Music therapy (MT) has been adapted to post-stroke rehabilitation for years and there were several theories of treatment methods. Our music therapist utilized neurological MT to design a treatment ...
{"title":"Neurological music therapy for poststroke depression, activity of daily living and cognitive function: A pilot randomized controlled study","authors":"Chia-Hsin Chou, Po-Cheng Chen, Yu-Chi Huang, Tsung-Hsun Yang, Lin-Yi Wang, I-Hsuan Chen, Hui-Ju Lee, Yan-Yuh Lee","doi":"10.1080/08098131.2023.2280968","DOIUrl":"https://doi.org/10.1080/08098131.2023.2280968","url":null,"abstract":"Music therapy (MT) has been adapted to post-stroke rehabilitation for years and there were several theories of treatment methods. Our music therapist utilized neurological MT to design a treatment ...","PeriodicalId":51826,"journal":{"name":"Nordic Journal of Music Therapy","volume":null,"pages":null},"PeriodicalIF":1.6,"publicationDate":"2023-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138575282","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"医学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-24DOI: 10.1080/08098131.2023.2280979
Shulamit Epstein
Engaging parents in musical interactions through singing to their preterm infants is becoming a primary music therapy (MT) approach within the neonatal context. Parents describe their positive expe...
{"title":"Exploring parents’ musical agency in resource-oriented music therapy with their preterm infants in the NICU and at home","authors":"Shulamit Epstein","doi":"10.1080/08098131.2023.2280979","DOIUrl":"https://doi.org/10.1080/08098131.2023.2280979","url":null,"abstract":"Engaging parents in musical interactions through singing to their preterm infants is becoming a primary music therapy (MT) approach within the neonatal context. Parents describe their positive expe...","PeriodicalId":51826,"journal":{"name":"Nordic Journal of Music Therapy","volume":null,"pages":null},"PeriodicalIF":1.6,"publicationDate":"2023-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138494769","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"医学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-07DOI: 10.1080/08098131.2023.2268692
Lucy Bolger, Melissa Murphy
ABSTRACTIntroduction In this article, authors present and contextualise findings from a research project examining the experience and impact of participation in an international music therapy student placement for nine Australian music therapists. Research participants reflect on the impact both at the time of the student placement, and subsequently on their professional lives as music therapists.Method Researchers used qualitative thematic analysis to analyse nine open-ended interviews with the research participants. Themes were articulated over three iterations of analysis and were developed into a series of narratives that reflected various perspectives on key emerging themes.Results Researchers interpreted five broad areas of learning from the data: Placement structure; challenges and supporting factors on placement; learning opportunities identified within the placement; future impact on individuals; and broader insights for the international development music therapy literature.Discussion Learning from across these five areas is considered in relation to the context of international development as an emerging practice area in music therapy. Researchers suggest how key data points may inform future approaches to music therapy practice. A critical lens is used to consider some ethical considerations related to this area of work, and to propose ways that research learning may inform future music therapy practice in international development.KEYWORDS: International developmentmusic therapystudentplacementservice learningsustainability Disclosure statementNo potential conflict of interest was reported by the authors.Notes1 Keywords: Music therapy AND international development, humanitarian aid, humanitarian, service learning, crisis response, disaster.2 Journals searched: Journal of Music Therapy; Australian Journal of Music Therapy; New Zealand Journal of Music Therapy; Canadian Journal of Music Therapy; Nordic Journal of Music Therapy; British Journal of Music Therapy; Music Therapy Perspectives; Voices: