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The social portrait of the Muslim clergy in the Tobolsk Governate in the 19th — early 20th century 19-20 世纪初托博尔斯克州穆斯林神职人员的社会画像
Pub Date : 2023-12-15 DOI: 10.20874/2071-0437-2023-63-4-19
G. Mavlyutova
The Muslim clergy is analysed as one of the social groups. In Muslim communities, the clergy could comprise khatibs, imams, muezzins or adhan-caller, mujtahids, and ahuns. The congregation usually called all clergymen of mosque as mullah. In the course of research, it has been found that the majority of the clergymen worked in the countryside. The clerical staff of coun-tryside mosques was few. Generally, there were one or two clergymen in service: an imam and a muezzin. Sometimes, two imams worked in the house of worship. In the period under study, mosques operated in the towns of Tara, Tobolsk, and Tyumen. The clergy staff in the urban mosques in different periods included 1–4 people. In most cases, the religious community elected clergymen, although there were situations when the congregation were asking the Orenburg Mohammedan Spiritual Assembly to appoint them a mullah. The clergymen began religious activities at a relatively young age (28 years old). The aver-age age of the imams was 45. Normally, they occupied clerical posts for the whole life. The Muslim clergy was not receiving allowance from the state. Usually, the religious community took the maintenance obligations towards the mullah. The clergy had different well-being levels. Part of the clergymen were living well. For example, they could afford to build religious houses at their own expenses. In the meantime, some mullahs lived in need, especially, in the time of natural disasters and poor harvests, when the members of the congregation did not support them with resources. A large part of the clergymen carried out educa-tional activities, teaching children in a maktab or a madrasah. The Muslim clergymen were family people. In the second half of the 19th c., a trend towards establishing the dynasts of imams emerged in the Tobolsk Governate. The Muslim clergy had an immense authority amongst the population. Meanwhile, the facts are known when some imams discredited themselves by their behaviour. The religious community and individuals criticised them and composed complaints on them. Petitions against the Muslim clergy were written not only by the congregation, but also by clergymen against each other.
穆斯林神职人员作为社会群体之一进行分析。在穆斯林社区中,神职人员包括哈提卜、伊玛目、穆阿兹或阿丹召唤者、穆吉塔希德和阿洪。教徒通常称清真寺的所有神职人员为毛拉。在研究过程中发现,大多数神职人员都在农村工作。乡村清真寺的教职人员很少。一般情况下,有一到两名神职人员在职:一名伊玛目和一名穆吉辛。有时,两个阿訇在礼拜堂工作。在研究期间,塔拉、朵伯利斯克和秋明镇都有清真寺。不同时期城市清真寺的教职人员包括 1-4 人。在大多数情况下,神职人员由宗教团体选举产生,但也有教徒要求奥伦堡穆罕默德精神大会任命毛拉的情况。神职人员开始从事宗教活动的年龄相对较小(28 岁)。阿訇的平均年龄为 45 岁。他们通常终身担任神职。穆斯林神职人员不领取国家津贴。通常,宗教团体对毛拉承担赡养义务。神职人员的福利水平各不相同。部分神职人员生活富足。例如,他们有能力自费修建宗教房屋。与此同时,一些毛拉生活拮据,尤其是在自然灾害和收成不好的时候,因为教徒们没有给他们提供资金支持。大部分神职人员从事教育活动,在伊斯兰学校(maktab)或伊斯兰宗教学校(madrasah)教授儿童。穆斯林神职人员都有家庭。19 世纪下半叶,朵伯利斯克省出现了建立伊玛目王朝的趋势。穆斯林神职人员在民众中拥有极大的权威。与此同时,一些伊玛目因其行为而使自己声誉扫地的事实也是众所周知的。宗教团体和个人对他们提出了批评和控诉。反对穆斯林神职人员的请愿书不仅来自教徒,也来自神职人员之间的相互指责。
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引用次数: 0
Main characteristics of burial complexes of Central Kazakhstan in the Late Bronze Age 青铜时代晚期哈萨克斯坦中部墓葬群的主要特征
