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Ricoeur et la mémoire des proches: “Moi, les collectifs, les proches” 利科与所爱之人的记忆:“我,集体,所爱之人”
Q4 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2019-09-16 DOI: 10.5195/errs.2019.456
Anaïd Mouratian
“Me, collectives, relatives”: Ricœur refers to the subject of attribution of memory to close the first part of Memory, History, Forgetting, published in 2000. Ricœur mentions in this chapter the work of Alfred Schütz and phenomenological sociology. The exploration of an intermediate plan of memory (between personal memory and collective memory) in the relationship with loved ones will be the occasion for a hermeneutical detour towards this social link of proximity. “On which path of attribution of the memory are the relatives?” Ricœur asks himself. Indeed, relatives are an opportunity to think about recognition by the path of remembrance. This exploration of the attribution of memories opens the connection of memory to recognition on a particular scale of the social bond, that of proximity.
“我,集体,亲属”:Ricœur指的是记忆归因的主题,以结束2000年出版的《记忆,历史,遗忘》的第一部分。Ricœur在本章中提到阿尔弗雷德·施茨和现象学社会学的工作。在与亲人的关系中,对记忆的中间计划(在个人记忆和集体记忆之间)的探索将是对这种接近的社会联系的解释学迂回的机会。"亲属记忆的归因途径是什么? "Ricœur问自己。事实上,亲戚家是一个机会,让我们通过纪念的方式来思考认识。这种对记忆归因的探索打开了记忆与识别在特定社会关系尺度上的联系,即邻近关系。
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引用次数: 1
The Time of Collective Memory: Social Cohesion and Historical Discontinuity in Paul Ricœur’s Memory, History, Forgetting 集体记忆的时代:保罗《记忆、历史、遗忘》中的社会凝聚与历史间断
Q4 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2019-09-16 DOI: 10.5195/errs.2019.471
Jeffrey Andrew Barash
One of principal tasks of Paul Ricoeur’s Memory, History, Forgetting is to analyze the phenomenon of social cohesion, understood not as a uniform bond, but in terms of human plurality that arises from a diversity of perspectives of remembering groups rooted in complex stratifications and concatenations. This paper focuses on the role of remembrance and of its historical inscription as a source of social cohesion, which is subject to rupture and dissolution over time. It first identifies the way in which, according to Ricœur, memory and history function as essential preconditions of social cohesion; following this, it examines the significance and scope of temporal rupture and discontinuity to which this cohesion is subject. In examining Ricœur’s reflection on social cohesion and on the discontinuity to which it is subject over time, I aim to place his thought in a critical light in order to set in relief what I take to be an important aporia it encounters.
Paul Ricoeur的《记忆、历史、遗忘》一书的主要任务之一是分析社会凝聚力现象,社会凝聚力不是一种统一的纽带,而是人类的多元性,这种多元性源于植根于复杂分层和串联的记忆群体的多样性视角。本文关注的是纪念及其历史铭文作为社会凝聚力来源的作用,这种凝聚力随着时间的推移而破裂和瓦解。根据Ricœur的说法,它首先确定了记忆和历史作为社会凝聚力的基本先决条件的作用方式;接下来,它考察了这种衔接所受的时间断裂和不连续的意义和范围。在考察Ricœur对社会凝聚力的反思以及社会凝聚力随着时间的推移而不连续性的反思时,我的目的是将他的思想放在批判的角度,以缓解我认为它遇到的一个重要的aporia。
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引用次数: 1
A Note on Ricœur’s Early Notion of Cultural Memory 关于Ricœur早期文化记忆概念的注解
Q4 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2019-09-16 DOI: 10.5195/errs.2019.465
Suzi Adams
This essay considers Paul Ricœur’s early notion of cultural memory from 1956-1960. He discusses it in two texts: “What does Humanism Mean?” and the slightly later The Symbolism of Evil. In the former, cultural memory appears as an ongoing and dynamic process of retroaction focussed on questioning and rethinking the meaning of classical antiquity for contemporary worlds, on the one hand, that is linked to an important critical aspect as a counterweight to the flattening effects of modernity, on the other. In the latter, cultural memory expands the reach of the classical heritage, and, in addition to retroaction, further modes of orientation, such as relations of depth and breadth, are delineated. At first glance, cultural memory, in Ricœur’s sense, appears to be embodied in the singular, albeit generalized self. Yet, in reconstructing its meaning, the essay argues that Ricœur’s articulation of cultural memory relies on an implicit collective dimension. The present essay’s hermeneutic reconstruction of Ricœur’s notion of cultural memory comprises a preliminary step of a broader project that aims to rearticulate Jan and Aleida Assmann’s cultural memory framework along social imaginary lines. In this vein, the essay concludes with an overview of the Assmannian approach to cultural memory and considers possible bridges between Ricœur and the Assmanns.
