Pub Date : 2024-04-16DOI: 10.32461/2226-3209.1.2024.302059
Oleksii Rohotchenko
The purpose of the research is to analyze the stylistic and narrative peculiarities of the works of genre realistic painting dedicated to Roma images of the 19th – early 20th centuries. Research methodology. To achieve this purpose, the comparative historical method and art historical analysis were used. The scientific novelty of the study is justified by its purpose: the study is the first attempt in the national art history to analyze works of some European realist artists of the 19th – early 20th centuries on the Roma theme represented in the works of narrative genre. This theme has not been actually studied, although it eloquently represents the growing interest in the subjective depiction of a wide-range life of various social strata and ethnic communities in the European countries and is one that influenced the formation of more positive attitude towards Roma people in the 19th – early 20th centuries, who were oppressed by the policies of national European states. Conclusions. The article analyzes some artistic works of Thomas Baker, August von Pettenkofen, Alfred Munnings as typical representatives of realistic painting in Europe of the 19th – early 20th centuries, whose creative heritage contains some storylines dedicated to Roma images in the context of socio-economic, spiritual and cultural aspects of Roma existence. It is emphasized that these artists, as leaders of public opinion, who were not indifferent to a difficult situation of Roma communities, improved the attitude of society thereto in this period. Two ideological and narrative trends have been described. The first describes difficult social and material situation, and the second focuses on creating an areola of romance around the life of Roma communities. Thus, it is established that the works of European artists not only drew attention to social and domestic problems of the Roma ethnic group, but also are typical examples of realistic painting of that period.
{"title":"Image of Roma people in genre realistic painting of the 19th – early 20th centuries: stylistic and narrative peculiarities","authors":"Oleksii Rohotchenko","doi":"10.32461/2226-3209.1.2024.302059","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2024.302059","url":null,"abstract":"The purpose of the research is to analyze the stylistic and narrative peculiarities of the works of genre realistic painting dedicated to Roma images of the 19th – early 20th centuries. Research methodology. To achieve this purpose, the comparative historical method and art historical analysis were used. The scientific novelty of the study is justified by its purpose: the study is the first attempt in the national art history to analyze works of some European realist artists of the 19th – early 20th centuries on the Roma theme represented in the works of narrative genre. This theme has not been actually studied, although it eloquently represents the growing interest in the subjective depiction of a wide-range life of various social strata and ethnic communities in the European countries and is one that influenced the formation of more positive attitude towards Roma people in the 19th – early 20th centuries, who were oppressed by the policies of national European states. Conclusions. The article analyzes some artistic works of Thomas Baker, August von Pettenkofen, Alfred Munnings as typical representatives of realistic painting in Europe of the 19th – early 20th centuries, whose creative heritage contains some storylines dedicated to Roma images in the context of socio-economic, spiritual and cultural aspects of Roma existence. It is emphasized that these artists, as leaders of public opinion, who were not indifferent to a difficult situation of Roma communities, improved the attitude of society thereto in this period. Two ideological and narrative trends have been described. The first describes difficult social and material situation, and the second focuses on creating an areola of romance around the life of Roma communities. Thus, it is established that the works of European artists not only drew attention to social and domestic problems of the Roma ethnic group, but also are typical examples of realistic painting of that period.\u0000 ","PeriodicalId":510501,"journal":{"name":"NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD","volume":"11 17","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140695837","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-16DOI: 10.32461/2226-3209.1.2024.302104
Yi Syun
The purpose of the study is to deeply analyse the evolution of piano education in China, identify its influence on the cultural landscape, and uncover prospects for future development. It highlights crucial aspects of the interaction between art and society, while also revealing factors determining the success of piano education in the contemporary world with consideration of cultural heritage. The research methodology is based on a comprehensive approach, incorporating historical comparative-typological, musicological, and interdisciplinary research methods. It involves a profound analysis of historical and contemporary sources, utilising a holistic socio-cultural approach. The author employs socio-cultural analysis methods, meticulously examining the impact of piano education on Chinese society and its cultural landscape. Additionally, success factors in this field are taken into account to determine key elements contributing to its effectiveness. In terms of scientific novelty, the article not only systematically examines key developmental stages, such as the establishment of private music schools and exchanges in the pedagogical-artistic vector, but also introduces a novel comprehensive socio-cultural analysis. This analysis is aimed at a meticulous study of the impact of piano education on the cultural landscape of China. The conclusions of the article highlight transformations in the perception and utilisation of the piano in China, particularly in the 21st century, where piano education has evolved into an effective business segment, fostering not only the development of musical literacy, but also the shaping of the country's cultural identity. The study underscores the importance of systematic observation of the dynamics of piano education development and consideration of its impact on the cultural landscape to preserve traditions in the modern world.
