Pub Date : 2020-12-30DOI: 10.18778/2299-7458.09.21
A. Stawiszyńska
Poszukiwanie debiutu Ireny Tuwim nie należy do rzeczy łatwych. Jej pierwsze utwory, pisane w wieku młodzieńczym publikowane były na łamach prasy łódzkiej, często pod pseudonimami, nadanymi przez jej brata, Juliana, który w tajemnicy przed siostrą zanosił jej wiersze do zaprzyjaźnionych redakcji. W świetle dzisiejszej wiedzy za najwcześniej opublikowane wiersze poetki należy uznać utwory „Przy kominku” oraz „Szczęście” zamieszczone w pierwszej połowie 1914 r. na łamach jednodniówki literackiej „Życie Łódzkie” pod red. A. Nullusa, współtworzonej przez J. Tuwima. Wspomniane wiersze zostały podpisane pseudonimem „Ira Blanka”. Ponadto wierze zostały opatrzone przypisem, z którego wynikało, że ich autorka miała 15 lat a wiersze zostały opublikowane bez jej wiedzy.
{"title":"Odnośnie artykułu Katarzyny Kuczyńskiej-Koschany \"«Panienka, Godzina Polski», 1916: Irena Tuwim’s Literary Debut”","authors":"A. Stawiszyńska","doi":"10.18778/2299-7458.09.21","DOIUrl":"https://doi.org/10.18778/2299-7458.09.21","url":null,"abstract":"Poszukiwanie debiutu Ireny Tuwim nie należy do rzeczy łatwych. Jej pierwsze utwory, pisane w wieku młodzieńczym publikowane były na łamach prasy łódzkiej, często pod pseudonimami, nadanymi przez jej brata, Juliana, który w tajemnicy przed siostrą zanosił jej wiersze do zaprzyjaźnionych redakcji. W świetle dzisiejszej wiedzy za najwcześniej opublikowane wiersze poetki należy uznać utwory „Przy kominku” oraz „Szczęście” zamieszczone w pierwszej połowie 1914 r. na łamach jednodniówki literackiej „Życie Łódzkie” pod red. A. Nullusa, współtworzonej przez J. Tuwima. Wspomniane wiersze zostały podpisane pseudonimem „Ira Blanka”. Ponadto wierze zostały opatrzone przypisem, z którego wynikało, że ich autorka miała 15 lat a wiersze zostały opublikowane bez jej wiedzy.","PeriodicalId":50642,"journal":{"name":"Computer Languages Systems & Structures","volume":"1 1","pages":"375-377"},"PeriodicalIF":0.0,"publicationDate":"2020-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47960152","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-30DOI: 10.18778/2299-7458.09.04
Anna Kurska
This text is a reconstruction of the image of Venice offered in Listy z podróży by Antoni Edward Odyniec. Against the background of Romantic traditions (Byron, Chateaubriand, Shelley, and Radcliffe), I present how the author shaped the portrait of Venice suspended between the Romantic vision of the city/monster (Leviathan) and the ballad-based vision of the city/Siren. I indicate not only the fact that the image of Venice was rooted in the sentimental/Romantic stereotype, but I also define to what extent it was formed by the imagined world of Polish nobility, i.e. szlachta. Most of all, however, I am interested in the traces present in Listy z podróży which enable one to uncover Mickiewicz’s influence on how Odyniec shaped the image of Venice.
