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In Defense of Abstract Creationism: A Recombinatorial Approach 为抽象创造主义辩护:一种重组方法
IF 0.2 3区 文学 0 LITERARY THEORY & CRITICISM Pub Date : 2022-01-26 DOI: 10.1353/phl.2021.0026
Michael Y. Bennett
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引用次数: 0
Upbringing and Agency: Three Perspectives 教养与能动性:三个视角
IF 0.2 3区 文学 0 LITERARY THEORY & CRITICISM Pub Date : 2022-01-26 DOI: 10.1353/phl.2021.0034
S. Justman
Abstract:According to the authors of the widely discussed Coddling of the American Mind, the protections received in childhood by today's college students made them the fragile souls who have demanded and often obtained protection from "unsafe" ideas. The authors' analysis implicates larger questions than they seem quite prepared to discuss—in particular, what it means to be an agent as opposed to a hapless product of one's upbringing. Investigating this issue, I consult two renowned works of literature that examine the constricted upbringing of women, who were understood as fragile beings long before iGen arrived on the scene.
摘要:《溺爱美国人的心灵》一书引起了广泛的讨论,作者认为,当今大学生在童年时期受到的保护使他们的灵魂脆弱,他们要求并经常获得对“不安全”思想的保护。作者的分析隐含了比他们似乎准备讨论的更大的问题——特别是,作为一个代理人,与一个人的成长过程中不幸的产物相对意味着什么。为了调查这个问题,我参考了两本著名的文学作品,它们研究了女性受限制的成长过程,早在伊根出现之前,女性就被认为是脆弱的。
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引用次数: 0
Jealousy and the Sense of Self: Unamuno and the Contemporary Philosophy of Emotion 嫉妒与自我意识:Unamuno与当代情感哲学
IF 0.2 3区 文学 0 LITERARY THEORY & CRITICISM Pub Date : 2022-01-26 DOI: 10.1353/phl.2021.0031
I. V. Ferran
Abstract:This paper explores jealousy in Miguel de Unamuno's drama El otro. Drawing on contemporary philosophy of emotion, I argue that for the Spanish author, jealousy gives the subject a sense of self. The paper begins by embedding Unamuno's philosophical anthropology in the context of contemporary emotion theory. It then presents the drama as an investigation into the affective dimension of self-identity. The third section offers an analysis of jealousy as an emotion of self-assessment. The final section discusses how this drama can be regarded as a piece of philosophical work.
摘要:本文探讨了米格尔·德·乌纳穆诺戏剧《奥特罗》中的嫉妒心理。借鉴当代情感哲学,我认为对西班牙作家来说,嫉妒给了主题一种自我意识。本文首先将Unamuno的哲学人类学思想嵌入到当代情感理论的语境中。然后,它将这部戏剧呈现为对自我认同情感维度的调查。第三部分分析了嫉妒作为自我评估的一种情绪。最后一节讨论如何将这部戏剧视为一部哲学作品。
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引用次数: 0
"Deus in Animo": Kantian Ugliness and the Narrative Aesthetic of Frankenstein “动漫中的Deus”:康德的丑陋与弗兰肯斯坦的叙事美学
IF 0.2 3区 文学 0 LITERARY THEORY & CRITICISM Pub Date : 2022-01-26 DOI: 10.1353/phl.2021.0022
Karen Hadley
Abstract:Where they are based in Immanuel Kant's categories of the sublime or monstrous, recent aesthetically based accounts reflect the conventional view of Victor Frankenstein's creature as a monster. This project instead engages Kant's category of the ugly, which makes possible a dialectical, narrative-based aesthetic, one folding both Victor's and the creature's interiority to within the social form of disinterested play otherwise known as intersubjectivity. Robert Walton's encounter with the creature provides a fleeting example of this phenomenon: employing Mojca Kuplen's "positive aesthetic of disgust," it offers a stimulus to revised forms of ethics or agency, thus invoking Theodor Adorno's end of aesthetic inquiry.