这篇文章考虑了保罗Ricœur在1956-1960年间的早期文化记忆概念。他在两篇文章中讨论了这个问题:"人文主义意味着什么?以及稍晚一些的《邪恶的象征》。在前者中,文化记忆表现为一种持续的、动态的反作用过程,集中于质疑和重新思考古典古代对当代世界的意义,一方面,它与一个重要的批判性方面联系在一起,作为现代性扁平化效应的平衡,另一方面。在后者中,文化记忆扩展了古典遗产的范围,除了回溯之外,还描绘了进一步的定向模式,如深度和广度的关系。乍一看,文化记忆,在Ricœur的意义上,似乎体现在单一的,尽管广义的自我。然而,在重建其意义时,本文认为Ricœur对文化记忆的表达依赖于一个隐含的集体维度。本文对Ricœur文化记忆概念的解释学重建是一个更广泛项目的初步步骤,该项目旨在沿着社会想象线重新阐明Jan和Aleida Assmann的文化记忆框架。在这种脉络下,本文总结了阿斯曼人对文化记忆的方法,并考虑了Ricœur和阿斯曼人之间可能的桥梁。
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引用次数: 2
A Poetics of the Self. Ricoeur’s Philosophy of the Will and Living Metaphor as Creative Praxis 自我诗学。Ricoeur的意志哲学和作为创造性实践的生活隐喻
Q4 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2019-02-15 DOI: 10.5195/ERRS.2018.436
I. J. Gildea
This article presents the conceptual groundwork for a “poetics of the self” by theorizing how and why a creative praxis rooted in Ricoeur’s philosophy of the will and hermeneutics of the living metaphor contributes to an individual’s on-going development of self-awareness. Its focus is on the affective fragility that manifests in an individual’s intermediary status of polarities – finitude and infinitude, freedom and nature – in conjunction with Ricœur’s tensional status of metaphorical truth. The act of writing poetry, it suggests, can be an aesthetic mediation that develops insight into the primordial discord of the servile will.
本文通过对植根于利科意志哲学和生活隐喻解释学的创造性实践如何以及为什么有助于个人自我意识的持续发展进行理论化,为“自我诗学”提供了概念基础。它的重点是情感脆弱性,这种脆弱性表现在个人的两极中介地位上——有限和无限、自由和自然——以及Ricœur的隐喻真理的张力地位。它认为,写诗的行为可以是一种美学中介,它可以洞察奴性意志的原始不和。
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引用次数: 5
Ce que l’action doit à l’affection. Éléments d’une phénoménologie de l’initiative chez Ricœur 什么行动归功于感情。倡议现象学的要素在Ricœur
Q4 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2019-02-15 DOI: 10.5195/ERRS.2018.443
Emmanuel Nal
This essay will try to understand how the problem of the genesis of initiative arises. It will begin by questioning affective perception from the standpoint of the concept of the owned body, to then show how the intentionality that characterizes its relation to objects is also what directs a desire, made explicit by Ricœur through the concept of “thumos.” The ethical intention will proceed from the desire: desire to manifest a freedom, desire that the freedom of others comes about. From these elements of analysis, we shall try to show how initiative articulates the teleological and ethical aspects of ethics, takes part in the advent of an ethical subject while arousing its creativity.
本文将试图理解主动性的起源问题是如何产生的。首先,我们将从“拥有的身体”这一概念的立场出发,对情感感知提出质疑,然后展示意向性是如何作为其与客体关系的特征,同时也是如何引导欲望的,这一点通过Ricœur通过“thumos”的概念得以明确表达。伦理意图将从欲望出发:渴望表现一种自由,渴望他人的自由。从这些分析要素出发,我们将试图展示主动性如何阐明伦理学的目的论和伦理方面,如何在激发其创造性的同时参与伦理主体的出现。
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引用次数: 0
Faute, culpabilité et dette 过错、内疚和债务
Q4 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2019-02-15 DOI: 10.5195/ERRS.2018.424
J. Gagnebin
This paper attempts to analyse the relationship between Paul Ricœur and Friedrich Nietzsche starting from the specific problem of the debt that we owe to the past, that is of the legacy of the past. It is indeed a striking fact that in Memory, History, Forgetting, although Ricœur refers several times to Nietzsche, he does not take up the nietzschean analysis of the Schuld – “debt, fault”– in the Genealogy of Moral, even tacitly decline them. Starting from the importance of the notion of fault in Ricœur (particularly in The Symbolic of Evil) we will try to better understand this refusal and is hermeneutical implications.
