Pub Date : 2024-01-17DOI: 10.5130/pjmis.v19i1-2.8816
Loulou AL-Akl Khouri
The purpose of Civic Education in Lebanon includes the structure of the government and the way it functions. Isn’t it civic desert? One should consider then, the meaning of civics. Civics does not focus on a course or a book, but rather on fundamental social learning. It is the need to lay the foundation for communication and critical thinking when encountering traditions in conflict with what one’s own. Yet schools have their role to play, by revealing secular values, for conflict affected areas can easily regress to violence. A menu of civics implement classroom discussion of current critical events. Yet, Lebanese schools are overtaken by the baccalaureate program which hardly gives any time to controversial issues. Teachers are important elements in teaching civics. They have to believe in what they teach, display it verbally, nonverbally and add ‘mindful learning’. Yet, one can visualize an array of socio-personal factors when issues are controversial, knowing that humans are resistant to change. To conclude, teaching quality in civics is to be ranked highly on the scholarly agenda and research is needed to better understand the improvement of civic education.
{"title":"Civic Education and Lebanon","authors":"Loulou AL-Akl Khouri","doi":"10.5130/pjmis.v19i1-2.8816","DOIUrl":"https://doi.org/10.5130/pjmis.v19i1-2.8816","url":null,"abstract":"The purpose of Civic Education in Lebanon includes the structure of the government and the way it functions. Isn’t it civic desert? One should consider then, the meaning of civics. Civics does not focus on a course or a book, but rather on fundamental social learning. It is the need to lay the foundation for communication and critical thinking when encountering traditions in conflict with what one’s own. Yet schools have their role to play, by revealing secular values, for conflict affected areas can easily regress to violence. A menu of civics implement classroom discussion of current critical events. Yet, Lebanese schools are overtaken by the baccalaureate program which hardly gives any time to controversial issues. Teachers are important elements in teaching civics. They have to believe in what they teach, display it verbally, nonverbally and add ‘mindful learning’. Yet, one can visualize an array of socio-personal factors when issues are controversial, knowing that humans are resistant to change. To conclude, teaching quality in civics is to be ranked highly on the scholarly agenda and research is needed to better understand the improvement of civic education.","PeriodicalId":516654,"journal":{"name":"PORTAL Journal of Multidisciplinary International Studies","volume":"77 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140505159","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-17DOI: 10.5130/pjmis.v19i1-2.8821
Susana Chávez-Silverman
This crónica is really the first time I’ve written about my childhood. As I’ve noted elsewhere, I have many black holes—up to my early teens, when things sort of snap into focus. Hi-res focus, even. Although I’ve lived in and visited a number of countries whose cuisine is imprinted in my memory and even my day-to-day practices in southern California, I decided to focus on only one place: Zapopan (Guadalajara), Jalisco, México, where I spent summers with my family as a young girl. After informally interviewing my sister, Sarita—my closest childhood compinche (she’s only 18 months younger)—I decided to take this issue’s prompt, the notion of sticky memories/emotions, literally. Stickiness functions as a sensorial structuring motif, recurring in different ways in each of my crónica’s four vignettes. However, as is my wont, it offers no sense of resolution or closure. Rather, it appears as a floating signifier: these memories of scent, taste, feel and place have “stuck” with me throughout my life, but they evoke neither univocal nor consistent feelings. The same image or memory can feel now comforting, now disquieting, homely yet uncanny, familiar yet alien. Ultimately, it is this ecotonic, interstitial modus vivendi, which I’ve been inhabiting since about age four, that I hope to convey to the reader.
{"title":"Paisaje pegajoso/Sticky sororidad Crónica","authors":"Susana Chávez-Silverman","doi":"10.5130/pjmis.v19i1-2.8821","DOIUrl":"https://doi.org/10.5130/pjmis.v19i1-2.8821","url":null,"abstract":"This crónica is really the first time I’ve written about my childhood. As I’ve noted elsewhere, I have many black holes—up to my early teens, when things sort of snap into focus. Hi-res focus, even. Although I’ve lived in and visited a number of countries whose cuisine is imprinted in my memory and even my day-to-day practices in southern California, I decided to focus on only one place: Zapopan (Guadalajara), Jalisco, México, where I spent summers with my family as a young girl. After informally interviewing my sister, Sarita—my closest childhood compinche (she’s only 18 months younger)—I decided to take this issue’s prompt, the notion of sticky memories/emotions, literally. Stickiness functions as a sensorial structuring motif, recurring in different ways in each of my crónica’s four vignettes. However, as is my wont, it offers no sense of resolution or closure. Rather, it appears as a floating signifier: these memories of scent, taste, feel and place have “stuck” with me throughout my life, but they evoke neither univocal nor consistent feelings. The same image or memory can feel now comforting, now disquieting, homely yet uncanny, familiar yet alien. Ultimately, it is this ecotonic, interstitial modus vivendi, which I’ve been inhabiting since about age four, that I hope to convey to the reader. \u0000 ","PeriodicalId":516654,"journal":{"name":"PORTAL Journal of Multidisciplinary International Studies","volume":"226 1-2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140504718","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-17DOI: 10.5130/pjmis.v19i1-2.8871
Elaine Swan
In our Shadwell food history walk, part of a larger ‘Food Lives’ initiative, we employed counter-mapping techniques to shed light on overlooked post-war migrant cafés, revealing their essential role in facilitating food security and community. These spaces, often central in marginalised individuals’ navigation through urban life, epitomise racialised resistance and survival. Their significance, especially the almost invisible contributions of women and men of colour, stands in contrast to dominant historical narratives. The spatial food heritage of Cable Street emphasises the longstanding influence of racially marginalised migrant communities, countering racism and racial inequalities. Drawing parallels to present-day East End eateries, often criticised yet serving as cultural hubs, the project underscores the enduring ‘sticky emotions’ tied to food, racial dynamics, and colonial legacies.
