Pub Date : 2022-06-30DOI: 10.31313/lc.2022.06.84.7
O-Su Gwon
{"title":"A Study on the Possibility of Expanding Collective Memory through Short-Review of Society","authors":"O-Su Gwon","doi":"10.31313/lc.2022.06.84.7","DOIUrl":"https://doi.org/10.31313/lc.2022.06.84.7","url":null,"abstract":"","PeriodicalId":51961,"journal":{"name":"Literator-Journal of Literary Criticism Comparative Linguistics and Literary Studies","volume":"88 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80854031","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.31313/lc.2022.06.84.261
Jin-Myeong Cha
{"title":"Wind Image and Affect Politics in Yeonju Lee’s Poetry","authors":"Jin-Myeong Cha","doi":"10.31313/lc.2022.06.84.261","DOIUrl":"https://doi.org/10.31313/lc.2022.06.84.261","url":null,"abstract":"","PeriodicalId":51961,"journal":{"name":"Literator-Journal of Literary Criticism Comparative Linguistics and Literary Studies","volume":"16 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81892582","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.31313/lc.2022.06.84.63
Dong-myeong Kim
{"title":"A Study on the Complexity of Social Ecology through Participatory evolution perspective - Focused on ‘Kim Ji-Ha’s poetry","authors":"Dong-myeong Kim","doi":"10.31313/lc.2022.06.84.63","DOIUrl":"https://doi.org/10.31313/lc.2022.06.84.63","url":null,"abstract":"","PeriodicalId":51961,"journal":{"name":"Literator-Journal of Literary Criticism Comparative Linguistics and Literary Studies","volume":"13 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91269567","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.31313/lc.2022.06.84.183
Ki-seob Song
{"title":"Transfer of Inconsistency and the Effect of Thought - A Study of Lee Sang","authors":"Ki-seob Song","doi":"10.31313/lc.2022.06.84.183","DOIUrl":"https://doi.org/10.31313/lc.2022.06.84.183","url":null,"abstract":"","PeriodicalId":51961,"journal":{"name":"Literator-Journal of Literary Criticism Comparative Linguistics and Literary Studies","volume":"2 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90732781","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.31313/lc.2022.06.84.101
Mi-ra Kim
{"title":"Topology of Scenery in Choi, Ha-rim’s poetry - Focusing on the 『The Scenery Behind the Scenery』","authors":"Mi-ra Kim","doi":"10.31313/lc.2022.06.84.101","DOIUrl":"https://doi.org/10.31313/lc.2022.06.84.101","url":null,"abstract":"","PeriodicalId":51961,"journal":{"name":"Literator-Journal of Literary Criticism Comparative Linguistics and Literary Studies","volume":"36 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82042874","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.31313/lc.2022.06.84.155
Hyunju Park
{"title":"The Life and Literary Place of Migrant Women in Chungnam Feminine Poetry - Focused on Cho Min-jung’s Poetries, 『Where are you going, Shali?』","authors":"Hyunju Park","doi":"10.31313/lc.2022.06.84.155","DOIUrl":"https://doi.org/10.31313/lc.2022.06.84.155","url":null,"abstract":"","PeriodicalId":51961,"journal":{"name":"Literator-Journal of Literary Criticism Comparative Linguistics and Literary Studies","volume":"37 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84333937","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.31313/lc.2022.06.84.129
Jongyeol Park
{"title":"A Study of the repeatability in Kim Chun-soo’s poem 「In June」","authors":"Jongyeol Park","doi":"10.31313/lc.2022.06.84.129","DOIUrl":"https://doi.org/10.31313/lc.2022.06.84.129","url":null,"abstract":"","PeriodicalId":51961,"journal":{"name":"Literator-Journal of Literary Criticism Comparative Linguistics and Literary Studies","volume":"54 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72464948","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.31313/lc.2022.06.84.211
Won-yang Lee
{"title":"Microscopic codes and fantasy destruction in poetry of Park In hwan - Focusing on “The wooden horse and the lady”","authors":"Won-yang Lee","doi":"10.31313/lc.2022.06.84.211","DOIUrl":"https://doi.org/10.31313/lc.2022.06.84.211","url":null,"abstract":"","PeriodicalId":51961,"journal":{"name":"Literator-Journal of Literary Criticism Comparative Linguistics and Literary Studies","volume":"56 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87566146","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-30DOI: 10.31313/lc.2022.06.84.31
Keun-ho Kim
{"title":"Eating Food and The Ethics of Hospitality in Hwang Seok-young’s Old Garden","authors":"Keun-ho Kim","doi":"10.31313/lc.2022.06.84.31","DOIUrl":"https://doi.org/10.31313/lc.2022.06.84.31","url":null,"abstract":"","PeriodicalId":51961,"journal":{"name":"Literator-Journal of Literary Criticism Comparative Linguistics and Literary Studies","volume":"22 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74576789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Sorrow is perhaps the usual response to the disappearance of things into ‘nowhere’. The use of blank space in the poetry of E. E. Cummings and William Carlos Williams indicates an alternative response: to accept and even celebrate this. With a view to exploring this alternative response to disappearance, appearance, and nowhere, the article reads blank space in the little man poem and air poem (Cummings), as well as the obsolete rose poem and red wheelbarrow poem (Williams) – I use these labels because the poems are untitled. The article closely examines the tensions that these poems create between their printed black fragments and the blank space within which these are located. It finds that the former mimes being, existence, and ‘something’, whilst the latter mimes unbeing, nowhere, and nothing. The poems present the latter condition as vibrant, embodying the place from where being emerges, ablaze with itself. The blank space embodies this vibrancy in the poems examined; the poets use various devices to heighten the perception of this. For instance, Cummings’ little man poem signifies the reconnection of a modern subject, a little man, and the huge and dynamic earth by rejuvenating an acute sense of now-here in terms of nowhere, as mimed by breaking a phrase across the poem’s final two stanzas, inviting blank space into the poem on an accentuated level. A similar textual event occurs in the tracing of a rose petal’s paradoxical line between something and nothing within Williams’ obsolete rose poem, where the determiner ‘the’ is followed abruptly by the fecund nothingness of blank space. At its conclusion, the piece synthesises these and other findings to argue that the use of blank space in these poems boils down to a node of modern ecopoetic maturation: the poems orient themselves to and within the dynamic earth anew, marking radical acceptance of being on the earth in terms of unbeing.