Pub Date : 2023-12-15 DOI: 10.20874/2071-0437-2023-63-4-7
I.A. Kukushkin
The main factual basis of the research comprised the materials of 25 necropoleis of the Late Bronze Age examined in the Karaganda and Ulytau regions of Central Kazakhstan. The total number of the investigated burials amounts to 167 individual structures. There were 190 burials recorded. Since the 2000s, nine cemeteries belonging to the Late Bronze Age have been investigated. There were 72 burial structures studied, including one of the eight largest mausoleums in the region — Karazhar-tas, excavated in 2016–2017. All known burial structures were divided into three groups: surface stone boxes, boxes imbedded in the bedrock, and ground graves, which, according to the characteristic above-ground structures, were divided into ten types of burial structures. It has been noted that for the first group of the burials, the most characteristic are quadrangular funeral structures erected using the masonry technique. The second group is dominated by quadrangular fences built from vertically set slabs, less often from stone laid on flat. The third group is clearly dominated by a ring-shaped layout in the form of the stones selected according to their dimensions, laid in a circle. The most numerous appeared to be the first group, for which the charac-teristic feature is the arrangement of the burial chambers in the form of stone boxes raised above the ground. The less repre-sentative was the second group with subsurface burials, including those that had a form of composite stone boxes. The third group comprised the burials in ground graves. It is assumed that in the first two groups, the westward orientation of the interred is predominant, with a certain role of the northeastern sector. The third group is characterised by the invariable orientation of the deceased in a southward direction with the sleeping position of the skeleton laid on the right side.
研究的主要事实基础包括在哈萨克斯坦中部卡拉干达和乌里陶地区考察的 25 座青铜时代晚期墓葬的材料。调查的墓葬总数为 167 座。共记录了 190 座墓葬。自 2000 年代以来,对属于青铜时代晚期的 9 个墓地进行了调查。共研究了 72 座墓葬结构,其中包括 2016-2017 年发掘的该地区八大陵墓之一--卡拉扎尔塔斯陵墓(Karazhar-tas)。所有已知的墓葬结构分为三类:地表石箱、嵌入基岩的石箱和地面墓穴,根据地面结构的特征,又分为十种类型的墓葬结构。我们注意到,在第一类墓葬中,最具特色的是使用砖石技术建造的四方形葬式结构。第二类主要是用垂直设置的石板建造的四方形围栏,较少使用平铺的石块。第三类明显以环形布局为主,其形式是根据石块的尺寸选择石块,铺成一个圆圈。数量最多的似乎是第一组,其特点是墓室的布置采用高出地面的石箱形式。代表性较弱的是第二组,墓葬位于地下,其中包括复合石箱形式的墓葬。第三类是地面墓葬。据推测,在前两组墓葬中,墓葬的西向葬式占主导地位,东北部的墓葬也发挥了一定的作用。第三组的特点是死者的朝向始终向南,骸骨的睡眠位置在右侧。
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引用次数: 0
Deities and spirits in the ideas of the Khanty of the Surgut Ob region (based on materials from 2002 to 2017) 苏尔古特-鄂毕地区汉蒂人思想中的神灵(根据 2002 年至 2017 年的资料整理)
Pub Date : 2023-12-15 DOI: 10.20874/2071-0437-2023-63-4-17
A. Rud’
The research is aimed at the characteristics of deities and spirits in the traditional beliefs of the Khanty of the Surgut Ob basin (the territory of Surgut, Nizhnevartovsk, and Nefteyugansk Districts of KMAO — Yugra and Uvatsky District of the Tyumen Oblast). The common traits are identified and differences between the categories of deities and spirits clarified; the transition of personified spirits to the category of deities is shown, as well as the transfer of the forgotten deities to the category of spirits. The sources for the research are