Pub Date : 2018-03-15DOI: 10.1163/18796583-04601003
J. Frick
Thomas Murner’s translation of Virgil’s Aeneid (Strasbourg: Johann Gruninger 1515) was the first into German and remained the only one until a further translation by Johannes Spreng, the Meistersinger from Augsburg, was published posthumously in 1610. The use of rhyming couplets as the epic metre for the German Aeneid until the early 17th century was not only due to the reprints of Murner’s editio princeps, but also to Spreng’s work, the last edition of which was published in 1629. It was only about 40 years later that this formal pattern was superseded by the alexandrine, better suited to the stylistic requirements of baroque poetics.
{"title":"Virgil’s Aenead in German Verse at the Threshold of the 17th Century (Vergils Aeneis in deutschen Versen an der Wende zum 17. Jahrhundert)","authors":"J. Frick","doi":"10.1163/18796583-04601003","DOIUrl":"https://doi.org/10.1163/18796583-04601003","url":null,"abstract":"Thomas Murner’s translation of Virgil’s Aeneid (Strasbourg: Johann Gruninger 1515) was the first into German and remained the only one until a further translation by Johannes Spreng, the Meistersinger from Augsburg, was published posthumously in 1610. The use of rhyming couplets as the epic metre for the German Aeneid until the early 17th century was not only due to the reprints of Murner’s editio princeps, but also to Spreng’s work, the last edition of which was published in 1629. It was only about 40 years later that this formal pattern was superseded by the alexandrine, better suited to the stylistic requirements of baroque poetics.","PeriodicalId":52008,"journal":{"name":"DAPHNIS-ZEITSCHRIFT FUR MITTLERE DEUTSCHE LITERATUR","volume":"480 1","pages":"112-142"},"PeriodicalIF":0.1,"publicationDate":"2018-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76371386","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-01-01DOI: 10.1163/18796583-04503004
Jan Müller
The dissemination of humanism depends on personal contacts between individuals. In the fourteenth and fifteenth centuries there was an intense exchange between Germany and the Italian universities. German princes recruited administrators, counselors, and diplomats among Italian humanists. Italian teachers of rhetoric or art tried to make their fortunes north of the Alps. Apollon himself and with him the studia humanitatis are imagined as crossing the mountains.
{"title":"'Wandering' Scholars in the Beginning of Printing","authors":"Jan Müller","doi":"10.1163/18796583-04503004","DOIUrl":"https://doi.org/10.1163/18796583-04503004","url":null,"abstract":"The dissemination of humanism depends on personal contacts between individuals. In the fourteenth and fifteenth centuries there was an intense exchange between Germany and the Italian universities. German princes recruited administrators, counselors, and diplomats among Italian humanists. Italian teachers of rhetoric or art tried to make their fortunes north of the Alps. Apollon himself and with him the studia humanitatis are imagined as crossing the mountains.","PeriodicalId":52008,"journal":{"name":"DAPHNIS-ZEITSCHRIFT FUR MITTLERE DEUTSCHE LITERATUR","volume":"509 1","pages":"412-426"},"PeriodicalIF":0.1,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77349625","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2016-10-05DOI: 10.1163/18796583-10000010A
Oliver Bach
The article's interest focusses on the relation of prudent acting and passions of soul in Daniel Casper von Lohenstein's political tragedy Cleopatra (1680). Therefore it explores the early modern discourse around man's fundamental reasonability and a maintained irreducible affectation of the human mind: For the first time, Lohenstein's jurisprudential doctoral thesis On Will (1655) is analysed in detail. Underestimated so far, this source gives a deep insight into contemporary theory of both appetites and affects as well as into its impact on juridical responsibility (imputability) and reason of state.
