The recent “digital turn” in archaeology has driven methodological advances and opened new research avenues, with wide ranging impacts at multiple scales. The proliferation of methods such as 3D imaging, remote sensing, laser scanning and photogrammetry has led to the datafication of archaeology [Caraher 2016: 467, Mayer-Schönberger et al. 2013: 73]. This process is most evident in research on digital surveying, data visualization, digital archiving, mapping, and image processing, which prioritize the creation and manipulation of large digital datasets. These research avenues often generate more intellectual traffic than “slow archaeology” routes [Caraher 2016], which adopt a reflexive approach to knowledge production, embrace the inherent complexity of digital datasets, emphasize craft modes of archaeological documentation [Perry 2015], and “highlight the value of small and properly contextualized data” [Kansa 2016: 466]. Confronting the growing tension between big data and slow archaeology will be an iterative process. It will evolve as researchers and other stakeholder groups assess the value of digital approaches to preserving, communicating, and interpreting the past as it relates to the present. This special issue of Studies in Digital Heritage is the outcome of a symposium at the 2018 Society for American Archaeology (SAA) conference in Washington, D.C., entitled “Digital Heritage Technologies, Applications, and Impacts.” The articles within contribute to this dialogue by critically assessing the challenges and successes of recent digital heritage projects in museums, teaching and fieldwork contexts.
{"title":"A Roadmap to Applied Digital Heritage","authors":"Laura K. Harrison","doi":"10.14434/sdh.v3i1.27552","DOIUrl":"https://doi.org/10.14434/sdh.v3i1.27552","url":null,"abstract":"\u0000The recent “digital turn” in archaeology has driven methodological advances and opened new research avenues, with wide ranging impacts at multiple scales. The proliferation of methods such as 3D imaging, remote sensing, laser scanning and photogrammetry has led to the datafication of archaeology [Caraher 2016: 467, Mayer-Schönberger et al. 2013: 73]. This process is most evident in research on digital surveying, data visualization, digital archiving, mapping, and image processing, which prioritize the creation and manipulation of large digital datasets. These research avenues often generate more intellectual traffic than “slow archaeology” routes [Caraher 2016], which adopt a reflexive approach to knowledge production, embrace the inherent complexity of digital datasets, emphasize craft modes of archaeological documentation [Perry 2015], and “highlight the value of small and properly contextualized data” [Kansa 2016: 466]. Confronting the growing tension between big data and slow archaeology will be an iterative process. It will evolve as researchers and other stakeholder groups assess the value of digital approaches to preserving, communicating, and interpreting the past as it relates to the present. This special issue of Studies in Digital Heritage is the outcome of a symposium at the 2018 Society for American Archaeology (SAA) conference in Washington, D.C., entitled “Digital Heritage Technologies, Applications, and Impacts.” The articles within contribute to this dialogue by critically assessing the challenges and successes of recent digital heritage projects in museums, teaching and fieldwork contexts. \u0000","PeriodicalId":52934,"journal":{"name":"Studies in Digital Heritage","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43330867","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The rise of new technologies in the twenty-first century is accompanied by challenges in arts preservation that underscore the need to constantly adapt to new ways of approaching preservation issues. This article investigates the problems in preserving digitally-born cultural heritage and explores the connections between digital cultural heritage and preservation of digitally-born artwork. At the core of this study is the question of how to deal with and preserve digital cultural heritage in the changing world of technology, following a case study model with an emphasis on practical research. The results suggest that while the importance of preventing damage is crucial, further investigations are needed in order to fully treat issues concerning the accurate representation of the artist's intention.
