Pub Date : 2023-04-01DOI: 10.1177/09526951221139377
Patrick Collier, James J Connolly
The disruptions to everyday life wrought by the COVID-19 pandemic include distortions in the experience of time, as reported widely by ordinary citizens and observed by journalists and social scientists. But how does this temporal disruption play out in different time scales-in the individual day as opposed to the medium- and long-term futures? And how might place influence how individuals experience and understand the pandemic's temporal transformations? This essay examines a range of temporal disruptions reported in day diaries and surveys submitted to the Everyday Life in Middletown project, an online archive that has been documenting ordinary life in Muncie, Indiana, USA since 2016. Viewing these materials as instances of life writing, the essay probes the interactions between temporal disruptions and the local setting as they inflect the autobiographical selves our writers construct in their pandemic writings. It shows how living in Muncie-a postindustrial city with its particular combination of historical, demographic, economic, social, and political dynamics-structures the autobiographical stories available to our writers, and how the disruption of time produces new variations and problems for life writing. In the midst of a global crisis, we glimpse the pandemic's reshaping of a local structure of feeling in which a pervasive, local narrative of civic decline frames individual self-fashioning.
{"title":"Time shifts: Place, belonging, and future orientation in pandemic everyday life.","authors":"Patrick Collier, James J Connolly","doi":"10.1177/09526951221139377","DOIUrl":"https://doi.org/10.1177/09526951221139377","url":null,"abstract":"<p><p>The disruptions to everyday life wrought by the COVID-19 pandemic include distortions in the experience of time, as reported widely by ordinary citizens and observed by journalists and social scientists. But how does this temporal disruption play out in different time scales-in the individual day as opposed to the medium- and long-term futures? And how might <i>place</i> influence how individuals experience and understand the pandemic's temporal transformations? This essay examines a range of temporal disruptions reported in day diaries and surveys submitted to the Everyday Life in Middletown project, an online archive that has been documenting ordinary life in Muncie, Indiana, USA since 2016. Viewing these materials as instances of life writing, the essay probes the interactions between temporal disruptions and the local setting as they inflect the autobiographical selves our writers construct in their pandemic writings. It shows how living in Muncie-a postindustrial city with its particular combination of historical, demographic, economic, social, and political dynamics-structures the autobiographical stories available to our writers, and how the disruption of time produces new variations and problems for life writing. In the midst of a global crisis, we glimpse the pandemic's reshaping of a local structure of feeling in which a pervasive, local narrative of civic decline frames individual self-fashioning.</p>","PeriodicalId":50403,"journal":{"name":"History of the Human Sciences","volume":"36 2","pages":"105-127"},"PeriodicalIF":0.9,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC10151890/pdf/10.1177_09526951221139377.pdf","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"10289662","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-01DOI: 10.1177/09526951221134002
Annebella Pollen
What is to be gained by studying visual observation in Mass Observation's COVID-19 collections? What can we see of the pandemic through diarists' images and words? Visual methods were part of the plural research strategies of social research organisation Mass Observation (MO) in its first phase, when it was established in 1937, but remained marginal in relation to textual research methods. This continues with the post-1981 revival of the Mass Observation Project (MOP), with its emphasis on life writing. With wider shifts in technology and accessibility, however, even when they are not solicited, photographs now accompany MOP correspondents' submissions. In MO's substantial COVID-19 collections, images appear in or as diary entries across a range of forms, including hand-drawn illustrations, correspondent-generated photographs, creative photomontages, and screengrabs of memes. In addition, diarists offer textual reflections on COVID-19's image cultures, such as the role of photographs in pandemic news media, as well as considering how the pandemic is intersecting with the visual in more abstract ways, from themes of surveillance and 'Staying Alert' in public health messaging to internal pictorial imaginaries produced as a result of isolation and contemplation. Positioning these materials in relation to wider patterns in pandemic visual culture, including public photographic collecting projects that make explicit reference to MO as their inspiration, this article considers the contribution of the visual submissions and image-rich writing in MO's COVID-19 collections to the depiction of a virus commonly characterised as invisible.