摘要:在伊曼努尔·康德的崇高或怪物范畴的基础上,最近基于美学的描述反映了维克多·弗兰肯斯坦的生物作为怪物的传统观点。相反,这个项目采用了康德的丑陋范畴,这使得辩证的、基于叙事的美学成为可能,一种将维克多和生物的内在性折叠到无私的游戏的社会形式中,否则被称为主体间性。罗伯特·沃尔顿(Robert Walton)与这种生物的相遇为这种现象提供了一个短暂的例子:它采用了莫伊卡·库普兰(Mojca Kuplen)的“厌恶的积极美学”,为修改伦理或代理形式提供了刺激,从而援引了西奥多·阿多诺(Theodor Adorno)的美学探究终结。
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引用次数: 0
To Live a Meaningful Life: Reading Mary Shelley's Frankenstein through Heideggerian Techne 过有意义的生活:从海德格尔技术看玛丽·雪莱的《弗兰肯斯坦》
IF 0.2 3区 文学 0 LITERARY THEORY & CRITICISM Pub Date : 2022-01-26 DOI: 10.1353/phl.2021.0023
Tara Cuthbertson
Abstract:In an effort to contribute to the burgeoning practice of reading literature through a Heideggerian lens that has been jumpstarted by such scholars as Pol Vandevelde, Jonathan Bate, Dominic Griffiths, and William Galperin, this article explores the various ways that Martin Heidegger's question concerning technology can shed light on Mary Shelley's Frankenstein. I examine how Heidegger's "true technology," that is, techne ("poiesis" or "bringing-forth") parallels the Romantic use of autopoiesis. Both Heideggerian philosophy and Shelley's Frankenstein exhibit instances in which techne and other acts of poiesis enable the subject access to an ecstatic experience of time and being.
摘要:本文探讨了马丁·海德格尔的技术问题对玛丽·雪莱的《弗兰肯斯坦》的启示,以期对波尔·范德维德、乔纳森·贝特、多米尼克·格里菲斯和威廉·加尔佩林等学者迅速兴起的通过海德格尔视角阅读文学的实践有所贡献。我研究了海德格尔的“真正的技术”,即技术(“poiesis”或“带来”)如何与浪漫主义的自创生(autopoiesis)相似。海德格尔哲学和雪莱的《弗兰肯斯坦》都展示了技术和其他创造行为使主体获得时间和存在的狂喜体验的例子。
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引用次数: 0
Wittgenstein and Dostoevsky: Happiness and Subjectivity 维特根斯坦与陀思妥耶夫斯基:幸福与主体性
IF 0.2 3区 文学 0 LITERARY THEORY & CRITICISM Pub Date : 2022-01-26 DOI: 10.1353/phl.2021.0025
P. Dehnel
Abstract:This paper analyzes the influence that The Brothers Karamazov by Fyodor Dostoevsky exerted on Ludwig Wittgenstein's philosophical ideas. I argue that this impact was not limited exclusively to Wittgenstein's moral certainty but that it played an important role in his concept of the subject as the limit of the world, as formulated in Tractatus Logico-Philosophicus. I attempt to show that this concept is embedded in literature, particularly in Dostoevsky, who describes liminal situations—crime, sin, guilt—in which the human being is at the edge of the world, at its boundary, as if within and at the same time outside.
摘要:本文分析了陀思妥耶夫斯基的《卡拉马佐夫兄弟》对维特根斯坦哲学思想的影响。我认为,这种影响并不仅仅局限于维特根斯坦的道德确定性,它在他的“主体是世界的界限”的概念中也发挥了重要作用,正如他在《逻辑哲学论》中所阐述的那样。我试图表明,这个概念是嵌入在文学中,特别是陀思妥耶夫斯基,他描述了阈值的情况-犯罪,罪恶,内疚-在这种情况下,人类处于世界的边缘,在它的边界上,仿佛在里面,同时又在外面。
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引用次数: 0
German Romantic Philosophy: "Underhand Theology"? 德国浪漫主义哲学:“阴险的神学”?