represented by publications of the scientists of the late 19th — early 21st c., as well as by the author’s field materials collected in 2002–2017 amongst the Surgut Khanty on the rivers of Lyamin, Pim, Tromyogan, Agan, Bolshoy and Malyy Yugan, as well as on the Demyanka River (the right-bank tributary of the Irtysh River). The comparative-historical approach is employed in this work. Concerning the study of the communicative nature of the relationships between the man and supernatural beings, the concept of M. Salinz (1999) on reciprocal relations and the theory of gift-exchange of M. Moss (2011) are used. Also used are the theoretical and practical exploratory work of E.S. Novik (2004) and E.P. Martynova (2021, 2022), who observed a close link between the traditional perceptions of the peoples of Siberia and the reciprocal and gift-exchange relationships between the human world and the characters of traditional beliefs. Traditional beliefs of the Surgut Khanty include the narratives of a series of supernatural beings who influence all aspects of human life and environment. The author proposes the revision of the intension of the term ‘spirits’ frequently used by the majority of researchers to denote the whole variety of the characters of the traditional beliefs of the Khanty of the Surgut Ob basin. Taking into account the social significance, characteristics, functions, as well as the terminology of the Surgut Khanty, the author proposes to return to the division of their traditional characters into two categories — the łungx (“deities”) and the spirits (“demons” “the evil spirit”), inclu-ding kułet, yelek-kanlekh otet, kaltet, potchek, por ne, mengk, yuli, ves etc. Despite the difference of the characteristics of the personages of both categories, the landscape-geographical and morphological characteristics of the places of living of the dei-ties (yimung togi) may have features similar with places of living of the spirits (atym togi). In the study, specifics of the reciprocal and gift-exchange relationships between humans and characters of the categories of deities and spirits are recorded.
本研究旨在探讨苏尔古特鄂毕河流域汉蒂传统信仰中神灵的特征(苏尔古特、下瓦尔托夫斯克、克玛奥-尤格拉地区和秋明州乌瓦茨基地区)。研究确定了神灵和精灵的共同特征,并阐明了它们之间的区别;研究还显示了人格化精灵向神灵的转变,以及被遗忘的神灵向精灵的转变。研究资料来源于 19 世纪末至 21 世纪初科学家的出版物,以及作者 2002 年至 2017 年在苏尔古特汉特人中收集的 Lyamin 河、Pim 河、Tromyogan 河、Agan 河、Bolshoy 河、Malyy Yugan 河以及 Demyanka 河(额尔齐斯河右岸支流)的实地材料。本著作采用了历史比较法。在研究人类与超自然生物之间关系的交流性质时,采用了 M. Salinz(1999 年)关于互惠关系的概念和 M. Moss(2011 年)的礼物交换理论。此外,还采用了 E.S. Novik(2004 年)和 E.P. Martynova(2021 年、2022 年)的理论和实践探索工作,他们观察到西伯利亚人民的传统观念与人类世界和传统信仰人物之间的互惠和礼物交换关系之间存在密切联系。苏尔古特汉特人的传统信仰包括对一系列超自然生物的叙述,这些超自然生物影响着人类生活和环境的方方面面。作者建议修改大多数研究者经常使用的 "神灵 "一词的含义,以表示苏尔古特鄂毕河流域汉蒂传统信仰中的各种人物。考虑到苏尔古特汗地的社会意义、特点、功能和术语,作者建议将其传统角色重新划分为两类--"翁克斯"("神灵")和 "精灵"("恶魔""恶灵"),包括 "库瓦特"(kułet)、"叶勒坎列赫"(yelek-kanlekh otet)、"卡尔提特"(kaltet)、"波特切克"(potchek)、"波尔涅"(por ne)、"蒙克"(mengk)、"尤利"(yuli)、"维斯"(ves)等。尽管两类人物的特征不同,但 "氐羌"(yimung togi)居住地的景观地理和形态特征可能与 "神灵"(atem togi)居住地有相似之处。本研究记录了人类与神灵类人物之间的互惠和礼物交换关系的具体情况。
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引用次数: 0
Complexes with flat-bottomed pottery from the early 7th millennium BC settlements of the Mergen archaeological microdistrict (the Lower Ishim River basin) 梅尔根考古微型区(伊希姆河下游流域)公元前七千年早期定居点的平底陶器群