本文是安东尼·爱德华·奥迪尼奇在《Listy z podróy》中对威尼斯形象的重建。在浪漫主义传统（拜伦、夏托布里昂、雪莱和拉德克利夫）的背景下，我展示了作者是如何塑造威尼斯的肖像的，这幅肖像悬挂在城市/怪物（利维坦）的浪漫主义愿景和城市/塞伦的民谣愿景之间。我不仅指出威尼斯的形象植根于伤感/浪漫的刻板印象，而且我还定义了它在多大程度上是由波兰贵族的想象世界形成的，即szlachta。然而，最重要的是，我对Listy z podróy中的痕迹感兴趣，这些痕迹使人们能够揭示Mickiewicz对Odyniec如何塑造威尼斯形象的影响。
{"title":"Venice According to Odyniec (and Mickiewicz?) in Romantic Contexts","authors":"Anna Kurska","doi":"10.18778/2299-7458.09.04","DOIUrl":"https://doi.org/10.18778/2299-7458.09.04","url":null,"abstract":"This text is a reconstruction of the image of Venice offered in Listy z podróży by Antoni Edward Odyniec. Against the background of Romantic traditions (Byron, Chateaubriand, Shelley, and Radcliffe), I present how the author shaped the portrait of Venice suspended between the Romantic vision of the city/monster (Leviathan) and the ballad-based vision of the city/Siren. I indicate not only the fact that the image of Venice was rooted in the sentimental/Romantic stereotype, but I also define to what extent it was formed by the imagined world of Polish nobility, i.e. szlachta. Most of all, however, I am interested in the traces present in Listy z podróży which enable one to uncover Mickiewicz’s influence on how Odyniec shaped the image of Venice.","PeriodicalId":50642,"journal":{"name":"Computer Languages Systems & Structures","volume":"1 1","pages":"65-100"},"PeriodicalIF":0.0,"publicationDate":"2020-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42064449","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-30DOI: 10.18778/2299-7458.09.02
Michał Kuran
The aim of the study is to present at least three reasons why Old Polish writers of the latter half of the 16th century and 17th century wrote about Venice. The first one was the admiration in the nobility-ruled republican political system which emerged in the Republic of Venice, and which was considered as an attractive model by Old Polish thinkers and writers. They, e.g. Palczowski, Górnicki, and Wolan, expressed their convictions in their treatises. The second reason was that of the struggles of Christian states with the Ottoman Empire. Venice constituted the first potential ally and often a leader of European armies intended to participate in the often-planned anti-Muslim crusades. The study references the accounts of the visions of Venice as a leader of crusades as inscribed in the exhortation-related literature. The third reason was the perception of Venice as a safe port for pilgrims travelling to the Holy Land and, more broadly, to the territory of the Ottoman state via the sea. Its image emerged from the accounts of Old Polish pilgrims, travellers, and escaped slaves.
{"title":"Venice in Polish Literature of the Latter Half of the 16th Century and in the 17th Century as a Model Political System, a Leading Centre in the Fight Against the Ottoman Empire, and the Centre of the Pilgrimage Culture","authors":"Michał Kuran","doi":"10.18778/2299-7458.09.02","DOIUrl":"https://doi.org/10.18778/2299-7458.09.02","url":null,"abstract":"The aim of the study is to present at least three reasons why Old Polish writers of the latter half of the 16th century and 17th century wrote about Venice. The first one was the admiration in the nobility-ruled republican political system which emerged in the Republic of Venice, and which was considered as an attractive model by Old Polish thinkers and writers. They, e.g. Palczowski, Górnicki, and Wolan, expressed their convictions in their treatises. The second reason was that of the struggles of Christian states with the Ottoman Empire. Venice constituted the first potential ally and often a leader of European armies intended to participate in the often-planned anti-Muslim crusades. The study references the accounts of the visions of Venice as a leader of crusades as inscribed in the exhortation-related literature. The third reason was the perception of Venice as a safe port for pilgrims travelling to the Holy Land and, more broadly, to the territory of the Ottoman state via the sea. Its image emerged from the accounts of Old Polish pilgrims, travellers, and escaped slaves.","PeriodicalId":50642,"journal":{"name":"Computer Languages Systems & Structures","volume":"1 1","pages":"13-50"},"PeriodicalIF":0.0,"publicationDate":"2020-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45842230","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-30DOI: 10.18778/2299-7458.09.05
Maria Berkan-Jabłońska
The subject of the article is a review of images of Venice recorded in Polish poetry between the years 1829–1870. The paper deliberately stops in the 1870s in the selection of the literary material to be analysed, focusing on the Romantic and post-Romantic tradition. Due to the different artistic value of the works, the author adopted the formula of a historical and literary “catalogue” ordered chronologically and partly problematicised according to the functions which Venetian scenery or culture perform in them. Attention is drawn to the fact that Venetian motifs present in the poetry of Polish artists tend to be related to particular phenomena and topics, such as Byronism, Gothicism, political and national camouflage, love and existential masks, conflict between people and power. The authors referred to in the paper include, among others, Adam Mickiewicz, Józef Ignacy Kraszewski, Zygmunt Krasiński, Edward Dembowski, Edmund Chojecki, Karol Baliński, Mieczysław Gwalbert Pawlikowski, Teofil Lenartowicz, Feliks Wicherski, Teofil Nowosielski, Aleksander Michaux and Wiktor Gomulicki.