{"title":"'There is nothing less spectacular than a pestilence': Picturing the pandemic in Mass Observation's COVID-19 collections.","authors":"Annebella Pollen","doi":"10.1177/09526951221134002","DOIUrl":"https://doi.org/10.1177/09526951221134002","url":null,"abstract":"<p><p>What is to be gained by studying visual observation in Mass Observation's COVID-19 collections? What can we see of the pandemic through diarists' images and words? Visual methods were part of the plural research strategies of social research organisation Mass Observation (MO) in its first phase, when it was established in 1937, but remained marginal in relation to textual research methods. This continues with the post-1981 revival of the Mass Observation Project (MOP), with its emphasis on life writing. With wider shifts in technology and accessibility, however, even when they are not solicited, photographs now accompany MOP correspondents' submissions. In MO's substantial COVID-19 collections, images appear in or as diary entries across a range of forms, including hand-drawn illustrations, correspondent-generated photographs, creative photomontages, and screengrabs of memes. In addition, diarists offer textual reflections on COVID-19's image cultures, such as the role of photographs in pandemic news media, as well as considering how the pandemic is intersecting with the visual in more abstract ways, from themes of surveillance and 'Staying Alert' in public health messaging to internal pictorial imaginaries produced as a result of isolation and contemplation. Positioning these materials in relation to wider patterns in pandemic visual culture, including public photographic collecting projects that make explicit reference to MO as their inspiration, this article considers the contribution of the visual submissions and image-rich writing in MO's COVID-19 collections to the depiction of a virus commonly characterised as invisible.</p>","PeriodicalId":50403,"journal":{"name":"History of the Human Sciences","volume":"36 2","pages":"71-104"},"PeriodicalIF":0.9,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://ftp.ncbi.nlm.nih.gov/pub/pmc/oa_pdf/39/d7/10.1177_09526951221134002.PMC10152241.pdf","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"9431725","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-29DOI: 10.1177/09526951231155058
Des O’Rawe
This article explores how post-war documentary film-makers negotiated complex social, formal, and autobiographical issues associated with representing mental illness and its treatments, and the extent to which their respective approaches helped to challenge conventional attitudes to alternative psychotherapies – especially within the context of advances in new documentary film-making technologies, alongside a wider culture of social activism. Focussing on A Look at Madness ( Regard sur la folie; Mario Ruspoli, 1962 , France) and Now Do You Get It Why I Am Crying? ( Begrijpt u nu waarom ik huil?; Louis van Gasteren, 1969 , Netherlands), the article discusses how the collaborative, democratic aims of cinéma direct coincided with the ethos of institutional psychotherapy, and compares this with the relations between the documentary form and the subject of LSD-assisted psychotherapeutic techniques in Van Gasteren's film.
本文探讨了战后纪录片制片人如何处理与表现精神疾病及其治疗相关的复杂的社会、形式和自传问题，以及他们各自的方法在多大程度上帮助挑战了对替代心理治疗的传统态度——特别是在新的纪录片制作技术进步的背景下，以及更广泛的社会行动主义文化。关注疯狂(关于自由;马里奥·鲁斯波利(1962年，法国)和《现在你明白我为什么哭了吗?》【翻译】【翻译】路易斯·范·加斯特伦(Louis van Gasteren, 1969，荷兰)，这篇文章讨论了cinsamima的合作、民主目标如何直接与机构心理治疗的精神相吻合，并将其与范·加斯特伦电影中lsd辅助心理治疗技术的纪录片形式和主题之间的关系进行了比较。
{"title":"Contrary to reason: Documentary film-making and alternative psychotherapies","authors":"Des O’Rawe","doi":"10.1177/09526951231155058","DOIUrl":"https://doi.org/10.1177/09526951231155058","url":null,"abstract":"This article explores how post-war documentary film-makers negotiated complex social, formal, and autobiographical issues associated with representing mental illness and its treatments, and the extent to which their respective approaches helped to challenge conventional attitudes to alternative psychotherapies – especially within the context of advances in new documentary film-making technologies, alongside a wider culture of social activism. Focussing on A Look at Madness ( Regard sur la folie; Mario Ruspoli, 1962 , France) and Now Do You Get It Why I Am Crying? ( Begrijpt u nu waarom ik huil?; Louis van Gasteren, 1969 , Netherlands), the article discusses how the collaborative, democratic aims of cinéma direct coincided with the ethos of institutional psychotherapy, and compares this with the relations between the documentary form and the subject of LSD-assisted psychotherapeutic techniques in Van Gasteren's film.","PeriodicalId":50403,"journal":{"name":"History of the Human Sciences","volume":" ","pages":""},"PeriodicalIF":0.9,"publicationDate":"2023-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46119088","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-27DOI: 10.1177/09526951231156729
M. Holmes
British biologist and science populariser J. B. S. Haldane was known as a contrarian, whose myriad ideas and beliefs would shift to oppose whomever he chose to argue with. Yet Haldane's support for synthetic food remained remarkably stable throughout his life. This article argues that Haldane's engagement with synthetic food during the 1930s and 1940s was shaped by his frustration with the status and direction of scientific research in Britain. Drawing upon the Haldane Papers, I reconstruct how Haldane's interest in synthetic food emerged from the biochemical and physiological optimism of the early 20th century. His mid-20th-century writings were an opportunity for Haldane to voice his political opinions. He attempted to erase the conceptual divide between farm and factory, maintained that food shortages were a capitalist construct, and criticised British colonialism. By pointing out the failure of existing economic systems and governments to develop synthetic food, Haldane made the case that food production should be placed under the control of biologists.