{"title":"Evolution of Piano Education in China: Analysis of Socio-Cultural Impact and Prospects for Development","authors":"Yi Syun","doi":"10.32461/2226-3209.1.2024.302104","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2024.302104","url":null,"abstract":"The purpose of the study is to deeply analyse the evolution of piano education in China, identify its influence on the cultural landscape, and uncover prospects for future development. It highlights crucial aspects of the interaction between art and society, while also revealing factors determining the success of piano education in the contemporary world with consideration of cultural heritage. The research methodology is based on a comprehensive approach, incorporating historical comparative-typological, musicological, and interdisciplinary research methods. It involves a profound analysis of historical and contemporary sources, utilising a holistic socio-cultural approach. The author employs socio-cultural analysis methods, meticulously examining the impact of piano education on Chinese society and its cultural landscape. Additionally, success factors in this field are taken into account to determine key elements contributing to its effectiveness. In terms of scientific novelty, the article not only systematically examines key developmental stages, such as the establishment of private music schools and exchanges in the pedagogical-artistic vector, but also introduces a novel comprehensive socio-cultural analysis. This analysis is aimed at a meticulous study of the impact of piano education on the cultural landscape of China. The conclusions of the article highlight transformations in the perception and utilisation of the piano in China, particularly in the 21st century, where piano education has evolved into an effective business segment, fostering not only the development of musical literacy, but also the shaping of the country's cultural identity. The study underscores the importance of systematic observation of the dynamics of piano education development and consideration of its impact on the cultural landscape to preserve traditions in the modern world.\u0000 ","PeriodicalId":510501,"journal":{"name":"NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD","volume":"6 10","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140697812","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-16DOI: 10.32461/2226-3209.1.2024.302101
Enyi Dan
The purpose of the article is to highlight the issue and development of Chinese traditional music in the context of modern society. Our research methodology is to justify and analyse the possibilities of immersive approaches to this important musical heritage. The research methodology is based on a comprehensive analysis of modern trends in the development of Chinese traditional music. Cultural and musicological methods were used to study the influence of modern society on the preservation of traditional musical culture. The study considers three inversion approaches: creation of exhibition halls, formation of archives, and development of ecological exhibition spaces. We conduct a comparative analysis of the effectiveness of each approach and its use for the preservation and development of traditional music. Scientific novelty is the systematic contribution of inversion methods to the preservation and development of traditional music. The approach takes into account modern realities and these demands of society, contributing not only to the preservation, but also to the active development of Chinese traditional musical heritage. The conclusions emphasise the expediency and necessity of implementing such research approaches and indicate the prospects of using immersive approaches for the further preservation and development of Chinese traditional music in the modern era.
