Pub Date : 2023-02-17DOI: 10.1080/10286632.2023.2173745
Hui-cheng Zhong
{"title":"Moving towards an integrated approach to fight against illicit trafficking of cultural heritage for the Chinese Mainland, Hong Kong and Macao","authors":"Hui-cheng Zhong","doi":"10.1080/10286632.2023.2173745","DOIUrl":"https://doi.org/10.1080/10286632.2023.2173745","url":null,"abstract":"","PeriodicalId":51520,"journal":{"name":"International Journal of Cultural Policy","volume":"57 1","pages":""},"PeriodicalIF":1.8,"publicationDate":"2023-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73406444","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-02-14DOI: 10.1080/10286632.2023.2177643
Linda Ross
certainly relevant. Finally, and again relatedly, the volume exhibits the ever-so-familiar tendency or attempt to valorise and thus implicitly legitimise one’s own research topic. This comes across particularly forcefully in Vuletic’s introduction (ch. 1), but elsewhere as well. ‘Eurovision entries are multimodal social-semiotic acts of communication that incorporate aural, visual, technological, linguistic, textual and performative facets’, laud Alison Lewis and John Hajek in their largely descriptive account of an online course with superfluous irrelevant technical details (70). I daresay, so is every occasion I put a vinyl on a turntable with friends present. Yes, it is curious how the ESC has evaded the attention of scholars of popular music, media and culture alike. The why is, to me at least, somewhat obvious, especially when it comes to music scholars: until the twenty-first century, the field was obsessed with rockist notions of authenticity, thus rendering the really popular music unworthy of attention. In 1992, Finland was represented in the ESC by Pave (Maijanen), a key figure in the history of Finnish rock music since the early 1980s, yet finishing last, though not with nul but quatre points. The title of the song includes most of its lyrics, qualitatively at least. The performance is available online (https://www.youtube.com/watch?v= n-PhSnk-omM) so those wishing to do so may check if their reaction is as multifaceted as mine, combining feelings and sensations of nostalgia, joy, embarrassment, naïvety, and the urge to get up and dance. I do not flag. Yamma yamma.
{"title":"Tracing the Atom. Nuclear Legacies in Russia and Central Asia","authors":"Linda Ross","doi":"10.1080/10286632.2023.2177643","DOIUrl":"https://doi.org/10.1080/10286632.2023.2177643","url":null,"abstract":"certainly relevant. Finally, and again relatedly, the volume exhibits the ever-so-familiar tendency or attempt to valorise and thus implicitly legitimise one’s own research topic. This comes across particularly forcefully in Vuletic’s introduction (ch. 1), but elsewhere as well. ‘Eurovision entries are multimodal social-semiotic acts of communication that incorporate aural, visual, technological, linguistic, textual and performative facets’, laud Alison Lewis and John Hajek in their largely descriptive account of an online course with superfluous irrelevant technical details (70). I daresay, so is every occasion I put a vinyl on a turntable with friends present. Yes, it is curious how the ESC has evaded the attention of scholars of popular music, media and culture alike. The why is, to me at least, somewhat obvious, especially when it comes to music scholars: until the twenty-first century, the field was obsessed with rockist notions of authenticity, thus rendering the really popular music unworthy of attention. In 1992, Finland was represented in the ESC by Pave (Maijanen), a key figure in the history of Finnish rock music since the early 1980s, yet finishing last, though not with nul but quatre points. The title of the song includes most of its lyrics, qualitatively at least. The performance is available online (https://www.youtube.com/watch?v= n-PhSnk-omM) so those wishing to do so may check if their reaction is as multifaceted as mine, combining feelings and sensations of nostalgia, joy, embarrassment, naïvety, and the urge to get up and dance. I do not flag. Yamma yamma.","PeriodicalId":51520,"journal":{"name":"International Journal of Cultural Policy","volume":"86 1","pages":"539 - 542"},"PeriodicalIF":1.8,"publicationDate":"2023-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76132409","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-02-14DOI: 10.1080/10286632.2023.2177645
Antti-Ville Villén
{"title":"The Eurovision song contest as a cultural phenomenon: from concert halls to the halls of academia","authors":"Antti-Ville Villén","doi":"10.1080/10286632.2023.2177645","DOIUrl":"https://doi.org/10.1080/10286632.2023.2177645","url":null,"abstract":"","PeriodicalId":51520,"journal":{"name":"International Journal of Cultural Policy","volume":"48 1","pages":"537 - 539"},"PeriodicalIF":1.8,"publicationDate":"2023-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77127095","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-02-13DOI: 10.1080/10286632.2023.2177644
Xiaoli Lu
aspects of cultural work during the pandemic. Overall, the chapters repeatedly point out the problems of creative freelancing – low earning, the lack of access to social safety, portfolio career, prevailing uncertainty, the individualised risk, short-term contract and so on – which were exacerbated. At the same time, some chapters note how artists and cultural workers adapted to the crisis by reflecting on their existing work pattern and organisation, embracing the digital technology and online media, building resilience and taking a contemplative mode. Yet, another key observation is the deepening of the structural inequality which is manifested by the disproportionate impacts of the pandemic on freelancers and the workers with less privileged backgrounds. Part 3 examines ‘institutional strategies’. Broadly speaking, the chapters in this part are about cultural organisations, cultural industries in general and film agencies, and their responses to Covid. Countries and regions covered include Italy, Spain, the Nordic region, Czech Republic and the European region. One common