Se estudia, en el contexto general de la catedral de Almería, el sepulcro en mármol blanco que realizó el arquitecto y escultor Juan de Orea para el obispo Diego Fernández de Villalán en la catedral de Almería. Ubicado en la capilla central de la cabecera gótica del templo, se considera uno de los ejemplos más notables de túmulo funerario renacentista de los existentes en España dentro de su categoría.
{"title":"Otra forma de ver. El sepulcro del obispo Villalán de Juan de Orea en la catedral de Almería","authors":"María Mar Nicolás Martínez","doi":"10.18002/da.i22.7703","DOIUrl":"https://doi.org/10.18002/da.i22.7703","url":null,"abstract":"Se estudia, en el contexto general de la catedral de Almería, el sepulcro en mármol blanco que realizó el arquitecto y escultor Juan de Orea para el obispo Diego Fernández de Villalán en la catedral de Almería. Ubicado en la capilla central de la cabecera gótica del templo, se considera uno de los ejemplos más notables de túmulo funerario renacentista de los existentes en España dentro de su categoría.","PeriodicalId":505310,"journal":{"name":"De Arte. Revista de Historia del Arte","volume":"9 48","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139193988","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
As telas de altar móveis são pinturas que integram os retábulos. Consoante o calendário litúrgico estas peças eram descidas, ocultando as imagens devocionais colocadas no interior dos camarins dos retábulos. Na generalidade, estas pinturas de grandes dimensões, representam o orago do altar ou uma passagem hagiográfica do mesmo. Contribuindo para este campo de estudo em território português, ainda pouco explorado, este artigo aborda as telas de altar existentes na nave da Igreja Paroquial da Foz do Douro. Através do cruzamento de fontes documentais, nomeadamente as existentes no Arquivo Paroquial e da análise iconográfica e artística das peças in loco, procura-se descrever e situar cronologicamente os exemplares que nos chegaram.
活动祭坛屏风是祭坛画的一部分。根据礼仪日历的不同，这些屏风会被放下来，以遮盖祭坛更衣室内的虔诚图像。 一般来说，这些大型绘画表现的是祭坛的守护神或其中的神传段落。葡萄牙对这一领域的研究还很少，本文对 Foz do Douro 教区教堂中殿的祭坛壁画进行了研究。通过交叉引用文献资料，特别是教区档案中的资料，并分析现场作品的圣像和艺术品，本文旨在描述并按时间顺序排列我们所了解的作品。
{"title":"Pinturas ocultas: el estudio de las pinturas del altar de la nave Iglesia de São João Batista da Foz do Douro","authors":"Marisa Pereira Faria dos Santos","doi":"10.18002/da.i22.7610","DOIUrl":"https://doi.org/10.18002/da.i22.7610","url":null,"abstract":"As telas de altar móveis são pinturas que integram os retábulos. Consoante o calendário litúrgico estas peças eram descidas, ocultando as imagens devocionais colocadas no interior dos camarins dos retábulos. Na generalidade, estas pinturas de grandes dimensões, representam o orago do altar ou uma passagem hagiográfica do mesmo. Contribuindo para este campo de estudo em território português, ainda pouco explorado, este artigo aborda as telas de altar existentes na nave da Igreja Paroquial da Foz do Douro. Através do cruzamento de fontes documentais, nomeadamente as existentes no Arquivo Paroquial e da análise iconográfica e artística das peças in loco, procura-se descrever e situar cronologicamente os exemplares que nos chegaram.","PeriodicalId":505310,"journal":{"name":"De Arte. Revista de Historia del Arte","volume":"19 14","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139195069","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Fernández Lerma, Fernando. Qué es una obra de arte","authors":"C. García Álvarez","doi":"10.18002/da.i22.7693","DOIUrl":"https://doi.org/10.18002/da.i22.7693","url":null,"abstract":"","PeriodicalId":505310,"journal":{"name":"De Arte. Revista de Historia del Arte","volume":"29 12","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139188388","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Recensión del libro titulado Incipit: el origen de los museos en Castilla y León. León: Servicio de Publicaciones de la Universidad de León, 2022. 2 volúmenes (865 páginas), ilustraciones en color y en blanco y negro.