{"title":"Artistic Concerns in Preservation","authors":"Beatriz Albuquerque","doi":"10.14434/sdh.v3i1.25935","DOIUrl":"https://doi.org/10.14434/sdh.v3i1.25935","url":null,"abstract":"\u0000The rise of new technologies in the twenty-first century is accompanied by challenges in arts preservation that underscore the need to constantly adapt to new ways of approaching preservation issues. This article investigates the problems in preserving digitally-born cultural heritage and explores the connections between digital cultural heritage and preservation of digitally-born artwork. At the core of this study is the question of how to deal with and preserve digital cultural heritage in the changing world of technology, following a case study model with an emphasis on practical research. The results suggest that while the importance of preventing damage is crucial, further investigations are needed in order to fully treat issues concerning the accurate representation of the artist's intention. \u0000","PeriodicalId":52934,"journal":{"name":"Studies in Digital Heritage","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47282958","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
M. Katsianis, Stamatina Lampraki, A. Theocharaki, M. Pigaki, Leda Costaki, Evantia Papaefthimiou
The fortifications of Athens have been a recurrent theme of archaeological investigation. In the past two centuries, parts of the walls have been located during rescue interventions at numerous sites in the urban fabric. At present, the visibility of the entire monument remains rather low as the traces of the walls are hidden beneath the modern city, marginalized within larger archaeological sites or preserved entirely by record. Despite the high level of scholarly work devoted to synthesize the available material, the volume of information accumulated over the years requires a novel approach that would systematize different types of evidence using digital media. In this respect, we attempt to revisit the city walls of Athens through the use of geospatial technologies. We target the informed development of an efficient GIS platform to record, store, integrate, explore and eventually disseminate resources on the Athenian fortifications. Our research employs published and archival sources (e.g. excavation drawings) in combination with historical maps (e.g. early cadastral maps, first maps of modern Athens) and complementary historical evidence (e.g. writings, illustrations, photography) to locate, document and integrate in space and time available data on lost and surviving fortification remains.
{"title":"Reconnecting a Fragmented Monument through Digital Mapping: The City Walls of Athens","authors":"M. Katsianis, Stamatina Lampraki, A. Theocharaki, M. Pigaki, Leda Costaki, Evantia Papaefthimiou","doi":"10.14434/SDH.V2I2.24440","DOIUrl":"https://doi.org/10.14434/SDH.V2I2.24440","url":null,"abstract":"The fortifications of Athens have been a recurrent theme of archaeological investigation. In the past two centuries, parts of the walls have been located during rescue interventions at numerous sites in the urban fabric. At present, the visibility of the entire monument remains rather low as the traces of the walls are hidden beneath the modern city, marginalized within larger archaeological sites or preserved entirely by record. Despite the high level of scholarly work devoted to synthesize the available material, the volume of information accumulated over the years requires a novel approach that would systematize different types of evidence using digital media. In this respect, we attempt to revisit the city walls of Athens through the use of geospatial technologies. We target the informed development of an efficient GIS platform to record, store, integrate, explore and eventually disseminate resources on the Athenian fortifications. Our research employs published and archival sources (e.g. excavation drawings) in combination with historical maps (e.g. early cadastral maps, first maps of modern Athens) and complementary historical evidence (e.g. writings, illustrations, photography) to locate, document and integrate in space and time available data on lost and surviving fortification remains.","PeriodicalId":52934,"journal":{"name":"Studies in Digital Heritage","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-04-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47204451","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
High density remote survey technologies have become widespread practices. In recent years, we have seen a tenfold increase in volume of digital data acquired. Beyond this sheer amount of data, multimodal three-dimensional data exploitation has become another common challenge for specialists. The Aspectus project aims to ease the access to complex three-dimensional data and to promote collaborative work and remote expert assessment. Thus, we can get past the problem of distance and availability of the “object of expertise”, ranging from cultural heritage sites to artefacts. By extension, it enables us to circumvent the ever-present problem of destruction. Aspectus takes advantage of available open source solutions to produce a flexible web-based visualization and collaboration tool. After an overview of the theoretical framework and its technical implementation, we will discuss a practical application as part of the “Bibracte Numérique” project.