{"title":"Preservation vectors of traditional Chinese music","authors":"Enyi Dan","doi":"10.32461/2226-3209.1.2024.302101","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2024.302101","url":null,"abstract":"The purpose of the article is to highlight the issue and development of Chinese traditional music in the context of modern society. Our research methodology is to justify and analyse the possibilities of immersive approaches to this important musical heritage. The research methodology is based on a comprehensive analysis of modern trends in the development of Chinese traditional music. Cultural and musicological methods were used to study the influence of modern society on the preservation of traditional musical culture. The study considers three inversion approaches: creation of exhibition halls, formation of archives, and development of ecological exhibition spaces. We conduct a comparative analysis of the effectiveness of each approach and its use for the preservation and development of traditional music. Scientific novelty is the systematic contribution of inversion methods to the preservation and development of traditional music. The approach takes into account modern realities and these demands of society, contributing not only to the preservation, but also to the active development of Chinese traditional musical heritage. The conclusions emphasise the expediency and necessity of implementing such research approaches and indicate the prospects of using immersive approaches for the further preservation and development of Chinese traditional music in the modern era.\u0000 ","PeriodicalId":510501,"journal":{"name":"NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD","volume":"4 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140697858","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-16DOI: 10.32461/2226-3209.1.2024.302039
Nataliia Shevchenko
The purpose of the work is to research and substantiate the directions of tourist activity, filling with new forms and a new understanding of types of tourism that have potential for the development of the socio-cultural sphere of local communities. The research methodology consisted of the principles of a complex of general scientific methods and approaches, in particular, sociocultural and polysystemic analysis, systematisation of materials and generalisation, which make it possible to identify resources of interaction of touristic and sociocultural spheres for the development of local and regional tourism activities. The scientific novelty of the study consists in the expansion of ideas about the prospects of diversification of tourist activities in territorial communities, the development of tourist routes and destinations as types of socio-cultural space, the change of approaches to the assessment of the natural and tangible and intangible cultural heritage of each of the regions of our country. Conclusions. Identifying the priorities of innovative tourist and socio-cultural activities in the consumer market of regional tourist products, contributes to the emergence of new tourist and recreational facilities that emphasise local identity; optimisation of the processes of involving broad segments of the population in cooperation with various cultural communities; development of strategies related to long-term forecasting of the development of territories of local communities.
{"title":"Diversification of Tourist Activities as A Resource for Development of Socio-Cultural Sphere of Local Communities","authors":"Nataliia Shevchenko","doi":"10.32461/2226-3209.1.2024.302039","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2024.302039","url":null,"abstract":"The purpose of the work is to research and substantiate the directions of tourist activity, filling with new forms and a new understanding of types of tourism that have potential for the development of the socio-cultural sphere of local communities. The research methodology consisted of the principles of a complex of general scientific methods and approaches, in particular, sociocultural and polysystemic analysis, systematisation of materials and generalisation, which make it possible to identify resources of interaction of touristic and sociocultural spheres for the development of local and regional tourism activities. The scientific novelty of the study consists in the expansion of ideas about the prospects of diversification of tourist activities in territorial communities, the development of tourist routes and destinations as types of socio-cultural space, the change of approaches to the assessment of the natural and tangible and intangible cultural heritage of each of the regions of our country. Conclusions. Identifying the priorities of innovative tourist and socio-cultural activities in the consumer market of regional tourist products, contributes to the emergence of new tourist and recreational facilities that emphasise local identity; optimisation of the processes of involving broad segments of the population in cooperation with various cultural communities; development of strategies related to long-term forecasting of the development of territories of local communities.\u0000 ","PeriodicalId":510501,"journal":{"name":"NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD","volume":"345 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140698368","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-16DOI: 10.32461/2226-3209.1.2024.302042
Artem Pozniak
The purpose of the article is to identify changes in the cultural and leisure activities of open-air museums in Ukraine through the prism of digital transformation, to characterise the activities of open-air museums in new cultural and social conditions. The research methodology provides general scientific principles of systematisation and generalisation, which made it possible to analyse and determine aspects of the transformation of the cultural and leisure activity of open-air museums in the field of digitalisation. The purpose and tasks of the publication also determined the application of an axiological approach, which made it possible to determine the role of open-air museums in the implementation of cultural and leisure activities and their transformational manifestations through the prism of digitalisation. The application of the analytical method contributed to the delineation of the conceptual foundations of further scientific perspectives for the study of the cultural and leisure activities of open-air museums in the XXI century and the analysis of the impact of digital transformation on the cultural and leisure activities of open-air museums in the first quarter of the century. The principles of objectivity and reliability formed the methodological basis for analysing the impact of digitalisation and the transformation of cultural and leisure activities in the period under study. The scientific novelty consists in outlining the aspects of the cultural and leisure activity of open-air museums in Ukraine under the influence of the digital transformation of the cultural sphere, determining the future prospects of the researched issues. Conclusions. Thanks to digitalisation processes, the number of interactive museum programs and projects is increasing, which makes visiting open-air museums and getting to know their cultural and leisure activities more accessible to the public. At the same time, their accounts in social networks, the use of online tours with electronic accompanying material, audio guides, QR codes and other devices that help in recognising and assimilating information to users are widespread and developing. However, the transformation of the manifestation of cultural and leisure activities of open-air museums in the XXI century has its negative and positive aspects. But the digitisation of museum collections is a reliable way to preserve works of culture and traditions for the future.