{"title":"Mapping Pockets of Survival","authors":"Elaine Swan","doi":"10.5130/pjmis.v19i1-2.8871","DOIUrl":"https://doi.org/10.5130/pjmis.v19i1-2.8871","url":null,"abstract":"In our Shadwell food history walk, part of a larger ‘Food Lives’ initiative, we employed counter-mapping techniques to shed light on overlooked post-war migrant cafés, revealing their essential role in facilitating food security and community. These spaces, often central in marginalised individuals’ navigation through urban life, epitomise racialised resistance and survival. Their significance, especially the almost invisible contributions of women and men of colour, stands in contrast to dominant historical narratives. The spatial food heritage of Cable Street emphasises the longstanding influence of racially marginalised migrant communities, countering racism and racial inequalities. Drawing parallels to present-day East End eateries, often criticised yet serving as cultural hubs, the project underscores the enduring ‘sticky emotions’ tied to food, racial dynamics, and colonial legacies.","PeriodicalId":516654,"journal":{"name":"PORTAL Journal of Multidisciplinary International Studies","volume":"126 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140505169","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-17DOI: 10.5130/pjmis.v19i1-2.8910
Adolfo Guzman-Lopez, Sara Harris Ben-Ari
Our Migrant Meal and Towards an Immigrant Haggadah is a work by Adolfo Guzman-Lopez and Sara Harris Ben Hari that seeks to give people a framework for a periodic meal ritual to hold space for their own migrant experiences and those of other people.
阿道夫-古兹曼-洛佩斯（Adolfo Guzman-Lopez）和萨拉-哈里斯-本-哈里（Sara Harris Ben Hari）的作品《我们的移民餐》（Our Migrant Meal and Towards an Immigrant Haggadah）旨在为人们提供一个定期用餐仪式的框架，为自己和他人的移民经历留出空间。
{"title":"Our Migrant Meal","authors":"Adolfo Guzman-Lopez, Sara Harris Ben-Ari","doi":"10.5130/pjmis.v19i1-2.8910","DOIUrl":"https://doi.org/10.5130/pjmis.v19i1-2.8910","url":null,"abstract":"Our Migrant Meal and Towards an Immigrant Haggadah is a work by Adolfo Guzman-Lopez and Sara Harris Ben Hari that seeks to give people a framework for a periodic meal ritual to hold space for their own migrant experiences and those of other people.","PeriodicalId":516654,"journal":{"name":"PORTAL Journal of Multidisciplinary International Studies","volume":"111 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140505087","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-17DOI: 10.5130/pjmis.v19i1-2.8654
Raquel Bra Nunez
The study of cross-cutting characters in Roberto Bolaño's narrative becomes essential when examining the existing critical bibliography on the Chilean author. Many analyses focus on individual characters or specific works, overlooking the cohesive nature of Bolaño's fictional universe. This article aims to present a comprehensive history of the interconnected characters in Bolaño's texts, exploring their evolution and the interplay between the plots of his stories and novels. By examining the complete range of recurring characters, the article uncovers multiple cross-cutting character arcs that span across several of Bolaño's works. While Bolaño's recognition grew after receiving the Rómulo Gallegos Prize in 1998, academic interest in his works further intensified with subsequent publications, including monographs, theses, and critical studies. Notable contributions include works that extensively analyse various aspects of Bolaño's writing but fall short of a comprehensive study of his cross-cutting characters. This article fills that gap by exploring the appearances and transformations of characters such as Arturo Belano and Ulises Lima, examining instances of character rewriting, and delving into the portrayal of characters in different works. By offering a holistic and intertextual understanding of Bolaño's narrative, this study contributes to the critical analysis of his literary oeuvre.