这篇文章的主题是对1829-1870年间波兰诗歌中记录的威尼斯形象的回顾。本文故意停留在19世纪70年代的文学材料的选择进行分析，重点关注浪漫主义和后浪漫主义的传统。由于作品的艺术价值不同，作者采用了按时间顺序排列的历史和文学“目录”的公式，并根据威尼斯风景或文化在其中所起的作用进行了部分问题处理。值得注意的是，波兰艺术家诗歌中的威尼斯主题往往与特定的现象和主题有关，例如拜伦主义、哥特主义、政治和国家的伪装、爱情和存在的面具、人与权力之间的冲突。论文中提到的作者包括Adam Mickiewicz, Józef Ignacy Kraszewski, Zygmunt Krasiński, Edward Dembowski, Edmund Chojecki, Karol Baliński, Mieczysław Gwalbert Pawlikowski, Teofil Lenartowicz, Feliks Wicherski, Teofil Nowosielski, Aleksander Michaux和Wiktor Gomulicki。
{"title":"On Several Polish Poems From 1829–1870 with Venice in the Background","authors":"Maria Berkan-Jabłońska","doi":"10.18778/2299-7458.09.05","DOIUrl":"https://doi.org/10.18778/2299-7458.09.05","url":null,"abstract":"The subject of the article is a review of images of Venice recorded in Polish poetry between the years 1829–1870. The paper deliberately stops in the 1870s in the selection of the literary material to be analysed, focusing on the Romantic and post-Romantic tradition. Due to the different artistic value of the works, the author adopted the formula of a historical and literary “catalogue” ordered chronologically and partly problematicised according to the functions which Venetian scenery or culture perform in them. Attention is drawn to the fact that Venetian motifs present in the poetry of Polish artists tend to be related to particular phenomena and topics, such as Byronism, Gothicism, political and national camouflage, love and existential masks, conflict between people and power. The authors referred to in the paper include, among others, Adam Mickiewicz, Józef Ignacy Kraszewski, Zygmunt Krasiński, Edward Dembowski, Edmund Chojecki, Karol Baliński, Mieczysław Gwalbert Pawlikowski, Teofil Lenartowicz, Feliks Wicherski, Teofil Nowosielski, Aleksander Michaux and Wiktor Gomulicki.","PeriodicalId":50642,"journal":{"name":"Computer Languages Systems & Structures","volume":"1 1","pages":"101-137"},"PeriodicalIF":0.0,"publicationDate":"2020-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45672775","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-20DOI: 10.11144/JAVERIANA.CL25.VSHH
Silvia Ruíz Tresgallo, Cecilia López Basano
This essay intends to explore the story “Un negocio con Juana Garcia” [A Business with Juana Garcia] included in chapter IX of El Carnero. We propose that this text, through the representation of midwife Juana and her daughters, makes visible that Afro-descendant women are legally vulnerable in the New Kingdom of Granada. Our analysis reveals that the ethnicity of the protagonists is instrumental, both in the criminalization of their activities, related by ecclesiastics with sorcery, and in their expulsion from the colonial space to which, according to the authorities, they have no right to belong
{"title":"Voces silenciadas por la historia: la hechicera Juana García o la obliteración de la afrodescendencia","authors":"Silvia Ruíz Tresgallo, Cecilia López Basano","doi":"10.11144/JAVERIANA.CL25.VSHH","DOIUrl":"https://doi.org/10.11144/JAVERIANA.CL25.VSHH","url":null,"abstract":"This essay intends to explore the story “Un negocio con Juana Garcia” [A Business with Juana Garcia] included in chapter IX of El Carnero. We propose that this text, through the representation of midwife Juana and her daughters, makes visible that Afro-descendant women are legally vulnerable in the New Kingdom of Granada. Our analysis reveals that the ethnicity of the protagonists is instrumental, both in the criminalization of their activities, related by ecclesiastics with sorcery, and in their expulsion from the colonial space to which, according to the authorities, they have no right to belong","PeriodicalId":50642,"journal":{"name":"Computer Languages Systems & Structures","volume":"25 1","pages":"18-18"},"PeriodicalIF":0.0,"publicationDate":"2020-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46509976","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-17DOI: 10.18572/2070-2140-2020-6-39-42
E. S. Kryukova, V. Ruzanova
The article analyzes the concept and role of biobanks in carrying out genomic research and concludes that it is necessary, on the basis of an agreed conceptual apparatus, to formulate general provisions on the status of subjects with biobanks, on the regime of bio samples and information obtained on their basis. It is proposed to ensure interaction of organizations engaged in biobanking by improving the legal regime of biobanks, forming registers of genetic data and strengthening state control over their activities. The idea is substantiated that the legal regulation of biobanking in Russia should be based on the principles laid down in international acts, ethical rules and doctrine. In the article, considerations were made regarding the need to separate within the framework of the general rules of procedure for the provision of biomaterials and genetic information for scientific purposes, special attention was paid to the procedure for transboundary exchange of information.