{"title":"The impact of digital transformation on cultural and leisure activities of Ukrainian open-air museums in the first quarter of the XXI century","authors":"Artem Pozniak","doi":"10.32461/2226-3209.1.2024.302042","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2024.302042","url":null,"abstract":"The purpose of the article is to identify changes in the cultural and leisure activities of open-air museums in Ukraine through the prism of digital transformation, to characterise the activities of open-air museums in new cultural and social conditions. The research methodology provides general scientific principles of systematisation and generalisation, which made it possible to analyse and determine aspects of the transformation of the cultural and leisure activity of open-air museums in the field of digitalisation. The purpose and tasks of the publication also determined the application of an axiological approach, which made it possible to determine the role of open-air museums in the implementation of cultural and leisure activities and their transformational manifestations through the prism of digitalisation. The application of the analytical method contributed to the delineation of the conceptual foundations of further scientific perspectives for the study of the cultural and leisure activities of open-air museums in the XXI century and the analysis of the impact of digital transformation on the cultural and leisure activities of open-air museums in the first quarter of the century. The principles of objectivity and reliability formed the methodological basis for analysing the impact of digitalisation and the transformation of cultural and leisure activities in the period under study. The scientific novelty consists in outlining the aspects of the cultural and leisure activity of open-air museums in Ukraine under the influence of the digital transformation of the cultural sphere, determining the future prospects of the researched issues. Conclusions. Thanks to digitalisation processes, the number of interactive museum programs and projects is increasing, which makes visiting open-air museums and getting to know their cultural and leisure activities more accessible to the public. At the same time, their accounts in social networks, the use of online tours with electronic accompanying material, audio guides, QR codes and other devices that help in recognising and assimilating information to users are widespread and developing. However, the transformation of the manifestation of cultural and leisure activities of open-air museums in the XXI century has its negative and positive aspects. But the digitisation of museum collections is a reliable way to preserve works of culture and traditions for the future.\u0000 ","PeriodicalId":510501,"journal":{"name":"NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD","volume":"69 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140698789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-16DOI: 10.32461/2226-3209.1.2024.302063
Vyacheslav Boyko
The purpose of the article is to analyse the Roma theme in the landscape painting in the works of artists-realists of the second half of the XIXth century. The research highlights the motives, related to the traditions of the Roma, which attracted the realistic direction artists’ attention. It is reviewed that the majority of Roma images and their traditional life style of the second half of the 19th century were presented in the painting works with the introduction of the landscape storylines. The research methodology includes the following methods: historical-cultural method and analytical one, a method of the historical-artistic typology and logical-generalizing method. These methods made it possible to follow the development of Romani subjects in the landscape art of the studied period. The scientific novelty of the article is an attempt to fill up the lack of research on the chosen topic and the need to introduce it into the scientific circulation as such, which will make the Roma topic in the context of realistic landscape painting in the world fine art of the XIXth century interesting for the researchers, historians etc. Conclusions. The research consists of the several stages. The first one is the analysis of the historiographical base, which has allowed to emphasize the relevance of studying the dialogue of the landscape and Roma images in the works of realist artists. During the second research stage, the peculiarities of the landscape genre in the realism direction works are characterized. In addition, the canvases of August von Pettenkofen (1854), Kharyton Platonov (1877), David Bates' (1886) and Franciszek Streitt (1885–1886) were singled out from the array of the artistic works and described in the context of the interdependence of the landscape and Roma images and (or) scenes from Roma life. Finally, it is shown that the landscape does not contrast with the Roma theme in these works, moreover it is a tool for its highlighting. Therefore, it is logical to conclude that the landscape line was used by realist artists as a logical component of the romance of nomadism in the XIXth century.