{"title":"Yeast, coal, and straw: J. B. S. Haldane's vision for the future of science and synthetic food","authors":"M. Holmes","doi":"10.1177/09526951231156729","DOIUrl":"https://doi.org/10.1177/09526951231156729","url":null,"abstract":"British biologist and science populariser J. B. S. Haldane was known as a contrarian, whose myriad ideas and beliefs would shift to oppose whomever he chose to argue with. Yet Haldane's support for synthetic food remained remarkably stable throughout his life. This article argues that Haldane's engagement with synthetic food during the 1930s and 1940s was shaped by his frustration with the status and direction of scientific research in Britain. Drawing upon the Haldane Papers, I reconstruct how Haldane's interest in synthetic food emerged from the biochemical and physiological optimism of the early 20th century. His mid-20th-century writings were an opportunity for Haldane to voice his political opinions. He attempted to erase the conceptual divide between farm and factory, maintained that food shortages were a capitalist construct, and criticised British colonialism. By pointing out the failure of existing economic systems and governments to develop synthetic food, Haldane made the case that food production should be placed under the control of biologists.","PeriodicalId":50403,"journal":{"name":"History of the Human Sciences","volume":"36 1","pages":"202 - 220"},"PeriodicalIF":0.9,"publicationDate":"2023-03-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47288089","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-22DOI: 10.1177/09526951231156040
G. Swer
Most commentators on Spengler's philosophy tend to focus on the details of his cyclical theory of world-history, according to which history should be understood in terms of the rise and fall of great cultures. I argue that Spengler's philosophy of history is itself an expression of his primary concern with philosophical analysis of the structures of human consciousness, and that an awareness of Spengler's account of the existential structures of subjective consciousness enables one to grasp the reasoning behind some of the key features of his philosophy of history, such as his cultural isolation hypothesis and critique of Eurocentric historiography. I further argue that the way to access Spengler's theory of consciousness, and the ways in which it informs his philosophy of history, is via his critical engagement with the Kant character that recurs in the first volume of The Decline of the West.
{"title":"Arguments with fictional philosophers: Spengler's Kant and the conceptual foundations of Spengler's early philosophy of history","authors":"G. Swer","doi":"10.1177/09526951231156040","DOIUrl":"https://doi.org/10.1177/09526951231156040","url":null,"abstract":"Most commentators on Spengler's philosophy tend to focus on the details of his cyclical theory of world-history, according to which history should be understood in terms of the rise and fall of great cultures. I argue that Spengler's philosophy of history is itself an expression of his primary concern with philosophical analysis of the structures of human consciousness, and that an awareness of Spengler's account of the existential structures of subjective consciousness enables one to grasp the reasoning behind some of the key features of his philosophy of history, such as his cultural isolation hypothesis and critique of Eurocentric historiography. I further argue that the way to access Spengler's theory of consciousness, and the ways in which it informs his philosophy of history, is via his critical engagement with the Kant character that recurs in the first volume of The Decline of the West.","PeriodicalId":50403,"journal":{"name":"History of the Human Sciences","volume":"36 1","pages":"242 - 259"},"PeriodicalIF":0.9,"publicationDate":"2023-03-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42626468","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-02-16DOI: 10.1177/09526951221148638
F. Serina
This article delves into a problem that is still seldom addressed by historians—namely, the use of medical records testifying to the implementation of a psychoanalytically inspired treatment within a psychiatric institution for historical research. Based on publications, a broad spectrum of medical patient records, and interviews with former practitioners, it more broadly addresses issues related to the attention to patients’ voices at the University Psychiatric Clinic of Strasbourg, a central institution of psychiatric care in Northeastern France that was once considered a bastion of French Freudianism. Eventually, it contends with the fundamentally elusive nature of medical patient records when it comes to talking cures, highlighting the challenges and limitations inherent in the historical exploitation of this type of source.