theme cutting across the chapters is the (potential) structural changes triggered by the pandemic in the cultural industries in general and the museum, film and orchestra sectors in particular. The changes include the shift to the digital, more focus on local provision, more engagement with the community, new relationship with audience across online and offline, new business model and the rise of streaming services. From this, we need to ask some important questions regarding the future of cultural policy: what kind of policies or state interventions would facilitate those changes; how the existing organisations and venues can adapt; and under what conditions the changes will create new opportunities for cultural workers or make their work even more precarious. Over the past 2 years, a number of writings examining the cultural sector during the pandemic have been published in journals such as IJCP or Cultural Trends. This edited volume adds diverse case studies to the current literature. Its biggest merits are the focused overview of the cultural industries during the Covid crisis, the coverage of several European countries and the country-specific details. Yet, comparative approach could be more consciously and explicitly attempted. This book helped me find some answers to my questions on what happened, who were affected and what policymakers did during the viral emergency whilst my other questions remain unanswered. Many of us are currently engaged in the collective endeavours to produce new knowledge of cultural policy in the Covid and post-Covid contexts. A significant part of these endeavours is to analyse if and how the experience of the pandemic informs and reshapes the mission, reasoning, scope, structure, institutional arrangement and instruments of cultural policy for tomorrow. This book’s empirical data and findings feed well into such efforts.
{"title":"Arts and cultural management: sense and sensibilities in the state of the field","authors":"Xiaoli Lu","doi":"10.1080/10286632.2023.2177644","DOIUrl":"https://doi.org/10.1080/10286632.2023.2177644","url":null,"abstract":"aspects of cultural work during the pandemic. Overall, the chapters repeatedly point out the problems of creative freelancing – low earning, the lack of access to social safety, portfolio career, prevailing uncertainty, the individualised risk, short-term contract and so on – which were exacerbated. At the same time, some chapters note how artists and cultural workers adapted to the crisis by reflecting on their existing work pattern and organisation, embracing the digital technology and online media, building resilience and taking a contemplative mode. Yet, another key observation is the deepening of the structural inequality which is manifested by the disproportionate impacts of the pandemic on freelancers and the workers with less privileged backgrounds. Part 3 examines ‘institutional strategies’. Broadly speaking, the chapters in this part are about cultural organisations, cultural industries in general and film agencies, and their responses to Covid. Countries and regions covered include Italy, Spain, the Nordic region, Czech Republic and the European region. One common theme cutting across the chapters is the (potential) structural changes triggered by the pandemic in the cultural industries in general and the museum, film and orchestra sectors in particular. The changes include the shift to the digital, more focus on local provision, more engagement with the community, new relationship with audience across online and offline, new business model and the rise of streaming services. From this, we need to ask some important questions regarding the future of cultural policy: what kind of policies or state interventions would facilitate those changes; how the existing organisations and venues can adapt; and under what conditions the changes will create new opportunities for cultural workers or make their work even more precarious. Over the past 2 years, a number of writings examining the cultural sector during the pandemic have been published in journals such as IJCP or Cultural Trends. This edited volume adds diverse case studies to the current literature. Its biggest merits are the focused overview of the cultural industries during the Covid crisis, the coverage of several European countries and the country-specific details. Yet, comparative approach could be more consciously and explicitly attempted. This book helped me find some answers to my questions on what happened, who were affected and what policymakers did during the viral emergency whilst my other questions remain unanswered. Many of us are currently engaged in the collective endeavours to produce new knowledge of cultural policy in the Covid and post-Covid contexts. A significant part of these endeavours is to analyse if and how the experience of the pandemic informs and reshapes the mission, reasoning, scope, structure, institutional arrangement and instruments of cultural policy for tomorrow. This book’s empirical data and findings feed well into such efforts.","PeriodicalId":51520,"journal":{"name":"International Journal of Cultural Policy","volume":"61 1","pages":"663 - 665"},"PeriodicalIF":1.8,"publicationDate":"2023-02-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83965311","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-26DOI: 10.1080/10286632.2022.2164764
Antonio C. Cuyler
terms of graduate employability. Concerns have been raised about the loss of some values and the bringing in of other values from the outside, especially from industry, because of this shift in thinking. Although the number of scientific works such as this book is growing (recent ones include Hanusch & Mellado, 2014; Hanusch et al., 2014; Vasilendiuc and Sutu 2020) and academics do not have the time to study them all, even if they are sources relevant to their interests, this work adds value by providing a wealth of factual information and accurate data, applying a critical approach, and presenting them in a way that encourages readers to seek additional reliable evidence on the subject.
