ben Glasson","doi":"10.1177/13675494231224398","DOIUrl":"https://doi.org/10.1177/13675494231224398","url":null,"abstract":"In the era of undeniable climate crisis, investors too have become wary of corporate greenwashing. Far from heralding progress, this development appears to legitimise a collective greenwashing project better described as corporate environmentalism. Through this meta-greenwashing, corporations as a bloc are exploiting their communicative platforms to renarrate climate crisis into climate opportunity, positioning the corporation as an indispensable agent of overcoming the crisis. From one perspective, the entry of big capital into climate discourse promises to overcome the contradiction between endless growth and a finite planet. Yet, from another, it merely sustains the contradiction, fuelled by unjustified hope. This article critiques corporate environmentalism through the example of the Olympic Games. As the world’s largest media event that fuses half the population by technology while producing vast carbon emissions, the Games has in recent decades countered environmental critique through policies and discourses exemplary of corporate environmentalism. Analysing Olympic sustainability discourse shows how it sustains the double reality of climate crisis and capitalism by conjuring a seductive vision of a future of sustainability – a vision that floats free of present-day unsustainability in the same way net-zero targets rely on leaps of faith and undeveloped technologies. The examples analysed show how a new grammar of ‘future perfect sustainability’ offsets environmental concerns by rendering the present in light of a hoped-for future sustainability, just as it pushes sustainability ever farther away.","PeriodicalId":502446,"journal":{"name":"European Journal of Cultural Studies","volume":"19 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139594355","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-22DOI: 10.1177/13675494231221210
Anna Matyska
Every year, tens of thousands of people go missing in Europe and across the globe, leaving the families of these individuals in the anguish of the unknown. Yet only some missing gain media attention, with others remaining the ‘missing missing’, and this contributes to a definition of who is, and who is not, worthy of being searched for. This article focuses on the Polish television programme Ktokolwiek widział, ktokolwiek wie ( Has anybody seen, does anybody know), which for the last three decades has been helping to establish a more egalitarian politics of the visibility of, and the search for, the missing in Poland, going against the grain of the mass media’s tendency to ‘symbolically annihilate’ those with less power in society. I explore how the programme supports the search for the marginalized missing, that is, those who have led precarious lives on the socio-spatial margins of Polish society, people who, to utilize Gatti’s term, were ‘socially disappeared’ before they went physically missing. I show how the programme utilizes its power of mediation to articulate disappearances of the marginalized missing and mobilizes institutions and the public to help in finding them.
{"title":"Marginalized disappearances: Shaping the power relations of the search for the missing","authors":"Anna Matyska","doi":"10.1177/13675494231221210","DOIUrl":"https://doi.org/10.1177/13675494231221210","url":null,"abstract":"Every year, tens of thousands of people go missing in Europe and across the globe, leaving the families of these individuals in the anguish of the unknown. Yet only some missing gain media attention, with others remaining the ‘missing missing’, and this contributes to a definition of who is, and who is not, worthy of being searched for. This article focuses on the Polish television programme Ktokolwiek widział, ktokolwiek wie ( Has anybody seen, does anybody know), which for the last three decades has been helping to establish a more egalitarian politics of the visibility of, and the search for, the missing in Poland, going against the grain of the mass media’s tendency to ‘symbolically annihilate’ those with less power in society. I explore how the programme supports the search for the marginalized missing, that is, those who have led precarious lives on the socio-spatial margins of Polish society, people who, to utilize Gatti’s term, were ‘socially disappeared’ before they went physically missing. I show how the programme utilizes its power of mediation to articulate disappearances of the marginalized missing and mobilizes institutions and the public to help in finding them.","PeriodicalId":502446,"journal":{"name":"European Journal of Cultural Studies","volume":"88 8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139606166","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-20DOI: 10.1177/13675494231226305
Hanna Kuusela
{"title":"Book review: Laura Clancy, Running the Family Firm: How the Monarchy Manages its Image and our Money","authors":"Hanna Kuusela","doi":"10.1177/13675494231226305","DOIUrl":"https://doi.org/10.1177/13675494231226305","url":null,"abstract":"","PeriodicalId":502446,"journal":{"name":"European Journal of Cultural Studies","volume":"2 7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139524267","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-20DOI: 10.1177/13675494231226306
Josephine Dolan
{"title":"Book review: Susan Liddy, Women, Ageing and the Screen Industries: Falling off a Cliff?","authors":"Josephine Dolan","doi":"10.1177/13675494231226306","DOIUrl":"https://doi.org/10.1177/13675494231226306","url":null,"abstract":"","PeriodicalId":502446,"journal":{"name":"European Journal of Cultural Studies","volume":"19 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139524731","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：