{"title":"Valores y estrategias de museo en la calle","authors":"Nydia Gutiérrez","doi":"10.25025/hart13.2023.09","DOIUrl":"https://doi.org/10.25025/hart13.2023.09","url":null,"abstract":"","PeriodicalId":52912,"journal":{"name":"Hart","volume":"7 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86135080","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La pintura de paisaje de la Escuela de la Sabana: ¿una entrada a la modernidad pictórica en el arte colombiano o la naturalización de un paisaje cultural?","authors":"Ricardo Malagón Gutiérrez","doi":"10.25025/hart13.2023.05","DOIUrl":"https://doi.org/10.25025/hart13.2023.05","url":null,"abstract":"","PeriodicalId":52912,"journal":{"name":"Hart","volume":"14 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74780919","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La campaña de los yesos: Compras de calcos escultóricos de Eduardo Schiaffino para el Museo Nacional de Bellas Artes de Buenos Aires (1903-1906)","authors":"Milena Gallipoli","doi":"10.25025/hart13.2023.02","DOIUrl":"https://doi.org/10.25025/hart13.2023.02","url":null,"abstract":"","PeriodicalId":52912,"journal":{"name":"Hart","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89695436","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
: The aim of this work is to reflect on the appropriations and redefinitions of visual culture studies in Argentina. In order to do so I first attempt to define the concepts of visual studies and visual culture , and trace exchanges and debates in the international academic field; I then focus on local developments and experiences. In this way I seek to understand the particularities of Argentine art histo-riography, characterized by interdisciplinarity and a strong political position. The image as a socially, historically, and geographically constituted fact becomes a core element of the field’s internal disputes, while denoting a constant attention to the position of the discipline in society
{"title":"Estudios visuales: trayectorias globales y recepciones locales en la historiografía del arte argentino","authors":"Ana Bonelli Zapata","doi":"10.25025/hart13.2023.06","DOIUrl":"https://doi.org/10.25025/hart13.2023.06","url":null,"abstract":": The aim of this work is to reflect on the appropriations and redefinitions of visual culture studies in Argentina. In order to do so I first attempt to define the concepts of visual studies and visual culture , and trace exchanges and debates in the international academic field; I then focus on local developments and experiences. In this way I seek to understand the particularities of Argentine art histo-riography, characterized by interdisciplinarity and a strong political position. The image as a socially, historically, and geographically constituted fact becomes a core element of the field’s internal disputes, while denoting a constant attention to the position of the discipline in society","PeriodicalId":52912,"journal":{"name":"Hart","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88996997","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Juan Pablo Echeverri y la escurridiza búsqueda de la identidad","authors":"Ana María Lozano","doi":"10.25025/hart13.2023.10","DOIUrl":"https://doi.org/10.25025/hart13.2023.10","url":null,"abstract":"","PeriodicalId":52912,"journal":{"name":"Hart","volume":"43 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88584751","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Todos los santos son muertos (1989-1993): carnavalización y santidad en Nelson Garrido","authors":"Fabiola Velasco","doi":"10.25025/hart13.2023.04","DOIUrl":"https://doi.org/10.25025/hart13.2023.04","url":null,"abstract":"","PeriodicalId":52912,"journal":{"name":"Hart","volume":"12 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76862359","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
: Under the presidency of Rafael Reyes, Colombia headed towards a process of urban and industrial modernization that included the educational reform of 1903-4. The re-form sought to strengthen technical education through the creation of institutes devoted to industrial instruction. Andrés Santa María, then dean of the School of Fine Arts, was called upon to implement the proposal to promote studies in applied arts in that institution
{"title":"Andrés Santa María entre las artes aplicadas y las bellas artes (1904-1911)","authors":"Ruth Acuña","doi":"10.25025/hart13.2023.03","DOIUrl":"https://doi.org/10.25025/hart13.2023.03","url":null,"abstract":": Under the presidency of Rafael Reyes, Colombia headed towards a process of urban and industrial modernization that included the educational reform of 1903-4. The re-form sought to strengthen technical education through the creation of institutes devoted to industrial instruction. Andrés Santa María, then dean of the School of Fine Arts, was called upon to implement the proposal to promote studies in applied arts in that institution","PeriodicalId":52912,"journal":{"name":"Hart","volume":"38 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89196962","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
: The article offers an account of Raquel Tibol’s art criticism in the context of Latin American narratives during the 1960s and 1970s. The study examines the political and aesthetic shifts, the tensions between form and content, and the importance of the political in the visual interpretations of the period. The aim is to place Raquel Tibol’s art criticism in dialogue with her contemporar-ies in light of the emergence of the new Latin American left in order to determine the discursive nuances that emerged between theory and practice
{"title":"Narrativas estético-políticas críticas durante la Guerra Fría: el caso de Raquel Tibol","authors":"Ana María Torres","doi":"10.25025/hart13.2023.07","DOIUrl":"https://doi.org/10.25025/hart13.2023.07","url":null,"abstract":": The article offers an account of Raquel Tibol’s art criticism in the context of Latin American narratives during the 1960s and 1970s. The study examines the political and aesthetic shifts, the tensions between form and content, and the importance of the political in the visual interpretations of the period. The aim is to place Raquel Tibol’s art criticism in dialogue with her contemporar-ies in light of the emergence of the new Latin American left in order to determine the discursive nuances that emerged between theory and practice","PeriodicalId":52912,"journal":{"name":"Hart","volume":"16 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82029244","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Deus ex Poiesis: A Manifesto for the End of the World and the Future of Art and Technology","authors":"E. Shanken","doi":"10.25025/hart12.2022.03","DOIUrl":"https://doi.org/10.25025/hart12.2022.03","url":null,"abstract":"","PeriodicalId":52912,"journal":{"name":"Hart","volume":"24 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73388608","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Artes tecnológicas contemporáneas: Tensiones teóricas, metodológicas e historiográficas en las fronteras del canon","authors":"Jazmín Adler, Nàdia Martín","doi":"10.25025/hart12.2022.02","DOIUrl":"https://doi.org/10.25025/hart12.2022.02","url":null,"abstract":"","PeriodicalId":52912,"journal":{"name":"Hart","volume":"207 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76967816","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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