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Slave Trade and Abolition: Gender, Commerce, and Economic Transition in Luanda, by Vanessa Oliveira 《奴隶贸易与废除:罗安达的性别、商业和经济转型》,Vanessa Oliveira著
IF 0.7 Q1 Arts and Humanities Pub Date : 2021-10-27 DOI: 10.1163/2405836x-00603008
E. Salas
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引用次数: 1
Response to Jeffrey D. Needell’s Rebuttal 对Jeffrey D. Needell的反驳的回应
IF 0.7 Q1 Arts and Humanities Pub Date : 2021-06-25 DOI: 10.1163/2405836x-00602003
Alain El Youssef
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引用次数: 0
Rebuttal to Allain El Youssef’s Review of The Sacred Cause in JGS 5.3 (2020) 反驳Allain El Youssef在JGS 5.3(2020)中对神圣事业的评论
IF 0.7 Q1 Arts and Humanities Pub Date : 2021-06-25 DOI: 10.1163/2405836x-00602002
J. Needell
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引用次数: 0
Travail forcé dans l’ archipel de São Tomé et Príncipe: les serviçaes, Paris, L’ Harmattan, by Natália Umbelina 强迫劳动中S - o拉群岛 多美正和Pr命令ncipe: serviçaes那样,巴黎 Harmattan, by Nat - lia Umbelina
IF 0.7 Q1 Arts and Humanities Pub Date : 2021-06-25 DOI: 10.1163/2405836x-00602004
Maysa Espíndola Souza
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引用次数: 0
Holding the Whip-Hand 握着鞭子的手
IF 0.7 Q1 Arts and Humanities Pub Date : 2021-01-29 DOI: 10.1163/2405836X-00601007
Natalie A. Zacek
This article examines two female slaveholders, one real and one fictional, to explore the relationship between gender and slave management in both history and popular culture. Annie Palmer, the “White Witch of Rose Hall” plantation in Jamaica, although the creation of folklore and journalistic exaggeration, has functioned for a century and a half as a symbol not only of the evils of slavery but of the idea that female slaveholders’ cruelty threatened the system of slavery in a way in which that practiced by males did not. In New Orleans, Delphine Lalaurie, an elite woman renowned for her elegance and piety, became a figure of monstrosity after a house fire of 1834 revealed that her French Quarter mansion held a chamber of horrors for the enslaved, and offered a similar example of the dangers of female power in slave societies. Examining these women’s continuing presence both as historical figures and as characters in novels, television shows, and other creative productions, this article illuminates the strange career of the slaveholding woman, a figure execrated in her own era and misunderstood or ignored in contemporary historiography, yet simultaneously the subject over centuries of prurient cultural fascination.
本文考察了两位女性奴隶主,一位是真实的,另一位是虚构的,以探讨历史和流行文化中性别与奴隶管理之间的关系。牙买加的“玫瑰厅白女巫”种植园安妮·帕尔默,尽管是民间传说和新闻夸张的产物,但一个半世纪以来,她不仅象征着奴隶制的罪恶,而且象征着女性奴隶主的残忍威胁着奴隶制,而男性却没有。在新奥尔良,以优雅和虔诚著称的精英女性Delphine Lalaurie在1834年的一场房屋火灾后成为了一个怪物,因为她的法国区豪宅为被奴役者提供了一个恐怖的房间,并提供了奴隶社会中女性权力危险的类似例子。本文考察了这些女性作为历史人物和小说、电视节目和其他创意作品中的人物的持续存在,阐明了蓄奴女性的奇怪职业生涯,她在自己的时代被诅咒,在当代史学中被误解或忽视,但同时也是几个世纪以来色情文化魅力的主题。
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引用次数: 0
Learning Slavery at Home 在家学习奴隶制
IF 0.7 Q1 Arts and Humanities Pub Date : 2021-01-29 DOI: 10.1163/2405836X-00601003
Andrea H. Livesey
Since Stephanie Camp wrote of the “rival” geography that enslaved people created on slave labor plantations, few studies outside the field of architectural history have used the built environment as a source to understand the lives of enslaved people and the mindsets of enslavers in the United States. This article takes adolescent outbuildings in Louisiana (garçonnières) as a starting point to understand how white parents taught and reinforced ideas of dominance over both the environment and enslaved people and simultaneously rooted young white sons to a slave labor plantation “home.” Using architectural evidence, alongside testimony left behind by both enslavers and the enslaved, this article argues that by moving young male enslavers out of the main plantation house and into a separate building, white enslaving parents created a “risk space” for sexual violence within the sexualized geography of the slave labor plantation. The garçonnière, with its privacy and age-and gender-specificity, constituted just one space of increased risk for enslaved women on Louisiana slave labor plantations from a violence that was manipulated within the built environment.