这篇文章深入探讨了一个历史学家很少提到的问题——即，在历史研究中，使用医疗记录来证明精神病院实施了精神分析启发的治疗。基于出版物、广泛的医疗患者记录和对前从业者的采访，本书更广泛地探讨了斯特拉斯堡大学精神病诊所(University Psychiatric Clinic of Strasbourg)对患者声音的关注。斯特拉斯堡大学精神病诊所是法国东北部的一家精神病护理中心机构，曾被认为是法国弗洛伊德主义的堡垒。最后，当谈到治疗方法时，它与医疗记录的根本难以捉摸的本质相抗衡，突出了这种来源的历史开发所固有的挑战和局限性。
{"title":"Psychoanalytic practice in the light of psychiatric patient records: The elusive history of Freudian-inspired psychotherapy (Strasbourg, 1940s–1970s)","authors":"F. Serina","doi":"10.1177/09526951221148638","DOIUrl":"https://doi.org/10.1177/09526951221148638","url":null,"abstract":"This article delves into a problem that is still seldom addressed by historians—namely, the use of medical records testifying to the implementation of a psychoanalytically inspired treatment within a psychiatric institution for historical research. Based on publications, a broad spectrum of medical patient records, and interviews with former practitioners, it more broadly addresses issues related to the attention to patients’ voices at the University Psychiatric Clinic of Strasbourg, a central institution of psychiatric care in Northeastern France that was once considered a bastion of French Freudianism. Eventually, it contends with the fundamentally elusive nature of medical patient records when it comes to talking cures, highlighting the challenges and limitations inherent in the historical exploitation of this type of source.","PeriodicalId":50403,"journal":{"name":"History of the Human Sciences","volume":"36 1","pages":"158 - 177"},"PeriodicalIF":0.9,"publicationDate":"2023-02-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41339628","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-31DOI: 10.1177/09526951221140001
R. Evrard, Stéphane Gumpper, Bevis Beauvais
Metapsychy, or metapsychics, is the French science known in English-speaking countries as parapsychology or psychical research. As Régine Plas has shown, the ‘psychic’ phenomena were among the first subjects of psychological inquiry. Like many of his colleagues, Henri Piéron began his career researching apparent telepathic phenomena, and in collaboration with Nicolae Vaschide explained them in terms of an ‘intellectual parallelism’. From 1913 onward, Piéron developed the ‘Métapsychie’ section of L’année psychologique, where he used his critical skills to sometimes foster and sometimes discourage this field of research. In the background to these events was the issue of metapsychy's place within the field of psychology, a field on which Piéron had himself helped to confer institutional and professional status. The growing disparity between metapsychy and psychology suggested a distinct demarcation between the two disciplines, with Piéron zealously fulfilling a missionary role as one of several gatekeepers. While open to what were presented as new examples of physiologically objectified psychic activity, he never really seems to have observed anything he considered convincing and so generally suspected fraud. His interventions played a role in the emancipation/expulsion of metapsychy from the nascent field of psychology, with the advantage of increasing recognition of the epistemic authority of the latter.
