Riccardo Montuori, L. Gilabert-Sansalvador, A. L. Rosado-Torres, Gaspar Muñoz Cosme
Excavating an ancient Maya city requires a long-term archaeological project that entails adequate documentation procedures for the unearthed remains, frequently of monumental scale and with difficult preservation conditions. A digital laser scanner survey methodology was designed and implemented to document the exposed architecture and to follow-up the archaeological excavation of the Maya site of La Blanca (Peten, Guatemala). All scans collected during the different field seasons were stored and aligned in a common reference system. Thus, an accurate digital three-dimensional database was obtained, including all the architectural remains found, some of which had to be reburied to ensure their preservation. The resulting database is a helpful repository that facilitates to extract all the graphic outputs required for: planning the next excavation campaigns, monitoring the preservation of the buildings, studying the architecture and construction technology in detail, and disseminating the excavation results. This paper describes the methodology and procedures used to build-up this database.
{"title":"Digitizing an Excavation: A Laser Scanning Database of Maya Architectural Remains","authors":"Riccardo Montuori, L. Gilabert-Sansalvador, A. L. Rosado-Torres, Gaspar Muñoz Cosme","doi":"10.14434/sdh.v6i2.35236","DOIUrl":"https://doi.org/10.14434/sdh.v6i2.35236","url":null,"abstract":"Excavating an ancient Maya city requires a long-term archaeological project that entails adequate documentation procedures for the unearthed remains, frequently of monumental scale and with difficult preservation conditions. A digital laser scanner survey methodology was designed and implemented to document the exposed architecture and to follow-up the archaeological excavation of the Maya site of La Blanca (Peten, Guatemala). All scans collected during the different field seasons were stored and aligned in a common reference system. Thus, an accurate digital three-dimensional database was obtained, including all the architectural remains found, some of which had to be reburied to ensure their preservation. The resulting database is a helpful repository that facilitates to extract all the graphic outputs required for: planning the next excavation campaigns, monitoring the preservation of the buildings, studying the architecture and construction technology in detail, and disseminating the excavation results. This paper describes the methodology and procedures used to build-up this database.","PeriodicalId":52934,"journal":{"name":"Studies in Digital Heritage","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43150780","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In the field of Digital Heritage Studies, data provenance has always been an open and challenging issue. As Cultural Heritage objects are unique by definition, the methods, the practices and the strategies to build digital documentation are not homogeneous, universal or standardized. Metadata is a minimalistic yet powerful form to source and describe a digital document. They are often required or mandatory at an advanced stage of a Digital Heritage project. Our approach is to integrate since data capture steps meaningful information to document a Digital Heritage asset as it is moreover being composed nowadays from multiple sources or multimodal imaging surveys. This article exposes the methodological and technical aspects related to the ongoing development of MEMoS; standing for Metadata Enriched Multimodal documentation System. MEMoS aims to contribute to data provenance issues in current multimodal imaging surveys. It explores a way to document CH oriented capture data sets with a versatile descriptive metadata scheme inspired from the W7 ontological model. In addition, an experiment illustrated by several case studies, explores the possibility to integrate those metadata encoded into 2D barcodes directly to the captured image set. The article lays the foundation of a three parted methodology namely describe - encode and display toward metadata enriched documentation of CH objects.
{"title":"metadata enriched system for the documentation of multi-modal digital imaging surveys","authors":"A. Pamart, L. De Luca, P. Véron","doi":"10.14434/sdh.v6i1.33767","DOIUrl":"https://doi.org/10.14434/sdh.v6i1.33767","url":null,"abstract":"In the field of Digital Heritage Studies, data provenance has always been an open and challenging issue. As Cultural Heritage objects are unique by definition, the methods, the practices and the strategies to build digital documentation are not homogeneous, universal or standardized. Metadata is a minimalistic yet powerful form to source and describe a digital document. They are often required or mandatory at an advanced stage of a Digital Heritage project. Our approach is to integrate since data capture steps meaningful information to document a Digital Heritage asset as it is moreover being composed nowadays from multiple sources or multimodal imaging surveys. This article exposes the methodological and technical aspects related to the ongoing development of MEMoS; standing for Metadata Enriched Multimodal documentation System. MEMoS aims to contribute to data provenance issues in current multimodal imaging surveys. It explores a way to document CH oriented capture data sets with a versatile descriptive metadata scheme inspired from the W7 ontological model. In addition, an experiment illustrated by several case studies, explores the possibility to integrate those metadata encoded into 2D barcodes directly to the captured image set. The article lays the foundation of a three parted methodology namely describe - encode and display toward metadata enriched documentation of CH objects.","PeriodicalId":52934,"journal":{"name":"Studies in Digital Heritage","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44680981","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
An important and frequently used tool in archaeological spatial analysis is least-cost path (LCP) analysis to compute routes connecting a set of targets. The outcome depends on the cost model chosen and the topographic data used. A slope-dependent cost model requires a digital elevation model (DEM) that should reflect the landscape in the past. It is often impossible to reconstruct the past terrain, and modern high-resolution elevation data results in problematic storage requirements and computation times. This article presents a case study that explores issues in replication and stability of LCP calculations for pairs of targets that are close to known old trade routes. A large number of cost models is tested based on two topographic data sets, including DEMs of two different resolutions (25 m and 50 m). The cost models use six different slope-dependent cost functions suggested by various authors for pedestrian movement. Moreover, a slope-dependent cost function is applied that results in LCPs including hairpin curves if the slope exceeds a predefined critical value. It is shown that the best-performing LCP sets for the two topographic data sets are closely related but not identical. Moreover, reasons for the failure of LCP reconstructions for some old route sections are discussed.