IF 0.2 3区 文学 0 LITERARY THEORY & CRITICISM Pub Date : 2022-01-26 DOI: 10.1353/phl.2021.0029
T. Ziolkowski
Abstract:Friedrich Nietzsche generalized his attack on Christianity to include German philosophy, which he called an "underhand theology." He was referring primarily to the post-Kantian philosophy of German Romantic thinkers educated at the famous Tübingen theological seminary. This essay tests Nietzsche's characterization by examining the jointly conceived "Oldest Systematic Program of German Idealism" and other early works by three of the most famous seminarians from the school: F. W. J. Schelling, G. W. F. Hegel, and poet Friedrich Hölderlin, who shared quarters and ideas in the seminary in the final decade of the eighteenth century.
摘要:弗里德里希·尼采将他对基督教的攻击概括为对德国哲学的攻击,他称之为“阴险的神学”。他主要指的是在著名的宾根神学院(tbingen theological seminary)接受教育的德国浪漫主义思想家的后康德哲学。这篇文章通过考察三位最著名的神学院学生共同构思的“德国理想主义最古老的系统纲领”和其他早期作品来检验尼采的特征:F. W. J.谢林,G. W. F.黑格尔和诗人弗里德里希Hölderlin,他们在18世纪最后十年在神学院分享宿舍和思想。
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引用次数: 0
Montaigne's Perfect Friendship and Perfect Society: Philosophical Fictions as Useful Reminders 蒙的完美友谊与完美社会——哲学小说的有益启示
IF 0.2 3区 文学 0 LITERARY THEORY & CRITICISM Pub Date : 2022-01-26 DOI: 10.1353/phl.2021.0035
Christopher Edelman
Abstract:Michel de Montaigne's "Of friendship" is often read as a celebration of his relationship with his late friend Étienne de La Boétie. This is not wrong but, rather, incomplete. Drawing on the chapters of Montaigne's Essais that immediately follow "Of friendship," this essay argues that Montaigne's chapter on friendship is part of a larger project in which he employs philosophical fictions—specifically, his "perfect friendship" with La Boétie and the "perfect society" that he depicts in "Of cannibals"—to reorient us in our relationships not only with our friends but also with our enemies.
摘要:米歇尔·德·蒙田的《友谊》经常被解读为对他与已故朋友Étienne de La博neneneea蒂关系的庆祝。这不是错误的,而是不完整的。这篇文章借鉴了蒙田的Essais中紧接着“友谊”的章节,认为蒙田关于友谊的章节是他运用哲学小说的一个更大项目的一部分——特别是,他与La Boétie的“完美友谊”以及他在《食人族》中描绘的“完美社会”——重新定位我们不仅与朋友的关系,还与敌人的关系。
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引用次数: 1
MacNeice the Heraclitean 赫拉克利特人麦克尼斯
IF 0.2 3区 文学 0 LITERARY THEORY & CRITICISM Pub Date : 2022-01-26 DOI: 10.1353/phl.2021.0032
J. Lesher
Abstract:Many of the poems and essays of Louis MacNeice display a knowledge of the philosophical theories he studied during his undergraduate years in Merton College, Oxford. In his "Variation on Heraclitus" and in several other poems, MacNeice alludes to the "doctrine of flux" that Plato attributed to the Greek thinker Heraclitus of Ephesus. Though the view of Heraclitus as the champion of flux is controversial, it provided MacNeice with a framework within which to reflect on the conditions essential to living a free and productive life.
摘要:路易斯·麦克尼斯的许多诗歌和散文展示了他在牛津默顿学院读本科期间所学习的哲学理论。在他的《赫拉克利特变奏曲》和其他几首诗中,麦克尼斯暗示了柏拉图将其归因于以弗所的希腊思想家赫拉克利特的“流动学说”。尽管赫拉克利特作为流动的拥护者的观点是有争议的,但它为麦克尼斯提供了一个框架,在这个框架内反思过上自由和富有成效的生活所必需的条件。
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引用次数: 0
On Having Three Names 论有三个名字
IF 0.2 3区 文学 0 LITERARY THEORY & CRITICISM Pub Date : 2022-01-26 DOI: 10.1353/phl.2021.0027
B. B. Suttle
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引用次数: 0
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