{"title":"Metapsychy's border: Henri Piéron's (1881–1964) role as the gatekeeper of French psychology","authors":"R. Evrard, Stéphane Gumpper, Bevis Beauvais","doi":"10.1177/09526951221140001","DOIUrl":"https://doi.org/10.1177/09526951221140001","url":null,"abstract":"Metapsychy, or metapsychics, is the French science known in English-speaking countries as parapsychology or psychical research. As Régine Plas has shown, the ‘psychic’ phenomena were among the first subjects of psychological inquiry. Like many of his colleagues, Henri Piéron began his career researching apparent telepathic phenomena, and in collaboration with Nicolae Vaschide explained them in terms of an ‘intellectual parallelism’. From 1913 onward, Piéron developed the ‘Métapsychie’ section of L’année psychologique, where he used his critical skills to sometimes foster and sometimes discourage this field of research. In the background to these events was the issue of metapsychy's place within the field of psychology, a field on which Piéron had himself helped to confer institutional and professional status. The growing disparity between metapsychy and psychology suggested a distinct demarcation between the two disciplines, with Piéron zealously fulfilling a missionary role as one of several gatekeepers. While open to what were presented as new examples of physiologically objectified psychic activity, he never really seems to have observed anything he considered convincing and so generally suspected fraud. His interventions played a role in the emancipation/expulsion of metapsychy from the nascent field of psychology, with the advantage of increasing recognition of the epistemic authority of the latter.","PeriodicalId":50403,"journal":{"name":"History of the Human Sciences","volume":"36 1","pages":"105 - 132"},"PeriodicalIF":0.9,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46292901","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-05DOI: 10.1177/09526951221143888
D. Pilgrim
An account is provided of the historical context of the work one of the best-known figures in British psychology in the 20th century, Hans Eysenck. Recently some of this has come under critical scrutiny, especially in relation to claims of data rigging in his model of smoking and morbidity, produced from the 1960s to the 1980s. The article places that controversy, and others associated with Eysenck, in the longer context of the shifting forms of epistemological and political legitimacy within British psychology in the past hundred years. Eysenck was both lionised and disparaged during his life and after his death. This account explores that ambiguity in order to discern the challenge for British psychology to maintain disciplinary coherence. An understanding of this fluxing historical picture is guided by the meta-theoretical resource of critical realism.
{"title":"Verdicts on Hans Eysenck and the fluxing context of British psychology","authors":"D. Pilgrim","doi":"10.1177/09526951221143888","DOIUrl":"https://doi.org/10.1177/09526951221143888","url":null,"abstract":"An account is provided of the historical context of the work one of the best-known figures in British psychology in the 20th century, Hans Eysenck. Recently some of this has come under critical scrutiny, especially in relation to claims of data rigging in his model of smoking and morbidity, produced from the 1960s to the 1980s. The article places that controversy, and others associated with Eysenck, in the longer context of the shifting forms of epistemological and political legitimacy within British psychology in the past hundred years. Eysenck was both lionised and disparaged during his life and after his death. This account explores that ambiguity in order to discern the challenge for British psychology to maintain disciplinary coherence. An understanding of this fluxing historical picture is guided by the meta-theoretical resource of critical realism.","PeriodicalId":50403,"journal":{"name":"History of the Human Sciences","volume":"36 1","pages":"83 - 104"},"PeriodicalIF":0.9,"publicationDate":"2023-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44971176","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-04DOI: 10.1177/09526951221136771
Marianne Sommer
Between the last decades of the 18th century and the middle of the 19th century, something of paramount importance happened in the history of anthropology. This was the advent of a physical anthropology that was about the classification of ‘human races’ through comparative measurement. A central tool of the new trade was diagrams. Being inherently about relations in and between objects, diagrams became the means of defining human groups and their relations to each other – the last point being disputed between the monogenists and the polygenists. James Cowles Prichard, a proponent of the comparative historical approach, was able to do without images in his pioneering Researches Into the Physical History of Man of 1813, but the third edition, which appeared in five volumes between 1836 and 1847, was richly illustrated with ‘ethnic types’ and skulls, including diagrams. What was happening is a process I engage with in detail for Samuel George Morton, who collected and distributed human skulls as lithographs in Crania americana (1839) and Crania aegyptiaca (1844). Along with the paper skulls travelled detailed instructions of how to look at them through a set of lines and to set their individual parts in relation to each other as well as to those of other types. Drawing on Johann Friedrich Blumenbach and Peter Camper, the Crania thus played a pivotal role in establishing what I call a diagrammatics of race – a diagrammatics that became overtly political with Types of Mankind (1854), which was written in Morton's honour by Josiah Nott and George Gliddon.