悲伤也许是对事物消失到“无处可去”的通常反应。E.E.Cummings和William Carlos Williams的诗歌中使用空格表明了另一种回应：接受甚至庆祝这一点。为了探索这种对消失、出现和无处可去的替代反应，文章阅读了小人物诗和空中诗（卡明斯）中的空白，以及过时的玫瑰诗和红色独轮车诗（威廉姆斯）——我使用这些标签是因为这些诗没有标题。这篇文章仔细研究了这些诗歌在印刷的黑色碎片和它们所在的空白空间之间产生的紧张关系。研究发现，前者模仿存在、存在和“某物”，而后者则模仿不自在、不存在和什么都没有。诗歌将后一种状态呈现为充满活力，体现了存在的产生地，闪耀着自己。空白处体现了诗歌的这种活力；诗人们使用各种手段来提高对这一点的认识。例如，卡明斯的小人物诗象征着一个现代主题，一个小人物，和巨大而充满活力的地球的重新连接，通过在诗的最后两节中打断一个短语，在强调的层面上为诗中引入空白，重新唤起了对现在的强烈感觉。类似的文本事件发生在威廉姆斯过时的玫瑰诗中，追踪玫瑰花瓣在有与无之间的矛盾线，在这首诗中，限定词“the”后面突然出现了丰富的空白。最后，这篇文章综合了这些和其他发现，认为这些诗歌中对空白的使用可以归结为现代生态诗歌成熟的一个节点：诗歌重新定位于充满活力的地球，并在其中，标志着从不适的角度彻底接受了在地球上的存在。
{"title":"Reading blank space from an ecopoetic perspective in selected poems by E.E. Cummings and William Carlos Williams","authors":"Etienne J. Terblanche","doi":"10.4102/lit.v43i1.1847","DOIUrl":"https://doi.org/10.4102/lit.v43i1.1847","url":null,"abstract":"Sorrow is perhaps the usual response to the disappearance of things into ‘nowhere’. The use of blank space in the poetry of E. E. Cummings and William Carlos Williams indicates an alternative response: to accept and even celebrate this. With a view to exploring this alternative response to disappearance, appearance, and nowhere, the article reads blank space in the little man poem and air poem (Cummings), as well as the obsolete rose poem and red wheelbarrow poem (Williams) – I use these labels because the poems are untitled. The article closely examines the tensions that these poems create between their printed black fragments and the blank space within which these are located. It finds that the former mimes being, existence, and ‘something’, whilst the latter mimes unbeing, nowhere, and nothing. The poems present the latter condition as vibrant, embodying the place from where being emerges, ablaze with itself. The blank space embodies this vibrancy in the poems examined; the poets use various devices to heighten the perception of this. For instance, Cummings’ little man poem signifies the reconnection of a modern subject, a little man, and the huge and dynamic earth by rejuvenating an acute sense of now-here in terms of nowhere, as mimed by breaking a phrase across the poem’s final two stanzas, inviting blank space into the poem on an accentuated level. A similar textual event occurs in the tracing of a rose petal’s paradoxical line between something and nothing within Williams’ obsolete rose poem, where the determiner ‘the’ is followed abruptly by the fecund nothingness of blank space. At its conclusion, the piece synthesises these and other findings to argue that the use of blank space in these poems boils down to a node of modern ecopoetic maturation: the poems orient themselves to and within the dynamic earth anew, marking radical acceptance of being on the earth in terms of unbeing.","PeriodicalId":51961,"journal":{"name":"Literator-Journal of Literary Criticism Comparative Linguistics and Literary Studies","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45164592","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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