Pub Date : 2023-12-15 DOI: 10.20874/2071-0437-2023-63-4-1
D. Enshin, S. Skochina, V. Ilyushina
An analysis was carried out on the materials from the settlements of the Early Neolithic period at Lake Mergen (Mergen 3, 7, 8) in the Lower Ishim River basin (Western Siberia). The aim of the research was the consolidation of the obtained data and its preliminary correlation with synchronous complexes of the forest-steppe zone of the Trans-Urals and Western Siberia. The source base of the work was constituted by the Early Neolithic pottery collections, stone goods, and planigraphic drawings of the archaeological sites. The pottery-making traditions of the ancient population were analysed from the standpoint of syncretis-ing two approaches — formal classificatory, and historical and cultural — in several stages: comparative-typological analysis of the morphology and ornamentation, and preliminary conclusions of the technical-technological investigation of artefacts. The stone goods are presented from the results of the typological and traceological investigation and using the data of the petrogra-phy. The house-building traditions have been considered in terms of a thorough analysis of the planigraphy and stratigraphy of the buildings, as well as taking into account the established classification of the archaeological sites. As the result, it has been found that for the ancient communities at Lake Mergen characteristic were the dwellings with ditches of a rounded shape, con-tralateral recessions, and drains in the floors. Predominant were open thick-walled flat-bottomed pottery vessels of potted-jar-like shapes, with a rounded cut of the rims, ornamentation, in the stroke or streak technique. About a third of the items were without ornamentation. The straight line, sparse pitted indentation, and zigzag constitute the principal element of decoration. Nearly half of the ornamented vessels feature compositions elaborated with geometrical figures (triangles, rhombi, parallelo-grams), rhombic lattice etc. As the raw moldable material in the ware fabrication, potters used highly oversanded silty clays, to which chamotte and organic compound were added. Scrap was the main building material. The firing was carried out in the natural conditions under the effect of temperatures no less than 650°C. The dominant raw material in the stone industry is rep-resented by local run-of-river quartzose sandstone. Also identified were rocks related to the South-Urals jasper province, Ka-zakh Uplands. The complex is lamelliferous, dominated by the items of a width up to 1 cm (60%). On the basis of the obtained data, there has been established the chronological priority of the considered materials with respect to the complex of the settle-ment of Mergen 6, whilst in the pottery making the link with its pottery group I (Boborykino). There have been confirmed the analogies with the Boborykino complex of the settlement of Yurtobor 3 (the Lower Tobol River basin). A hypothesis has been drawn on the synchroneity with the Barabino antiquities (the Barabino Culture of the Neol
