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Philippe Blanchard (former Information Director at the International Olympic Committee): in conversation 菲利普·布兰查德（国际奥委会前信息总监）：对话中
IF 3.1 2区 社会学 Q1 CULTURAL STUDIES
Cultural Trends
Pub Date : 2023-05-04 DOI: 10.1080/09548963.2023.2206369
B. García
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引用次数: 0
Accountable countability. Digital cultural consumption among young people and the tools used to measure it 负责任的可数性。年轻人的数字文化消费及其衡量工具
IF 3.1 2区 社会学 Q1 CULTURAL STUDIES
Cultural Trends
Pub Date : 2023-05-02 DOI: 10.1080/09548963.2023.2207468
OleMarius Hylland, Bård Kleppe
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引用次数: 0
In conversation: Kenneth Kwok (Ministry of National Development, Singapore) 对话中:Kenneth Kwok(新加坡国家发展部)
IF 3.1 2区 社会学 Q1 CULTURAL STUDIES
Cultural Trends
Pub Date : 2023-04-20 DOI: 10.1080/09548963.2023.2201974
M. Loh
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引用次数: 0
Disruption in times of COVID-19? The hybrid film festival format 新冠肺炎时代的颠覆？混合电影节形式
IF 3.1 2区 社会学 Q1 CULTURAL STUDIES
Cultural Trends
Pub Date : 2023-04-13 DOI: 10.1080/09548963.2023.2193872
R. Smits
The first waves of the COVID-19 pandemic had unprecedented implications for cultural sectors. With film festivals, music concerts and other cultural events being postponed or even cancelled, there was an urgency to respond to changing circumstances. Cultural events increasingly relied on hybrid or online formats to remain accessible for audiences. Because such formats caused controversy about programming and release strategies, they were easily conceived of as having a disruptive impact on cultural sectors. This paper puts such assumptions about disruption into question. It focuses on the film festival sector, which is increasingly invested in strategies of online accessibility and audience reach. The research is specifically based on the hybrid festival format. Drawing on case studies of hybrid film festivals such as London, Ghent and Rotterdam, it argues that their strategies and operations should be understood from the perspective of cultural change rather than disruption. © 2023 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group.
新冠肺炎疫情的第一波对文化部门产生了前所未有的影响。随着电影节、音乐会和其他文化活动被推迟甚至取消，人们迫切需要应对不断变化的环境。文化活动越来越依赖于混合或在线形式来保持观众的可访问性。由于这种形式在节目编排和发行策略方面引起了争议，人们很容易认为它们对文化部门产生了破坏性影响。本文对这种关于破坏的假设提出了质疑。它专注于电影节行业，该行业越来越多地投资于在线访问和观众覆盖的战略。这项研究是专门基于混合节日形式。根据对伦敦、根特和鹿特丹等混合电影节的案例研究，它认为应该从文化变革的角度而不是破坏的角度来理解它们的战略和运作。©2023作者。由Informa UK Limited出版，交易名称为Taylor&Francis Group。
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引用次数: 0
Julieta Brodsky (Minister of Culture, Chile): in conversation 朱丽叶·布罗茨基(智利文化部长):谈话中
IF 3.1 2区 社会学 Q1 CULTURAL STUDIES
Cultural Trends
Pub Date : 2023-03-30 DOI: 10.1080/09548963.2023.2193875
Tomás Peters
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引用次数: 0
Unknown pleasures: techniques of taste in the algorithmic recommendation of unfamiliar art music 未知的乐趣：陌生艺术音乐算法推荐中的品味技巧
IF 3.1 2区 社会学 Q1 CULTURAL STUDIES
Cultural Trends
Pub Date : 2023-03-30 DOI: 10.1080/09548963.2023.2193873
Simon Chambers
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引用次数: 1
The show must go on: proposals to measure the economic value of Grassroots Music Venues 演出必须继续：衡量草根音乐场馆经济价值的建议
IF 3.1 2区 社会学 Q1 CULTURAL STUDIES
Cultural Trends
Pub Date : 2023-03-30 DOI: 10.1080/09548963.2023.2193874
Maria Luísa Zarur Guarisa, João Luiz de Figueiredo, A. F. Machado
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引用次数: 0
Mark Katz and Junious “House” Brickhouse (Next Level, USA): in conversation Mark Katz和Junious“House”Brickhouse（下一级，美国）：对话
IF 3.1 2区 社会学 Q1 CULTURAL STUDIES
Cultural Trends
Pub Date : 2023-03-22 DOI: 10.1080/09548963.2023.2183356
Jennifer L. Campbell, Jill Schinberg
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引用次数: 0
Heritage conservation and the limitation of public-private partnerships 遗产保护和公私伙伴关系的限制
IF 3.1 2区 社会学 Q1 CULTURAL STUDIES
Cultural Trends
Pub Date : 2023-03-16 DOI: 10.1080/09548963.2023.2189514
Mahmoud Abdou
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引用次数: 1
Welcome to the inner circle? Earnings and inequality in the creative industries 欢迎加入我们的核心圈子?创意产业的收入和不平等
IF 3.1 2区 社会学 Q1 CULTURAL STUDIES
Cultural Trends
Pub Date : 2023-02-25 DOI: 10.1080/09548963.2023.2181057
W. Been, Yosha Wijngaarden, E. Loots
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引用次数: 0
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