A World Forum for Music Therapy; Approaches: An Interdisciplinary Journal of Music Therapy; Arts in Psychotherapy; Arts and Health; Journal of Applied Arts and Health; Qualitative Inquiries in Music Therapy.3 Further articles including participant and stakeholder voices from this collaboration are pending publication.Additional informationFundingNo funding was received for this study.Notes on contributorsLucy BolgerLucy Bolger is a Senior Lecturer of Music Therapy at the University of Melbourne. She has worked with people across the lifespan in community and institutional settings, in Australia, Bangladesh and India. Lucy has particular interest and expertise in collaborative processes in music therapy, sustainability-oriented practice, participatory music work with communities and young people, and international development work in music therapy. She is also interested in equity and access to music therapy, and how innovative approaches can s
在这篇文章中,作者介绍了一项研究项目的研究结果,该项目研究了九名澳大利亚音乐治疗师参加国际音乐治疗学生安置的经验和影响。研究参与者反映了学生安置时的影响,以及随后对他们作为音乐治疗师的职业生涯的影响。方法采用定性专题分析方法对9个开放式访谈进行分析。主题是通过三次分析的迭代来表达的,并发展成一系列的叙述,反映了对关键新兴主题的不同观点。研究人员从数据中解释了五个广泛的学习领域:安置结构;就业面临的挑战和支持因素;实习期间确定的学习机会;对个人的未来影响;并为国际上音乐治疗文献的发展提供了更广阔的见解。从这五个领域学习被认为是与国际发展背景有关的音乐治疗的新兴实践领域。研究人员建议关键数据点如何为音乐治疗实践的未来方法提供信息。一个关键的镜头被用来考虑与这一工作领域相关的一些伦理考虑,并提出研究学习可能为未来国际发展中的音乐治疗实践提供信息的方法。关键词:国际发展音乐治疗学生安置服务学习可持续性披露声明作者未报告潜在的利益冲突。注1关键词:音乐治疗与国际发展,人道主义援助,人道主义,服务学习,危机应对,灾难检索期刊:Journal of Music Therapy;澳大利亚音乐治疗杂志;新西兰音乐治疗杂志;加拿大音乐治疗杂志;北欧音乐治疗杂志;英国音乐治疗杂志;音乐治疗视角;世界音乐治疗论坛;《方法:音乐治疗的跨学科期刊》心理治疗艺术;艺术与健康;应用艺术与健康杂志;音乐治疗的定性研究。3进一步的文章,包括参与者和利益相关者的声音,正在等待发表。本研究未收到任何资金。作者简介露西·博尔格是墨尔本大学音乐治疗高级讲师。她曾在澳大利亚、孟加拉国和印度的社区和机构环境中与人们一起工作。露西对音乐治疗的合作过程、可持续发展实践、社区和年轻人的参与式音乐工作以及音乐治疗的国际发展工作特别感兴趣和专业知识。她也对公平和获得音乐治疗感兴趣,以及如何创新方法可以支持偏远和农村社区的人们参与音乐。这些兴趣继续影响着她的实践、研究和教学,并以一种信念为基础,即所有人都应该有机会接触音乐,将其作为健康和幸福的资源。Melissa Murphy(博士,RMT)是一位音乐治疗从业者,主管,教育工作者和研究人员。她曾在精神健康、老年和姑息治疗领域工作,但她的主要兴趣在于残疾领域。梅丽莎目前在教育系统、社区环境和私人实践中与残疾儿童和成人一起工作,利用她作为临床音乐治疗师、GIM从业者和社区音乐治疗师的技能。她是MusicSpace的创始人,这是一个社区音乐中心,为居住在澳大利亚维多利亚州大吉朗和冲浪海岸地区的人们服务。在批判和生态理论的哲学指导下,MusicSpace旨在培养个人和团体的创造力,以及当地社区的社会和音乐联系。她是前国家残疾保险计划(NDIS)代表和澳大利亚音乐治疗协会的残疾顾问,以及澳大利亚联合健康专业工作组的音乐治疗代表。
{"title":"Understanding the impact of international music therapy student placements on music therapy practice and professional identity","authors":"Lucy Bolger, Melissa Murphy","doi":"10.1080/08098131.2023.2268692","DOIUrl":"https://doi.org/10.1080/08098131.2023.2268692","url":null,"abstract":"ABSTRACTIntroduction In this article, authors present and contextualise findings from a research project examining the experience and impact of participation in an international music therapy student placement for nine Australian music therapists. Research participants reflect on the impact both at the time of the student placement, and subsequently on their professional lives as music therapists.Method Researchers used qualitative thematic analysis to analyse nine open-ended interviews with the research participants. Themes were articulated over three iterations of analysis and were developed into a series of narratives that reflected various perspectives on key emerging themes.Results Researchers interpreted five broad areas of learning from the data: Placement structure; challenges and supporting factors on placement; learning opportunities identified within the placement; future impact on individuals; and broader insights for the international development music therapy literature.Discussion Learning from across these five areas is considered in relation to the context of international development as an emerging practice area in music therapy. Researchers suggest how key data points may inform future approaches to music therapy practice. A critical lens is used to consider some ethical considerations related to this area of work, and to propose ways that research learning may inform future music therapy practice in international development.KEYWORDS: International developmentmusic therapystudentplacementservice learningsustainability Disclosure statementNo potential conflict of interest was reported by the authors.Notes1 Keywords: Music therapy AND international development, humanitarian aid, humanitarian, service learning, crisis response, disaster.2 Journals searched: Journal of Music Therapy; Australian