对伊希姆河下游流域(西西伯利亚)梅尔根湖(梅尔根湖 3、7、8 号)新石器时代早期定居点的材料进行了分析。研究的目的是巩固所获得的数据,并将其与外乌拉尔和西西伯利亚森林草原地带的同步综合体进行初步关联。新石器时代早期的陶器藏品、石制品和考古遗址的平面图构成了这项工作的来源基础。从综合两种方法--形式分类法和历史文化法--的角度,分几个阶段对古人类的制陶传统进行了分析:形态和装饰的比较--类型学分析,以及工艺品的技术--工艺调查的初步结论。根据类型学和痕迹学调查的结果,并利用岩相学的数据,介绍了石制品。通过对建筑物的平面和地层进行全面分析,并考虑到考古遗址的既定分类,对房屋建筑传统进行了研究。研究结果表明,梅尔根湖古代群落的特征是带有圆形壕沟、两侧凹陷和地面排水沟的住宅。最主要的是壶罐状的开放式厚壁平底陶器,边缘有圆形切口,装饰采用笔触或条纹技术。约三分之一的器物没有装饰。直线、稀疏的凹陷和人字形构成了装饰的主要元素。近一半有装饰的器皿以几何图形(三角形、菱形、平行四边形)、菱形格等构图为特色。陶工在制作器皿时使用的原材料是高度过砂的淤泥,并在其中添加了陶土和有机化合物。废料是主要的建筑材料。烧制在自然条件下进行,温度不低于 650°C。石材工业的主要原材料是当地的石英砂岩。此外,还发现了与南乌拉尔碧玉省卡扎赫高原有关的岩石。该复合岩为层状,以宽度达 1 厘米(60%)的岩块为主。根据所获得的数据,确定了所考虑的材料在年代上优先于梅尔根 6 号定居点的建筑群,而在陶器方面则与其陶器 I 组(波波里基诺)相联系。与尤尔托博尔 3 号定居点(下托博尔河流域)的博博雷基诺建筑群的相似性已得到证实。有人提出了与巴拉比诺古迹(新石器时代的巴拉比诺文化)的同步性、新石器时代的平底陶器与它们在西西伯利亚亲缘关系中的相似性的假设,但没有提出文化统一性的假设。
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引用次数: 0
The burials of the kurgan 2 of the Menovnoe VII burial ground (Eastern Kazakhstan) 梅诺夫诺伊七号墓地 2 号库尔干的墓葬(东哈萨克斯坦)
Pub Date : 2023-12-15 DOI: 10.20874/2071-0437-2023-63-4-10
A. Tkachev, A. Tkachev
Emerged in the beginning of the 2nd millennium AD, the nomadic confederation of the Kipchaks up until the beginning of the 13th c. dominated the Eurasian steppes, which became known from the 11th c. as Desht-i Qipchaq or Kipchak steppe. The oecumene occupied by the Kipchak tribes covered, according to the experts, vast areas from the Irtysh River to Ural Mountains, but there is no consensus amongst researchers as to where the formation of the Kipchak traditions, which were part of the Ki-mek Khanate, was taking place. Kipchak sites of the 11th–12th cc. in the steppe zone are very few, but they are considered, as a rule, in the context of the transformation of the earlier traditions of the Oghuz, whereas the medieval burials of the Mongolian period, studied in the steppe zone of Kazakhstan, are considered apriori as Kipchak’s. The materials obtained during the study of the Menovnoe VII burial ground reveal peculiar features, both in the elements of the funeral rites, as well as in specific com-ponents of the material culture, allowing one to consider this site as a funerary monument built by a group of the early Kipchak population who lived in the pre-Mongol period in the territory of Eastern Kazakhstan. The burial ground of Menovnoe VII is lo-cated 1.5 km east-southeast of the village of Menovnoe of the Tavrichesky District of the Vostochno-Kazakhstanskaya Oblast. Within the burial platform, 24 mortuary structures have been recorded: 5 Early Medieval kurgans and 19 stone heaps of the Late Middle Ages period. The article concerns the kurgan 2, which had a diameter of 8 m at a height of 0.25 m. The mound was spanning over an oval fence measuring 7.1×6.5 m. Two pits were examined within the fence: one, located in the centre, con-tained a paired burial of a man and a woman; the second, located by the south wall of the fence, contained a paired burial of horses. The deceased were accompanied by a broadsword, iron arrowheads, an iron cauldron, bone buckles, iron knives, and remains of a saddle. The specifics of the funeral rites and the analysis of the material obtained during the study make is possible attributing the burial of the kurgan 2 of the Menovnoe VII burial ground to the Kipchak cultural tradition developing within the final stage of the early Turkic era, which allows it to be dated to the 11th — beginning of the 12th c. CE.