{"title":"Personajes transversales de ficción en la narrativa de Roberto Bolaño","authors":"Raquel Bra Nunez","doi":"10.5130/pjmis.v19i1-2.8654","DOIUrl":"https://doi.org/10.5130/pjmis.v19i1-2.8654","url":null,"abstract":"The study of cross-cutting characters in Roberto Bolaño's narrative becomes essential when examining the existing critical bibliography on the Chilean author. Many analyses focus on individual characters or specific works, overlooking the cohesive nature of Bolaño's fictional universe. This article aims to present a comprehensive history of the interconnected characters in Bolaño's texts, exploring their evolution and the interplay between the plots of his stories and novels. By examining the complete range of recurring characters, the article uncovers multiple cross-cutting character arcs that span across several of Bolaño's works. While Bolaño's recognition grew after receiving the Rómulo Gallegos Prize in 1998, academic interest in his works further intensified with subsequent publications, including monographs, theses, and critical studies. Notable contributions include works that extensively analyse various aspects of Bolaño's writing but fall short of a comprehensive study of his cross-cutting characters. This article fills that gap by exploring the appearances and transformations of characters such as Arturo Belano and Ulises Lima, examining instances of character rewriting, and delving into the portrayal of characters in different works. By offering a holistic and intertextual understanding of Bolaño's narrative, this study contributes to the critical analysis of his literary oeuvre.","PeriodicalId":516654,"journal":{"name":"PORTAL Journal of Multidisciplinary International Studies","volume":"35 4-5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140505573","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-17DOI: 10.5130/pjmis.v19i1-2.8932
Jacqui Kong
This article details the author’s journey through her hometown of Kuching, Sarawak, and the multisensorial experience of revisiting familial homes and key culinary heritage sites around the city. The everyday and the mundane are highlighted as key features which hold together the rich mosaic of the culinary traditions and history of Kuching. Kuching has recently been recognised as a UNESCO Creative City of Gastronomy, which acknowledges its unique blend of historical and contemporary culinary practices. This article examines what this means for a city where hawker food culture is the lifeblood of Kuching, but also where a burgeoning gastronomic scene is increasingly drawing attention on the international stage. It argues for a revaluation of the traditional binaries between local food vendors (hawkers) and professional chefs, suggesting that both contribute to the city’s culinary landscape. This approach will help form a comprehensive and inclusive understanding of Kuching as a UNESCO Creative City. It will also guide future efforts to establish sustainable and locally based food supply chains in the city.
{"title":"Homecoming","authors":"Jacqui Kong","doi":"10.5130/pjmis.v19i1-2.8932","DOIUrl":"https://doi.org/10.5130/pjmis.v19i1-2.8932","url":null,"abstract":"This article details the author’s journey through her hometown of Kuching, Sarawak, and the multisensorial experience of revisiting familial homes and key culinary heritage sites around the city. The everyday and the mundane are highlighted as key features which hold together the rich mosaic of the culinary traditions and history of Kuching. Kuching has recently been recognised as a UNESCO Creative City of Gastronomy, which acknowledges its unique blend of historical and contemporary culinary practices. This article examines what this means for a city where hawker food culture is the lifeblood of Kuching, but also where a burgeoning gastronomic scene is increasingly drawing attention on the international stage. It argues for a revaluation of the traditional binaries between local food vendors (hawkers) and professional chefs, suggesting that both contribute to the city’s culinary landscape. This approach will help form a comprehensive and inclusive understanding of Kuching as a UNESCO Creative City. It will also guide future efforts to establish sustainable and locally based food supply chains in the city.","PeriodicalId":516654,"journal":{"name":"PORTAL Journal of Multidisciplinary International Studies","volume":"134 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140505074","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-17DOI: 10.5130/pjmis.v19i1-2.8903
N. Manganas, Jean Duruz
This special issue, Sticky Memories: The Emotional Landscape of Food, explores the profound impact of culinary experiences on our emotional and cultural landscapes. It examines how food, beyond its material form, becomes a powerful symbol in our personal and communal narratives. The issue engages with the concept of 'stickiness' in food memories, where culinary experiences not only linger but also shape identity, resist replication, and reflect complex sociopolitical realities. The narratives demonstrate food's role in memory-making, highlighting the intricate intersections of taste, emotion and cultural heritage.