自从斯蒂芬妮·坎普(Stephanie Camp)写了奴隶在奴隶劳动种植园上创造的“竞争”地理之后,建筑史领域之外的研究很少将建筑环境作为了解美国奴隶生活和奴隶心态的来源。本文以路易斯安那州(garonni)的青少年附属建筑为出发点,来理解白人父母是如何教导和强化对环境和奴役人民的统治观念,同时将年轻的白人儿子扎根于奴隶劳动种植园的“家”。本文利用建筑证据,以及奴隶主和被奴役者留下的证词,认为通过将年轻的男性奴隶主从主种植园转移到单独的建筑中,白人奴役父母在奴隶劳动种植园的性别化地理中创造了性暴力的“风险空间”。对于路易斯安那州奴隶劳动种植园的被奴役妇女来说,由于其隐私性、年龄和性别的特殊性,garonni只是一个增加风险的空间,这些风险来自于在建成环境中操纵的暴力。
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引用次数: 0
Interview with Hannah Barker 采访汉娜·巴克
IF 0.7 Q1 Arts and Humanities Pub Date : 2020-10-22 DOI: 10.1163/2405836x-00503002
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引用次数: 0
Interview with Fernanda Bretones Lane, Guilherme de Paula Costa Santos, Alain El Youssef 采访费尔南达·布雷托尼斯·莱恩,吉列尔梅·德·保拉·科斯塔·桑托斯,阿兰·艾尔·优素福
IF 0.7 Q1 Arts and Humanities Pub Date : 2020-10-22 DOI: 10.1163/2405836x-00503003
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引用次数: 0
African Slavery in Documentary Films 纪录片中的非洲奴隶制
IF 0.7 Q1 Arts and Humanities Pub Date : 2020-02-28 DOI: 10.1163/2405836x-00501008
Francesca Declich, Marie Rodet
1 A large body of publications has emerged on slavery in the African continent, including among others: Martin A. Klein, “Studying the History of Those Who Would Rather Forget: Oral History and the Experience of Slavery,”History in Africa 16 (1989): 215; Edward A. Alpers, “Recollecting Africa: DiasporicMemory in the IndianOceanWorld,”African Studies Review 43 (1) (2000): 83–99; Rosalind Shaw,Memories of the Slave Trade: Ritual and the Historical Imagination in Sierra Leone (Chicago: University of Chicago Press, 2002); Eric E. Hahonou and Baz Lecocq, “Introduction: Exploring Post-Slavery in Contemporary Africa,” International Journal of African Historical Studies 48, no. 2 (2015): 181–192; Alice Bellagamba, Sandra E. Greene, Martin A. Klein, African Slaves, African Masters. Politics, Memories, Social Life (Trenton NJ: Africa World Press, 2017); Alice Bellagamba. “Yesterday and today. Studying African slavery, the Slave Trade and their Legacies through Oral Sources,” in Alice Bellagamba, Sandra E. Greene, Martin A. Klein, eds., African Voices on Slavery and the Slave Trade. Vol 2: Sources and Methods (Cambridge: Cambridge University Press, 2016), 174–197; Alice Bellagamba. “Living in the shadows of slavery”, OPEN DEMOCRACY (2016) https://www.opendemocracy .net/beyondslavery/alice‐bellagamba/living‐in‐shadows‐of‐slavery, accessed on 10 November 2019; Marie Rodet, “Escaping Slavery and Building Diasporic Communities in French Soudan and Senegal, ca. 1880–1949,” The International Journal of African Historical Studies, 48, no. 2 (2015): 363–386; Marie Rodet, “Listening to the History of ThoseWho Don’t Forget,” History in Africa, 40, no. 1 (2013): 27–29; Francesca Declich. “ ‘A free Woman Could Marry a Slavebecause of Hunger’.Memories of Life in Slavery along theNorthernMozambiqueCoast,” in Bellagamba, Greene, and Klein, eds., African Voices on Slavery and the Slave Trade, 175– 200; Francesca Declich. “ ‘Gendered Narratives,’ History, and Identity: Two Centuries along the Juba River among the Zigula and Shanbara,”History in Africa 22 (1995): 93–122; Francesca Declich, “Shiftingmemories and forcedmigrations: the Somali Zigulamigration toTanzania,” Africa: The Journal of the International African Institute, 88, no. 3 (2018): 539–559; Nicholas
