A partir de marzo de 2020 fue declarado en Colombia el estado de emergencia sanitaria a raíz de la pandemia de covid-19. El presente artículo propone una mirada crítica del rol que puede jugar el arte en contextos de aislamiento y distanciamiento social. Primero, se pregunta por la capacidad que tienen las imágenes de tejer un sentido de comunidad y de incitar a la acción cuando los cuerpos no pueden ocupar la calle. Posteriormente, considera el caso de las proyecciones caseras, en particular las del grupo La Nueva Banda de la Terraza, en Medellín, y su uso del lenguaje y la imagen luminosa como instrumento de protesta.Alternate : Starting in March 2020 a state of sanitary emergency was declared in Colombia as a result of the Covid-19 pandemic. This article proposes a critical look at the role that art can play in contexts of isolation and social distancing. First, it questions the capacity of images to weave a sense of community and incite action when bodies cannot occupy the street. Subsequently, it considers the case of home projections, particularly those of the group La Nueva Banda de la Terraza, in Medellín, and their use of luminous language and images as a means of protest.Alternate : Desde março de 2020, em Colômbia se declarou um estado de emergência sanitária pela pandemia de COVID-19. Este artigo propõe uma olhada crítica ao rol da arte em contextos de isolamento social. Primeiro, pesquisa a capacidade que têm as imagens para tecer um sentido de comunidade e para estimular a ação quando os corpos não podem estar na rua. Logo, considera o caso das projeções feitas em casa, em particular as do grupo La Nueva Banda dela Terraza da cidade de Medellín, e o seu uso da linguagem como instrumento de protesta.
自2020年3月起，哥伦比亚因covid-19大流行宣布进入卫生紧急状态。这篇文章提出了一个批判性的观点，艺术可以在孤立和社会距离的背景下发挥作用。首先，当身体不能占据街道时，它质疑图像编织社区意识和煽动行动的能力。随后，她考虑了家庭投影的案例，特别是medellin的La Nueva Banda de La Terraza，以及他们使用语言和发光图像作为抗议的工具。替代方案:从2020年3月开始，由于Covid-19大流行，哥伦比亚宣布进入卫生紧急状态。本文批判性地审视了艺术在孤立和社会距离的背景下所能发挥的作用。首先，它质疑图像编织社区意识的能力，并在身体无法占据街道的情况下煽动行动。随后，它考虑了家庭投影的案例，特别是medellin中的La Nueva Banda de La Terraza，以及他们使用发光的语言和图像作为抗议的手段。备选方案:自2020年3月以来，哥伦比亚因COVID-19大流行宣布进入卫生紧急状态。本文对艺术在社会孤立语境中的作用进行了批判性的审视。首先，研究图像编织社区意识和刺激行动的能力，当身体不能在街上。因此，它考虑了在家里制作的项目，特别是medellin市La Nueva Banda dela Terraza团体的项目，以及他们使用语言作为抗议工具。
{"title":"Resistirse a mirar en otra dirección: Mensajes luminosos en épocas de distanciamiento social","authors":"Nicole Cartier Barrera","doi":"10.25025/hart11.2022.07","DOIUrl":"https://doi.org/10.25025/hart11.2022.07","url":null,"abstract":"A partir de marzo de 2020 fue declarado en Colombia el estado de emergencia sanitaria a raíz de la pandemia de covid-19. El presente artículo propone una mirada crítica del rol que puede jugar el arte en contextos de aislamiento y distanciamiento social. Primero, se pregunta por la capacidad que tienen las imágenes de tejer un sentido de comunidad y de incitar a la acción cuando los cuerpos no pueden ocupar la calle. Posteriormente, considera el caso de las proyecciones caseras, en particular las del grupo La Nueva Banda de la Terraza, en Medellín, y su uso del lenguaje y la imagen luminosa como instrumento de protesta.Alternate : Starting in March 2020 a state of sanitary emergency was declared in Colombia as a result of the Covid-19 pandemic. This article proposes a critical look at the role that art can play in contexts of isolation and social distancing. First, it questions the capacity of images to weave a sense of community and incite action when bodies cannot occupy the street. Subsequently, it considers the case of home projections, particularly those of the group La Nueva Banda de la Terraza, in Medellín, and their use of luminous language and images as a means of protest.Alternate : Desde março de 2020, em Colômbia se declarou um estado de emergência sanitária pela pandemia de COVID-19. Este artigo propõe uma olhada crítica ao rol da arte em contextos de isolamento social. Primeiro, pesquisa a capacidade que têm as imagens para tecer um sentido de comunidade e para estimular a ação quando os corpos não podem estar na rua. Logo, considera o caso das projeções feitas em casa, em particular as do grupo La Nueva Banda dela Terraza da cidade de Medellín, e o seu uso da linguagem como instrumento de protesta.","PeriodicalId":52912,"journal":{"name":"Hart","volume":"14 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85847313","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Monuments of Dissidence: 3D Models of the Social Unrest in Chile by the Artist Collective Antes del Olvido","authors":"Matthias Johannes Pfaller Schmid","doi":"10.25025/hart11.2022.08","DOIUrl":"https://doi.org/10.25025/hart11.2022.08","url":null,"abstract":"","PeriodicalId":52912,"journal":{"name":"Hart","volume":"70 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84123390","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Entrevista a Maria Margarita Jimenez Villalta","authors":"","doi":"10.25025/hart11.2022.11","DOIUrl":"https://doi.org/10.25025/hart11.2022.11","url":null,"abstract":"","PeriodicalId":52912,"journal":{"name":"Hart","volume":"31 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85485359","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reclaiming the Landscape as a Common Good in Urbanized Belgium: The Protest Happening Raveel op de Leie Situated in the Socio-Political Context of the Belgian 1960s and 1970s","authors":"Senne Schraeyen","doi":"10.25025/hart11.2022.04","DOIUrl":"https://doi.org/10.25025/hart11.2022.04","url":null,"abstract":"","PeriodicalId":52912,"journal":{"name":"Hart","volume":"32 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83165038","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Se prefiere siempre el sello de París”: Las artes decorativas en la Exposición Internacional del Centenario en Argentina, 1910","authors":"Larisa Mantovani","doi":"10.25025/hart10.2022.08","DOIUrl":"https://doi.org/10.25025/hart10.2022.08","url":null,"abstract":"","PeriodicalId":52912,"journal":{"name":"Hart","volume":"141 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78274937","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Granizal: de desplazamientos, representaciones y archivos","authors":"Luis Eduardo Serna","doi":"10.25025/hart10.2022.09","DOIUrl":"https://doi.org/10.25025/hart10.2022.09","url":null,"abstract":"","PeriodicalId":52912,"journal":{"name":"Hart","volume":"6 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75825484","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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