{"title":"Legal Regulation of Biobanks Activity in Russia","authors":"E. S. Kryukova, V. Ruzanova","doi":"10.18572/2070-2140-2020-6-39-42","DOIUrl":"https://doi.org/10.18572/2070-2140-2020-6-39-42","url":null,"abstract":"The article analyzes the concept and role of biobanks in carrying out genomic research and concludes that it is necessary, on the basis of an agreed conceptual apparatus, to formulate general provisions on the status of subjects with biobanks, on the regime of bio samples and information obtained on their basis. It is proposed to ensure interaction of organizations engaged in biobanking by improving the legal regime of biobanks, forming registers of genetic data and strengthening state control over their activities. The idea is substantiated that the legal regulation of biobanking in Russia should be based on the principles laid down in international acts, ethical rules and doctrine. In the article, considerations were made regarding the need to separate within the framework of the general rules of procedure for the provision of biomaterials and genetic information for scientific purposes, special attention was paid to the procedure for transboundary exchange of information.","PeriodicalId":50642,"journal":{"name":"Computer Languages Systems & Structures","volume":"6 1","pages":"39-42"},"PeriodicalIF":0.0,"publicationDate":"2020-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41812115","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article considers a place as being filled with the symbolic meanings of the different groups controlling that place in different periods of history. It focuses on the example of the Soviet military zone in Transbaikalia, which was created on the site of the Buryat Buddhist monastery of Tsugol in the early 1930s. The military zone went on to replace the previous identity of the place by appropriating the meanings and symbols attached to the monastery. Fifty years later, in the post-Soviet period, the place was “reappropriated” by the Buryat Buddhist monastery. The article discusses the practices of appropriation and re-appropriation of the place, and the way the competing narratives merge into a multilocal phenomenon.
{"title":"A Military Zone in a Dwelling of the Buddhas: Appropriation and Re-appropriation of the Cultural Landscape in Transbaikalia","authors":"A. Zhanaev","doi":"10.21104/CL.2020.3.02","DOIUrl":"https://doi.org/10.21104/CL.2020.3.02","url":null,"abstract":"This article considers a place as being filled with the symbolic meanings of the different groups controlling that place in different periods of history. It focuses on the example of the Soviet military zone in Transbaikalia, which was created on the site of the Buryat Buddhist monastery of Tsugol in the early 1930s. The military zone went on to replace the previous identity of the place by appropriating the meanings and symbols attached to the monastery. Fifty years later, in the post-Soviet period, the place was “reappropriated” by the Buryat Buddhist monastery. The article discusses the practices of appropriation and re-appropriation of the place, and the way the competing narratives merge into a multilocal phenomenon.","PeriodicalId":50642,"journal":{"name":"Computer Languages Systems & Structures","volume":"107 1","pages":"309-334"},"PeriodicalIF":0.0,"publicationDate":"2020-09-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42034440","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
During the 16th and 17th centuries, an extensive transformation of clothing habits took place in Central Europe. The era of the national styles of clothing had concluded and was replaced by widespread preference of the highly fashionable Spanish – and later French – clothing sets. New garments were fully accepted mainly by nobles and, over time, also among burghers. The question remains how and by whom they were passed on to the rural population. Our attention is focused mainly on urban tailors’ guilds, which had a dominant position in the production of urban as well as rural clothing, due to regulations. Their creations are captured in several period depictions, and their abundance in towns as well as in the countryside is evidenced by inventories of estates and bequests to orphans. Clothing constructions are included in tailors’ pattern books, which have been preserved in Czechia, Slovakia, Poland, Austria, and Germany. The comparison of the three mentioned source types in this study brings new information about the formation, types, and representation of individual components of men’s clothing.
{"title":"Krejčovské cechy a jejich vliv na formování mužského venkovského oděvu ve střední Evropě 16. a 17. století","authors":"Martin Šimša","doi":"10.21104/CL.2020.3.01","DOIUrl":"https://doi.org/10.21104/CL.2020.3.01","url":null,"abstract":"During the 16th and 17th centuries, an extensive transformation of clothing habits took place in Central Europe. The era of the national styles of clothing had concluded and was replaced by widespread preference of the highly fashionable Spanish – and later French – clothing sets. New garments were fully accepted mainly by nobles and, over time, also among burghers. The question remains how and by whom they were passed on to the rural population. Our attention is focused mainly on urban tailors’ guilds, which had a dominant position in the production of urban as well as rural clothing, due to regulations. Their creations are captured in several period depictions, and their abundance in towns as well as in the countryside is evidenced by inventories of estates and bequests to orphans. Clothing constructions are included in tailors’ pattern books, which have been preserved in Czechia, Slovakia, Poland, Austria, and Germany. The comparison of the three mentioned source types in this study brings new information about the formation, types, and representation of individual components of men’s clothing.","PeriodicalId":50642,"journal":{"name":"Computer Languages Systems & Structures","volume":"107 1","pages":"259-307"},"PeriodicalIF":0.0,"publicationDate":"2020-09-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49564872","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In May 1909, Ferdinand Krackowizer (1844–1933), an archival councillor from Linz, took a trip to the spa in Karlovy Vary. He kept a travel diary as well as a memory album where he stored all sorts of documents: postcards, concert programmes, tickets, menus, a report from his attending physician, etc. By analysing these documents we are able to reconstruct in detail Krackowizer’s stay at the spa and gain deeper knowledge of the everyday spa culture in Karlovy Vary at the turn of the century. In addition, the analysis takes into account the opinions and assessments provided by the traveller himself in his travel diary. The diary further facilitates reconstructing Krackowizer’s networks and understanding different aspects of cultural practices connected to spa travel. Finally, these primary sources show the importance which Krackowizer attributed to his spa trip as a form of external representation.