Journal of Music Therapy; New Zealand Journal of Music Therapy; Canadian Journal of Music Therapy; Nordic Journal of Music Therapy; British Journal of Music Therapy; Music Therapy Perspectives; Voices: A World Forum for Music Therapy; Approaches: An Interdisciplinary Journal of Music Therapy; Arts in Psychotherapy; Arts and Health; Journal of Applied Arts and Health; Qualitative Inquiries in Music Therapy.3 Further articles including participant and stakeholder voices from this collaboration are pending publication.Additional informationFundingNo funding was received for this study.Notes on contributorsLucy BolgerLucy Bolger is a Senior Lecturer of Music Therapy at the University of Melbourne. She has worked with people across the lifespan in community and institutional settings, in Australia, Bangladesh and India. Lucy has particular interest and expertise in collaborative processes in music therapy, sustainability-oriented practice, participatory music work with communities and young people, and international development work in music therapy. She is also interested in equity and access to music therapy, and how innovative approaches can s","PeriodicalId":51826,"journal":{"name":"Nordic Journal of Music Therapy","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135476140","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"医学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-06DOI: 10.1080/08098131.2023.2276584
Krystal L. Demaine
{"title":"Trauma-informed music therapy: Theory and practice <b>Trauma-informed music therapy: Theory and practice</b> , edited by Laura E. Beer and Jacqueline C. Birnbaum, New York, NY, Routledge, 2022, 184 pp., $42.95 (paperback), ISBN 978-1032061269","authors":"Krystal L. Demaine","doi":"10.1080/08098131.2023.2276584","DOIUrl":"https://doi.org/10.1080/08098131.2023.2276584","url":null,"abstract":"","PeriodicalId":51826,"journal":{"name":"Nordic Journal of Music Therapy","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135636687","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"医学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-02DOI: 10.1080/08098131.2023.2268707
Simon Høffding, Torben Snekkestad, Brynjulf Stige
Introduction Music therapy research has traditionally been somewhat fragmented into different research traditions. This paper argues that the burgeoning field of enactivism could provide important theoretical integration to music therapy research and practice. Stressing the interdependence of mind, brain, body, and environment, enactivism has provided theoretical integration in several fields, not least music cognition and psychiatry. This paper is the first focused theoretical contribution that applies relevant enactivist theory to music therapy.
{"title":"Enactivist music therapy: Toward theoretical innovation and integration","authors":"Simon Høffding, Torben Snekkestad, Brynjulf Stige","doi":"10.1080/08098131.2023.2268707","DOIUrl":"https://doi.org/10.1080/08098131.2023.2268707","url":null,"abstract":"Introduction Music therapy research has traditionally been somewhat fragmented into different research traditions. This paper argues that the burgeoning field of enactivism could provide important theoretical integration to music therapy research and practice. Stressing the interdependence of mind, brain, body, and environment, enactivism has provided theoretical integration in several fields, not least music cognition and psychiatry. This paper is the first focused theoretical contribution that applies relevant enactivist theory to music therapy.","PeriodicalId":51826,"journal":{"name":"Nordic Journal of Music Therapy","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135973246","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"医学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-27DOI: 10.1080/08098131.2023.2268690
Maya K. Marom, Avi Gilboa, Ehud Bodner