{"title":"Issues in Replication and Stability of Least-cost Path Calculations","authors":"I. Herzog","doi":"10.14434/sdh.v5i2.33796","DOIUrl":"https://doi.org/10.14434/sdh.v5i2.33796","url":null,"abstract":"An important and frequently used tool in archaeological spatial analysis is least-cost path (LCP) analysis to compute routes connecting a set of targets. The outcome depends on the cost model chosen and the topographic data used. A slope-dependent cost model requires a digital elevation model (DEM) that should reflect the landscape in the past. It is often impossible to reconstruct the past terrain, and modern high-resolution elevation data results in problematic storage requirements and computation times. This article presents a case study that explores issues in replication and stability of LCP calculations for pairs of targets that are close to known old trade routes. A large number of cost models is tested based on two topographic data sets, including DEMs of two different resolutions (25 m and 50 m). The cost models use six different slope-dependent cost functions suggested by various authors for pedestrian movement. Moreover, a slope-dependent cost function is applied that results in LCPs including hairpin curves if the slope exceeds a predefined critical value. It is shown that the best-performing LCP sets for the two topographic data sets are closely related but not identical. Moreover, reasons for the failure of LCP reconstructions for some old route sections are discussed.","PeriodicalId":52934,"journal":{"name":"Studies in Digital Heritage","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45950552","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
We present digital documentation of the Cockroach Key archaeological site in Tampa Bay on the western coast of Florida, USA. The site consists of a mound and midden complex constructed by Native Americans between around 100 and 900 CE. Although well known to antiquarians of the 1800s and archaeologists of the early 1900s, the site has slowly become “hidden in plain sight” to both archaeologists (owing to the lack of contemporary investigations) and the public (owing to the density of vegetation). We use LiDAR-based mapping and ground-penetrating radar to document the site’s surface and subsurface features.
{"title":"Hidden in Plain Sight","authors":"T. Pluckhahn, Kendal Jackson, Jaime Rogers","doi":"10.14434/sdh.v5i2.33536","DOIUrl":"https://doi.org/10.14434/sdh.v5i2.33536","url":null,"abstract":"We present digital documentation of the Cockroach Key archaeological site in Tampa Bay on the western coast of Florida, USA. The site consists of a mound and midden complex constructed by Native Americans between around 100 and 900 CE. Although well known to antiquarians of the 1800s and archaeologists of the early 1900s, the site has slowly become “hidden in plain sight” to both archaeologists (owing to the lack of contemporary investigations) and the public (owing to the density of vegetation). We use LiDAR-based mapping and ground-penetrating radar to document the site’s surface and subsurface features.","PeriodicalId":52934,"journal":{"name":"Studies in Digital Heritage","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48477499","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
During the IGEAN (Innovative Geophysical Approaches for the Study of Early Agricultural Villages of Neolithic) project, more than 20 Neolithic-Early Bronze Age (EBA) settlements in the area of Thessaly, Central Greece, were investigated through various geophysical approaches. The prehistoric settlements of Almyros2, Almyriotiki, Perdika1 and Rizomilos2 have been selected to be studied in-depth about their intra-site spatial organization. Here, for sake of conciseness, only the results about Almyros2 and Perdika1 will be presented, assuming these settlements belong both to the Middle Neolithic period. This study aims to propose a combined methodological approach in order to examine if such settlements were conceived following a determined spatial organization. Four different technologies have been implemented, including geophysical prospection, space syntax, 3D modelling and 3D visibility analysis. The promising results obtained from the combination of such technologies, hopefully, will encourage specialists to adopt, compare and develop integrated methodologies more often, especially when excavations are limited.