基普恰克游牧联盟出现于公元 2 世纪初,直到公元 13 世纪初一直统治着欧亚大草原,从公元 11 世纪起被称为 Desht-i Qipchaq 或基普恰克草原。据专家称,基普恰克部落占据的大草原覆盖了从额尔齐斯河到乌拉尔山脉的广大地区,但研究人员对基普恰克传统的形成地(基米克汗国的一部分)并没有达成共识。草原地区公元 11-12 世纪的基普恰克遗址非常少,但它们通常被认为是在奥古斯早期传统转变的背景下形成的,而在哈萨克斯坦草原地区研究的蒙古时期的中世纪墓葬则被认为是基普恰克墓葬。对 Menovnoe VII 号墓地进行研究时获得的材料显示,无论是葬礼仪式的元素,还是物质文化的具体组成部分,都具有独特的特征,因此可以将该遗址视为生活在东哈萨克斯坦境内前蒙古时期的早期基普恰克人所建造的墓葬纪念碑。梅诺夫诺伊七号墓地位于沃斯托奇诺-哈萨克斯坦州塔夫里切斯基区梅诺夫诺伊村东南偏东 1.5 公里处。在墓葬平台上记录了 24 个殡葬建筑:5 个中世纪早期的库尔干和 19 个中世纪晚期的石堆。本文涉及的是 2 号库尔干,其直径为 8 米,高 0.25 米。土丘横跨在一个 7.1×6.5 米的椭圆形围栏上。死者随葬有阔剑、铁箭头、铁锅、骨扣、铁刀和马鞍残骸。根据葬礼仪式的具体情况和对研究期间所获材料的分析,可以将梅诺夫诺伊七号墓地的库尔干 2 号墓葬归属于早期突厥时代最后阶段发展起来的基普恰克文化传统,因此其年代可追溯到公元 11 世纪至 12 世纪初。
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引用次数: 0
Technology for the production of sickles and knives of the Petrovka Culture of the Southern Trans-Urals (by the results of metallographic analysis) 外乌拉尔南部彼得罗夫卡文化镰刀和刀的生产技术(根据金相分析结果)
Pub Date : 2023-12-15 DOI: 10.20874/2071-0437-2023-63-4-3
A. Degtyareva
The data of the metallographic study of sickles and knives (37 pcs) of the Petrovka Culture from the Southern Trans-Urals and the Middle Tobol River basin of the 19th–18th centuries BC are reported. The implements originate from settlements (Ustye 1, Kulevchi 3, Starokumlyak, Kamyshnoe 2, Ubagan 2, Nizhneingaly 3) and burial complexes (Ozernoe 1, Krivoye Ozero, Verkhnyaya Alabuga). The reconstruction of the manufacturing technology of the Petrovka Culture tools from the Southern Trans-Urals was carried out by both taking into account the results of the surface visual inspection, as well as by the data of the microstructural study of the metal. The metallographic analysis was conducted at the Tyumen Scientific Center of the Siberian Branch of the RAS (microscope Axio Observer D1m from Zeiss; microhardness tester PMT-3M from LOMO). A certain correla-tion was revealed between the functional purpose of the product, type of the raw material, and the tool manufacturing flowchart. The sickles and knives with handles are produced primarily from pure copper (including oxidised) both in the process of casting in mould with subsequent finishing, as well as in the result of the forming forging. The tools obtained in the casting process often had casting defects, accompanied by the phenomenon of shrinking warpage of the metal. The finishing of the copper tools was taking place in most cases either in the regime of incomplete hot forging at 300–500 C, or hot forging at 600–800 C and at near-melting temperatures of 900–1000 C. Most of the sickles in the forging process were purposefully hardened by forging on the cold metal. Unlike the sickles and knives with handles, shank knives are made mainly of low-alloyed tin bronze. Apparently, this category of tools was given a special ritual significance, especially considering the fact that about a third of the tools came from burial complexes with a specific selection of the related implements. The use of tin bronze in the production of knives sig-nificantly contributed to the fabrication of high-quality castings with the smooth surface without metal warping defects. The fini-shing of the knives after casting was carried out with heating up to 600–800 C or 900–1000 C (44 % of the tools) or in the regime of incomplete hot forging (25 %). The forging on the cold metal with annealing was rarely used. Thus, at the basis of the choice of the technological traditions of the metal production lies the availability of a certain raw material base, the type of the metal obtained from this ore, as well as the inheritance of the technologies from the preceding cultural communities. Technological inno-vations in the processing of non-ferrous metal, associated with the supply of Sn-bronzes in the form of ingots or finished products from Central Kazakhstan to the Southern Trans-Urals, led to the significant increase in the quality of the produce.
