Para los arquitectos, los libros son una herramienta fundamental para la difusión de ideas y conocimientos relacionados con su profesión. Al mismo tiempo, los libros de arquitectura constituyen un género literario amplio y, a la vez, difuso, que abarca tanto obras monográficas como reflexiones sobre el entorno urbano e incluso diversas ficciones espaciales. Definir los libros de los arquitectos o la relación entre arquitectos y libros no es tarea sencilla. Sin embargo, una mirada panorámica a las diversas relaciones entre los libros y los arquitectos demuestra que estos no solo constituyen una parte fundamental para la difusión del conocimiento sobre la profesión, sino que también forman parte del quehacer arquitectónico en sí mismo. Este artículo realiza un recorrido por los diferentes tipos de libros de arquitectura a lo largo de distintas épocas y geografías, con el propósito de reflexionar sobre la compleja relación libro-arquitectura que este número de la revista H-ART presenta. Se destaca la rica interacción entre la arquitectura y el libro como una forma de (re)pensar la arquitectura más allá del edificio.
{"title":"Los libros del arquitecto","authors":"Maria Elias Navarro, Juan Luis Burke","doi":"10.25025/hart15.2023.02","DOIUrl":"https://doi.org/10.25025/hart15.2023.02","url":null,"abstract":"Para los arquitectos, los libros son una herramienta fundamental para la difusión de ideas y conocimientos relacionados con su profesión. Al mismo tiempo, los libros de arquitectura constituyen un género literario amplio y, a la vez, difuso, que abarca tanto obras monográficas como reflexiones sobre el entorno urbano e incluso diversas ficciones espaciales. Definir los libros de los arquitectos o la relación entre arquitectos y libros no es tarea sencilla. Sin embargo, una mirada panorámica a las diversas relaciones entre los libros y los arquitectos demuestra que estos no solo constituyen una parte fundamental para la difusión del conocimiento sobre la profesión, sino que también forman parte del quehacer arquitectónico en sí mismo. Este artículo realiza un recorrido por los diferentes tipos de libros de arquitectura a lo largo de distintas épocas y geografías, con el propósito de reflexionar sobre la compleja relación libro-arquitectura que este número de la revista H-ART presenta. Se destaca la rica interacción entre la arquitectura y el libro como una forma de (re)pensar la arquitectura más allá del edificio.","PeriodicalId":509608,"journal":{"name":"H-ART. Revista de historia, teoría y crítica de arte","volume":"227 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139177456","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Nadie pondría en duda que el libro más citado en la Historia de la Arquitectura Moderna es el Ensayo de la Arquitectura, del abate Marc-Antoine Laugier. Sin embargo, su prestigio no se debe a las ideas expuestas en él. Las circunstancias históricas de la producción, impresión y comercialización de los libros a mediados del siglo XVIII sumadas a la conformación de una opinión pública letrada, la creación de espacios de debate y la confrontación de las ideas en plazas, cafés, salones y periódicos impresos, cambiarán la sociedad. Un cambio que se hará visible en los acontecimientos de la revolución francesa. En este proceso participan de forma anónima libreros, editores, impresores, grabadores y comerciantes de la cultura del libro.
{"title":"El gran éxito de un fracaso editorial. La accidentada aparición del Ensayo sobre la arquitectura de Marc-Antoine Laugier (1753)","authors":"F. Restrepo","doi":"10.25025/hart15.2023.06","DOIUrl":"https://doi.org/10.25025/hart15.2023.06","url":null,"abstract":"Nadie pondría en duda que el libro más citado en la Historia de la Arquitectura Moderna es el Ensayo de la Arquitectura, del abate Marc-Antoine Laugier. Sin embargo, su prestigio no se debe a las ideas expuestas en él. Las circunstancias históricas de la producción, impresión y comercialización de los libros a mediados del siglo XVIII sumadas a la conformación de una opinión pública letrada, la creación de espacios de debate y la confrontación de las ideas en plazas, cafés, salones y periódicos impresos, cambiarán la sociedad. Un cambio que se hará visible en los acontecimientos de la revolución francesa. En este proceso participan de forma anónima libreros, editores, impresores, grabadores y comerciantes de la cultura del libro.","PeriodicalId":509608,"journal":{"name":"H-ART. Revista de historia, teoría y crítica de arte","volume":"391 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139178016","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Many of the books that have recorded the history of architecture in Colombia were also exhibitions. Between 1977 and 1992, when the study of the history of Colombian architecture reached great growth, architecture exhibitions and their accompanying publications were decisive actors in shaping Colombian architectural culture. In addition to documenting these ephemeral events, the publications fostered criticism, academic research, and heritage conservation. Although the enduring nature of books has ensured their significance, the history of architecture exhibitions has been forgotten. Through archival research and interviews, this article recovers the history of two architecture exhibitions from 1980 and 1985, a history that reveals the entanglement of the exhibition of architecture and its editorial dissemination.
