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Hope, Sound, and the Materiality of Print in Frances Ellen Watkins Harper's Periodical Poems 希望、声音与哈珀期刊诗中的印刷物性
4区 文学 0 LITERATURE, AMERICAN Pub Date : 2022-12-15 DOI: 10.1353/esq.2022.0010
M. Zapędowska
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引用次数: 0
Margaret Fuller, Faithful Female Sceptic: The Politics of (Not) Publishing the 1842 "A Credo" 玛格丽特·富勒,忠实的女性怀疑论者:1842年出版《信条》的政治
4区 文学 0 LITERATURE, AMERICAN Pub Date : 2022-12-15 DOI: 10.1353/esq.2022.0011
Caitlin O. Smith
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引用次数: 0
Phillis Wheatley's Abolition Rhetoric and Nineteenth-Century Lyricization 惠特利的废奴修辞与19世纪的抒情
4区 文学 0 LITERATURE, AMERICAN Pub Date : 2022-12-08 DOI: 10.1353/esq.2022.0008
Jake Fournier
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引用次数: 0
"Nothing beneath—all?": Rebecca Harding Davis' Critique of Possessive Individualism in "Life in the Iron-Mills" “什么都没有?”:丽贝卡·哈丁·戴维斯在《钢铁厂的生活》中对占有个人主义的批判
4区 文学 0 LITERATURE, AMERICAN Pub Date : 2022-12-08 DOI: 10.1353/esq.2022.0005
S. Kelly
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引用次数: 0
Progressive Portraits: Visual Theory as Politics in Frederick Douglass' Wartime Lectures and Beyond 进步的肖像:弗雷德里克·道格拉斯战时演讲及以后的视觉理论作为政治
4区 文学 0 LITERATURE, AMERICAN Pub Date : 2022-12-08 DOI: 10.1353/esq.2022.0007
P. M. Loonin
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引用次数: 0
The Sea Lions: James Fenimore Cooper's Antebellum Jeremiad 海狮队:詹姆斯·费尼摩尔·库珀的战前Jeremiad
4区 文学 0 LITERATURE, AMERICAN Pub Date : 2022-10-08 DOI: 10.1353/esq.2022.0001
Bill Christophersen
James Fenimore Cooper was one of America’s most socially engaged authors. His treatises Notions of the Americans (1828) and The American Democrat (1838) make this involvement plain, as do such fictions as Home As Found (1838) and The Redskins (1845), both of which treat democratic excesses in New York State. Several of his adventure tales too address contemporary social themes, albeit less explicitly. His sea tales begin as venues for swashbuckling and displays of seacraft (The Pilot, 1824) but soon feature ships that, as Thomas Philbrick has noted, constitute social microcosms.1 Jacksonian America emerges, for instance, as the gale-lashed packet in Homeward Bound (1838), whose upstart democrats affront the more genteel passengers. Several of Cooper’s frontier tales likewise mull contemporary concerns. I have argued elsewhere that The Last of the Mohicans (1826), The Prairie (1827), and The Pathfinder (1840) allegorize nineteenth-century American racial and political dilemmas.2 The Deerslayer (1841) directly critiques rapacity and racial prejudice in colonial America, previewing a Republic in whose slave economy both evils would entwine. Cooper, this essay suggests, revisits these themes with new urgency born of the times in his penultimate fiction, The “‘We are at the end of Ameriky. . . .’”
James Fenimore Cooper是美国最热衷于社交的作家之一。他的著作《美国人的观念》(1828年)和《美国民主党人》(1838年)清楚地表明了这种参与,《发现的家园》(1833年)和“红皮人”(1845年)等小说也是如此,这两部小说都处理了纽约州的民主过度。他的一些冒险故事也涉及当代社会主题,尽管不那么明确。他的航海故事一开始是炫耀和展示航海技术的场所(《领航员》,1824年),但很快就出现了船只,正如托马斯·菲尔布里克所指出的,这些船只构成了社会的缩影。1例如,在《回家》(1838年)中,杰克逊时代的美国出现在狂风肆虐的包裹中,其暴发户民主党人冒犯了更优雅的乘客。库珀的一些前沿故事同样也考虑到了当代人的担忧。我在其他地方也说过,《最后的莫西干人》(1826年)、《草原》(1827年)和《开拓者》(1840年)寓言了19世纪美国的种族和政治困境。这篇文章表明,库珀在他的倒数第二部小说《我们在美国的尽头……》中,以新的时代紧迫感重新审视了这些主题
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引用次数: 0
The "Irreligion of Thinking Men": Melville's Materialist Genealogy “有思想的人的无宗教信仰”:梅尔维尔的唯物主义谱系
4区 文学 0 LITERATURE, AMERICAN Pub Date : 2022-10-08 DOI: 10.1353/esq.2022.0000
Elizabeth Adams
Melville, as he always does, began to reason of Providence and futurity, and of everything that lies beyond human ken, and informed me that he had “pretty much made up his mind to be annihilated”; but still he does not seem to rest in that anticipation; and, I think, will never rest until he gets hold of a definite belief. It is strange how he persists—and has persisted ever since I knew him, and probably long before—in wandering to-and-fro over these deserts, as dismal and monotonous as the sand hills amid which we were sitting. He can neither believe, nor be comfortable in his unbelief; and he is too honest and courageous not to try to do one or the other.1
梅尔维尔像往常一样,开始思考普罗维登斯和未来,以及人类无法理解的一切,并告诉我他“几乎下定决心要被消灭”;但他似乎仍然没有满足于这种期待;而且,我认为,在他得到一个明确的信念之前,他永远不会休息。奇怪的是,自从我认识他以来,可能很久以前,他就一直在这些沙漠中徘徊,就像我们坐在其中的沙丘一样凄凉单调。他既不相信自己的不信,也不自在;他太诚实和勇敢了,不会不去做其中一件事。1
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引用次数: 0
"Monarchs – are perceptible": Emily Dickinson's Royal Democrats and the Dignity of Individual Sovereignty “君主——是可察觉的”:艾米丽·狄金森的《皇家民主派与个人主权的尊严》
4区 文学 0 LITERATURE, AMERICAN Pub Date : 2022-10-08 DOI: 10.1353/esq.2022.0002
Martin J. Groff
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引用次数: 0
The Year in Conferences—2021 会议之年——2021年
4区 文学 0 LITERATURE, AMERICAN Pub Date : 2022-01-01 DOI: 10.1353/esq.2022.0003
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引用次数: 0
Emersonian Transcendentalism and the Invention of Religion(s) in the Nineteenth Century 爱默生超验主义与19世纪宗教的发明
4区 文学 0 LITERATURE, AMERICAN Pub Date : 2021-12-18 DOI: 10.1353/esq.2021.0019
J. Stievermann
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引用次数: 0
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ESQ-A JOURNAL OF THE AMERICAN RENAISSANCE
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