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La poésie contemporaine comme défi à la francophonie et à la Négritude 当代诗歌是对法语国家和黑人的挑战
Pub Date : 2018-06-12 DOI: 10.3828/FRANC.2018.3
C. Carnier
Dans un monde ou la multiplication exponentielle des echanges est l’ordre majeure, les enjeux formels du champ litteraire doivent se renouveler de maniere a mieux representer le monde de la societe et de l’artiste contemporain. Mais quoi dire de l’artiste africain et francophone vis-a-vis d’une litterature d’economie mondiale? Cet article a pour but de discuter les actualisons amenees aux notions de Negritude et de francophonie a travers un regard tourne vers les potentialites formelles du langage poetique. L’analyse d’une selection de poemes de Cisse Facinet, poete guineen exile a Paris, demontre une poesie qui dans un contexte de mondialisation devient expression des frontieres mouvantes de l’espace francophone.
在一个交流成倍增长是主要秩序的世界里,文学领域的正式问题必须更新,以便更好地代表社会和当代艺术家的世界。但是,对于非洲和法语艺术家,我们能说些什么呢?本文旨在通过考察诗歌语言的形式潜力,探讨黑人和法语国家概念的实现。通过对流亡巴黎的几内亚诗人西塞·法西内(Cisse Facinet)的诗歌选集的分析,我们可以看到,在全球化的背景下,这首诗成为法语国家不断变化的边界的表达。
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引用次数: 0
The (im)possibility of Jewish-Palestinian identity in Hubert Haddad’s Palestine 哈达德《巴勒斯坦》中犹太-巴勒斯坦身份的可能性
Pub Date : 2018-06-12 DOI: 10.3828/FRANC.2018.7
Rebekah Vince
In an interview in 2000, Palestinian-American intellectual Edward Said defined himself as a ‘Jewish-Palestinian’. Nine years later, Franco-Tunisian author Hubert Haddad referred to himself as ‘un B...
在2000年的一次采访中,巴勒斯坦裔美国知识分子爱德华·赛义德将自己定义为“犹太裔巴勒斯坦人”。九年后,法国-突尼斯作家Hubert Haddad称自己为“联合国。。。
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引用次数: 1
No laughing matter? 没有笑料?
Pub Date : 2018-06-12 DOI: 10.3828/FRANC.2018.1
G. King
The second most commercially successful domestic film of all time in France, Olivier Nakache and Eric Toledano’s 2011 comedy Intouchables thrusts issues of multiculturalism, humour, and political (...
奥利维尔·纳卡切(Olivier Nakache)和埃里克·托莱达诺(Eric Toledano)2011年的喜剧《触不可及》(Intouchables)是法国有史以来商业上第二成功的国产电影,它突出了多元文化、幽默和政治(。。。
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引用次数: 0
« Comment écrire en évitant d’exotiser le malheur? » «如何写作,避免异国情调的不幸?»
Pub Date : 2018-06-12 DOI: 10.3828/FRANC.2018.5
Nathan H. Dize
Apres le passage des ouragans, des incendies et des seismes, les medias reviennent toujours a l’apocalyptique, un discours qui vise a repertorier les dommages d’un desastre jusqu’a perdre toute tra...
在飓风、火灾和地震之后,媒体总是回到世界末日,这是一种旨在记录灾难造成的损失的话语,直到失去所有的工作。
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引用次数: 0
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Francospheres
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