报告了对公元前 19-18 世纪外乌拉尔山南部和托博尔河中游流域彼得罗夫卡文化的镰刀和刀具(37 件)进行金相学研究的数据。这些器具来自聚落(Ustye 1、Kulevchi 3、Starokumlyak、Kamyshnoe 2、Ubagan 2、Nizhneingaly 3)和墓葬群(Ozernoe 1、Krivoye Ozero、Verkhnyaya Alabuga)。对南外乌拉尔地区彼得罗夫卡文化工具制造技术的重建,既考虑了表面目视检查的结果,也考虑了金属微观结构研究的数据。金相分析在俄罗斯科学院西伯利亚分院秋明科学中心进行(蔡司公司的 Axio Observer D1m 显微镜;LOMO 公司的 PMT-3M 显微硬度计)。在产品的功能用途、原材料类型和工具制造流程图之间发现了某种相关性。镰刀和带柄刀主要由纯铜(包括氧化铜)制成,无论是在模具铸造过程中还是在成型锻造过程中都是如此。在铸造过程中获得的工具往往存在铸造缺陷,并伴有金属收缩翘曲现象。在大多数情况下,铜制工具的精加工是在 300-500  摄氏度的不完全热锻或 600-800  摄氏度的热锻以及 900-1000  摄氏度的近熔温度下进行的。锻造过程中的大多数镰刀都是通过在冷金属上锻造而淬火的。与镰刀和带柄刀不同,柄刀主要由低合金锡青铜制成。显然,这类工具被赋予了特殊的祭祀意义,特别是考虑到约三分之一的工具来自墓葬群,而墓葬群中的相关器具都是经过特别挑选的。使用锡青铜制造刀具,大大有助于制造出表面光滑、无金属翘曲缺陷的高质量铸件。刀具铸造后的精加工是在加热至 600-800 C 或 900-1000 C (44 % 的刀具)或不完全热锻(25 %)的情况下进行的。在冷金属上进行退火锻造的情况很少。因此,选择金属生产技术传统的基础在于是否有一定的原材料基础,从这种矿石中获得的金属类型,以及从以前的文化社区继承的技术。有色金属加工技术的创新,与以铸锭或成品形式从哈萨克斯坦中部向外乌拉尔南部供应锡青铜有关,导致了产品质量的显著提高。
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引用次数: 0
Traditions of creating the form and ornamentation of the pottery vessels of the Alakul Culture in the Alakul burial ground (a case study for the burial mounds 1 and 14) 阿拉库尔文化阿拉库尔墓地陶器造型和纹饰的制作传统(1 号和 14 号墓地的个案研究)
Pub Date : 2023-12-15 DOI: 10.20874/2071-0437-2023-63-4-6
V. Ilyushina, A.D. Klimova, I. Novikov
This paper reports on the results of the analysis of the form and ornamentation of the pottery vessels of the Late Bronze Age Alakul Culture from the burial mounds 1 and 14 of the Alakul burial ground (the Trans-Urals). The study was carried out within the framework of the historical-cultural approach developed by A.A. Bobrinsky. The work is aimed at the identification of pottery-making traditions of creating the form and ornamentation of pottery vessels amongst the population who built the burial mounds 1 and 14. In the result of the analysis, there has been identified the cultural core of the traditions of the form-making of the pottery vessels in the population who built the burial mounds 1 and 14. The vessels are primarily of medium proportions and quinquepartite structure — ‘lip + neck + brachium + body + base’. Also, the dominant parameters of the functional parts ap-peared to be similar amongst the vessels from the different burial mounds. These data indicate relatively high uniformity of the composition of the consumers of the ware. The study of the ornamentation revealed that smooth stamp, which was used in the techniques of stamping and drawing, served as a traditional tool for the application of ornament. Toothed stamp was less fre-quently used in the techniques of stamping and drawing. The main ornamental elements were