{"title":"Aspectus: A Flexible Collaboration Tool for Multimodal and Multiscalar 3D Data Exploitation","authors":"Damien Vurpillot, Quentin Verriez, M. Thivet","doi":"10.14434/SDH.V2I2.24446","DOIUrl":"https://doi.org/10.14434/SDH.V2I2.24446","url":null,"abstract":"\u0000High density remote survey technologies have become widespread practices. In recent years, we have seen a tenfold increase in volume of digital data acquired. Beyond this sheer amount of data, multimodal three-dimensional data exploitation has become another common challenge for specialists. The Aspectus project aims to ease the access to complex three-dimensional data and to promote collaborative work and remote expert assessment. Thus, we can get past the problem of distance and availability of the “object of expertise”, ranging from cultural heritage sites to artefacts. By extension, it enables us to circumvent the ever-present problem of destruction. Aspectus takes advantage of available open source solutions to produce a flexible web-based visualization and collaboration tool. After an overview of the theoretical framework and its technical implementation, we will discuss a practical application as part of the “Bibracte Numérique” project. \u0000","PeriodicalId":52934,"journal":{"name":"Studies in Digital Heritage","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-04-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46952267","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Perla Gianni Falvo, Giovanni Valeri Manera, Joel Zoss
Daniel Goleman, best known for his worldwide bestseller “Emotional Intelligence,” is most recently co-author of “Altered Traits: Science Reveals How Meditation Changes Your Mind, Brain and Body.” A meditator since his college days, Goleman has spent two years in India, first as a Harvard Predoctoral Traveling Fellow and then again on a Post-Doctoral Fellowship. Dr. Goleman’s first book, “The Meditative Mind: The Varieties of Meditative Experience,” is written on the basis of that research, offering an overview of various meditation paths. Goleman has moderated several Mind and Life dialogues between the Dalai Lama and scientists, ranging from topics such as “Emotions and Health” to “Environment, Ethics and Interdependence.” Goleman’s 2014 book, “A Force for Good: The Dalai Lama's Vision for Our World,” combines the Dalai Lama’s key teachings, empirical evidence, and true accounts of people putting his lessons into practice, offering readers guidance for making the world a better place. Having worked with leaders, teachers, and groups around the globe, Daniel Goleman has transformed the way the world educates children, relates to family and friends, and conducts business.
丹尼尔·戈尔曼以其全球畅销书《情商》而闻名，他最近与人合著了《改变的特质:科学揭示冥想如何改变你的思想、大脑和身体》一书。戈尔曼从大学时代起就是一名冥想者，他在印度待了两年，先是作为哈佛大学博士预科旅行研究员，然后又获得了博士后奖学金。戈尔曼博士的第一本书《冥想的心灵:冥想体验的多样性》(The meditation Mind: The Varieties of meditation Experience)就是在这项研究的基础上写成的，概述了各种冥想途径。戈尔曼主持了几次达赖喇嘛与科学家之间的心灵与生命对话，主题从“情感与健康”到“环境、伦理与相互依存”。戈尔曼2014年出版的《善的力量:达赖喇嘛对我们世界的愿景》一书，结合了达赖喇嘛的主要教义、经验证据和人们将他的课程付诸实践的真实描述，为读者提供了让世界变得更美好的指导。丹尼尔·戈尔曼与世界各地的领导者、教师和团体合作，改变了世界教育儿童、与家人和朋友相处以及经营商业的方式。
{"title":"Conversation with Daniel Goleman about the relationship between the person viewing art and the art itself","authors":"Perla Gianni Falvo, Giovanni Valeri Manera, Joel Zoss","doi":"10.14434/SDH.V2I1.26872","DOIUrl":"https://doi.org/10.14434/SDH.V2I1.26872","url":null,"abstract":"Daniel Goleman, best known for his worldwide bestseller “Emotional Intelligence,” is most recently co-author of “Altered Traits: Science Reveals How Meditation Changes Your Mind, Brain and Body.” A meditator since his college days, Goleman has spent two years in India, first as a Harvard Predoctoral Traveling Fellow and then again on a Post-Doctoral Fellowship. Dr. Goleman’s first book, “The Meditative Mind: The Varieties of Meditative Experience,” is written on the basis of that research, offering an overview of various meditation paths. Goleman has moderated several Mind and Life dialogues between the Dalai Lama and scientists, ranging from topics such as “Emotions and Health” to “Environment, Ethics and Interdependence.” Goleman’s 2014 book, “A Force for Good: The Dalai Lama's Vision for Our World,” combines the Dalai Lama’s key teachings, empirical evidence, and true accounts of people putting his lessons into practice, offering readers guidance for making the world a better place. Having worked with leaders, teachers, and groups around the globe, Daniel Goleman has transformed the way the world educates children, relates to family and friends, and conducts business.","PeriodicalId":52934,"journal":{"name":"Studies in Digital Heritage","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-02-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47427832","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
“In the mirror of the Wonder of Luca Giordano” was a multi-sensorial experience created in the gallery frescoed by Luca Giordano in Palazzo Medici Riccardi, in Florence; the project involved different disciplines and researchers. The entire experience was subjected to an impact analysis, combining principally psycho-physiological, qualitative psychological and neuro-physiological aspects. In most of the visitors who participated in the study the experience evoked a sense of pleasure, enjoyment, relaxation, lightness, space-time suspension, involvement and immersiveness. In many of the visitors, the devices detected changes in heartbeat with a stastically significant decrease in blood pressure and heart rate, demontrating that the impact of artwork in a multi-sensorial experience and in an augmented perception environment is a psycho-somatic impact. Our experience suggests that projects such as "In the mirror of the Wonder of Luca Giordano" could be a very useful tool for cultivating emotional intelligence and could be developed in museums alongside the more classical paths of fruition.