题为《Incipit: el origen de los museos en Castilla y León》一书的评论。莱昂：莱昂大学出版服务处，2022 年。两卷（865 页），彩色和黑白插图。
{"title":"Martínez Lombó, Enrique. Incipit: el origen de los museos en Castilla y León","authors":"Esperanza Navarrete Martínez","doi":"10.18002/da.i22.7646","DOIUrl":"https://doi.org/10.18002/da.i22.7646","url":null,"abstract":"Recensión del libro titulado Incipit: el origen de los museos en Castilla y León. León: Servicio de Publicaciones de la Universidad de León, 2022. 2 volúmenes (865 páginas), ilustraciones en color y en blanco y negro.","PeriodicalId":505310,"journal":{"name":"De Arte. Revista de Historia del Arte","volume":"24 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139190565","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Payo Hernanz, René Jesús y María José Zaparaín Yáñez. Trazas, proyectos y diseños de la Edad Moderna en Burgos en el Archivo Histórico Provincial. 1575-1802","authors":"Joaquín García Nistal","doi":"10.18002/da.i22.7761","DOIUrl":"https://doi.org/10.18002/da.i22.7761","url":null,"abstract":"","PeriodicalId":505310,"journal":{"name":"De Arte. Revista de Historia del Arte","volume":"126 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139195546","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Bartolomé García, Fernando R. y Ortega Mentxaka, Eneko (coords.). Élites, promoción artística e imagen del poder","authors":"María José Zaparaín Yáñez","doi":"10.18002/da.i22.7647","DOIUrl":"https://doi.org/10.18002/da.i22.7647","url":null,"abstract":"","PeriodicalId":505310,"journal":{"name":"De Arte. Revista de Historia del Arte","volume":"38 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139189459","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Lorente Lorente, Jesús Pedro. Reflexiones sobre museología crítica, dentro y fuera de los museos","authors":"María Mar Flórez Crespo","doi":"10.18002/da.i22.7715","DOIUrl":"https://doi.org/10.18002/da.i22.7715","url":null,"abstract":"","PeriodicalId":505310,"journal":{"name":"De Arte. Revista de Historia del Arte","volume":"55 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139191874","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Güell Pavilions are known for being the first work that Antoni Gaudí built for the person that would become his main patron, Eusebi Güell. For years, these buildings have been considered to have some functional roles, and to contain some sporadic references to the L’Atlàntida, a poem written by Jacint Verdaguer. In this paper, however, I will argue that this work of Gaudí is more than this, since L’Atlàntida was already a good example of the idea of a new mythology, and Gaudí intertwined these literary references with “aesthetic geometry”, which had been reconstructed by the German artist Peter Lenz. I will show where and how this geometry is present in the Güell Pavilions. As a result, these buildings will reveal as an organic work, and a good example of the idea of a new mythology applied to plastic arts.
{"title":"Güell Pavilions of Antoni Gaudí as an example of new mythology","authors":"Carles Rius","doi":"10.18002/da.i22.7603","DOIUrl":"https://doi.org/10.18002/da.i22.7603","url":null,"abstract":"The Güell Pavilions are known for being the first work that Antoni Gaudí built for the person that would become his main patron, Eusebi Güell. For years, these buildings have been considered to have some functional roles, and to contain some sporadic references to the L’Atlàntida, a poem written by Jacint Verdaguer. In this paper, however, I will argue that this work of Gaudí is more than this, since L’Atlàntida was already a good example of the idea of a new mythology, and Gaudí intertwined these literary references with “aesthetic geometry”, which had been reconstructed by the German artist Peter Lenz. I will show where and how this geometry is present in the Güell Pavilions. As a result, these buildings will reveal as an organic work, and a good example of the idea of a new mythology applied to plastic arts.","PeriodicalId":505310,"journal":{"name":"De Arte. Revista de Historia del Arte","volume":"17 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139188984","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Diéguez Rodríguez, Ana y Ángel Rodríguez Rebollo (coords.).The pictor doctus, between knowledge and workshop : artists, collections and friendship in Europe, 1500-1900","authors":"Iván Rega Castro","doi":"10.18002/da.i22.7731","DOIUrl":"https://doi.org/10.18002/da.i22.7731","url":null,"abstract":"","PeriodicalId":505310,"journal":{"name":"De Arte. Revista de Historia del Arte","volume":"24 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139191050","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
El presente artículo constituye un acercamiento al estudio de los aspectos estéticos de documentos de aparato, esto es, aquellos documentos que han sido ricamente decorados con el objetivo de enfatizar su valor jurídico o diplomático. En él se analizan de forma sucinta las iluminaciones, la grafía, las orlas y demás elementos ornamentales que pueblan el manuscrito MSS/11720 de la Biblioteca Nacional de España, un manuscrito facticio comprendido por una ejecutoria de hidalguía y dos probanzas ad perpetuam rei memoriam, que perteneció a una célebre familia de arquitectos: los Praves.
本文是研究文书美学方面的一种方法，即那些为强调其法律或外交价值而进行了丰富装饰的文书。它简明扼要地分析了西班牙国家图书馆的 MSS/11720 号手稿中的彩饰、文字、装饰和其他装饰元素，该手稿是由一份结婚证书（executoria de hidalguía）和两份 "永久纪念"（probanzas ad perpetuam rei memoriam）组成的虚构手稿，属于一个著名的建筑师家族：普拉维斯（Praves）。
{"title":"iluminación al servicio de la hidalguía: el caso de los Praves","authors":"Macarena Cabrera Vázquez","doi":"10.18002/da.i22.7392","DOIUrl":"https://doi.org/10.18002/da.i22.7392","url":null,"abstract":"El presente artículo constituye un acercamiento al estudio de los aspectos estéticos de documentos de aparato, esto es, aquellos documentos que han sido ricamente decorados con el objetivo de enfatizar su valor jurídico o diplomático. En él se analizan de forma sucinta las iluminaciones, la grafía, las orlas y demás elementos ornamentales que pueblan el manuscrito MSS/11720 de la Biblioteca Nacional de España, un manuscrito facticio comprendido por una ejecutoria de hidalguía y dos probanzas ad perpetuam rei memoriam, que perteneció a una célebre familia de arquitectos: los Praves.","PeriodicalId":505310,"journal":{"name":"De Arte. Revista de Historia del Arte","volume":"21 8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139192827","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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