1大量关于非洲大陆奴隶制的出版物已经出现,其中包括:马丁·A·克莱因,“研究那些宁愿忘记的人的历史:口述历史和奴隶制的经历”,《非洲历史》16 (1989):215;Edward A. Alpers,“回忆非洲:印度海洋世界的流散记忆”,《非洲研究评论》第43期(2000):83-99;罗莎琳德·肖:《奴隶贸易的记忆:塞拉利昂的仪式与历史想象》(芝加哥:芝加哥大学出版社,2002年);Eric E. Hahonou, Baz Lecocq,“引言:探索当代非洲的后奴隶制”,《国际非洲历史研究杂志》,第48期。2 (2015): 181-192;爱丽丝·贝拉甘巴,桑德拉·e·格林,马丁·a·克莱因,非洲奴隶,非洲主人。政治,记忆,社会生活(新泽西州特伦顿:非洲世界出版社,2017);爱丽丝Bellagamba。“昨天和今天。《通过口述资源研究非洲奴隶制、奴隶贸易及其遗产》,艾丽斯·贝拉甘巴、桑德拉·e·格林、马丁·a·克莱因编。,《非洲之声:奴隶制和奴隶贸易》。第2卷:来源和方法(剑桥:剑桥大学出版社,2016),174-197;爱丽丝Bellagamba。“生活在奴隶制的阴影中”,《开放民主》(2016)https://www.opendemocracy . .net/beyondslavery/alice - bellagamba/生活在奴隶制的阴影中,于2019年11月10日访问;Marie Rodet,《逃离奴隶制和在法属苏丹和塞内加尔建立散居社区,约1880-1949》,《国际非洲历史研究杂志》,第48期。2 (2015): 363-386;Marie Rodet,“倾听那些不忘的人的历史”,非洲历史,40,no。1 (2013): 27-29;弗朗西斯卡Declich。"一个自由的女人可以因为饥饿而嫁给一个奴隶"《莫桑比克北部海岸奴隶制生活的记忆》,贝拉甘巴、格林和克莱因主编。《关于奴隶制和奴隶贸易的非洲之声》,175 - 2000年;弗朗西斯卡Declich。“性别叙事”、历史与身份:朱巴河沿岸的两个世纪,在Zigula和Shanbara之间”,《非洲历史》22 (1995):93-122;弗朗西斯卡·德克里奇,“记忆的转移和被迫迁移:索马里的zigulu移民到坦桑尼亚”,《非洲:国际非洲研究所杂志》,88年,第2期。3 (2018): 539-559;尼古拉斯
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引用次数: 1
Documenting the History of Slavery on Film in Kayes, Mali 在马里凯耶斯用电影记录奴隶制历史
IF 0.7 Q1 Arts and Humanities Pub Date : 2020-02-28 DOI: 10.1163/2405836x-00501009
Marie Rodet
In 2010 I filmed descendants of formerly enslaved populations in Kayes narrating the history of their ancestors and the realities of internal slavery in West Africa. The result was a 23-minute documentary film entitled “The Diambourou: Slavery and Emancipation in Kayes—Mali,” which was released in 2014. The film was as much responding to specific historiographical questions in the field as a tool of research action to raise awareness among younger generations and to fight legacies of social discrimination today. With the exactions perpetuated against descendants of formerly enslaved populations in the Kayes region since 2018, the film, via its access-free online version, has experienced a second life as an anti-slavery activist medium, helping to bridge the gap between endogenous historical fighting against slavery and contemporary anti-slavery activism in the Soninke diaspora.
2010年,我在凯耶斯拍摄了以前被奴役人口的后代,讲述他们祖先的历史和西非内部奴隶制的现实。结果是一部23分钟的纪录片《响尾蛇:马里凯耶斯的奴隶制和解放》于2014年上映。这部电影既是对该领域特定历史问题的回应,也是提高年轻一代意识和对抗当今社会歧视遗留问题的研究行动工具。自2018年以来,凯耶斯地区对以前被奴役人口的后代的勒索行为一直存在,这部电影通过其免费在线版本,体验了作为反奴隶制活动家媒介的第二次生命,有助于弥合Soninke侨民中反对奴隶制的内生历史斗争和当代反奴隶制活动家之间的差距。
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Journal of Global Slavery
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