NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD最新文献

{"title":"Creative industries as a component of modern culture","authors":"Svyatoslav Galyuk","doi":"10.32461/2226-3209.1.2024.302043","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2024.302043","url":null,"abstract":"The purpose of the work. After analysing the production of a cultural and artistic product by means of television and cinematography, to substantiate scientific approaches to the study of creative industries in Ukraine. The research methodology is based on the use of an interdisciplinary approach, historical-cultural, generalising, and systemic methods, analytical, comparative, and cultural methods, which will enable a multi-vector consideration of the proposed issues and the formulation of well-founded conclusions. The scientific novelty is characterised by the fact that for the first time the problem of the essence and functioning of creative industries in Ukraine and beyond is considered in the context of their development within the television and film industries. Conclusions. It has been established that the development of creative industries in Ukraine requires in-depth study, consistent and gradual, careful adaptation of foreign experience, in particular, in the field of production and distribution on the consumer market of cultural and artistic products created by means of cinematography and television.\u0000 ","PeriodicalId":510501,"journal":{"name":"NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD","volume":"326 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140698101","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Following the Traditions of Old Masters in Ukrainian Realist Painting (on the Example of the Works of V. Kostyrko, E. Ravsky, O. Glazunov)","authors":"Ruslana Bezuhla","doi":"10.32461/2226-3209.1.2024.302052","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2024.302052","url":null,"abstract":"The purpose of the article is to identify the influence of imitation of the painting traditions of old masters on the work of representatives of contemporary Ukrainian realist art. The methodology of the study is based on the following philosophical and general scientific approaches, which made it possible to consider the phenomenon of imitation in contemporary Ukrainian art from different perspectives: the interdisciplinary approach ensured the use of the latest theoretical achievements of the social sciences and humanities in the analysis of the phenomenon of imitation; the phenomenological method was applied at the stage of revealing the essence and concretization of such a phenomenon as imitation, its transformations in the contemporary artistic space. The scientific novelty is due to the fact that the attention is focused on certain factors, including the imitation by contemporary Ukrainian artists of the painting traditions of old masters, which directly affects the formation of the art of modern Ukraine. Conclusions. It has been stated that the appeal to the artistic tradition of old masters is not a new approach in art, but Ukrainian art history lacks a sufficient number of fundamental scientific studies on the influence of the work of old masters on the formation of contemporary Ukrainian artists. It has been found that contemporary artists show interest in scrupulous detail, smooth style of painting, baroque complex angles, convey the psychology of images in the manner of Caravaggio and Rembrandt, actualizing classical traditions in contemporary painting. It is proved that pictorial illusion, artistic, compositional and coloristic searches, and even universal meanings in the works of old masters can serve as inspirations in the works of V. Kostyrko, E. Ravsky, O. Glazunov and other Ukrainian artists. It is emphasized that the issue of imitation of the painting traditions of old masters in Ukrainian realist painting requires additional research, but in our opinion, this is a promising topic for further research within the framework of art history and cultural studies.\u0000 ","PeriodicalId":510501,"journal":{"name":"NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD","volume":"25 8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140697261","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Dance Culture in Search of the Ways of Personality Spirituality","authors":"Liliia Savchyn","doi":"10.32461/2226-3209.1.2024.302035","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2024.302035","url":null,"abstract":"The purpose of the article is to substantiate the expediency of searching for ways of personal spirituality. The research methodology is based on the use of methods of analysis, synthesis, and specification. An analysis of the search for the ways of the individual's spirituality was carried out, outlining which ones, there are prospects for solving cross-cutting issues of cultural, aesthetic, intellectual, and physical content. Synthesis, as a scientific method, made it possible to systematise the patterns of relationships between dance culture and the essential basis of the spirituality of the individual. The concretisation method directed research in the direction of reconstruction of the multifacetedness of dance culture in the personality-process-culture system. The scientific novelty we parallelise the understanding of dance first of all with plastic expressiveness and scientific pulsation, because dance demonstrates meaning mostly in movements, rather than in words with a content full of culturally significant information. The specified thesis can be substantiated by various aspects, namely by the spirituality of the individual against the background of which the trajectory of semiotics, linguistics, symbolism, phenomenology, and textology should be considered. Conclusions. The text of the article can be used in the preparation of lecture material on professional disciplines (history of art, culture, methodology): choreography, music education. Mastering the dance culture of cheerleading promotes interest in the artistic and aesthetic priorities of young people and their spiritual motivation for the harmony of life creativity. That is why it is important to understand the dance culture as a truly important trend that contributes to the individual's approach to self-improvement and understanding of one's own significance in society. The work claims to use a creative approach in practical teaching activities, which will qualitatively affect the final result on the path of the individual's spirituality.