ABSTRACTIntroduction Considering the growing influence of the Neurodiversity movement on the literature on autism, we attempted to shed a new light on autistic echolalia in music therapy by exploring the topic from an identity-first viewpoint. We interviewed autistic adults and studied this phenomenon from their perspective.Method Five adults on the autism spectrum were interviewed. For the data collection phase, Reductive Phenomenology was used. The participants were asked to reflect on the need to echo as they understand it and discuss possible reasons that may lead autistic clients to echo during music therapy. They were also asked about musical aspects that echolalia may have. For the analysis of the data, the guidelines of Interpretative Phenomenological Analysis were followed to extract themes and categories from the data.Results The interviewees pointed at two main reasons for echolalia in their opinion: (a) intra-personal reasons that mainly function to self-regulate the echoing person; and the much less frequently mentioned (b) inter-personal reasons that relate to interactions with others. They also pointed at several connections between music and echolalia, for example, the heightened awareness to the prosody of words rather than their content and the use of songs as echolalia.Discussion The information provided by the interviewees is compared to descriptions of echolalia in the literature. Enabling the participants to share their autistic experience, we believe, is an opportunity to hold back preconceived assumptions about echolalia made by non-autistic music therapists and other professionals, and to help them improve their clinical understanding of echolalia.KEYWORDS: Autism spectrumecholaliainterpretative phenomenological analysisreductive phenomenologyneurodiversity movementmusic therapy Disclosure statementNo potential conflict of interest was reported by the authors.Notes1 We use the term “echolalia” to describe the phenomenon in general, whereas the term “echoing” is used as a verb, to describe the action itself.2 In recent years there has been a growing discontent within the autism self-advocacy community regarding the tendency of non-autistic people to use person-first language when referring to people on the autism spectrum (i.e. to say “a person with autism”, rather than “autistic person”). One compelling argument against such “politically correct” labelling is that it belittles the autistic component of people’s identity, ignoring the unique ways they experience the world due to their neurological makeup (e.g. Brown, Citation2011; Hector, Citation2021; Ryan, Citation2019). In light of that, in this article we shall refer to people diagnosed with ASD using identity-first language, namely, we shall refer to them as “autistic people” or as “people on the autism spectrum” interchangeably and not as “people with autism.”3 Gestalt language-processing style is one form of language development (which is not necessarily unique to a
{"title":"Conversations on echolalia: A qualitative inquiry into autistic adults’ views on echolalia, language, and music","authors":"Maya K. Marom, Avi Gilboa, Ehud Bodner","doi":"10.1080/08098131.2023.2268690","DOIUrl":"https://doi.org/10.1080/08098131.2023.2268690","url":null,"abstract":"ABSTRACTIntroduction Considering the growing influence of the Neurodiversity movement on the literature on autism, we attempted to shed a new light on autistic echolalia in music therapy by exploring the topic from an identity-first viewpoint. We interviewed autistic adults and studied this phenomenon from their perspective.Method Five adults on the autism spectrum were interviewed. For the data collection phase, Reductive Phenomenology was used. The participants were asked to reflect on the need to echo as they understand it and discuss possible reasons that may lead autistic clients to echo during music therapy. They were also asked about musical aspects that echolalia may have. For the analysis of the data, the guidelines of Interpretative Phenomenological Analysis were followed to extract themes and categories from the data.Results The interviewees pointed at two main reasons for echolalia in their opinion: (a) intra-personal reasons that mainly function to self-regulate the echoing person; and the much less frequently mentioned (b) inter-personal reasons that relate to interactions with others. They also pointed at several connections between music and echolalia, for example, the heightened awareness to the prosody of words rather than their content and the use of songs as echolalia.Discussion The information provided