在18世纪的最后几十年到19世纪中叶之间，人类学史上发生了一些至关重要的事情。这是一种通过比较测量对“人类”进行分类的体质人类学的出现。新贸易的一个中心工具是图表。图表本质上是关于物体内部和物体之间的关系，它成为定义人类群体及其相互关系的手段——最后一点是单基因论者和多基因论者之间的争论。詹姆斯·考尔斯·普里查德（James Cowles Prichard）是比较历史方法的支持者，他在1813年开创性的《人类物理史研究》（Studies Into the Physical History of Man）中可以不使用图像，但第三版在1836年至1847年间分为五卷，用“种族类型”和头骨（包括图表）进行了丰富的说明。发生的事情是我为塞缪尔·乔治·莫顿（Samuel George Morton）详细参与的一个过程，他在美洲Crania americana（1839年）和埃及Crania aegyptiaca（1844年）收集并分发了人类头骨作为石版画。除了这些纸头骨，还详细介绍了如何通过一组线条来观察它们，以及如何将它们的各个部分相互联系以及与其他类型的部分联系起来。因此，根据约翰·弗里德里希·布鲁门巴赫和彼得·坎珀的作品，Crania在建立我所说的种族图解方面发挥了关键作用——这一图解与乔赛亚·诺特和乔治·格莱登为纪念莫顿而写的《人类类型》（1854年）一起公开政治化。
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Pub Date : 2022-12-20DOI: 10.1177/09526951221134478
Michele Kennerly
Plato's Republic lurks in cybernetics, a word popularly attributed to US American mathematician Norbert Wiener (1894–1964). In his accounts of how he came up with it, however, Wiener never mentions Plato, though he does note it was formed from the ancient Greek word kubernētēs (navigator). Among the earliest popular books about the cybernetics craze are three published in France, and their authors show a special interest in the origin of cybernetics. In something like learned rebukes to Wiener, all three books credit Plato with significant use of kubernē-based terms. This article presents evidence, one, that Wiener knows well he has chosen a word with a Platonic history and, two, that Wiener deems the technical and social climate of ancient Athens (and of the Republic) instructive only as an anti-model for the mid-20th-century United States and so does not feel compelled to associate cybernetics with Plato. Instead, Wiener focuses on the challenges cybernetics and automation pose for his own engineering-oriented, capitalist, multiracial, democratic republic. Wiener's decisions not to use Plato as an authorizing force and not to put ancient Athens on a pedestal merit recognition, since subsequent writers link ancient Athens with cybernation via a presumption that cybernation will enable and fully democratize the sort of leisure activities, including thinking and participation in public life, deemed by some to be emblematic of ancient Athens.
{"title":"Cybernetics in the Republic","authors":"Michele Kennerly","doi":"10.1177/09526951221134478","DOIUrl":"https://doi.org/10.1177/09526951221134478","url":null,"abstract":"Plato's Republic lurks in cybernetics, a word popularly attributed to US American mathematician Norbert Wiener (1894–1964). In his accounts of how he came up with it, however, Wiener never mentions Plato, though he does note it was formed from the ancient Greek word kubernētēs (navigator). Among the earliest popular books about the cybernetics craze are three published in France, and their authors show a special interest in the origin of cybernetics. In something like learned rebukes to Wiener, all three books credit Plato with significant use of kubernē-based terms. This article presents evidence, one, that Wiener knows well he has chosen a word with a Platonic history and, two, that Wiener deems the technical and social climate of ancient Athens (and of the Republic) instructive only as an anti-model for the mid-20th-century United States and so does not feel compelled to associate cybernetics with Plato. Instead, Wiener focuses on the challenges cybernetics and automation pose for his own engineering-oriented, capitalist, multiracial, democratic republic. Wiener's decisions not to use Plato as an authorizing force and not to put ancient Athens on a pedestal merit recognition, since subsequent writers link ancient Athens with cybernation via a presumption that cybernation will enable and fully democratize the sort of leisure activities, including thinking and participation in public life, deemed by some to be emblematic of ancient Athens.","PeriodicalId":50403,"journal":{"name":"History of the Human Sciences","volume":"36 1","pages":"80 - 102"},"PeriodicalIF":0.9,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45782339","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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