\u0000 ","PeriodicalId":510501,"journal":{"name":"NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD","volume":"19 1‐2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140698774","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Representation of dnipro art Museum`s Collection of the Late 19th and Early 20th Centuries at Exposition Block \"modern. Avant-garde. Symbolism\"","authors":"Anastasiia Kravchenko","doi":"10.32461/2226-3209.1.2024.302058","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2024.302058","url":null,"abstract":"The purpose of the article is to identify features and regularities in representation of part of collection of the Dnipro Art Museum of the verge of 19th and 20th centuries, presented in the block of the main museum exposition \"Modern. Avant-Garde. Symbolism\" from 19 May 2018 to 23 February 2022. The research methodology is based on the application of a systemic approach in a combination of general scientific and special methods of cognition, such as analytical, formal-stylistic, systematisation, and generalisation. The application of the specified methods and approaches contributed to a profound study of the identified issues and made it possible to formulate reasoned conclusions. The scientific novelty of the work lies in a comprehensive approach to the analysis and generalisation of a range of issues regarding the peculiarities of the representation of fine art pieces at the turn of the 20-21 centuries presented in the block of the permanent exposition of the Dnipro Art Museum \"Modern. Avant-Garde. Symbolism\". Conclusions. Based on the results of the present research, the author can state that permanent exhibition hall of the Dnipro Art Museum \"Modern. Avant-Garde. Symbolism\", which consisted of four thematic blocks, is an example of a successful combination of expositional and scientific work, which made it possible to represent the relevant section of the museum collection at a decent level. One of the notable features is the non-trivial solution of exhibition space in colour, which was characterised by accented contrasting zoning. Among the notable features, the author notes the balance found between the demonstration of artworks of recognised masters of the modernist era and representatives of the regional art centre. The inclusion in the main exposition of a number of paintings by the local symbolist artist Mykhailo Sapozhnykov contributed to a certain extent to the integration of his figure and creative work into the line of Ukrainian fine art development in the first third of the 20th century.\u0000 ","PeriodicalId":510501,"journal":{"name":"NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD","volume":"159 5‐7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140698564","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Ukrainian parallels to Jagiellonianism and Sarmatism in the history of Europe in the 18th-19th centuries","authors":"Oksana Hysa","doi":"10.32461/2226-3209.1.2024.302092","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2024.302092","url":null,"abstract":"The purpose of the work is to analyse Ukrainian parallels to Jagiellonianism and Sarmatism in the history of Europe in the 18th-19th centuries, particularly in the musical sphere. The research methodology involves a combination of historical-cultural, comparative, and empirical-analytical research methods to identify Jagiellonianism and Sarmatism in the artistic scope of Ukraine and Poland in the 19th and 20th centuries. The scientific novelty of the work lies in the fact that, for the first time in Polish and Ukrainian musicology, historical information on the Jagiellonian principle of religious-state regulation of the Slavic Commonwealth is summarised from the point of view of the Ukrainian positive in the rise of Ukrainian Orthodoxy and the supranational resonance of Petro Mohyla's reform. Conclusions. Jagiellonianism is the age of freedom of the Cossacks, who sanctified the Cossack age with high education and singing energy, which is the centre of high honour and pride of the Ukrainian nation, its thoughtfulness (in Old Ukrainian and Old Polish languages, duma means honour). For the Polish tradition, Jagiellonianism is the time when the capital was Krakow, and not Warsaw, which, due to its ethnic and cultural advantages, was and remains the custodian of the Old Catholic traditions, originating from the time of the undivided Christian Church and in the awareness of kinship with the East Slavic world. It was Jagiellonianism in Poland that contributed to the construction of the Zaporizhzhia Sich, which became an essential pillar of defence against the military expansion of the Crimean Khanate (since the 13th century) and Ottoman Turkey. Crimea is the last of the Greek colonies, the birthplace of Eastern Slavic Christianity, the place of activity of the \"Orthodox brothers\" expelled by the Anglo-Saxons from Catholicised Britain (XI century), transformed in the 13th-14th centuries. to the stronghold of Islam. Polish Sarmatism in the romantic era was influenced by the Cossacks, who en masse joined the chumaks who carried out commercial, military, and political operations, and, similar to the Polish-noble circles, considered offensive proposals to engage in agriculture, which did not correspond to the status of a foreman in the 17th century.