by the interviewees is compared to descriptions of echolalia in the literature. Enabling the participants to share their autistic experience, we believe, is an opportunity to hold back preconceived assumptions about echolalia made by non-autistic music therapists and other professionals, and to help them improve their clinical understanding of echolalia.KEYWORDS: Autism spectrumecholaliainterpretative phenomenological analysisreductive phenomenologyneurodiversity movementmusic therapy Disclosure statementNo potential conflict of interest was reported by the authors.Notes1 We use the term “echolalia” to describe the phenomenon in general, whereas the term “echoing” is used as a verb, to describe the action itself.2 In recent years there has been a growing discontent within the autism self-advocacy community regarding the tendency of non-autistic people to use person-first language when referring to people on the autism spectrum (i.e. to say “a person with autism”, rather than “autistic person”). One compelling argument against such “politically correct” labelling is that it belittles the autistic component of people’s identity, ignoring the unique ways they experience the world due to their neurological makeup (e.g. Brown, Citation2011; Hector, Citation2021; Ryan, Citation2019). In light of that, in this article we shall refer to people diagnosed with ASD using identity-first language, namely, we shall refer to them as “autistic people” or as “people on the autism spectrum” interchangeably and not as “people with autism.”3 Gestalt language-processing style is one form of language development (which is not necessarily unique to a","PeriodicalId":51826,"journal":{"name":"Nordic Journal of Music Therapy","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136262731","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"医学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-05DOI: 10.1080/08098131.2023.2257296
Óscar Pérez-Aguado, Sergio Lacamara, Juan C. Ruiz, Carmen Dasí, Pau Soldevila-Matias, Inmaculada Fuentes-Durá
ABSTRACTIntroduction In cases of schizophrenia and other psychoses, a comprehensive strategy that combines psychopharmacology with psychosocial interventions is often used to address symptoms, cognitive deficits, social functioning, and quality of life. The aim of this research was to carry out a randomized controlled trial to determine the effects of a music therapy (MT) treatment protocol on quality of life (primary outcome), symptoms, self-esteem, internalized stigma, social cognition, and social functioning (secondary outcomes), when implemented in combination with standard pharmacological and psychosocial rehabilitation (treatment as usual, TAU).Method Sixty clinically stable outpatients diagnosed with schizophrenia and other psychoses were randomly allocated to one of two groups: One group was administered TAU (n = 30) and the other TAU + MT (n = 30). The MT component consisted of 22 sessions of evidence-based MT. Outcome measures were obtained before and after treatment using a masked assessment process.Results A total of 57 participants completed the study. All participants were included in the intention-to-treat analysis. Differences between the groups were observed for internalized stigma (η2=.46), social functioning (η2=.18) and quality of life (η2=.25), with the TAU + MT group showing significantly greater improvements than the control group.Discussion The results obtained support the benefits of incorporating a MT treatment protocol as a complementary therapy to standard treatment.KEYWORDS: Music therapyschizophreniapsychosisadjunct therapyrecovery AcknowledgementsThe authors would like to express their sincere gratitude to the people who have participated in this study, to CREAP staff and Lynne Coppillie for her help with the language of the manuscript.Disclosure statementThe authors report no conflict of interest.Supplementary dataSupplemental data for this article can be accessed online at https://doi.org/10.1080/08098131.2023.2257296.Notes1. The National Reference Centre for Psychosocial Care of Severe Mental Disorders, dependent of the Institute for Older Persons and Social Services (IMSERSO), is ascribed to the Health, Social Rights and Agenda 2030 Ministry (Government of Spain). The professionals appearing in this research, working in the technical and knowledge management services developed in the CREAP, have been external personnel to the IMSERSO providing their services in the framework of a public contract.Additional informationFundingThis study was supported by a grant from Special Actions of the University of Valencia [number UV-INV_AE19-1199985].Notes on contributorsÓscar Pérez-AguadoOscar Pérez-Aguado (PhD) is a psychologist, accredited music therapist, and he is also Benenzon’s non-verbal music therapy master. He is an adjunct professor in the Department of Personality, Assessment, and Psychological Treatments at the University of Valencia, Spain. He is also head of the psychology department at “Grupo 5 Acción y Gesti
在精神分裂症和其他精神病的病例中,一种结合精神药理学和社会心理干预的综合策略经常被用来解决症状、认知缺陷、社会功能和生活质量。本研究的目的是进行一项随机对照试验,以确定音乐疗法(MT)治疗方案在与标准药理学和社会心理康复(常规治疗,TAU)联合实施时对生活质量(主要结局)、症状、自尊、内化耻辱、社会认知和社会功能(次要结局)的影响。方法将60例诊断为精神分裂症及其他精神疾病的临床稳定门诊患者随机分为两组:一组给予TAU (n = 30),另一组给予TAU + MT (n = 30)。MT组成部分包括22次基于证据的MT。结果测量是在治疗前后使用隐藏评估过程获得的。结果共有57名参与者完成了研究。所有参与者都被纳入意向治疗分析。两组间在内化病耻感(η2= 0.46)、社会功能(η2= 0.18)和生活质量(η2= 0.25)方面存在差异,其中TAU + MT组显著优于对照组。所获得的结果支持将MT治疗方案作为标准治疗的补充治疗的好处。音乐治疗精神分裂症辅助治疗康复作者衷心感谢参与本研究的人们,感谢CREAP工作人员和Lynne Coppillie在稿件语言上的帮助。披露声明作者报告无利益冲突。本文的补充数据可以在线访问https://doi.org/10.1080/08098131.2023.2257296.Notes1。全国严重精神障碍心理社会护理参考中心隶属于老年人和社会服务研究所,隶属于卫生、社会权利和2030年议程部(西班牙政府)。在这项研究中出现的专业人员,在CREAP开发的技术和知识管理服务中工作,是IMSERSO的外部人员,在公共合同的框架内提供服务。本研究由瓦伦西亚大学特别行动资助[编号UV-INV_AE19-1199985]。关于contributorsÓscar p兼并-阿瓜多斯卡(博士)p兼并-阿瓜多是一个心理学家,认可的音乐治疗师,他也是benenson的非语言音乐治疗大师。他是西班牙瓦伦西亚大学人格、评估和心理治疗系的兼职教授。他还是"第5组Acción y Gestión社会"心理学系主任,在隶属于卫生、社会权利和2030年议程部(西班牙政府)的IMSERSO下属的CREAP提供服务。塞尔吉奥·拉卡马拉(Sergio Lacamara)是西班牙萨拉戈萨(Zaragoza, Spain)的Fundación Rey Ardid的一名心理学家。Juan C. Ruiz,西班牙瓦伦西亚大学行为科学方法论系副教授。他教授本科学位研究、普通健康心理学硕士学位和医学干预专业硕士学位的研究方法。他还教授临床和健康心理学博士课程。他是“精神障碍认知的心理评估和干预”(TMEIC)研究小组的主任,他的研究活动主要集中在精神分裂症的认知缺陷研究,优化这些患者的内隐记忆研究的刺激材料,以及开发减少形式的WAIS。他在《行为研究方法》、《心理学前沿》和《精神病学研究》等期刊上发表文章。在这里你可以找到他的一些出版物研究ID。Carmen DasíCarmen Dasí(博士)是西班牙瓦伦西亚大学行为科学系的心理学家和副教授。她的教学职责包括心理学学位课程和临床与健康心理学硕士课程。她的研究主要集中在各种环境下的心理评估和干预,包括教育、临床和社区环境。她在为包括精神分裂症患者在内的各种不同客户群体设计、实施和评估项目方面拥有丰富的经验。她在方法论、心理学和精神病学领域的期刊上发表了60多篇文章,并在国家和地区各级资助的众多项目中进行了研究。 她出版了许多与她的教学和研究活动相关的书籍和书籍章节。Pau Soldevila-Matias是瓦伦西亚大学(University of Valencia)临床心理学博士、普通心理健康硕士和临床神经心理学硕士。他目前是瓦伦西亚大学基础心理学系的教授。保罗从事临床心理学的研究,他在一家私人诊所担任临床心理学家。在过去的几年里,他专注于瓦伦西亚临床大学医院生物医学健康研究所(INCLIVA)和精神健康网络生物医学研究(CIBERSAM)的职业研究,在首发精神病(FEP)中应用心理学和神经心理学评估。他曾在丹麦奥胡斯的神经康复医院的心理学系工作,也曾在美国纽约的norhwell健康医院促进健康,并帮助精神病患者重新融入社区工作、社交和独立生活。网页上的特色研究部分https://www.researchgate.net/profile/Pau-Matias.Inmaculada Fuentes-DuráInmaculada fuentes - dur<e:1>是西班牙瓦伦西亚大学人格、评估和心理治疗系的副教授。她在普通健康心理学硕士学位和社会环境中的心理干预硕士学位课程中讲授精神病康复。她还教授临床和健康心理学博士课程。Inmaculada的科学生涯从一开始就与瓦伦西亚临床大学医院生物医学健康研究所(INCLIVA)和精神健康网络生物医学研究中心(CIBERSAM)对精神分裂症和双相情感障碍患者的评估和干预研究联系在一起。她在《精神病学研究》、《心理治疗与心身学》、《神经与精神疾病杂志》、《情感障碍杂志》和《精神病学前沿》等期刊上发表文章。在这里你可以找到她的一些出版物https://www.webofscience.com/wos/author/record/E-6256-2016。
{"title":"Effects of group music therapy on symptoms and functional recovery in outpatients with chronic psychoses: A randomized controlled trial","authors":"Óscar Pérez-Aguado, Sergio Lacamara, Juan C. Ruiz, Carmen Dasí, Pau Soldevila-Matias, Inmaculada Fuentes-Durá","doi":"10.1080/08098131.2023.2257296","DOIUrl":"https://doi.org/10.1080/08098131.2023.2257296","url":null,"abstract":"ABSTRACTIntroduction In cases of schizophrenia and other psychoses, a comprehensive strategy that combines psychopharmacology with psychosocial interventions is often used to address symptoms, cognitive deficits, social functioning, and quality of life. The aim of this research was to carry out a randomized controlled trial to determine the effects of a music therapy (MT) treatment protocol on quality of life (primary outcome), symptoms, self-esteem, internalized stigma, social cognition, and social functioning (secondary outcomes), when implemented in combination with standard pharmacological and psychosocial rehabilitation (treatment as usual, TAU).Method Sixty clinically stable outpatients diagnosed with schizophrenia and other psychoses were randomly allocated to one of two groups: One group was administered TAU (n = 30) and the other TAU + MT (n = 30). The MT component consisted of 22 