毕业生就业能力方面。由于这种思维的转变，一些价值观的丧失和其他价值观的引入引起了人们的关注，尤其是来自行业的价值观。尽管像本书这样的科学著作越来越多(最近的包括Hanusch & Mellado, 2014;Hanusch et al.， 2014;Vasilendiuc和Sutu 2020)和学者没有时间研究它们，即使它们是与他们的兴趣相关的来源，这项工作通过提供丰富的事实信息和准确的数据，应用批判性的方法，并以鼓励读者寻求有关该主题的额外可靠证据的方式呈现，从而增加了价值。
{"title":"Creative Justice: cultural industries, work, and inequality by Mark Banks, Rowman & Littlefield, 2017, 200 pp., £163;38.00 (paperback), ISBN 978-1-78660-129-2, https://rowman.com/ISBN/9781786601285/Creative-Justice-Cultural-Industries-Work-and-Inequality Race and the cultural industries by Anamik Sa","authors":"Antonio C. Cuyler","doi":"10.1080/10286632.2022.2164764","DOIUrl":"https://doi.org/10.1080/10286632.2022.2164764","url":null,"abstract":"terms of graduate employability. Concerns have been raised about the loss of some values and the bringing in of other values from the outside, especially from industry, because of this shift in thinking. Although the number of scientific works such as this book is growing (recent ones include Hanusch & Mellado, 2014; Hanusch et al., 2014; Vasilendiuc and Sutu 2020) and academics do not have the time to study them all, even if they are sources relevant to their interests, this work adds value by providing a wealth of factual information and accurate data, applying a critical approach, and presenting them in a way that encourages readers to seek additional reliable evidence on the subject.","PeriodicalId":51520,"journal":{"name":"International Journal of Cultural Policy","volume":"38 1","pages":"395 - 399"},"PeriodicalIF":1.8,"publicationDate":"2023-01-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86260395","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-26DOI: 10.1080/10286632.2023.2167986
S. Giusti
The article explores how museums have responded to the COVID-19 crisis, referring to the concept of resilience and critical juncture. Whereas the first relates to a system's ability to recover or resume its original form after stress, perturbation, or shock, the latter refers to extraordinary conditions produced by unexpected and dramatic events that are able to enact profound and deep changes. The case of the Uffizi museum, which has suffered many lockdowns, shows that resilience measures have been accompanied by innovative actions redesigning the role of the museum. Some new projects could in fact be enacted because the pandemic was treated as a critical juncture. Any innovation, however, originated from the need to manage and decentralise tourism flows and revitalise local communities. The Uffizi has forged and implemented projects that value sustainability, community welfare, city decongestion, economic development, and inclusiveness, producing transformations on nature and vocation of the museum itself as well as on the neighbouring areas, becoming a propulsive fulcrum for other museums and cultural institutions. [ FROM AUTHOR]
{"title":"Museums after the pandemic, from resilience to innovation: the case of the Uffizi","authors":"S. Giusti","doi":"10.1080/10286632.2023.2167986","DOIUrl":"https://doi.org/10.1080/10286632.2023.2167986","url":null,"abstract":"The article explores how museums have responded to the COVID-19 crisis, referring to the concept of resilience and critical juncture. Whereas the first relates to a system's ability to recover or resume its original form after stress, perturbation, or shock, the latter refers to extraordinary conditions produced by unexpected and dramatic events that are able to enact profound and deep changes. The case of the Uffizi museum, which has suffered many lockdowns, shows that resilience measures have been accompanied by innovative actions redesigning the role of the museum. Some new projects could in fact be enacted because the pandemic was treated as a critical juncture. Any innovation, however, originated from the need to manage and decentralise tourism flows and revitalise local communities. The Uffizi has forged and implemented projects that value sustainability, community welfare, city decongestion, economic development, and inclusiveness, producing transformations on nature and vocation of the museum itself as well as on the neighbouring areas, becoming a propulsive fulcrum for other museums and cultural institutions. [ FROM AUTHOR]","PeriodicalId":51520,"journal":{"name":"International Journal of Cultural Policy","volume":"113 1","pages":""},"PeriodicalIF":1.8,"publicationDate":"2023-01-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79803938","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-20DOI: 10.1080/10286632.2022.2160715
R. Lobato, James Douglas, Alexa Scarlata, Stuart Cunningham