\u0000 ","PeriodicalId":510501,"journal":{"name":"NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD","volume":"328 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140698234","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Heroisation as a phenomenon of modern media cultur","authors":"Oleh Holoborodko","doi":"10.32461/2226-3209.1.2024.302044","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2024.302044","url":null,"abstract":"The purpose of the article is to reveal the peculiarities of the phenomenon of heroisation based on the analysis of the theoretical and practical discourse of modern media culture. Research methodology. The method of theoretical research, analytical method, terminological analysis method, structural-functional method, phenomenological method have been applied. Scientific novelty. Heroisation as a phenomenon of modern media culture has been studied. The understanding of the heroic in the Ukrainian media culture of the beginning of the 21st century has been updated. On the basis of the analysis of the theoretical and practical discourse, characteristic features of heroisation in media culture have been revealed. The stages and strategies of heroisation have been analysed, while the place and role of the subjects of heroisation have been considered. Conclusions. Characteristic of the process of heroisation is the attribution of specific heroic qualities to the heroised figure and with reference to achievements, attitudes, or actions. Attribution and media communication of heroic deeds or heroic qualities is usually implemented by means of \"heroic media narrative\". The subjects of the heroisation process are the hero himself, thier supporters or opponents, and the audience watching the heroisation. In modern theoretical discourse, different phases of heroisation are distinguished: the initial approval of the hero; a phase of positive (in the form of admiration and respect) or negative (rejection and demonisation) resonance; the consolidation phase through cultural practices; deheroisation, which includes all processes that lead to the loss or deprivation of the status of a hero. Typical strategies of heroisation in media culture are peripetia, agony, anthropomorphisation, and concentration of action, as well as a number of strategies based on heroic semantics specific to a certain period and culture.\u0000 ","PeriodicalId":510501,"journal":{"name":"NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD","volume":"61 3‐4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140695454","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Theater art of the Western Muslim communities of the end of the XX – beginning of the XXI century","authors":"Almuwail Fadhel","doi":"10.32461/2226-3209.1.2024.302108","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2024.302108","url":null,"abstract":"The purpose of the article is to reveal the peculiarities of the theatrical art of Western Muslim communities of the late 20th and early 21st centuries. on the example of Great Britain. Research methodology. The method of analysis and synthesis, the method of typological analysis, the historical and cultural method, the method of art research and theoretical generalisation was applied, which contributed to clarifying the peculiarities of the traditions of Islamic theatre and its development at the modern stage in Western Muslim communities, identifying the peculiarities and characteristic features of the theatres of the Muslim community of Great Britain . Scientific novelty. Peculiarities of theatrical art of Western Muslim communities were studied using the example of Great Britain; on the basis of the analysis of the productions of the \"Khayaal Theatre\" theatrical campaign, the peculiarities of the understanding of the place, role, and potential of theatrical art by representatives of modern Muslim communities in Europe were considered; the activity of the theatre of the multi-national Islamic school with education in English \"SOBIS\" (Cardiff) was analysed in the context of preserving the traditions of the Islamic theatre. Conclusions. The rich culture and spiritual experience of the Islamic world, represented in the productions of Western Muslim communities, exerts a noticeable influence on modern European society. The study revealed that the development of theatrical art in Western Muslim communities in the late 20th and early 21st centuries testifies to the selective integration of the leading trends of European performing arts, the attraction to multiculturalism, provided that traditional cultural and religious Islamic values are preserved. The originality of the scenographic solution, which has a direct connection with Islamic history, its visual and architectural heritage, expresses the ideas and values of Muslims. The main Muslim theatre companies in the UK are Khayaal Theatre, Ulfa Arts, Arakan Creative, Muju and others. Interactive forms of theatre, in particular forum-theatre, can become a powerful way of interacting and informing about the issues of British Muslim identity. Characteristic features of the activities of the theatres of the Muslim community of Great Britain are: honouring and popularising the philosophical-aesthetic, literary and artistic Islamic traditions; development of a diverse repertoire in order to reach a wide audience; promotion of intercultural dialogue, interaction of traditional and modern, mutual understanding between Muslims and people of other faiths and traditions.\u0000 ","PeriodicalId":510501,"journal":{"name":"NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD","volume":"86 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140695536","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Modern Popular Estrada Music in Ukraine: on the Issue Of Definition and Genre and Stylistic Connotations","authors":"Olga Sapozhnik","doi":"10.32461/2226-3209.1.2024.302095","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2024.302095","url":null,"abstract":"The purpose of the article is to conduct a theoretical analysis of scientific literature on the problem under study, to reveal the historical-theoretical, musical-aesthetic, and genre-stylistic aspects of the development of Ukrainian popular estrada music from the standpoint of artistic traditions and innovations, to scientifically outline the terminological field regarding the definition of \"modern popular estrada music\". Research methodology is based on the use of dialectical methods of analysis, synthesis, comparison, generalisation regarding the definition of the terminological field in relation to modern popular pop music, genre, and style samples of the existence of this musical direction in Ukraine. The presentation of the material combines cultural-art, aesthetic-psychological, and musical-pedagogical approaches to the concretisation of the genre variety, stylistic features, modification forms of existence of the Ukrainian layer of modern popular pop music and its enculturation into the world musical