{"title":"Romani Theme in Landscape Painting (on the Example of Realistic Painting Works of the Second Half of the 19th Century)","authors":"Vyacheslav Boyko","doi":"10.32461/2226-3209.1.2024.302063","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2024.302063","url":null,"abstract":"The purpose of the article is to analyse the Roma theme in the landscape painting in the works of artists-realists of the second half of the XIXth century. The research highlights the motives, related to the traditions of the Roma, which attracted the realistic direction artists’ attention. It is reviewed that the majority of Roma images and their traditional life style of the second half of the 19th century were presented in the painting works with the introduction of the landscape storylines. The research methodology includes the following methods: historical-cultural method and analytical one, a method of the historical-artistic typology and logical-generalizing method. These methods made it possible to follow the development of Romani subjects in the landscape art of the studied period. The scientific novelty of the article is an attempt to fill up the lack of research on the chosen topic and the need to introduce it into the scientific circulation as such, which will make the Roma topic in the context of realistic landscape painting in the world fine art of the XIXth century interesting for the researchers, historians etc. Conclusions. The research consists of the several stages. The first one is the analysis of the historiographical base, which has allowed to emphasize the relevance of studying the dialogue of the landscape and Roma images in the works of realist artists. During the second research stage, the peculiarities of the landscape genre in the realism direction works are characterized. In addition, the canvases of August von Pettenkofen (1854), Kharyton Platonov (1877), David Bates' (1886) and Franciszek Streitt (1885–1886) were singled out from the array of the artistic works and described in the context of the interdependence of the landscape and Roma images and (or) scenes from Roma life. Finally, it is shown that the landscape does not contrast with the Roma theme in these works, moreover it is a tool for its highlighting. Therefore, it is logical to conclude that the landscape line was used by realist artists as a logical component of the romance of nomadism in the XIXth century.\u0000 ","PeriodicalId":510501,"journal":{"name":"NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD","volume":"2 10","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140697649","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-16DOI: 10.32461/2226-3209.1.2024.302032
Liudmyla Doskich
The purpose of the study is to determine the conceptual features of Spain's foreign cultural policy based on the analysis of legal documents and communication activities of cultural institutions. Research methodology. The most important results were the generalisation and systematisation of facts based on various documents, the study of which was carried out with the help of cognitive and content analysis. The institutional and communication approach helped to consider the system of foreign cultural diplomacy based on the presentation of the activities of a number of relevant organizations using the structural-functional method. The scientific novelty of the study consists in the analysis of the experience of Spain's implementation of the main principles of foreign cultural policy. Conclusions. Currently, in relation to foreign cultural policy, Spain adheres to European principles: the country has a fairly developed legal framework and an effective mechanism for promoting its culture. The Spanish experience in the implementation of cultural policy is not unique, but it can be considered successful, in particular with regard to the creation of separate institutions, the main activity of which is aimed exclusively at promoting information about the country, its history, culture, and language. Official documents outline the significance of the country's foreign cultural policy as an independent direction of activity. The analysis of documents also makes it possible to follow the evolution in the implementation of cultural policy and its impact on various spheres of society, the effectiveness and success of its provisions. The stages of the formation of the cultural sector as an independent one, in accordance with the adopted documents and the activities of the institutions, testify to the relationship between them and the continuity of the principles on which they are based.