{"title":"A Methodological Approach for Intra – Site Analysis of Prehistoric Settlements","authors":"M. C. Manzetti, Apostolos Sarris","doi":"10.14434/sdh.v5i2.32980","DOIUrl":"https://doi.org/10.14434/sdh.v5i2.32980","url":null,"abstract":"During the IGEAN (Innovative Geophysical Approaches for the Study of Early Agricultural Villages of Neolithic) project, more than 20 Neolithic-Early Bronze Age (EBA) settlements in the area of Thessaly, Central Greece, were investigated through various geophysical approaches. The prehistoric settlements of Almyros2, Almyriotiki, Perdika1 and Rizomilos2 have been selected to be studied in-depth about their intra-site spatial organization. Here, for sake of conciseness, only the results about Almyros2 and Perdika1 will be presented, assuming these settlements belong both to the Middle Neolithic period. This study aims to propose a combined methodological approach in order to examine if such settlements were conceived following a determined spatial organization. Four different technologies have been implemented, including geophysical prospection, space syntax, 3D modelling and 3D visibility analysis. The promising results obtained from the combination of such technologies, hopefully, will encourage specialists to adopt, compare and develop integrated methodologies more often, especially when excavations are limited.","PeriodicalId":52934,"journal":{"name":"Studies in Digital Heritage","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45550054","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This essay explores the role of the Franciscan Custody of the Holy Land in cultivating perceptions of the Catholic pilgrimage buildings as worthy of preservation, especially by employing techniques of representation in printed books that engaged with the potential restoration of the real buildings in the Holy Land. The essay discusses the particular example of the printed book created by Bernardino Amico that was published in two editions of 1610 and 1620, with interactive perspectival renderings of the exteriors and interiors of the Christian pilgrimage churches in Palestine and Egypt, along with maps of ancient and modern Jerusalem. Centuries before the emergence of cyber archaeology, Franciscans like Bernardino Amico explored the potential for virtual reconstruction in the realm of printing to demonstrate the value of buildings as symbols of a shared history and faith, while also challenging those who actively sought to dismantle the same buildings in both real and virtual space. Bernardino Amico’s treatise exemplifies the potential of such virtual reconstructions of historical buildings to blur the boundaries between the empirically observed present, the imagined past, and a desired future.
{"title":"Virtual Reconstructions in Bernardino Amico’s Treatise on the Plans and Images of the Sacred Buildings of the Holy Land","authors":"K. Moore","doi":"10.14434/sdh.v5i1.31691","DOIUrl":"https://doi.org/10.14434/sdh.v5i1.31691","url":null,"abstract":"This essay explores the role of the Franciscan Custody of the Holy Land in cultivating perceptions of the Catholic pilgrimage buildings as worthy of preservation, especially by employing techniques of representation in printed books that engaged with the potential restoration of the real buildings in the Holy Land. The essay discusses the particular example of the printed book created by Bernardino Amico that was published in two editions of 1610 and 1620, with interactive perspectival renderings of the exteriors and interiors of the Christian pilgrimage churches in Palestine and Egypt, along with maps of ancient and modern Jerusalem. Centuries before the emergence of cyber archaeology, Franciscans like Bernardino Amico explored the potential for virtual reconstruction in the realm of printing to demonstrate the value of buildings as symbols of a shared history and faith, while also challenging those who actively sought to dismantle the same buildings in both real and virtual space. Bernardino Amico’s treatise exemplifies the potential of such virtual reconstructions of historical buildings to blur the boundaries between the empirically observed present, the imagined past, and a desired future.","PeriodicalId":52934,"journal":{"name":"Studies in Digital Heritage","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45800472","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
M. Attenni, M. Griffo, C. Inglese, A. Ippolito, E. Lo, D. Rissolo
The knowledge and study of built heritage is now deeply connected to methodologies associated with the capture of surface details via the production of point-data. These methodologies enable researchers to gather a wider range of information, which is increasingly more connected to technological advances. Such approaches influence the management of data, and these data are often redundant due to the ways in which they are captured. Massive data capture does not include preliminary selection based on metric, geometric, and material features of the object. A multi-scalar approach, in which the criteria for data capture depends on the goals of the survey, is needed to optimize the relationship between information and the scale of the models to be built. This case study involving a selection of fountains in Rome aims to apply these principles to urban contexts defined by a strong spatial connection between architectural and sculptural elements. Survey can express this distinctiveness through complex, dynamic, and effective digital models.