“在卢卡·佐丹奴奇迹的镜子里”是卢卡·佐丹奴在佛罗伦萨美第奇宫(Palazzo Medici Riccardi)的画廊壁画中创造的多重感官体验;该项目涉及不同学科和研究人员。对整个经历进行了影响分析，主要结合心理生理、定性心理和神经生理方面。在大多数参与研究的参观者中，这种体验唤起了愉悦、享受、放松、轻盈、时空悬浮、参与和沉浸感。在许多参观者中，这些设备检测到心跳的变化，血压和心率在统计学上显著下降，这表明艺术品在多感官体验和增强感知环境中的影响是一种身心影响。我们的经验表明，像“在卢卡·佐丹奴奇迹的镜子里”这样的项目可能是培养情商的一个非常有用的工具，可以在博物馆里与更经典的成果之路一起发展。
{"title":"Multidisciplinary Psychosomatic Assessment for UX Design Evaluation","authors":"A. Bonacchi, A. Ferrari, L. Camilleri, F. Chiesi","doi":"10.14434/sdh.v2i1.25652","DOIUrl":"https://doi.org/10.14434/sdh.v2i1.25652","url":null,"abstract":"“In the mirror of the Wonder of Luca Giordano” was a multi-sensorial experience created in the gallery frescoed by Luca Giordano in Palazzo Medici Riccardi, in Florence; the project involved different disciplines and researchers. The entire experience was subjected to an impact analysis, combining principally psycho-physiological, qualitative psychological and neuro-physiological aspects. In most of the visitors who participated in the study the experience evoked a sense of pleasure, enjoyment, relaxation, lightness, space-time suspension, involvement and immersiveness. In many of the visitors, the devices detected changes in heartbeat with a stastically significant decrease in blood pressure and heart rate, demontrating that the impact of artwork in a multi-sensorial experience and in an augmented perception environment is a psycho-somatic impact. Our experience suggests that projects such as \"In the mirror of the Wonder of Luca Giordano\" could be a very useful tool for cultivating emotional intelligence and could be developed in museums alongside the more classical paths of fruition.","PeriodicalId":52934,"journal":{"name":"Studies in Digital Heritage","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-02-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47041886","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Francesco Antinucci has been Research Director of the Cognitive Sciences and Technologies Institute of the Italian National Research Council (CNR). He has developed part of his researches in the United States, at the Department of Psychology of the University of California at Berkley, at the School of Information Studies of the same university, and at the Palo Alto Research Center (PARC) by Xerox. He has worked with new technologies from their earliest stages, developing several multimedia and virtual reality applications.
