Pub Date : 2023-02-24DOI: 10.1080/09548963.2023.2181688
John Morton
{"title":"Co-op mode: the emancipatory potential of freelancer co-operatives in the UK videogames industry following the COVID-19 pandemic","authors":"John Morton","doi":"10.1080/09548963.2023.2181688","DOIUrl":"https://doi.org/10.1080/09548963.2023.2181688","url":null,"abstract":"","PeriodicalId":51682,"journal":{"name":"Cultural Trends","volume":" ","pages":""},"PeriodicalIF":3.1,"publicationDate":"2023-02-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46109862","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-02-07DOI: 10.1080/09548963.2023.2168515
A. Gaio, Avril Joffe, Javier J. Hernández-Acosta, Milena Dragicevic Sesic
{"title":"Decolonising the cultural policy and management curriculum – reflections from practice","authors":"A. Gaio, Avril Joffe, Javier J. Hernández-Acosta, Milena Dragicevic Sesic","doi":"10.1080/09548963.2023.2168515","DOIUrl":"https://doi.org/10.1080/09548963.2023.2168515","url":null,"abstract":"","PeriodicalId":51682,"journal":{"name":"Cultural Trends","volume":" ","pages":""},"PeriodicalIF":3.1,"publicationDate":"2023-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41955024","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-02-07DOI: 10.1080/09548963.2023.2171771
T. Romashko
{"title":"Russia’s cultural policy abroad as a projection of the “Russian World”","authors":"T. Romashko","doi":"10.1080/09548963.2023.2171771","DOIUrl":"https://doi.org/10.1080/09548963.2023.2171771","url":null,"abstract":"","PeriodicalId":51682,"journal":{"name":"Cultural Trends","volume":" ","pages":""},"PeriodicalIF":3.1,"publicationDate":"2023-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44301731","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-23DOI: 10.1080/09548963.2022.2151868
R. Ali
Esme Ward is the Director of Manchester Museum and has been leading the ‘hello future’ £15 million capital project to transform the Museum. Re-opening in 2023, the Manchester Museum will include a brand-new South Asia Gallery, Lee Kai Hung Chinese Culture Gallery and Belonging Gallery as well as an Exhibition Hall and more inclusive visitor facilities and spaces. This interview is part of a project led by Professor Bridget Byrne and Dr Roaa Ali at the Centre on Dynamics of Ethnicity (CoDE), University of Manchester. We have been exploring how institutional practices in cultural institutions can reproduce and mitigate ethnic inequality, and Manchester Museum has been one of our case studies.
{"title":"Esme Ward (Manchester Museum): in conversation","authors":"R. Ali","doi":"10.1080/09548963.2022.2151868","DOIUrl":"https://doi.org/10.1080/09548963.2022.2151868","url":null,"abstract":"Esme Ward is the Director of Manchester Museum and has been leading the ‘hello future’ £15 million capital project to transform the Museum. Re-opening in 2023, the Manchester Museum will include a brand-new South Asia Gallery, Lee Kai Hung Chinese Culture Gallery and Belonging Gallery as well as an Exhibition Hall and more inclusive visitor facilities and spaces. This interview is part of a project led by Professor Bridget Byrne and Dr Roaa Ali at the Centre on Dynamics of Ethnicity (CoDE), University of Manchester. We have been exploring how institutional practices in cultural institutions can reproduce and mitigate ethnic inequality, and Manchester Museum has been one of our case studies.","PeriodicalId":51682,"journal":{"name":"Cultural Trends","volume":"32 1","pages":"429 - 442"},"PeriodicalIF":3.1,"publicationDate":"2023-01-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47568251","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-13DOI: 10.1080/09548963.2023.2165903
H. Dewinter, Simon Allemeersch, Lieve Bradt
From a social pedagogical perspective, the COVID-19 pandemic has (re-)raised the question of what constitutes social bonds. In this article, we focus on participatory art, as a practice that in recent decades has been put forward as a (new) pedagogical project in dealing with complex societal issues, especially in urban areas. Drawing on the connection between participatory art and the urban public realm, our purpose is to explore the potential of these practices to rethink the nature of social coherence in a context of post-crisis reconstruction. Based on a bi-monthly follow-up of 10 Brussels participatory art practices, we explore how these practices have or have not been able to cope with the pandemic, how the public realm unfolds within this process, what this entails for the (future) role of practitioners and what we might learn from these practices in terms of finding a new voice for arts and culture. [ FROM AUTHOR]