{"title":"Introduction to Sticky Memories: The Emotional Landscape of Food","authors":"N. Manganas, Jean Duruz","doi":"10.5130/pjmis.v19i1-2.8903","DOIUrl":"https://doi.org/10.5130/pjmis.v19i1-2.8903","url":null,"abstract":"This special issue, Sticky Memories: The Emotional Landscape of Food, explores the profound impact of culinary experiences on our emotional and cultural landscapes. It examines how food, beyond its material form, becomes a powerful symbol in our personal and communal narratives. The issue engages with the concept of 'stickiness' in food memories, where culinary experiences not only linger but also shape identity, resist replication, and reflect complex sociopolitical realities. The narratives demonstrate food's role in memory-making, highlighting the intricate intersections of taste, emotion and cultural heritage.","PeriodicalId":516654,"journal":{"name":"PORTAL Journal of Multidisciplinary International Studies","volume":"170 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140505187","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-17DOI: 10.5130/pjmis.v19i1-2.8861
Juan Carlos Jimenez
This memoir reflects on the roles that milpa has played in my life as a child of the Salvadorian Diaspora and a solidarity activist with Central America. I use my lived experience as a site to explore how milpa, the tradition of maize, beans, and squashes and vegetables, are embedded with ‘sticky memories and emotions’, teaching lessons on family, love, difficulty, trauma, resistance, and resilience, across generations.
{"title":"Sopa de Frijoles, Milpa, and Memory","authors":"Juan Carlos Jimenez","doi":"10.5130/pjmis.v19i1-2.8861","DOIUrl":"https://doi.org/10.5130/pjmis.v19i1-2.8861","url":null,"abstract":"This memoir reflects on the roles that milpa has played in my life as a child of the Salvadorian Diaspora and a solidarity activist with Central America. I use my lived experience as a site to explore how milpa, the tradition of maize, beans, and squashes and vegetables, are embedded with ‘sticky memories and emotions’, teaching lessons on family, love, difficulty, trauma, resistance, and resilience, across generations. ","PeriodicalId":516654,"journal":{"name":"PORTAL Journal of Multidisciplinary International Studies","volume":" 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139640534","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-17DOI: 10.5130/pjmis.v19i1-2.8817
Loulou AL-Akl Khouri
I looked at my favorite chocolate and offered it. Lifetime hardwork was swallowed by usurpers, seeds have volatile prices, meat is out of question. Lebanese are jobless, but Syrians are subsidised. Water is scarce,and some go to the spring to fill reservoirs if fule there is, and schools need fresh money. Yet, few worry about finding "foi gras", but others sleep early to avoid dinner. Winter freezes us. Torn clothes and worn shoes are burned for warmth. When hunger creeps, luxury becones meaningless.
{"title":"The Smile of Misery","authors":"Loulou AL-Akl Khouri","doi":"10.5130/pjmis.v19i1-2.8817","DOIUrl":"https://doi.org/10.5130/pjmis.v19i1-2.8817","url":null,"abstract":"I looked at my favorite chocolate and offered it. Lifetime hardwork was swallowed by usurpers, seeds have volatile prices, meat is out of question. Lebanese are jobless, but Syrians are subsidised. Water is scarce,and some go to the spring to fill reservoirs if fule there is, and schools need fresh money. Yet, few worry about finding \"foi gras\", but others sleep early to avoid dinner. Winter freezes us. Torn clothes and worn shoes are burned for warmth. When hunger creeps, luxury becones meaningless. ","PeriodicalId":516654,"journal":{"name":"PORTAL Journal of Multidisciplinary International Studies","volume":"82 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140505125","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-01-17DOI: 10.5130/pjmis.v19i1-2.8801
Jacqueline Anne Newling
Memory in Motion illustrates the ways that replicating a now-lost culinary practice achieves stickiness through the affective transfer of ideas and experiences for visitors in history museums. It explores how embodied re-enactment both preserves and creates memories, while instilling senses of social value, currency and meaning in the museum, and in heritage more broadly. The work also considers museums, particularly house museums, recipes, and in this instance—sponge cake—as sites of memory and nostalgia, and their contemporary relevance. By interweaving resonant fragments of the museum’s collection and family (hi)stories with a performative activity embedded in memory and motion, we see the development of stickiness through a relational assemblage framework centred around emotional connections to food in the past and in the present, with a view to the future.with a view to the future.
{"title":"Memory in Motion","authors":"Jacqueline Anne Newling","doi":"10.5130/pjmis.v19i1-2.8801","DOIUrl":"https://doi.org/10.5130/pjmis.v19i1-2.8801","url":null,"abstract":"Memory in Motion illustrates the ways that replicating a now-lost culinary practice achieves stickiness through the affective transfer of ideas and experiences for visitors in history museums. It explores how embodied re-enactment both preserves and creates memories, while instilling senses of social value, currency and meaning in the museum, and in heritage more broadly. The work also considers museums, particularly house museums, recipes, and in this instance—sponge cake—as sites of memory and nostalgia, and their contemporary relevance. By interweaving resonant fragments of the museum’s collection and family (hi)stories with a performative activity embedded in memory and motion, we see the development of stickiness through a relational assemblage framework centred around emotional connections to food in the past and in the present, with a view to the future.with a view to the future.","PeriodicalId":516654,"journal":{"name":"PORTAL Journal of Multidisciplinary International Studies","volume":"193 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140504893","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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