本文试图分析保罗Ricœur与弗里德里希·尼采之间的关系,从我们欠过去的债务这个具体问题出发,也就是过去的遗产。在《记忆,历史,遗忘》中,虽然Ricœur多次提到尼采,但他并没有采用尼采式的对道德的分析——“债务,过错”——在《道德谱系》中,甚至是默认地拒绝了它们。从Ricœur中过错概念的重要性开始(特别是在《邪恶的象征》中),我们将试图更好地理解这种拒绝及其解释学含义。
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引用次数: 0
Paul Ricœur au fondement d’une éthique herméneutique et narrative, enracinée dans une ontologie de l’action 保罗·里奇赞同解释学和叙事伦理的基础,根植于行为本体论
Q4 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2019-02-15 DOI: 10.5195/ERRS.2018.422
A. Thomasset
For Paul Ricœur, human action was a central preoccupation already present in his early work and deepening over time, benefitting from a long engagement with hermeneutical and narrative analyses. It is the concern to locate, through obligatory moral norms, the ethical dimension of desire that guides and motivates action that first makes use of a hermeneutic of signs, symbols, and texts in which the desire of the subject has been expressed. But narratives become essential in order to describe action in such a way that the actor’s responsibility can be evaluated at the level of his narrative identity. To this responsibility, interpreted and taught by means of cultural narratives, the concepts of memory and promise add the dimension of the struggle for recognition and point to an ontology of the historical condition at the foundation of an ethic that rests open to a religious dimension of an original goodness.
对Paul Ricœur来说,人的行为是他早期作品中已经存在的一个中心关注点,并随着时间的推移而加深,这得益于他长期以来对解释学和叙事分析的参与。正是通过强制性的道德规范来定位指导和激励行动的欲望的伦理维度的关注,首先利用了表达主体欲望的符号、符号和文本的解释学。但是,为了以这样一种方式描述动作,叙事变得至关重要,即演员的责任可以在他的叙事身份层面上进行评估。除了这种责任,记忆和承诺的概念通过文化叙事来解释和教导,还增加了争取承认的斗争的维度,并指出了历史条件的本体论,它是一种伦理的基础,这种伦理对原始善的宗教维度是开放的。
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引用次数: 0
À travers la vulnérabilité et l’effort. De la personne que nous deviendrons 通过脆弱性和努力。我们将成为的人
Q4 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2019-02-15 DOI: 10.5195/ERRS.2018.432
Vinicio Busacchi
By following Ricoeur’s perspective, this article aims to show how the dialectic of vulnerability and effort constitutes the person’s emancipatory driving force. The author starts from a confrontation between Emmanuel Levinas and Paul Ricœur’s philosophies of the human being, deepening the various stages in order to reinterpret the initial idea that we are born an individual, whereas becoming a person is a process that goes through an interrelational and cultural dialectis. It is from this perspective, which more so than others reveals a significant proximity between Ricœur and Levinas, that the idea of identity as a hermeneutical path of emancipation reveals its dimension of ethical challenge. That ethical challenge concerns, on the one hand,  the relationship between passivity/vulnerability and subjective powers, and, on the other hand, the relationship between the capacity to be recognised by others and the will to progress with them through the challenges of mutual recognition.