Francesco Antinucci是意大利国家研究委员会(CNR)认知科学与技术研究所的研究主任。他的部分研究是在美国加州大学伯克利分校心理学系、该校信息研究学院和施乐公司帕洛阿尔托研究中心(PARC)进行的。他从新技术的早期阶段就参与其中，开发了几个多媒体和虚拟现实应用程序。
{"title":"Conversation with Francesco Antinucci about cognitive science and aesthetic perception","authors":"Perla Gianni Falvo","doi":"10.14434/sdh.v2i1.27924","DOIUrl":"https://doi.org/10.14434/sdh.v2i1.27924","url":null,"abstract":"Francesco Antinucci has been Research Director of the Cognitive Sciences and Technologies Institute of the Italian National Research Council (CNR). He has developed part of his researches in the United States, at the Department of Psychology of the University of California at Berkley, at the School of Information Studies of the same university, and at the Palo Alto Research Center (PARC) by Xerox. He has worked with new technologies from their earliest stages, developing several multimedia and virtual reality applications.","PeriodicalId":52934,"journal":{"name":"Studies in Digital Heritage","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46871078","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
J. Bruschke, Ferdinand Maiwald, S. Münster, Florian Niebling
Many institutions archive historical images of architecture in urban areas and make them available to scholars and the general public through online platforms. Users can explore these often huge repositories by faceted browsing or keyword-based searching. Metadata that enable these kinds of investigations, however, are often incomplete, imprecise, or even wrong. Thus, retrieving images of interest can be a cumbersome task for users such as art and architectural historians trying to answer their research questions. Many of these images, often containing historic buildings and landscapes, can be oriented spatially using automatic methods such as “structure from motion” (SfM). Providing spatially and temporally oriented images of urban architecture, in combination with advanced searching and exploration techniques, offers new potential in supporting historians in their research. We are developing a 3D web environment useful to historians enabling them to search and access historic photographic images in a spatial context. Related projects use 2D maps, showing only a planar view of the current urban situation. In this paper, we present an approach to create interactive views of 4D city models, i.e., 3D spatial models that show changes over time, to provide a better understanding of the urban building situation regarding the photographer’s position and surroundings. A major feature of the application is to make it possible to spatially align 3D reconstruction models to photogrammetric digitized models based on historical photographs. At the same time, this mixed methods approach is used for validation of the 3D reconstructions.
{"title":"Browsing and Experiencing Repositories of Spatially Oriented Historic Photographic Images","authors":"J. Bruschke, Ferdinand Maiwald, S. Münster, Florian Niebling","doi":"10.14434/SDH.V2I2.24460","DOIUrl":"https://doi.org/10.14434/SDH.V2I2.24460","url":null,"abstract":"Many institutions archive historical images of architecture in urban areas and make them available to scholars and the general public through online platforms. Users can explore these often huge repositories by faceted browsing or keyword-based searching. Metadata that enable these kinds of investigations, however, are often incomplete, imprecise, or even wrong. Thus, retrieving images of interest can be a cumbersome task for users such as art and architectural historians trying to answer their research questions. Many of these images, often containing historic buildings and landscapes, can be oriented spatially using automatic methods such as “structure from motion” (SfM). Providing spatially and temporally oriented images of urban architecture, in combination with advanced searching and exploration techniques, offers new potential in supporting historians in their research. We are developing a 3D web environment useful to historians enabling them to search and access historic photographic images in a spatial context. Related projects use 2D maps, showing only a planar view of the current urban situation. In this paper, we present an approach to create interactive views of 4D city models, i.e., 3D spatial models that show changes over time, to provide a better understanding of the urban building situation regarding the photographer’s position and surroundings. A major feature of the application is to make it possible to spatially align 3D reconstruction models to photogrammetric digitized models based on historical photographs. At the same time, this mixed methods approach is used for validation of the 3D reconstructions.","PeriodicalId":52934,"journal":{"name":"Studies in Digital Heritage","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48394753","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper presents a methodological contribution in the field of the archaeological restitution’s process. This latter is based on virtual anastylosis, which concerns the reconstruction of fragments of the ruins of the nameless Temple of Tipasa in Algeria. We have to mention that our work focused more particularly on the virtual restitution of the three access doors of the sacred courtyard of the temple. Here, we have found many fragments including the voussoirs, which were revealed during the excavation work, encouraging the proposition of our hypothesis on the initial state of the temple. The protocol followed is based on the photogrammetric survey of the blocks which has allowed us to generate 3d models of the elements constituting the entrance facade to the sacred courtyard. The historical documentation as well as the architectural treatises made it possible to fill the gaps with the aim of communicating the most relevant image of our temple. The main objective of the research was to provide a corpus of data in 2d and 3d of all the blocks which has served, at first the documentation and the study of the remains; but also for the proposal of virtual reconstitution hypothesis for valorization and knowledge of part of the history of the site of Tipasa.