{"title":"Features of Spain's Foreign Cultural Policy","authors":"Liudmyla Doskich","doi":"10.32461/2226-3209.1.2024.302032","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2024.302032","url":null,"abstract":"The purpose of the study is to determine the conceptual features of Spain's foreign cultural policy based on the analysis of legal documents and communication activities of cultural institutions. Research methodology. The most important results were the generalisation and systematisation of facts based on various documents, the study of which was carried out with the help of cognitive and content analysis. The institutional and communication approach helped to consider the system of foreign cultural diplomacy based on the presentation of the activities of a number of relevant organizations using the structural-functional method. The scientific novelty of the study consists in the analysis of the experience of Spain's implementation of the main principles of foreign cultural policy. Conclusions. Currently, in relation to foreign cultural policy, Spain adheres to European principles: the country has a fairly developed legal framework and an effective mechanism for promoting its culture. The Spanish experience in the implementation of cultural policy is not unique, but it can be considered successful, in particular with regard to the creation of separate institutions, the main activity of which is aimed exclusively at promoting information about the country, its history, culture, and language. Official documents outline the significance of the country's foreign cultural policy as an independent direction of activity. The analysis of documents also makes it possible to follow the evolution in the implementation of cultural policy and its impact on various spheres of society, the effectiveness and success of its provisions. The stages of the formation of the cultural sector as an independent one, in accordance with the adopted documents and the activities of the institutions, testify to the relationship between them and the continuity of the principles on which they are based.\u0000 ","PeriodicalId":510501,"journal":{"name":"NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD","volume":"62 S285","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140694567","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-16DOI: 10.32461/2226-3209.1.2024.302029
Tetyana Byrkovych, Yaroslava Morozova
The purpose of the article is to comprehensively investigate the presentation of libraries on social networks: Instagram, TikTok, YouTube. The research methodology is based on system-value approaches with the use of general scientific methods (analysis, synthesis, abstraction, generalisation) and special methods determined by the multidisciplinary paradigm of informational, communicative, and sociocultural research, which allowed to investigate the current state of the use of social networks in library activities. The scientific novelty consists in the practical study of the pages of library institutions in social networks. Conclusions. Presentation of libraries on social networks: Instagram, TikTok, YouTube for the promotion of library resources are very important modern tools for popularising libraries and their resources. It can be argued that in the conditions of war, the library as a social institution is one of the subsystems of the information and communication system, the activity of which is characterized by a variety of directions and the use of a wide range of forms of work to satisfy the needs of many readers. The war transforms library institutions, which, forced to adapt to new requirements, become centres in communication processes between the reader and information. For many people, reading books, discussing, meeting with authors is part of psychological relief, a distraction (albeit temporary) from the war; and for libraries, it is a means of promotion, and therefore, a method of their development in the modern information world.