{"title":"Books that were also Exhibitions","authors":"Michael Andrés Forero Parra","doi":"10.25025/hart15.2023.09","DOIUrl":"https://doi.org/10.25025/hart15.2023.09","url":null,"abstract":"Many of the books that have recorded the history of architecture in Colombia were also exhibitions. Between 1977 and 1992, when the study of the history of Colombian architecture reached great growth, architecture exhibitions and their accompanying publications were decisive actors in shaping Colombian architectural culture. In addition to documenting these ephemeral events, the publications fostered criticism, academic research, and heritage conservation. Although the enduring nature of books has ensured their significance, the history of architecture exhibitions has been forgotten. Through archival research and interviews, this article recovers the history of two architecture exhibitions from 1980 and 1985, a history that reveals the entanglement of the exhibition of architecture and its editorial dissemination.","PeriodicalId":509608,"journal":{"name":"H-ART. Revista de historia, teoría y crítica de arte","volume":"334 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139178631","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article is about an album of Roman prints published during the 16th and 17th centuries. The album shows the various uses of antique architecture and sculpture in Italy, from antiquity to the Baroque. But the last folio of the album contains a print of El Escorial published in Rome that is a copy of the famous print of the same subject by Pedro Perret, made for Juan de Herrera's Estampas published in Madrid. The article analyzes the collection of prints in the Italian album from the point of view of this final plate, proposing that the sequence of images establishes El Escorial as an antiquity that is both Spanish and Christian in a way that Italian audiences would easily understand.
本文介绍的是 16 和 17 世纪出版的罗马版画画册。画册展示了意大利从古代到巴洛克时期对古建筑和雕塑的各种使用。但画册的最后一个对开页包含了一幅在罗马出版的埃斯科里亚尔版画，该版画是佩德罗-佩雷特（Pedro Perret）为马德里出版的胡安-德-埃雷拉（Juan de Herrera）的《埃斯坦帕斯》（Estampas）所作的著名同题材版画的复制品。文章从最后这幅版画的角度分析了这本意大利画册中的版画集，认为这一系列图像以意大利读者易于理解的方式将埃斯科里亚尔打造成了既是西班牙又是基督教的古代建筑。
{"title":"Genealogies of Spanish Architectural Knowledge in Roman Print","authors":"Emily Monty","doi":"10.25025/hart15.2023.04","DOIUrl":"https://doi.org/10.25025/hart15.2023.04","url":null,"abstract":"This article is about an album of Roman prints published during the 16th and 17th centuries. The album shows the various uses of antique architecture and sculpture in Italy, from antiquity to the Baroque. But the last folio of the album contains a print of El Escorial published in Rome that is a copy of the famous print of the same subject by Pedro Perret, made for Juan de Herrera's Estampas published in Madrid. The article analyzes the collection of prints in the Italian album from the point of view of this final plate, proposing that the sequence of images establishes El Escorial as an antiquity that is both Spanish and Christian in a way that Italian audiences would easily understand.","PeriodicalId":509608,"journal":{"name":"H-ART. Revista de historia, teoría y crítica de arte","volume":"638 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139177372","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Este artículo analiza el desarrollo de la fotografía industrial en Colombia durante el siglo XX a partir de fotolibros y publicaciones periódicas. La fotografía al servicio de la arquitectura ha servido para construir inventarios, proyectar ciudades ideales, hacer análisis de sistemas constructivos e historiografiar la disciplina. En un panorama más amplio, la fotografía industrial también ha marcado líneas gráficas en el desarrollo editorial y consolidado formas de aproximarse a lo urbano desde la literatura y el arte. Esta investigación disecciona proyectos editoriales colombianos estructurados en material fotográfico donde la arquitectura tiene un rol central.