a ‘short straight line’ and a ‘long straight line’. Twenty two ornamental patterns have been identified; the widespread ones were the ‘horizontal zigzag, ‘horizontal straight line’, ‘cross-hatched isosceles triangle with point upwards’, and ‘cross-hatched isosceles triangle with point downwards’. Most of the identified leading and infrequent ornamental patterns functioned as a main motif. In the complementary motif, the widespread one was the pattern ‘horizontal straight line’. In the composition of the ornament, traditional was the placement of the ornamental motifs in the upper part of the neck and on the upper and lower parts of the body, with the allocation of a “free band” in the lower part of the neck and brachium. In the result of the correlation of the obtained data on the pottery vessels from the burial mounds 1 and 14, certain dissimilarities have been noted. In the burial mound 14, a large quantity of the vessels have a relatively higher neck; the vessels with the lowest index of the proportionality and the slope angle of the body are also present; in the ornamentation, toothed stamp was employed more frequently in the technique of drawing, which was used to apply only ‘horizontal zigzag’ and ‘horizontal straight lines’ patterns. The correlation of the data on the form and ornamentation of the ves-sels for the burial mounds 1 and 14 revealed that toothed stamp in the technique of drawing was used to apply ornaments mainly to the vessels with lower indices of proportionality and angel of the body. A hypothesis has been put forward on the in-creasing complexity of the composition of the studied group of the Ala
本文报告了对阿拉库尔墓地(外乌拉尔山)1 号和 14 号墓穴出土的青铜时代晚期阿拉库尔文化陶器的形制和装饰进行分析的结果。这项研究是在 A.A. Bobrinsky 提出的历史-文化方法框架内进行的。这项工作旨在确定建造 1 号和 14 号墓葬群的居民在陶器造型和装饰方面的制陶传统。根据分析结果,确定了 1 号和 14 号墓冢建造者的陶器造型制作传统的文化核心。这些陶器主要是中等比例和四分体结构--"唇+颈+肱+体+底"。此外,不同坟丘出土的器皿在功能部分的主要参数上也很相似。这些数据表明,这些器物的消费者构成具有相对较高的一致性。对纹饰的研究表明,光滑的印章是压印和绘图技术中使用的工具,也是传统的纹饰工具。有齿印章在烫印和绘图技术中使用较少。主要的装饰元素是 "短直线 "和 "长直线"。已发现的装饰图案有 22 种,其中最常见的是 "横之字形"、"横直线"、"点向上的交叉等腰三角形 "和 "点向下的交叉等腰三角形"。大多数已确定的主要装饰纹样和不常见的装饰纹样都具有主纹样的功能。在补充图案中,最常见的是 "水平直线 "图案。在装饰纹样的构成中,传统的做法是将装饰纹样置于颈部的上半部分和身体的上下部分,并在颈部的下半部分和肱骨上划出一条 "自由带"。在对 1 号和 14 号土墩出土陶器的相关数据进行比对后,发现了一些不同之处。在 14 号墓葬中,大量陶器的颈部相对较高;器身的比例指数和倾斜角度指数最低;在纹饰方面,齿印在绘制技术中使用较多,仅用于绘制 "水平之字形 "和 "水平直线形 "纹样。通过对 1 号和 14 号墓葬的器皿形制和纹饰数据进行比对,发现拉坯技术中的齿印主要用于纹饰比例较低的器皿和天使形器皿。有一种假设认为,在建造 14 号墓冢期间,所研究的阿拉库勒文化人群的构成越来越复杂,这可能解释了所注意到的制陶技术的不均匀性。
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VESTNIK ARHEOLOGII, ANTROPOLOGII I ETNOGRAFII
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