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Hawaiian Language: Past, Present, Future by Albert J Schütz (review) 《夏威夷语:过去、现在、未来》,Albert J Schütz著(评论)
IF 0.6 3区 社会学 Q2 Social Sciences Pub Date : 2022-06-18 DOI: 10.1353/cp.2022.0019
Heather Garrido
with modernity as well as to negotiate the past” (98). However, Ellis cautions against presentist views when looking back at the past. In the case of early colonial collecting habits, for instance, we must view collections “in the context in which they occurred, rather than applying contemporary sensibilities to them” (204). A Whakapapa of Tradition offers much insight into art, artists, and their role in our modern cultures. That said, given my own curiosity about the stories behind intriguing photos, I would like to have known how the photos were taken, what they mean to the photographer, and what her physical journey of coming to these items and places involved. However, as the saying goes, a picture already tells a thousand words. Ellis ultimately looks to the future of digital art forms and Indigenous use of these new tools and platforms to preserve our traditions. She recommends identifying what was once there in order to recover visual traditions lost to museums and to continue “building new knowledge and artworks to enrich us all” (246). “Tradition,” she says, “was at the same time retained and yet broken in order to create a structure that made explicit hapū [sub-tribe] and iwi [tribe] identity in new and meaningful ways” (61, 259). Her insights can motivate and embolden us to continue finding creative ways to both break free of the confines of this word and preserve our culture in the digital age.
与现代性以及谈判过去”(98)。然而,埃利斯在回顾过去时提醒人们不要使用当前主义的观点。例如,在早期殖民地收藏习惯的情况下,我们必须“在收藏发生的背景下看待收藏,而不是将当代的情感应用于收藏”(204)。《传统的Whakappa》提供了对艺术、艺术家及其在我们现代文化中的作用的深入了解。也就是说,考虑到我自己对有趣照片背后的故事的好奇,我想知道这些照片是如何拍摄的,它们对摄影师意味着什么,以及她来到这些物品和地方的物理旅程是什么。然而,正如谚语所说,一张图片已经“道出”千言万语。埃利斯最终展望了数字艺术形式的未来,以及土著人对这些新工具和平台的使用,以保护我们的传统。她建议识别曾经存在的东西,以恢复博物馆失去的视觉传统,并继续“构建新的知识和艺术品,丰富我们所有人”(246)。“传统,”她说,“同时被保留但又被打破,以创造一种结构,以新的和有意义的方式明确hapú[子部落]和iwi[部落]的身份”(61259)。她的见解可以激励和鼓励我们继续寻找创造性的方法,在数字时代打破这个词的局限,保护我们的文化。
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引用次数: 0
Balancing the Tides: Marine Practices in American Sāmoa by JoAnna Poblete (review) 平衡潮汐:美国的海洋实践Sāmoa作者:乔安娜·波夫莱特
IF 0.6 3区 社会学 Q2 Social Sciences Pub Date : 2022-06-18 DOI: 10.1353/cp.2022.0022
Michelle Harangody
Such messaging is both necessarily encouraging and eminently useful for intellectuals employing decolonial methodologies—particularly those in settler-colonial contexts—and all those who seek a decolonized Hawai‘i. To recognize the weakness of white supremacy and its formations means to acknowledge the strength of all it attempted to oppress, including Indigenous ways of knowing, living, and relating to the land and each other. It means to see Kanaka ‘Ōiwi māhū (a third gender with culturally defined spiritual and social roles in Hawai‘i) Sammy Amalu’s milliondollar prank involving a false investment deal not as a failed business but as a window into an alternative future in which ‘āina (land) is not property but rather that which feeds (166–167). It means supporting Kanaka ‘Ōiwi farmers on Maui as they work to redirect waterways away from resorts to their farms, where they once flowed, in order to decrease Hawai‘i’s overreliance on imported food (190–193). Ultimately, as Saranillio demonstrates, recognizing alternative histories that reject the strength of white supremacy and capitalism makes room for our imagination to grow beyond the bounds of the unsustainable empire, allowing Indigenous knowledge and the land itself to guide our futures.