{"title":"Features of Using Social Networks for the Promotion of Library Resources","authors":"Tetyana Byrkovych, Yaroslava Morozova","doi":"10.32461/2226-3209.1.2024.302029","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2024.302029","url":null,"abstract":"The purpose of the article is to comprehensively investigate the presentation of libraries on social networks: Instagram, TikTok, YouTube. The research methodology is based on system-value approaches with the use of general scientific methods (analysis, synthesis, abstraction, generalisation) and special methods determined by the multidisciplinary paradigm of informational, communicative, and sociocultural research, which allowed to investigate the current state of the use of social networks in library activities. The scientific novelty consists in the practical study of the pages of library institutions in social networks. Conclusions. Presentation of libraries on social networks: Instagram, TikTok, YouTube for the promotion of library resources are very important modern tools for popularising libraries and their resources. It can be argued that in the conditions of war, the library as a social institution is one of the subsystems of the information and communication system, the activity of which is characterized by a variety of directions and the use of a wide range of forms of work to satisfy the needs of many readers. The war transforms library institutions, which, forced to adapt to new requirements, become centres in communication processes between the reader and information. For many people, reading books, discussing, meeting with authors is part of psychological relief, a distraction (albeit temporary) from the war; and for libraries, it is a means of promotion, and therefore, a method of their development in the modern information world.\u0000 ","PeriodicalId":510501,"journal":{"name":"NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD","volume":"77 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140694813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-16DOI: 10.32461/2226-3209.1.2024.302075
Iryna SOLIARSKA-KOMARCHUK
The purpose of the study is to reconsider the “strict style” beyond the narrative of the “Soviet art” and to identify those characteristics that allowed individual artists from Ukraine, Estonia, Latvia, and Armenia to return to the national artistic tradition and find their own creative language that did not coincide with the values of the totalitarian system. The research methods are based on the fundamental principles of art historical analysis with the involvement of interdisciplinary connections (philosophy, history) to identify the innovative features of the “strict style” as the first important step for the emergence of the art of the “dissenters”. The comparative method is used to identify the differences in regional manifestations of the “strict style” based on the national artistic traditions of Ukraine, Estonia, Latvia, and Armenia. The systematic-analytical method is used to highlight the influence of the Khrushchev Thaw on the formation of new worldview values among the creative youth of the post-war period of the 1946s-1955s. The scientific novelty of the study is to identify the plot, plastic, and compositional characteristics of the “strict style” that became the reason for some national artists to search for national artistic traditions and interpret them using their own experience and artistic and figurative language. Conclusions. When comprehending the significance of the “strict style”, one should note its importance for the beginnings of the revival of Ukraine's artistic traditions, which soon led to the emergence of “unofficial” art. While its founders, Russian artists, sought to convey the feat of labour of the Soviet man, our individual artists were able to demonstrate the difficult fates and tragedies of their own people (I.-V. Zadorozhnyi), moreover, using the techniques and imagery of avant-garde artists in their artistic language. The national artistic experience of the 1920s and early 1930s prompted them to revive and rethink their own heritage. The subjects, techniques of transmission, and compositional features were similar among the representatives of the “strict style”, but the peculiar artistic thinking based on the worldview of their people made some national artists, as well as their colleagues from Estonia, Latvia, and Armenia, interpret the reality of their countrymen differently.
{"title":"Comprehending \"Strict Style\" in the Process of Forming Ukrainian Unofficial Art","authors":"Iryna SOLIARSKA-KOMARCHUK","doi":"10.32461/2226-3209.1.2024.302075","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2024.302075","url":null,"abstract":"The purpose of the study is to reconsider the “strict style” beyond the narrative of the “Soviet art” and to identify those characteristics that allowed individual artists from Ukraine, Estonia, Latvia, and Armenia to return to the national artistic tradition and find their own creative language that did not coincide with the values of the totalitarian system. The research methods are based on the fundamental principles of art historical analysis with the involvement of interdisciplinary connections (philosophy, history) to identify the innovative features of the “strict style” as the first important step for the emergence of the art of the “dissenters”. The comparative method is used to identify the differences in regional manifestations of the “strict style” based on the national artistic traditions of Ukraine, Estonia, Latvia, and Armenia. The systematic-analytical method is used to highlight the influence of the Khrushchev Thaw on the formation of new worldview values among the creative youth of the post-war period of the 1946s-1955s. The scientific novelty of the study is to identify the plot, plastic, and compositional characteristics of the “strict style” that became the reason for some national artists to search for national artistic traditions and interpret them using their own experience and artistic and figurative language. Conclusions. When comprehending the significance of the “strict style”, one should note its importance for the beginnings of the revival of Ukraine's artistic traditions, which soon led to the emergence of “unofficial” art. While its founders, Russian artists, sought to convey the feat of labour of the Soviet man, our individual artists were able to demonstrate the difficult fates and tragedies of their own people (I.