{"title":"Kluge Leidenschaft? Daniel Caspers von Lohenstein Cleopatra zu Affektenlehre und Staatsräson","authors":"Oliver Bach","doi":"10.1163/18796583-10000010A","DOIUrl":"https://doi.org/10.1163/18796583-10000010A","url":null,"abstract":"The article's interest focusses on the relation of prudent acting and passions of soul in Daniel Casper von Lohenstein's political tragedy Cleopatra (1680). Therefore it explores the early modern discourse around man's fundamental reasonability and a maintained irreducible affectation of the human mind: For the first time, Lohenstein's jurisprudential doctoral thesis On Will (1655) is analysed in detail. Underestimated so far, this source gives a deep insight into contemporary theory of both appetites and affects as well as into its impact on juridical responsibility (imputability) and reason of state.","PeriodicalId":52008,"journal":{"name":"DAPHNIS-ZEITSCHRIFT FUR MITTLERE DEUTSCHE LITERATUR","volume":"4 1","pages":"572-604"},"PeriodicalIF":0.1,"publicationDate":"2016-10-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87808311","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2016-10-05DOI: 10.1163/18796583-10000007
J. Steiniger
Heinrich Bullinger’s 1546 correspondence mentions a pasquil by the Augsburg scholar and poet Six Birck, which the editors identified as Ain neuwer Romischer Pasquillus […]. However, this work is commonly attributed to Martin Schrot, as an analysis of its content and form confirms. To Sixt Birck’s oeuvre, a pasquil can be added now, which has yet to be identified.Bei der Arbeit an der Edition von Heinrich Bullingers Briefwechsel des Jahres 1546 wurde nach einem Pasquill des Augsburger Gelehrten und Dichters Sixt Birck gesucht und die Hypothese aufgestellt, dass es sich dabei um Ain neuwer Romischer Pasquillus […] gehandelt haben konnte. Doch wird dieses Werk gemeinhin Martin Schrot zugeschrieben. Aus inhaltlichen und formalen Grunden ist die Zuweisung dieses Werks an Schrot berechtigt. Dem Schaffen Sixt Bircks ist neu ein Pasquill hinzuzurechnen, uber das jedoch bislang nichts Naheres ermittelt werden konnte.
亨利·布林格1546年对奥格斯伯格负责霍佛财务联合报二因为马丁八分财务#海关人员十分钟前#执行海因里希·布林格在1546年的通信时进行了他俩的笔迹，寻找了奥格伯格家的学者兼诗人Sixt Birck的帕斯于是假设是Ain new wer、罗马帕斯卢普但是这幅著作却通常是马丁•施瓦特的作品。整个的内容和形式是有理由把这个主题作为一个脚本。六分之一的Bircks创造了新的数据加上新的线索不过至今没有发现
{"title":"Die Suche nach einem Pasquill von Sixt Birck bei der Bearbeitung von Heinrich Bullingers Briefwechsel","authors":"J. Steiniger","doi":"10.1163/18796583-10000007","DOIUrl":"https://doi.org/10.1163/18796583-10000007","url":null,"abstract":"Heinrich Bullinger’s 1546 correspondence mentions a pasquil by the Augsburg scholar and poet Six Birck, which the editors identified as Ain neuwer Romischer Pasquillus […]. However, this work is commonly attributed to Martin Schrot, as an analysis of its content and form confirms. To Sixt Birck’s oeuvre, a pasquil can be added now, which has yet to be identified.Bei der Arbeit an der Edition von Heinrich Bullingers Briefwechsel des Jahres 1546 wurde nach einem Pasquill des Augsburger Gelehrten und Dichters Sixt Birck gesucht und die Hypothese aufgestellt, dass es sich dabei um Ain neuwer Romischer Pasquillus […] gehandelt haben konnte. Doch wird dieses Werk gemeinhin Martin Schrot zugeschrieben. Aus inhaltlichen und formalen Grunden ist die Zuweisung dieses Werks an Schrot berechtigt. Dem Schaffen Sixt Bircks ist neu ein Pasquill hinzuzurechnen, uber das jedoch bislang nichts Naheres ermittelt werden konnte.","PeriodicalId":52008,"journal":{"name":"DAPHNIS-ZEITSCHRIFT FUR MITTLERE DEUTSCHE LITERATUR","volume":"60 1","pages":"485-500"},"PeriodicalIF":0.1,"publicationDate":"2016-10-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76096246","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2016-10-05DOI: 10.1163/18796583-10000006
Ulrich Seelbach
The article deals with the lost library of the poet Friedrich von Logau. Although an heir of a handsome collection, which he expanded vigorously, he left to his son no more than a dozen books, which are preserved in the Herzogin Anna Amalia Library at Weimar today – among thousands of new purchases by the son, Balthasar Friedrich von Logau.Der Beitrag spricht uber die verschwundene Bibliothek des Dichters Friedrich von Logau. Obwohl er Erbe einer stattlichen Buchersammlung war, diese selbst nach Kraften vermehrte, hinterlies er seinem Sohn nicht mehr als ein Dutzend Bucher, die heute in der Herzogin Anna Amalia Bibliothek in Weimar – unter Tausenden Neuerwerbungen des Sohnes Balthasar Friedrich von Logau – aufbewahrt werden.