sessions of evidence-based MT. Outcome measures were obtained before and after treatment using a masked assessment process.Results A total of 57 participants completed the study. All participants were included in the intention-to-treat analysis. Differences between the groups were observed for internalized stigma (η2=.46), social functioning (η2=.18) and quality of life (η2=.25), with the TAU + MT group showing significantly greater improvements than the control group.Discussion The results obtained support the benefits of incorporating a MT treatment protocol as a complementary therapy to standard treatment.KEYWORDS: Music therapyschizophreniapsychosisadjunct therapyrecovery AcknowledgementsThe authors would like to express their sincere gratitude to the people who have participated in this study, to CREAP staff and Lynne Coppillie for her help with the language of the manuscript.Disclosure statementThe authors report no conflict of interest.Supplementary dataSupplemental data for this article can be accessed online at https://doi.org/10.1080/08098131.2023.2257296.Notes1. The National Reference Centre for Psychosocial Care of Severe Mental Disorders, dependent of the Institute for Older Persons and Social Services (IMSERSO), is ascribed to the Health, Social Rights and Agenda 2030 Ministry (Government of Spain). The professionals appearing in this research, working in the technical and knowledge management services developed in the CREAP, have been external personnel to the IMSERSO providing their services in the framework of a public contract.Additional informationFundingThis study was supported by a grant from Special Actions of the University of Valencia [number UV-INV_AE19-1199985].Notes on contributorsÓscar Pérez-AguadoOscar Pérez-Aguado (PhD) is a psychologist, accredited music therapist, and he is also Benenzon’s non-verbal music therapy master. He is an adjunct professor in the Department of Personality, Assessment, and Psychological Treatments at the University of Valencia, Spain. He is also head of the psychology department at “Grupo 5 Acción y Gesti","PeriodicalId":51826,"journal":{"name":"Nordic Journal of Music Therapy","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134975116","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"医学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-11DOI: 10.1080/08098131.2023.2251553
Helen Oosthuizen
Introduction Many music therapists propose that chaos, such as destructiveness and disintegration, could thwart music therapy group processes and should be minimised or resolved. From a paradoxical approach, however, chaos is understood as a transformative complement to ordered, formative music therapy experiences. The research in this paper explored how music therapists and adolescents could engage with chaos as a resource in music therapy groups.Method From a paradoxical approach, the music therapist--researcher facilitated two short-term group music therapy processes with nine young South Africans from under-resourced and often violent communities, referred for committing offences. The researcher utilised crystallisation, including constructivist grounded theory, participatory action research, and abduction, to analyse how group members could engage with chaotic group experiences. Findings, constructed through a cyclical process of data collection, analysis, and inclusion of group feedback, are presented in a matrix.Results The matrix shows how groups could utilise chaos to explore multiple possibilities for responding to challenges. They expressed themselves courageously and played unconventional group roles through their musicking and participation. They juggled paradoxical tensions between observational and active, integrative and disintegrative, engagement styles. This supported their transformation in the group, and potentially within the chaotic South African context.Discussion Music therapists can use the matrix to support adolescents in music therapy groups to engage with chaos as a transformative resource. They can accompany young people through offering holding, resources and collaborative support. When it is safe, music therapists may allow or encourage chaos that empowers adolescents to cope with challenges independently.