{"title":"Cultural policy between television and digital platforms: the case of SVOD regulation in Australia","authors":"R. Lobato, James Douglas, Alexa Scarlata, Stuart Cunningham","doi":"10.1080/10286632.2022.2160715","DOIUrl":"https://doi.org/10.1080/10286632.2022.2160715","url":null,"abstract":"","PeriodicalId":51520,"journal":{"name":"International Journal of Cultural Policy","volume":"37 1","pages":""},"PeriodicalIF":1.8,"publicationDate":"2023-01-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88622715","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-18DOI: 10.1080/10286632.2022.2160714
Mervi Luonila, Olli Ruokolainen
{"title":"“Happy, healthy and participatory citizens”: suburban cultural policy in the Finnish city of Jyväskylä","authors":"Mervi Luonila, Olli Ruokolainen","doi":"10.1080/10286632.2022.2160714","DOIUrl":"https://doi.org/10.1080/10286632.2022.2160714","url":null,"abstract":"","PeriodicalId":51520,"journal":{"name":"International Journal of Cultural Policy","volume":"21 1","pages":""},"PeriodicalIF":1.8,"publicationDate":"2023-01-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82494526","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-23DOI: 10.1080/10286632.2022.2157410
E. Yeh, D. Davis
{"title":"Film subsidies and cultural policy: the status of Hong Kong cinema","authors":"E. Yeh, D. Davis","doi":"10.1080/10286632.2022.2157410","DOIUrl":"https://doi.org/10.1080/10286632.2022.2157410","url":null,"abstract":"","PeriodicalId":51520,"journal":{"name":"International Journal of Cultural Policy","volume":"41 1","pages":""},"PeriodicalIF":1.8,"publicationDate":"2022-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80831555","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-22DOI: 10.1080/10286632.2022.2141718
Giulia Sciorati
ABSTRACT As the ancient Silk Road began acquiring new centrality in China’s soft power strategy in the mid-2000s, so did heritage diplomacy, which developed as an engagement tool for fostering relations with Central Asia. The paper examines China’s heritage cooperation with Central Asian countries through the lenses of social constructivism, investigating the conditions whereby the discursive construction of heritage has elicited cooperation. Linking the constructivist canon to Tim Winter’s work, the research considers heritage as diplomacy, suggesting that cooperation is fostered when heritage is framed as a link to a shared past among states and heritage positively engages with the core national interests of recipient countries. The research examines China’s discursive construction of the ‘Chang’an-Tianshan Corridor’ joint nomination to the UNESCO World Heritage list with Kazakhstan and Kyrgyzstan in media texts. The paper identifies a Sinocentric historicisation of heritage that, on the one hand, shies away from historical memories of conflict and competition and, on the other, connects joint heritage work with the notion of national sovereignty, playing on Central Asia’s interests.
{"title":"‘Constructing’ heritage diplomacy in Central Asia: China’s Sinocentric historicisation of transnational World Heritage Sites","authors":"Giulia Sciorati","doi":"10.1080/10286632.2022.2141718","DOIUrl":"https://doi.org/10.1080/10286632.2022.2141718","url":null,"abstract":"ABSTRACT As the ancient Silk Road began acquiring new centrality in China’s soft power strategy in the mid-2000s, so did heritage diplomacy, which developed as an engagement tool for fostering relations with Central Asia. The paper examines China’s heritage cooperation with Central Asian countries through the lenses of social constructivism, investigating the conditions whereby the discursive construction of heritage has elicited cooperation. Linking the constructivist canon to Tim Winter’s work, the research considers heritage as diplomacy, suggesting that cooperation is fostered when heritage is framed as a link to a shared past among states and heritage positively engages with the core national interests of recipient countries. The research examines China’s discursive construction of the ‘Chang’an-Tianshan Corridor’ joint nomination to the UNESCO World Heritage list with Kazakhstan and Kyrgyzstan in media texts. The paper identifies a Sinocentric historicisation of heritage that, on the one hand, shies away from historical memories of conflict and competition and, on the other, connects joint heritage work with the notion of national sovereignty, playing on Central Asia’s interests.","PeriodicalId":51520,"journal":{"name":"International Journal of Cultural Policy","volume":"27 1","pages":"94 - 112"},"PeriodicalIF":1.8,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81405284","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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