{"title":"Bücher aus der Bibliothek Friedrich von Logaus in Weimar","authors":"Ulrich Seelbach","doi":"10.1163/18796583-10000006","DOIUrl":"https://doi.org/10.1163/18796583-10000006","url":null,"abstract":"The article deals with the lost library of the poet Friedrich von Logau. Although an heir of a handsome collection, which he expanded vigorously, he left to his son no more than a dozen books, which are preserved in the Herzogin Anna Amalia Library at Weimar today – among thousands of new purchases by the son, Balthasar Friedrich von Logau.Der Beitrag spricht uber die verschwundene Bibliothek des Dichters Friedrich von Logau. Obwohl er Erbe einer stattlichen Buchersammlung war, diese selbst nach Kraften vermehrte, hinterlies er seinem Sohn nicht mehr als ein Dutzend Bucher, die heute in der Herzogin Anna Amalia Bibliothek in Weimar – unter Tausenden Neuerwerbungen des Sohnes Balthasar Friedrich von Logau – aufbewahrt werden.","PeriodicalId":52008,"journal":{"name":"DAPHNIS-ZEITSCHRIFT FUR MITTLERE DEUTSCHE LITERATUR","volume":"115 1","pages":"547-571"},"PeriodicalIF":0.1,"publicationDate":"2016-10-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86049128","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2016-09-01DOI: 10.1163/18796583-04403006
A. Keck
During the 17th and 18th century the ‘Hanswurst’ figures as the most prominent fool in plays of travelling theatres in German speaking countries. The following article concentrates on Vienna and its theatrical culture. It conceives the dramatic function of this special fool as an artful intervention that opens up a space of/for cultural and aesthetic negotiations. The author will argue that this ‘playground’ constitutes a culture of popular entertainment, which paradoxically ends at the moment of its instauration.
{"title":"Komische Interventionen: Der Hanswurst und das Wiener Spaßtheater des 17. und 18. Jahrhunderts","authors":"A. Keck","doi":"10.1163/18796583-04403006","DOIUrl":"https://doi.org/10.1163/18796583-04403006","url":null,"abstract":"During the 17th and 18th century the ‘Hanswurst’ figures as the most prominent fool in plays of travelling theatres in German speaking countries. The following article concentrates on Vienna and its theatrical culture. It conceives the dramatic function of this special fool as an artful intervention that opens up a space of/for cultural and aesthetic negotiations. The author will argue that this ‘playground’ constitutes a culture of popular entertainment, which paradoxically ends at the moment of its instauration.","PeriodicalId":52008,"journal":{"name":"DAPHNIS-ZEITSCHRIFT FUR MITTLERE DEUTSCHE LITERATUR","volume":"44 1","pages":"360-373"},"PeriodicalIF":0.1,"publicationDate":"2016-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81430055","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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