这种信息对于采用非殖民化方法的知识分子——尤其是那些在定居者殖民背景下的知识分子——以及所有寻求非殖民化夏威夷的人来说,既必然是令人鼓舞的,也非常有用。承认白人至上主义及其形成的弱点意味着承认其试图压迫的一切的力量,包括土著人对土地和彼此的认识、生活和联系方式。这意味着将Kanaka‘Ōiwi māhā(夏威夷文化中具有精神和社会角色的第三性别)Sammy Amalu的百万美元恶作剧视为一扇通往另一个未来的窗户,在这个未来,‘āina(土地)不是财产,而是食物(166-167)。这意味着支持毛伊岛上的卡纳卡伊维农民,他们努力将水道从度假胜地改道到他们曾经流经的农场,以减少夏威夷对进口食品的过度依赖(190-193)。最终,正如Saranillio所证明的那样,承认拒绝白人至上主义和资本主义力量的另类历史,为我们的想象力超越不可持续帝国的界限提供了空间,让土著知识和土地本身来指导我们的未来。
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引用次数: 0
Waikiki dir. by Christopher Kahunahana (review) 威基基目录Christopher Kahunahana(评论)
IF 0.6 3区 社会学 Q2 Social Sciences Pub Date : 2022-06-18 DOI: 10.1353/cp.2022.0020
D. Lipset
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引用次数: 0
Sāmoa 萨摩亚
IF 0.6 3区 社会学 Q2 Social Sciences Pub Date : 2022-06-18 DOI: 10.1353/cp.2022.0024
Brian T Alofaituli
———. 2020c. Minutes of the Regular Council Meeting Held at the Public Hall. 10 November. http://www.government .pn/minutes/Approved%20Regular %20Council%20Meeting%20Minutes %2010th%20Nov%202020.pdf [accessed 18 July 2021] ———. 2021a. Public Meeting Notes Held at the Public Hall. 15 January. http://www.government.pn/minutes/ Approved%20Public%20Meeting%20 Minutes%2015%20Jan%202021.pdf [accessed 18 July 2021]
——2020 c。11月10日在大会堂举行的立法会定期会议记录。http://www.government .pn/minutes/批准%20Regular %20Council%20Meeting%20Minutes %2010th%20Nov%202020.pdf[访问日期:2021年7月18日]—。2021 a。1月15日在大会堂举行的公众会议纪要http://www.government.pn/minutes/批准%20Public%20Meeting%20 Minutes%2015%20Jan%202021.pdf[访问日期:2021年7月18日]
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引用次数: 0
Atea: Nature and Divinity in Polynesia (review) 《波利尼西亚的自然与神性》(回顾)
IF 0.6 3区 社会学 Q2 Social Sciences Pub Date : 2021-12-16 DOI: 10.1353/cp.2021.0043
A. Refiti
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引用次数: 1
A Primer for Teaching Pacific Histories: Ten Design Principles by Matt K Matsuda (review) 《太平洋历史教学入门:十大设计原则》,Matt K Matsuda著(综述)
IF 0.6 3区 社会学 Q2 Social Sciences Pub Date : 2021-12-16 DOI: 10.1353/cp.2021.0049
D. Hanlon
That said and recognizing that Petrou writes as a human geographer rather than as an anthropologist, we would wish for a thicker description of Paamese experience in urban and rural settings. What was “Paamese” about those from Paama living in Port Vila? More specifically, was being a Paamese primarily a matter of geographical origin, or were there also diacritical cultural factors? If the latter, have markers of Paamese cultural identity, whether in town or on the island, changed over time? Correspondingly, we would want to know more about Paamese cultural ideas, past and present, that underpin sorcery and leadership. Perhaps, we wonder, these ideas have become less elaborated and culturally distinctive in town and village. Our Chambri friend, John, would surely recognize that the demands for sharing, described by Rasmussen and Petrou in their valuable studies, have long been significant for Pacific Islanders. (Many social scientists working among these Islanders, we venture, have considerable experience of singaut.) Both aggravating and gratifying for the successful, remittances ensured that someone would be there if you did something big. And, for those just getting by, remittances ensured that someone would be there to help, lest you go under.