{"title":"Towards a paradigm shift? The potential of participatory arts practices in a context of post-crisis reconstruction","authors":"H. Dewinter, Simon Allemeersch, Lieve Bradt","doi":"10.1080/09548963.2023.2165903","DOIUrl":"https://doi.org/10.1080/09548963.2023.2165903","url":null,"abstract":"From a social pedagogical perspective, the COVID-19 pandemic has (re-)raised the question of what constitutes social bonds. In this article, we focus on participatory art, as a practice that in recent decades has been put forward as a (new) pedagogical project in dealing with complex societal issues, especially in urban areas. Drawing on the connection between participatory art and the urban public realm, our purpose is to explore the potential of these practices to rethink the nature of social coherence in a context of post-crisis reconstruction. Based on a bi-monthly follow-up of 10 Brussels participatory art practices, we explore how these practices have or have not been able to cope with the pandemic, how the public realm unfolds within this process, what this entails for the (future) role of practitioners and what we might learn from these practices in terms of finding a new voice for arts and culture. [ FROM AUTHOR]","PeriodicalId":51682,"journal":{"name":"Cultural Trends","volume":" ","pages":""},"PeriodicalIF":3.1,"publicationDate":"2023-01-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44905720","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-11DOI: 10.1080/09548963.2023.2167067
Per Mangset, Bård Kleppe, Marianne Heian
In this paper, we ask how the corona pandemic affected a cohort of former art school students. We have compared our findings with other studies of the consequences of the pandemic for Nordic artists. Most of our informants appeared less negatively affected by the pandemic than predicted by previous studies. None of those who responded said that they had left or considered leaving their professions, and none had experienced a disastrous loss of income because of the pandemic. Nevertheless, the pandemic affected the work and income situation of freelance actors and musicians who normally perform for live audiences. All the informants also responded that their workdays had changed substantially, and that the pandemic had negatively affected their well-being. Our qualitative study might contribute in detecting some nuances that were less easily detectable through quantitative surveys, e.g. that the pandemic did not substantially affect freelance actors in film and media. [ FROM AUTHOR]
{"title":"Artistic careers and crises. How did the pandemic affect Norwegian artists?","authors":"Per Mangset, Bård Kleppe, Marianne Heian","doi":"10.1080/09548963.2023.2167067","DOIUrl":"https://doi.org/10.1080/09548963.2023.2167067","url":null,"abstract":"In this paper, we ask how the corona pandemic affected a cohort of former art school students. We have compared our findings with other studies of the consequences of the pandemic for Nordic artists. Most of our informants appeared less negatively affected by the pandemic than predicted by previous studies. None of those who responded said that they had left or considered leaving their professions, and none had experienced a disastrous loss of income because of the pandemic. Nevertheless, the pandemic affected the work and income situation of freelance actors and musicians who normally perform for live audiences. All the informants also responded that their workdays had changed substantially, and that the pandemic had negatively affected their well-being. Our qualitative study might contribute in detecting some nuances that were less easily detectable through quantitative surveys, e.g. that the pandemic did not substantially affect freelance actors in film and media. [ FROM AUTHOR]","PeriodicalId":51682,"journal":{"name":"Cultural Trends","volume":" ","pages":""},"PeriodicalIF":3.1,"publicationDate":"2023-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49390018","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-10DOI: 10.1080/09548963.2022.2164178
Antonio C. Cuyler, Khamal Patterson
{"title":"France and the restitution of African cultural property: a critical race theory view","authors":"Antonio C. Cuyler, Khamal Patterson","doi":"10.1080/09548963.2022.2164178","DOIUrl":"https://doi.org/10.1080/09548963.2022.2164178","url":null,"abstract":"","PeriodicalId":51682,"journal":{"name":"Cultural Trends","volume":" ","pages":""},"PeriodicalIF":3.1,"publicationDate":"2023-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42102842","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-03DOI: 10.1080/09548963.2022.2161346
Maria O'Brien
James Hickey is a film and screen content producer and former Chief Executive of Fís Eireann/ Screen Ireland (Irish Film Board) from 2011 to 2019. He has worked as a media & entertainment lawyer and is a former partner of law firm, Matheson. He currently is a member of the European Film Academy, a consultant for the European Producers Club, a member of the boards of Irish Music Rights Organisation (IMRO), the Lir National Academy of Dramatic Arts at Trinity College Dublin, the Galway Film Resource Centre (Ardán), and Screen Producers Ireland.