{"title":"Flexibility of Dense 3D Data Capture","authors":"M. Attenni, M. Griffo, C. Inglese, A. Ippolito, E. Lo, D. Rissolo","doi":"10.14434/sdh.v5i1.31442","DOIUrl":"https://doi.org/10.14434/sdh.v5i1.31442","url":null,"abstract":"The knowledge and study of built heritage is now deeply connected to methodologies associated with the capture of surface details via the production of point-data. These methodologies enable researchers to gather a wider range of information, which is increasingly more connected to technological advances. Such approaches influence the management of data, and these data are often redundant due to the ways in which they are captured. Massive data capture does not include preliminary selection based on metric, geometric, and material features of the object. A multi-scalar approach, in which the criteria for data capture depends on the goals of the survey, is needed to optimize the relationship between information and the scale of the models to be built. This case study involving a selection of fountains in Rome aims to apply these principles to urban contexts defined by a strong spatial connection between architectural and sculptural elements. Survey can express this distinctiveness through complex, dynamic, and effective digital models.","PeriodicalId":52934,"journal":{"name":"Studies in Digital Heritage","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66604539","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Roman bridge near Canosa di Puglia (Southern Italy) currently has a very different morphology from the one planned by its builders in the second century AD as part of the program for the construction of the Via Traiana. Although the piers, the abutments and the foundation platea are still preserved from the Roman age, the changes made over the centuries have altered its aspect, forgetting the traces of its monumental past. Starting from the surviving elements and the few available sources, an investigation has been carried out to reconstruct its original structure, thanks to a multidisciplinary and metrological approach and the combined use of aerophotogrammetry and 3D modeling. The usage of these technologies proved to be an essential tool, since they made it possible to carry out a survey otherwise hampered by the bulk of the artifact and the presence of the Ofanto River flowing below. The outcome of this research has led to a reconstruction hypothesis that returns a majestic monument that deserves an adequate place in the panorama of Roman architecture.
意大利南部Canosa di Puglia附近的罗马桥目前的形态与公元二世纪作为Traiana大街建设计划的一部分，其建设者计划的形态截然不同。尽管桥墩、桥台和地基板仍然保留着罗马时代的建筑，但几个世纪以来的变化已经改变了它的面貌，忘记了它不朽的过去的痕迹。从幸存的元素和为数不多的可用来源开始，通过多学科和计量方法以及航空摄影测量和3D建模的结合使用，对其原始结构进行了重建调查。事实证明，这些技术的使用是一个重要的工具，因为它们使进行调查成为可能，否则会受到大量人工制品和下方Ofanto河的阻碍。这项研究的结果导致了一种重建假说，即重建一座雄伟的纪念碑，它理应在罗马建筑的全景中占有一席之地。
{"title":"3D Reconstruction of a Roman Bridge in Canosa di Puglia (Italy)","authors":"Germano Germano’","doi":"10.14434/sdh.v5i1.30812","DOIUrl":"https://doi.org/10.14434/sdh.v5i1.30812","url":null,"abstract":"\u0000The Roman bridge near Canosa di Puglia (Southern Italy) currently has a very different morphology from the one planned by its builders in the second century AD as part of the program for the construction of the Via Traiana. Although the piers, the abutments and the foundation platea are still preserved from the Roman age, the changes made over the centuries have altered its aspect, forgetting the traces of its monumental past. Starting from the surviving elements and the few available sources, an investigation has been carried out to reconstruct its original structure, thanks to a multidisciplinary and metrological approach and the combined use of aerophotogrammetry and 3D modeling. The usage of these technologies proved to be an essential tool, since they made it possible to carry out a survey otherwise hampered by the bulk of the artifact and the presence of the Ofanto River flowing below. The outcome of this research has led to a reconstruction hypothesis that returns a majestic monument that deserves an adequate place in the panorama of Roman architecture. \u0000 \u0000 ","PeriodicalId":52934,"journal":{"name":"Studies in Digital Heritage","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48794495","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
3D digitization of cultural heritage has long been used to preserve information about cultural heritage (CH) objects such as architecture, art, and artifacts. 3D dissemination of CH objects through technologies such as augmented reality, virtual reality, and 3D printing have impacted the fields of art history and cultural heritage and have become more common. Yet, studies that go beyond the technical aspects of 3D technology and treat such topics as their significance for restoration, conservation, engagement, education, research, and ethics hardly exist. The aim of this paper is twofold: on the one hand, it aims to get a better understanding of the applicability of each technology for different purposes (education, research, conservation/restoration, and museum presentation), and, on the other hand, it focuses on the perception of these technologies. This research was carried out by combining a literature review with quantitative and qualitative analyses of the data acquired through (1) a questionnaire of eleven questions and (2) a workshop with a group of specialists and non-specialists who were asked to brainstorm about the different uses of the 3D technologies and their applicability to their areas of work and research. Based on the analysis of these quantitative and qualitative data, we provide some criteria for using 3D digitized and printed reproductions to enhance cultural experiences. The results demonstrate the importance of carefully designing 3D interactions in the personal and cultural contexts of end-users and cultural institutions in order to create authentic cultural experiences.