{"title":"Die Karlsbad-Reise des Ferdinand Krackowizer im Jahre 1909. Anmerkungen zu einer Kulturgeschichte der bürgerlichen Badereise","authors":"E. Fendl","doi":"10.21104/cl.2020.4.01","DOIUrl":"https://doi.org/10.21104/cl.2020.4.01","url":null,"abstract":"In May 1909, Ferdinand Krackowizer (1844–1933), an archival councillor from Linz, took a trip to the spa in Karlovy Vary. He kept a travel diary as well as a memory album where he stored all sorts of documents: postcards, concert programmes, tickets, menus, a report from his attending physician, etc. By analysing these documents we are able to reconstruct in detail Krackowizer’s stay at the spa and gain deeper knowledge of the everyday spa culture in Karlovy Vary at the turn of the century. In addition, the analysis takes into account the opinions and assessments provided by the traveller himself in his travel diary. The diary further facilitates reconstructing Krackowizer’s networks and understanding different aspects of cultural practices connected to spa travel. Finally, these primary sources show the importance which Krackowizer attributed to his spa trip as a form of external representation.","PeriodicalId":50642,"journal":{"name":"Computer Languages Systems & Structures","volume":"107 1","pages":"399-438"},"PeriodicalIF":0.0,"publicationDate":"2020-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46545261","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
An indigenous Shuar community in Ecuador have been hosting tourists seeking retreats that feature traditional medicinal plants such as ayahuasca and tobacco. The community has provided individual ceremonies with the plants, or more complex rites such as Natemamu. Natemamu is a rite that is comprised of repetitive ceremonies lasting ten to twelve days, which involves drinking large quantities of Ayahuasca. The author primarily focuses on: 1) the commodification of the Shuar Natemamu rite as a product that is offered on the global market; and 2) the impacts of this commercial trade on the hosts and visitors. This article is based on data collected by means of participant observation, interviews, and audio-visual documentations. The findings imply that the introduction of western tourists to the Shuar community and its rites has contributed to processual changes to the rite and to ideational and material changes on both sides. Furthermore, the findings suggest that while the tourists experienced more ideational changes, the impact on Shuars was more material. This seems to be in accordance with the respective expectations of the encounter of both groups.
{"title":"Ayahuasca Ethno-tourism and its Impact on the Indigenous Shuar Community (Ecuador) and Western Participants","authors":"Dima Salibová","doi":"10.21104/cl.2020.4.05","DOIUrl":"https://doi.org/10.21104/cl.2020.4.05","url":null,"abstract":"An indigenous Shuar community in Ecuador have been hosting tourists seeking retreats that feature traditional medicinal plants such as ayahuasca and tobacco. The community has provided individual ceremonies with the plants, or more complex rites such as Natemamu. Natemamu is a rite that is comprised of repetitive ceremonies lasting ten to twelve days, which involves drinking large quantities of Ayahuasca. The author primarily focuses on: 1) the commodification of the Shuar Natemamu rite as a product that is offered on the global market; and 2) the impacts of this commercial trade on the hosts and visitors. This article is based on data collected by means of participant observation, interviews, and audio-visual documentations. The findings imply that the introduction of western tourists to the Shuar community and its rites has contributed to processual changes to the rite and to ideational and material changes on both sides. Furthermore, the findings suggest that while the tourists experienced more ideational changes, the impact on Shuars was more material. This seems to be in accordance with the respective expectations of the encounter of both groups.","PeriodicalId":50642,"journal":{"name":"Computer Languages Systems & Structures","volume":"107 1","pages":"511-532"},"PeriodicalIF":0.0,"publicationDate":"2020-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45030325","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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