{"title":"James Hickey (European Film Academy): in conversation","authors":"Maria O'Brien","doi":"10.1080/09548963.2022.2161346","DOIUrl":"https://doi.org/10.1080/09548963.2022.2161346","url":null,"abstract":"James Hickey is a film and screen content producer and former Chief Executive of Fís Eireann/ Screen Ireland (Irish Film Board) from 2011 to 2019. He has worked as a media & entertainment lawyer and is a former partner of law firm, Matheson. He currently is a member of the European Film Academy, a consultant for the European Producers Club, a member of the boards of Irish Music Rights Organisation (IMRO), the Lir National Academy of Dramatic Arts at Trinity College Dublin, the Galway Film Resource Centre (Ardán), and Screen Producers Ireland.","PeriodicalId":51682,"journal":{"name":"Cultural Trends","volume":"32 1","pages":"311 - 324"},"PeriodicalIF":3.1,"publicationDate":"2023-01-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49220943","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ABSTRACT During the Covid-19 pandemic, internet-based technologies have become a lifeline for artists, art professionals, and audiences. The widespread usage of digital formats and techniques in the production and presentation of artworks has made contemporary art practices more accessible and thus open to being experienced. On that point, we ask: How has contemporary art, which rapidly shifted to digital platforms soon after the outbreak of the pandemic, been received in light of these transformations? By means of an online survey (N = 627), we examined the art-viewing habits of contemporary art audiences in Turkey, exploring how they have changed in the course of the pandemic and how that shift has been reflected in their experiences. Our findings reveal that while audiences have been willing to engage with online art content, the virtual realm cannot and will not be able to replace the physical experience of going to art venues in person.
{"title":"The impacts of processes of digitalization on the reception of contemporary art in Turkey during Covid-19","authors":"Eser Selen, Aylin Sunam, Afife Idil Akin, Hilal Biçakcı, Arda Kaplan","doi":"10.1080/09548963.2022.2035191","DOIUrl":"https://doi.org/10.1080/09548963.2022.2035191","url":null,"abstract":"ABSTRACT During the Covid-19 pandemic, internet-based technologies have become a lifeline for artists, art professionals, and audiences. The widespread usage of digital formats and techniques in the production and presentation of artworks has made contemporary art practices more accessible and thus open to being experienced. On that point, we ask: How has contemporary art, which rapidly shifted to digital platforms soon after the outbreak of the pandemic, been received in light of these transformations? By means of an online survey (N = 627), we examined the art-viewing habits of contemporary art audiences in Turkey, exploring how they have changed in the course of the pandemic and how that shift has been reflected in their experiences. Our findings reveal that while audiences have been willing to engage with online art content, the virtual realm cannot and will not be able to replace the physical experience of going to art venues in person.","PeriodicalId":51682,"journal":{"name":"Cultural Trends","volume":"32 1","pages":"70 - 87"},"PeriodicalIF":3.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43793004","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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