space. Scientific novelty of the research. An attempt is made to systematise the scientific, art criticism, and journalistic source base on the definition of the concept of \"modern popular estrada music\"; the conceptual and categorical apparatus has been clarified, the terminology of \"modern popular estrada music\" has been substantiated; the essence, content and structural components of musical and aesthetic self-expression of young people in the system of art education are characterised. The genre varieties, stylistic features, modification forms of existence of the Ukrainian layer of modern popular pop music are specified. Conclusions. As a result of the study, the terminology of “modern popular pop music” is scientifically substantiated, it is found that modern popular pop music directly affects the formation and development of worldview, value-oriented, socio-cultural positions of youth in the sphere of its life. It is the most popular and accessible means of musical and aesthetic development and self-expression and has the highest rating among young people, since the democratic nature of its functioning in the youth environment actualises and determines the development of the aesthetic sphere of a young person, especially in the period of early adolescence.\u0000 ","PeriodicalId":510501,"journal":{"name":"NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD","volume":"7 3‐4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140698799","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Preservation vectors of traditional Chinese music","authors":"Enyi Dan","doi":"10.32461/2226-3209.1.2024.302101","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2024.302101","url":null,"abstract":"The purpose of the article is to highlight the issue and development of Chinese traditional music in the context of modern society. Our research methodology is to justify and analyse the possibilities of immersive approaches to this important musical heritage. The research methodology is based on a comprehensive analysis of modern trends in the development of Chinese traditional music. Cultural and musicological methods were used to study the influence of modern society on the preservation of traditional musical culture. The study considers three inversion approaches: creation of exhibition halls, formation of archives, and development of ecological exhibition spaces. We conduct a comparative analysis of the effectiveness of each approach and its use for the preservation and development of traditional music. Scientific novelty is the systematic contribution of inversion methods to the preservation and development of traditional music. The approach takes into account modern realities and these demands of society, contributing not only to the preservation, but also to the active development of Chinese traditional musical heritage. The conclusions emphasise the expediency and necessity of implementing such research approaches and indicate the prospects of using immersive approaches for the further preservation and development of Chinese traditional music in the modern era.\u0000 ","PeriodicalId":510501,"journal":{"name":"NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD","volume":"4 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140697858","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The impact of digital transformation on cultural and leisure activities of Ukrainian open-air museums in the first quarter of the XXI century","authors":"Artem Pozniak","doi":"10.32461/2226-3209.1.2024.302042","DOIUrl":"https://doi.org/10.32461/2226-3209.1.2024.302042","url":null,"abstract":"The purpose of the article is to identify changes in the cultural and leisure activities of open-air museums in Ukraine through the prism of digital transformation, to characterise the activities of open-air museums in new cultural and social conditions. The research methodology provides general scientific principles of systematisation and generalisation, which made it possible to analyse and determine aspects of the transformation of the cultural and leisure activity of open-air museums in the field of digitalisation. The purpose and tasks of the publication also determined the application of an axiological approach, which made it possible to determine the role of open-air museums in the implementation of cultural and leisure activities and their transformational manifestations through the prism of digitalisation. The application of the analytical method contributed to the delineation of the conceptual foundations of further scientific perspectives for the study of the cultural and leisure activities of open-air museums in the XXI century and the analysis of the impact of digital transformation on the cultural and leisure activities of open-air museums in the first quarter of the century. The principles of objectivity and reliability formed the methodological basis for analysing the impact of digitalisation and the transformation of cultural and leisure activities in the period under study. The scientific novelty consists in outlining the aspects of the cultural and leisure activity of open-air museums in Ukraine under the influence of the digital transformation of the cultural sphere, determining the future prospects of the researched issues. Conclusions. Thanks to digitalisation processes, the number of interactive museum programs and projects is increasing, which makes visiting open-air museums and getting to know their cultural and leisure activities more accessible to the public. At the same time, their accounts in social networks, the use of online tours with electronic accompanying material, audio guides, QR codes and other devices that help in recognising and assimilating information to users are widespread and developing. However, the transformation of the manifestation of cultural and leisure activities of open-air museums in the XXI century has its negative and positive aspects. But the digitisation of museum collections is a reliable way to preserve works of culture and traditions for the future.\u0000 ","PeriodicalId":510501,"journal":{"name":"NATIONAL ACADEMY OF MANAGERIAL STAFF OF CULTURE AND ARTS HERALD","volume":"69 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140698789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}