{"title":"Imágenes que construyen país: la fotografía industrial al servicio de la arquitectura en fotolibros y revistas colombianas","authors":"Jose Ruiz Díaz","doi":"10.25025/hart15.2023.08","DOIUrl":"https://doi.org/10.25025/hart15.2023.08","url":null,"abstract":"Este artículo analiza el desarrollo de la fotografía industrial en Colombia durante el siglo XX a partir de fotolibros y publicaciones periódicas. La fotografía al servicio de la arquitectura ha servido para construir inventarios, proyectar ciudades ideales, hacer análisis de sistemas constructivos e historiografiar la disciplina. En un panorama más amplio, la fotografía industrial también ha marcado líneas gráficas en el desarrollo editorial y consolidado formas de aproximarse a lo urbano desde la literatura y el arte. Esta investigación disecciona proyectos editoriales colombianos estructurados en material fotográfico donde la arquitectura tiene un rol central.","PeriodicalId":509608,"journal":{"name":"H-ART. Revista de historia, teoría y crítica de arte","volume":"451 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139178289","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
H-ART Revista de historia, teoría y crítica de arte
{"title":"Entrevista con Andrés Moreno Hoffmann sobre la exposición Post Nature en la galería NC-Arte","authors":"H-ART Revista de historia, teoría y crítica de arte","doi":"10.25025/hart15.2023.12","DOIUrl":"https://doi.org/10.25025/hart15.2023.12","url":null,"abstract":"","PeriodicalId":509608,"journal":{"name":"H-ART. Revista de historia, teoría y crítica de arte","volume":"490 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139177886","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In this article, I will discuss some selected sections from the Risāle to explore the ethical, social, and intellectual motivations that led a scholar, Caʿfer Efendi to write a book on architecture and the life of the chief architect Mehmed Agha. First, I will discuss the audience of the Risāle both according to its author Caʿfer, a member of the learned class, and his benefactor Mehmed Agha who supported its writing. Second, I will explore how Caʿfer tried to underline the social and ethical role of the architect and architecture in his book for his scholarly audience. Following, the article will look at the perception of architecture as a means for wisdom and knowledge, which justified its higher status within the hierarchy of sciences eventually facilitating a scholar to write a book on this specific topic. Finally, I will argue how an architectural book was not only offered as a book of pleasure for the readers, but also became a part of the Ottoman gift culture, evoking the perception of architecture as a gift to the society.
{"title":"From a Book on Architecture to a Book of Pleasure: Caʿfer Efendi’s Risāle-i Miʿmāriyye, 1614","authors":"Gul Kale","doi":"10.25025/hart15.2023.05","DOIUrl":"https://doi.org/10.25025/hart15.2023.05","url":null,"abstract":"In this article, I will discuss some selected sections from the Risāle to explore the ethical, social, and intellectual motivations that led a scholar, Caʿfer Efendi to write a book on architecture and the life of the chief architect Mehmed Agha. First, I will discuss the audience of the Risāle both according to its author Caʿfer, a member of the learned class, and his benefactor Mehmed Agha who supported its writing. Second, I will explore how Caʿfer tried to underline the social and ethical role of the architect and architecture in his book for his scholarly audience. Following, the article will look at the perception of architecture as a means for wisdom and knowledge, which justified its higher status within the hierarchy of sciences eventually facilitating a scholar to write a book on this specific topic. Finally, I will argue how an architectural book was not only offered as a book of pleasure for the readers, but also became a part of the Ottoman gift culture, evoking the perception of architecture as a gift to the society.","PeriodicalId":509608,"journal":{"name":"H-ART. Revista de historia, teoría y crítica de arte","volume":"243 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139178082","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Theorizing the Laurentian Library’s vestibule ornamentation, particularly the ornamental antithesis that displaces and perplexes, as early modern architectural rhetoric, this essay examines how architectural design constructed societal norms pertaining to articulation and eloquence, influence, and power. I frame the Laurentian Library and its Medici manuscript collection as apparatuses that legitimized perceptions of the Medici’s nobility and overbearing political identity. To get to the library as an instrument of power, I trace the route of the Medici manuscripts –that instigated the design and construction of the Laurentian Library– and conclude by reflecting on the vestibule’s rhetorical devices with a focus on Michelangelo’s "brackets." Following the books from Florence to Rome and back to Florence, the study also points to the relations between the San Marco and San Lorenzo monasteries, the Florentine government, and the Medici, who sought to position and vindicate their sovereignty over Florence via God.
{"title":"Rhetorics of Power and Dissent: Michelangelo and a 1000 Medici Manuscripts","authors":"Dijana O. Apostolski","doi":"10.25025/hart15.2023.07","DOIUrl":"https://doi.org/10.25025/hart15.2023.07","url":null,"abstract":"Theorizing the Laurentian Library’s vestibule ornamentation, particularly the ornamental antithesis that displaces and perplexes, as early modern architectural rhetoric, this essay examines how architectural design constructed societal norms pertaining to articulation and eloquence, influence, and power. I frame the Laurentian Library and its Medici manuscript collection as apparatuses that legitimized perceptions of the Medici’s nobility and overbearing political identity. To get to the library as an instrument of power, I trace the route of the Medici manuscripts –that instigated the design and construction of the Laurentian Library– and conclude by reflecting on the vestibule’s rhetorical devices with a focus on Michelangelo’s \"brackets.\" Following the books from Florence to Rome and back to Florence, the study also points to the relations between the San Marco and San Lorenzo monasteries, the Florentine government, and the Medici, who sought to position and vindicate their sovereignty over Florence via God.","PeriodicalId":509608,"journal":{"name":"H-ART. Revista de historia, teoría y crítica de arte","volume":"56 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139178783","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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