{"title":"3D Reproductions of Cultural Heritage Artifacts: Evaluation of Significance and Experience","authors":"Umair Shafqat Malik, L. Tissen, A. Vermeeren","doi":"10.14434/sdh.v5i1.32323","DOIUrl":"https://doi.org/10.14434/sdh.v5i1.32323","url":null,"abstract":"\u0000\u00003D digitization of cultural heritage has long been used to preserve information about cultural heritage (CH) objects such as architecture, art, and artifacts. 3D dissemination of CH objects through technologies such as augmented reality, virtual reality, and 3D printing have impacted the fields of art history and cultural heritage and have become more common. Yet, studies that go beyond the technical aspects of 3D technology and treat such topics as their significance for restoration, conservation, engagement, education, research, and ethics hardly exist. The aim of this paper is twofold: on the one hand, it aims to get a better understanding of the applicability of each technology for different purposes (education, research, conservation/restoration, and museum presentation), and, on the other hand, it focuses on the perception of these technologies. This research was carried out by combining a literature review with quantitative and qualitative analyses of the data acquired through (1) a questionnaire of eleven questions and (2) a workshop with a group of specialists and non-specialists who were asked to brainstorm about the different uses of the 3D technologies and their applicability to their areas of work and research. Based on the analysis of these quantitative and qualitative data, we provide some criteria for using 3D digitized and printed reproductions to enhance cultural experiences. The results demonstrate the importance of carefully designing 3D interactions in the personal and cultural contexts of end-users and cultural institutions in order to create authentic cultural experiences.\u0000\u0000","PeriodicalId":52934,"journal":{"name":"Studies in Digital Heritage","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43868468","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
While space syntax analysis has been widely applied to archaeological sites (including Pompeii), it is fundamentally limited by its isolation within the social sciences and its omission of decoration from the analysis of human cognition and movement within structures. At the same time, phenomenology in archaeology has typically arisen from the physical experiences of a limited number of professional archaeologists in a landscape, with little interest in digital embodiment in virtual spaces. The Virtual Pompeii Project has produced an updated version of space syntax which combines network measures common in the social sciences with visibility graphs to produce predictive models of movement within a set of three ancient Roman houses in Pompeii. These predictive models are tested through the navigation of virtual models of the houses by human subjects, demonstrating the significance of decoration in shaping movement, and, through quantitative and qualitative data, the value of digitally embodied phenomenology. This points ahead to the use of crowd-sourced, web-based global testing, diversifying the subject pool far beyond the narrow bounds of professional classicists or archaeologists.
{"title":"Putting Space Syntax to the Test","authors":"David Fredrick, Rhodora G. Vennarucci","doi":"10.14434/sdh.v4i2.31521","DOIUrl":"https://doi.org/10.14434/sdh.v4i2.31521","url":null,"abstract":"While space syntax analysis has been widely applied to archaeological sites (including Pompeii), it is fundamentally limited by its isolation within the social sciences and its omission of decoration from the analysis of human cognition and movement within structures. At the same time, phenomenology in archaeology has typically arisen from the physical experiences of a limited number of professional archaeologists in a landscape, with little interest in digital embodiment in virtual spaces. The Virtual Pompeii Project has produced an updated version of space syntax which combines network measures common in the social sciences with visibility graphs to produce predictive models of movement within a set of three ancient Roman houses in Pompeii. These predictive models are tested through the navigation of virtual models of the houses by human subjects, demonstrating the significance of decoration in shaping movement, and, through quantitative and qualitative data, the value of digitally embodied phenomenology. This points ahead to the use of crowd-sourced, web-based global testing, diversifying the subject pool far beyond the narrow bounds of professional classicists or archaeologists.","PeriodicalId":52934,"journal":{"name":"Studies in Digital Heritage","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45842727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：