Pub Date : 2023-12-15DOI: 10.4467/20843917rc.23.028.18522
Petar Radosavljević, Kristina Katalinić, Tena Fištrović
An Overview of the Hungarianisms in the Transylvanian Dialect of Boyash Romanian in Croatia The aim of this paper is to research, based on our own linguistic material, as well as accessible publications, the influence of the Hungarian language on the Transylvanian dialect of Boyash Romanian in Croatia or, more precisely, to identify Hungarianisms that appear in the lexicon. In this regard, it is necessary to distinguish between at least two main categories of Hungarianisms – those that are present also in the Romanian language from Romania and those that are specific only to the Transylvanian dialect of Boyash Romanian spoken in Croatia.
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Pub Date : 2023-12-15DOI: 10.4467/20843917rc.23.019.18513
Tomasz Krupa
Anti-Modern Femininity and Vampiric Masculinity in Sorana Gurian’s Short Story “Vila Myosotis” In Sorana Gurian’s early French and Romanian writing, feminine subjectivities are pushed into an anti- modern position by an oppressive modern discourse, resulting in feelings of displacement and trans- planting that lead to a paradoxical posture which is both progressive and reactionary. Through Vila Myosotis ([1939] 1946), Gurian explores the possibility of reconciling with oneself by returning to the past. However, her escape into the world of dreams awakens repressed desires and origins. This reactionary tendency seeks to establish empathy in the face of progress and modernity, and it allows for the creation of an autonomous female subjectivity that challenges the dominant discourse of masculinity, portrayed here through vampiric imagery.
{"title":"Feminitatea antimodernă și masculinitatea vampirică în nuvela Soranei Gurian „Vila Myosotis”","authors":"Tomasz Krupa","doi":"10.4467/20843917rc.23.019.18513","DOIUrl":"https://doi.org/10.4467/20843917rc.23.019.18513","url":null,"abstract":"Anti-Modern Femininity and Vampiric Masculinity in Sorana Gurian’s Short Story “Vila Myosotis” In Sorana Gurian’s early French and Romanian writing, feminine subjectivities are pushed into an anti- modern position by an oppressive modern discourse, resulting in feelings of displacement and trans- planting that lead to a paradoxical posture which is both progressive and reactionary. Through Vila Myosotis ([1939] 1946), Gurian explores the possibility of reconciling with oneself by returning to the past. However, her escape into the world of dreams awakens repressed desires and origins. This reactionary tendency seeks to establish empathy in the face of progress and modernity, and it allows for the creation of an autonomous female subjectivity that challenges the dominant discourse of masculinity, portrayed here through vampiric imagery.","PeriodicalId":506885,"journal":{"name":"Numéro spécial","volume":"27 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139178824","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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