{"title":"Unleashing the potential of chaos: How music therapists and young people can engage chaos as a resource in short-term music therapy groups","authors":"Helen Oosthuizen","doi":"10.1080/08098131.2023.2251553","DOIUrl":"https://doi.org/10.1080/08098131.2023.2251553","url":null,"abstract":"Introduction Many music therapists propose that chaos, such as destructiveness and disintegration, could thwart music therapy group processes and should be minimised or resolved. From a paradoxical approach, however, chaos is understood as a transformative complement to ordered, formative music therapy experiences. The research in this paper explored how music therapists and adolescents could engage with chaos as a resource in music therapy groups.Method From a paradoxical approach, the music therapist--researcher facilitated two short-term group music therapy processes with nine young South Africans from under-resourced and often violent communities, referred for committing offences. The researcher utilised crystallisation, including constructivist grounded theory, participatory action research, and abduction, to analyse how group members could engage with chaotic group experiences. Findings, constructed through a cyclical process of data collection, analysis, and inclusion of group feedback, are presented in a matrix.Results The matrix shows how groups could utilise chaos to explore multiple possibilities for responding to challenges. They expressed themselves courageously and played unconventional group roles through their musicking and participation. They juggled paradoxical tensions between observational and active, integrative and disintegrative, engagement styles. This supported their transformation in the group, and potentially within the chaotic South African context.Discussion Music therapists can use the matrix to support adolescents in music therapy groups to engage with chaos as a transformative resource. They can accompany young people through offering holding, resources and collaborative support. When it is safe, music therapists may allow or encourage chaos that empowers adolescents to cope with challenges independently.","PeriodicalId":51826,"journal":{"name":"Nordic Journal of Music Therapy","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135981377","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"医学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-05DOI: 10.1080/08098131.2023.2248630
Xijing Chen, Qianqian Xie, Hongmin Yang, Wei Zhang, Yonghui Li
{"title":"The effects of group music imagery for women with methamphetamine use disorder in compulsory rehabilitation: A randomized controlled trial","authors":"Xijing Chen, Qianqian Xie, Hongmin Yang, Wei Zhang, Yonghui Li","doi":"10.1080/08098131.2023.2248630","DOIUrl":"https://doi.org/10.1080/08098131.2023.2248630","url":null,"abstract":"","PeriodicalId":51826,"journal":{"name":"Nordic Journal of Music Therapy","volume":null,"pages":null},"PeriodicalIF":1.6,"publicationDate":"2023-09-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43406986","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"医学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-04DOI: 10.1080/08098131.2023.2245433
Maija Salokivi, Sanna Salanterä, Suvi Saarikallio, E. Ala-Ruona
Introduction: Evaluating the validity of the content is an essential step in developing an assessment tool, including an analysis of the quality of the items within the tool. This study describes the content validation of items in the early adolescents’ emotional skills assessment tool in a music therapy context. Methods: Content validity was evaluated based on relevance scores provided by two expert panels. Psychometric scores were obtained by calculating item-specific content validity index (I-CVI), scale-specific content validity index (S-CVI) and modified kappa score. In addition, the coverage and understandability of the items were evaluated. Results: The validation process identified 60 valid items distributed across six components of emotional skills: expressing, monitoring, identifying, understanding, regulating and the ability to use emotional information. Item I-CVI scores ranged from 0.80 to 1.00, the scale content validity index (S-CVI) was 0.95, the modified kappa score ranged from 0.65 to 1.00, item coverage at scale level was 1.00, and item under-standability was 0.92. Discussion: The items developed in the study have high validity and are scientifically grounded. The items can be a first step towards a validated assessment tool to evaluate emotional skills in early adolescents. The added value of this study is that the set of items developed is the first to cover all the components of emotional skills identified in the literature. Therefore, music therapists can use the items to observe in more detail the different dimensions of emotional skills in early adolescents.
{"title":"Validation of item pool for early adolescents’ emotional skills assessment in music therapy","authors":"Maija Salokivi, Sanna Salanterä, Suvi Saarikallio, E. Ala-Ruona","doi":"10.1080/08098131.2023.2245433","DOIUrl":"https://doi.org/10.1080/08098131.2023.2245433","url":null,"abstract":"Introduction: Evaluating the validity of the content is an essential step in developing an assessment tool, including an analysis of the quality of the items within the tool. This study describes the content validation of items in the early adolescents’ emotional skills assessment tool in a music therapy context. Methods: Content validity was evaluated based on relevance scores provided by two expert panels. Psychometric scores were obtained by calculating item-specific content validity index (I-CVI), scale-specific content validity index (S-CVI) and modified kappa score. In addition, the coverage and understandability of the items were evaluated. Results: The validation process identified 60 valid items distributed across six components of emotional skills: expressing, monitoring, identifying, understanding, regulating and the ability to use emotional information. Item I-CVI scores ranged from 0.80 to 1.00, the scale content validity index (S-CVI) was 0.95, the modified kappa score ranged from 0.65 to 1.00, item coverage at scale level was 1.00, and item under-standability was 0.92. Discussion: The items developed in the study have high validity and are scientifically grounded. The items can be a first step towards a validated assessment tool to evaluate emotional skills in early adolescents. The added value of this study is that the set of items developed is the first to cover all the components of emotional skills identified in the literature. Therefore, music therapists can use the items to observe in more detail the different dimensions of emotional skills in early adolescents.","PeriodicalId":51826,"journal":{"name":"Nordic Journal of Music Therapy","volume":null,"pages":null},"PeriodicalIF":1.6,"publicationDate":"2023-09-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"59454063","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"医学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}