话虽如此,但我们认识到彼得鲁是作为一名人类地理学家而不是人类学家写作的,我们希望对帕梅斯在城市和农村环境中的经历进行更深入的描述。住在维拉港的帕玛人的“帕姆斯”是什么?更具体地说,身为帕梅斯人主要是地理出身的问题,还是也有批判性的文化因素?如果是后者,帕梅斯文化身份的标志,无论是在城里还是在岛上,是否会随着时间的推移而改变?相应地,我们想更多地了解帕梅斯文化思想,过去和现在,这些思想支撑着魔法和领导力。也许,我们想知道,这些想法在城镇和乡村变得不那么精致和文化特色了。我们的Chambri朋友John肯定会认识到,拉斯穆森和彼得鲁在他们的宝贵研究中描述的分享需求,长期以来对太平洋岛民来说意义重大。(我们敢说,许多在这些岛民中工作的社会科学家都有相当多的唱歌经验。)对于成功的人来说,汇款既令人恼火又令人欣慰,确保了如果你做了大事,就会有人在那里。而且,对于那些刚刚过日子的人来说,汇款确保了有人会在那里提供帮助,以免你破产。
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引用次数: 0
Becoming Educators in Oceania: From Ridge to Reef to the Region and Then Returning Home 成为大洋洲的教育工作者:从山脊到珊瑚礁再到该地区,然后回家
IF 0.6 3区 社会学 Q2 Social Sciences Pub Date : 2021-12-16 DOI: 10.1353/cp.2021.0038
Rosarine Rafai, Jiokapeci Qalo-Qiolevu, Maca Radua-Stephens, D. McDougall, D. Oakeshott, R. Hicks
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引用次数: 0
Community Music in Oceania: Many Voices, One Horizon by Brydie-Leigh Bartleet et al. (review) 《大洋洲的社区音乐:多个声音,一个地平线》,布莱迪·利·巴特利特等人著(评论)
IF 0.6 3区 社会学 Q2 Social Sciences Pub Date : 2021-12-16 DOI: 10.1353/cp.2021.0047
Brian Diettrich
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引用次数: 0
Atea: Nature and Divinity in Polynesia (review) Atea:波利尼西亚的自然与神性(综述)
IF 0.6 3区 社会学 Q2 Social Sciences Pub Date : 2021-12-16 DOI: 10.1353/cp.2021.0042
D. Mcmullin
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引用次数: 0
Pathway of the Birds: The Voyaging Achievements of Māori and Their Polynesian Ancestors by Andrew Crowe (review) 《鸟类之路:毛利人及其波利尼西亚祖先的逃亡成就》,Andrew Crowe著(综述)
IF 0.6 3区 社会学 Q2 Social Sciences Pub Date : 2021-12-16 DOI: 10.1353/cp.2021.0050
P. Lincoln
a pedagogical consideration. In the Pacific Islands region, students bring personal experiences and family histories to the classroom, and often with considerable emotion. History is manifest in the surrounding landscapes and seascapes and in the artifacts and ongoing influences of colonial pasts. Students from beyond the region might be able to tap into this more intimate and personal educational environment through exchanges, winter-quarter visits, videoconferencing, and online forums with Pacific schools. The sweep of this primer also elicits a historiographical comment. A broadstroke Pacific Worlds approach risks losing sight of islands’ own histories. Despite the author’s efforts, it is difficult to keep the islands at the center of a “truly transpacific Pacific” (85). The different islands of the region did not experience these larger regional movements equally or at the same time. Moreover, it’s important to ask how different Island peoples actually understood and made sense of these contacts with the larger region. This, in turn, raises the question of historicities, or the culturally specific ways that different Island peoples make their history. A Pacific histories course should include this critical topic as well as a more extensive consideration of the concept of indigeneity. Students might also be alerted to the politics of history making in settler colonies where the harshness of colonial rule is often elided in favor of false narratives of reconciliation. It is also helpful to keep in mind Teresia Teaiwa’s distinction between the Pacific and Oceania; the Pacific is a term that reflects external orderings and understandings, while Oceania speaks to the fluid, rich, vibrant world envisioned by the Tongan scholar Epeli Hau‘ofa—a world whose parameters were not the bordering rims of continental bodies but more immediately and specifically the seas, shores, and skies of the islands called Melanesia, Micronesia, and Polynesia. A Primer for Teaching Pacific Histories outlines a course with a rich, welcome, and innovative historical perspective on the broader Pacific region. Such an approach also needs to acknowledge the complexities and specificities of Island histories.
教学上的考虑。在太平洋岛屿地区,学生们将个人经历和家族史带到课堂上,而且往往情绪激动。历史体现在周围的风景和海景中,体现在文物和殖民历史的持续影响中。来自该地区以外的学生可能能够通过与太平洋学校的交流、冬季季度访问、视频会议和在线论坛,利用这种更亲密、更个人化的教育环境。这个引物的扫描也引发了一个史学评论。“太平洋世界”的方法可能会忽视岛屿自身的历史。尽管作者做出了努力,但很难将这些岛屿保持在“真正的跨太平洋”的中心(85)。该区域的不同岛屿没有平等或同时经历这些更大的区域运动。此外,重要的是要问不同的岛屿人民实际上是如何理解和理解这些与更大地区的接触的。这反过来又提出了历史性的问题,或者不同岛屿人民创造历史的特定文化方式。太平洋历史课程应包括这一关键主题,以及对土著概念的更广泛考虑。学生们也可能会注意到定居者殖民地的历史政治,在那里,殖民统治的严酷往往被忽视,取而代之的是虚假的和解叙事。记住Teresia Teaiwa对太平洋和大洋洲的区分也是有益的;太平洋是一个反映外部秩序和理解的术语,而大洋洲则代表汤加学者埃佩利·豪法所设想的流动、丰富、充满活力的世界——这个世界的参数不是大陆体的边界边缘,而是更直接、更具体地说是美拉尼西亚、密克罗尼西亚和波利尼西亚群岛的海洋、海岸和天空。《太平洋历史教学入门》以丰富、受欢迎和创新的历史视角概述了一门关于更广泛太平洋地区的课程。这种做法还需要承认岛屿历史的复杂性和特殊性。
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Contemporary Pacific
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