{"title":"Use of Photogrammetry for Digital Surveying, Documentation and Communication of the Cultural Heritage. Example Regarding Virtual Reconstruction of the Access Doors for the Nameless Temple of Tipasa (Algeria)","authors":"Baya Bennoui-Ladraa, Y. Chennaoui","doi":"10.14434/sdh.v2i2.24496","DOIUrl":"https://doi.org/10.14434/sdh.v2i2.24496","url":null,"abstract":"\u0000This paper presents a methodological contribution in the field of the archaeological restitution’s process. This latter is based on virtual anastylosis, which concerns the reconstruction of fragments of the ruins of the nameless Temple of Tipasa in Algeria. We have to mention that our work focused more particularly on the virtual restitution of the three access doors of the sacred courtyard of the temple. Here, we have found many fragments including the voussoirs, which were revealed during the excavation work, encouraging the proposition of our hypothesis on the initial state of the temple. The protocol followed is based on the photogrammetric survey of the blocks which has allowed us to generate 3d models of the elements constituting the entrance facade to the sacred courtyard. The historical documentation as well as the architectural treatises made it possible to fill the gaps with the aim of communicating the most relevant image of our temple. The main objective of the research was to provide a corpus of data in 2d and 3d of all the blocks which has served, at first the documentation and the study of the remains; but also for the proposal of virtual reconstitution hypothesis for valorization and knowledge of part of the history of the site of Tipasa. \u0000","PeriodicalId":52934,"journal":{"name":"Studies in Digital Heritage","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49485955","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Lying near the heart of Bremen, the St. Katharinen district is bounded by two of the city’s principal medieval, and now modern, streets. As one of the earliest documented structures on the site, the Dominican monastery of St. Katharinen has come to define much of the urban fabric of the district. A substantial building complex, it served a variety of scholarly, commercial, military and domestic roles following the Reformation, not least housing the city armory, State library and the city’s first university. Subject to periods of extensive redevelopment, much of the complex was finally lost to the bombing raids of the Second World War and a traffic-widening scheme of the 1970s. Only a fragment now remains of the original claustral buildings, a multistory car park erected on piloti rising overhead.Over successive redevelopments, the site was cleared with minimal archaeological investigation. Further, little scholarly research been conducted on the site to date. As such, any attempt to reconstruct the appearance of St Katharinen is now an act of inference from archival sources: a process of archival archaeology. As part of ongoing work, I will present a new and emerging understanding of the St Katharinen district and its urban transformation across the centuries, drawing on the most extensive body of construction, land registry, visual, textual, laser scanning and Lidar data yet assembled for the site. Whilst a project of this kind is grounded in the traditional approaches of historical architectural research, it is the capacity to assemble and analyze these diverse data sources within common digital environments that makes this conjectural reconstruction work possible.
{"title":"Reconstructing St. Katharinen: Archival Archaeology in Action","authors":"Timothy J. Senior","doi":"10.14434/sdh.v2i2.24442","DOIUrl":"https://doi.org/10.14434/sdh.v2i2.24442","url":null,"abstract":"Lying near the heart of Bremen, the St. Katharinen district is bounded by two of the city’s principal medieval, and now modern, streets. As one of the earliest documented structures on the site, the Dominican monastery of St. Katharinen has come to define much of the urban fabric of the district. A substantial building complex, it served a variety of scholarly, commercial, military and domestic roles following the Reformation, not least housing the city armory, State library and the city’s first university. Subject to periods of extensive redevelopment, much of the complex was finally lost to the bombing raids of the Second World War and a traffic-widening scheme of the 1970s. Only a fragment now remains of the original claustral buildings, a multistory car park erected on piloti rising overhead.Over successive redevelopments, the site was cleared with minimal archaeological investigation. Further, little scholarly research been conducted on the site to date. As such, any attempt to reconstruct the appearance of St Katharinen is now an act of inference from archival sources: a process of archival archaeology. As part of ongoing work, I will present a new and emerging understanding of the St Katharinen district and its urban transformation across the centuries, drawing on the most extensive body of construction, land registry, visual, textual, laser scanning and Lidar data yet assembled for the site. Whilst a project of this kind is grounded in the traditional approaches of historical architectural research, it is the capacity to assemble and analyze these diverse data sources within common digital environments that makes this conjectural reconstruction work possible.","PeriodicalId":52934,"journal":{"name":"Studies in Digital Heritage","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42160470","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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