-V. Zadorozhnyi), moreover, using the techniques and imagery of avant-garde artists in their artistic language. The national artistic experience of the 1920s and early 1930s prompted them to revive and rethink their own heritage. The subjects, techniques of transmission, and compositional features were similar among the representatives of the “strict style”, but the peculiar artistic thinking based on the worldview of their people made some national artists, as well as their colleagues from Estonia, Latvia, and Armenia, interpret the reality of their countrymen differently.\u0000 ","PeriodicalId":510501,"journal":{"name":"NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD","volume":"76 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140694821","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-04-16DOI: 10.32461/2226-3209.1.2024.302037
Mykola Fedorenko
The purpose of the work is to study the cultural foundations of Hryhorii Skovoroda's philosophy. The research methodology is based on the use of commonly used approaches of analysis, synthesis, and comparison. The study is based on an understanding of the importance of the cultural context of the phenomenon of intellectual history. Scientific novelty. The author argues the thesis about the decisive role of the Ukrainian Baroque in the formation of Ukrainian identity. The author argues that the birth and maturation of authentic spiritual and academic culture is linked to European historical sources. The basic principles of the Cossack Baroque and their manifestation in the creative heritage of Hryhorii Skovoroda are substantiated. Conclusions. The origins and features of Baroque culture are analysed. The attention is focused on the Baroque's desire for universality, the attempt to comprehend infinity, and the attraction to dynamism. The significance of contrasts and antitheses in Baroque culture as a means of reproducing the dynamics of life is emphasised. The phenomenon of the emblem as a means by which things of the external world are introduced into human life and acquire cultural functions is investigated. It is noted that the Baroque is a time of practical action, realisation of energy, and the search for new forms by a person of this era. It is pointed out that Skovoroda develops an understanding of the contemplative attitude as a practical action that requires not passivity, but an active attitude. The tendency of the Western European Baroque to a mystical, eschatological experience of the world is pointed out. The thesis of the optimistic significance of the Baroque style in Eastern Europe is demonstrated. The author shows the connection between Ukraine's contribution to Baroque culture and Hryhorii Skovoroda's philosophical rethinking of the pessimistic manifestations of the modern era.
{"title":"Cultural cimension of Hryhorii Skovoroda's philosophy","authors":"Mykola Fedorenko","doi":"10.32461/2226-3209.1.2024.302037","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2024.302037","url":null,"abstract":"The purpose of the work is to study the cultural foundations of Hryhorii Skovoroda's philosophy. The research methodology is based on the use of commonly used approaches of analysis, synthesis, and comparison. The study is based on an understanding of the importance of the cultural context of the phenomenon of intellectual history. Scientific novelty. The author argues the thesis about the decisive role of the Ukrainian Baroque in the formation of Ukrainian identity. The author argues that the birth and maturation of authentic spiritual and academic culture is linked to European historical sources. The basic principles of the Cossack Baroque and their manifestation in the creative heritage of Hryhorii Skovoroda are substantiated. Conclusions. The origins and features of Baroque culture are analysed. The attention is focused on the Baroque's desire for universality, the attempt to comprehend infinity, and the attraction to dynamism. The significance of contrasts and antitheses in Baroque culture as a means of reproducing the dynamics of life is emphasised. The phenomenon of the emblem as a means by which things of the external world are introduced into human life and acquire cultural functions is investigated. It is noted that the Baroque is a time of practical action, realisation of energy, and the search for new forms by a person of this era. It is pointed out that Skovoroda develops an understanding of the contemplative attitude as a practical action that requires not passivity, but an active attitude. The tendency of the Western European Baroque to a mystical, eschatological experience of the world is pointed out. The thesis of the optimistic significance of the Baroque style in Eastern Europe is demonstrated. The author shows the connection between Ukraine's contribution to Baroque culture and Hryhorii Skovoroda's philosophical rethinking of the pessimistic manifestations of the modern era.\u0000 ","PeriodicalId":510501,"journal":{"name":"NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD","volume":"42 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140694902","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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