本文从里科的角度出发,旨在展示脆弱与努力的辩证法是如何构成人的解放动力的。作者从Emmanuel Levinas和Paul Ricœur的人类哲学之间的对抗开始,深入各个阶段,以重新解释最初的想法,即我们生来就是一个个体,而成为一个人是一个经历相互关联和文化辩证的过程。正是从这个角度,比其他人更能揭示Ricœur和Levinas之间的显著接近,身份作为一种解放的解释学路径的想法揭示了其伦理挑战的维度。这一道德挑战一方面涉及被动/脆弱性与主观力量之间的关系,另一方面涉及被他人认可的能力与通过相互认可的挑战与他人一起进步的意愿之间的关系。
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引用次数: 0
La ‘faille’ chez Paul Ricœur. De l’identité symbolique et narrative, à l’identité gestuelle et langagière 保罗的“失败”Ricœur。从象征和叙事身份到手势和语言身份
Q4 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2019-02-15 DOI: 10.5195/errs.2018.444
G. Causse
In Fallible man, Ricœur discovers a faille (fault, breach, rift) in the heart of man. Due to this faille, man is fragile: he has to mediate between himself and the world. This mediation puts man at risk of losing himself. Thus, fragile man is also fallible. In Oneself as Another, Ricœur returns to this faille that passes through the heart of the self, between idem and ipse, giving access to the alter. This image, the faille, guides Ricœur in each of these two texts. It gives us access to their continuity but also to the gap that separates one from the other. But if this image has inspired Ricœur, it also gives us the opportunity to criticize his work. Re-reading the Symbolism of Evil, we will highlight a dimension of man little explored by Ricœur and that our current situation pushes us to rediscover: the body and gesture.
在《易犯错的人》中,Ricœur发现了人类内心的失败(错误、破裂、裂痕)。由于这种失败,人是脆弱的:他必须在自己和世界之间进行调解。这种调解使人有失去自我的危险。因此,脆弱的人也容易犯错。在《作为另一个人的自己》中,Ricœur回到了这个失败,它穿过自我的心脏,在idem和ipse之间,提供了通往圣坛的途径。这个图像,也就是失败,在这两篇文章中引导Ricœur。它让我们看到了它们的连续性,也让我们看到了它们之间的差距。但如果这张照片启发了Ricœur,它也给了我们批评他作品的机会。重读《邪恶的象征》,我们将强调Ricœur很少探索的人的一个维度,而我们当前的处境促使我们重新发现:身体和手势。
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引用次数: 0
De l’agent économique à l’homme capable. Une critique de l’économisme à partir de l’herméneutique critique de Paul Ricœur 从经济代理人到有能力的人。从保罗·里科的诠释学批判中对经济主义的批判
Q4 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2019-02-15 DOI: 10.5195/ERRS.2018.429
J. Pierron
Paul Ricœur’s dialogue has been constant with the human and social sciences, but with little attention given to economics. This Ricœurian silence on the economy is relative. Without developing an epistemology of economics, he showed a constant preoccupation with the working-class condition (cf. Simone Weil) and the practical effects of economic alienation. He has constantly focused on work rather than economics, on exchanges rather than modeling the mathematical economy that forgets economics as a social science. His anthropology is an anthropology of the capable man rather than that of the accounting man. Indeed, its ethical concern reinstates in terms of evaluations an economic activity, not only standardizing but unidimensionalizing, which resorbs the plan of value in that of price. His anthropology of the capable man reevaluates the figure of the economic agent. Thus in Ricœur, the ethical concern is epistemologically informed by the social sciences. He thinks ethics and economy together through the symbolic mediations of the institutions and structures that make exchanges possible. From whence a fine approach to the theses of Marx on economic alienation, and later an encounter with the works of the economist Amartya Sen, not without links to the works of Martha Nussbaum on capabilities.
保罗Ricœur一直与人文和社会科学进行对话,但很少关注经济学。Ricœurian对经济的沉默是相对的。在没有发展经济学认识论的情况下,他表现出对工人阶级状况的持续关注(参见Simone Weil)和经济异化的实际影响。他一直专注于工作而不是经济,专注于交换而不是建模数学经济,而数学经济忘记了经济学是一门社会科学。他的人类学是一个有能力的人的人类学,而不是一个会计人的人类学。事实上,它的伦理关怀在评价方面恢复了一种经济活动,不仅标准化,而且单向度化,这在价格计划中重新吸收了价值计划。他的能人人类学重新评价了经济主体的形象。因此,在Ricœur中,伦理关注是由社会科学在认识论上告知的。他认为伦理和经济是通过使交换成为可能的制度和结构的象征性调解而结合在一起的。从这里开始,我对马克思关于经济异化的论点有了很好的了解,后来又接触到了经济学家阿马蒂亚·森的著作,这些著作与玛莎·努斯鲍姆关于能力的著作也有联系。
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引用次数: 1
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Etudes Ricoeuriennes-Ricoeur Studies
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