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Pain Infliction, Inflictors and Healers in Egyptian Religious, Magical and Literary Perceptions 埃及宗教、魔法和文学观念中的痛苦施加、施加者和治疗者
Q3 Arts and Humanities Pub Date : 2018-12-28 DOI: 10.12775/etudtrav.31.004
Amgad Joseph
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引用次数: 0
Remarks on the Iconographic Motif of the Birdman in Mesopotamian Glyptic Art of the Third Millennium BC 论公元前三千年美索不达米亚雕文艺术中鸟人的形象母题
Q3 Arts and Humanities Pub Date : 2018-12-28 DOI: 10.12775/ETUDTRAV.31.012
D. Majchrzak
The iconographic motif of the birdman emerged in Mesopotamian glyptic art in the Early Dynastic period and disappeared at the end of the Akkadian period. Its meaning remains ambiguous, particularly due to the fact that the fi gure is represented in scenes of varying character and it cannot be identifi ed with any character known from myths. Sometimes, the creature may be recognised as a deity based on a horned crown, yet this is not always the case. Among the deities attested in the scenes with birdman, one can easily identify Shamash and Enki. The examined material contains 62 published seals or seal impressions with the birdman motif, both from the Early Dynastic and the Akkadian period. The latest monographic studies of this subject were published in the 1950s. Interpretations presented by the authors of said works, though often quoted in the research on the motif, seem to lack proper argumentation and, to an large extent, are outdated due to a considerable progress of the research on Sumero-Akkadian iconography and an increase, although modest, in study material, among other things. In light of the above, it is worth analysing this motif one more time.
鸟人的图像主题出现在美索不达米亚早期王朝时期的雕文艺术中,并在阿卡德时期结束时消失。它的意义仍然模棱两可,特别是由于这个人物是在不同的人物场景中表现出来的,它不能与神话中已知的任何人物相一致。有时,这种生物可能被认为是一个神基于一个有角的皇冠,但这并不总是如此。在与鸟人一起的场景中,人们可以很容易地识别出沙玛什和恩基。所检查的材料包含62个出版的印章或印章印痕与鸟人主题,从早期朝代和阿卡德时期。关于这一主题的最新专题研究发表于20世纪50年代。上述作品的作者提出的解释,虽然经常在母题研究中被引用,但似乎缺乏适当的论证,而且在很大程度上,由于对苏美尔-阿卡德肖像学的研究取得了相当大的进展,以及研究材料的增加(尽管适度),在其他方面已经过时。综上所述,有必要再次分析一下这个主题。
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引用次数: 0
Pinpointing Unrest at Palmyra in the Early Islamic Period. The Evidence from Coin Hoards and Written Sources 早期伊斯兰时期巴尔米拉的动乱。来自硬币储藏和书面资料的证据
Q3 Arts and Humanities Pub Date : 2018-12-28 DOI: 10.12775/ETUDTRAV.31.010
E. E. Intagliata
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引用次数: 0
A Clay Gladius Scabbard from Area 13c in the Ancient Roman Town of Syene 古罗马城市Syene 13c区出土的剑鞘
Q3 Arts and Humanities Pub Date : 2018-12-28 DOI: 10.12775/ETUDTRAV.31.009
Mariola Hepa
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引用次数: 0
Divine Wrath in Ancient Egypt 古埃及的神怒
Q3 Arts and Humanities Pub Date : 2018-12-28 DOI: 10.12775/ETUDTRAV.31.003
Amgad Joseph
This article aims at examining the theme of divine wrath according to Egyptian religious beliefs, in connection with deities and worshippers. It is a matter of theological concern to examine the theme of divine wrath in various texts describing the rage of deities. The paper thoroughly discusses the theme of divine wrath, its addressees, effects, purposes, provocations, and the possibility of avoidance and pacification, as well as the linguistic expressions of wrath. It discusses the notion of wrath, its perceived consequences and infliction on the deities, living humans and the deceased. It also examines divine wrath in relation to the experience of suffering and affliction as well as that of protection and welfare. The analysis provides information on the core of the Egyptian religion investigated from the perspective of wrath.
这篇文章的目的是检查神圣的愤怒根据埃及宗教信仰的主题,在与神灵和崇拜者。在各种描述神的愤怒的文本中,研究神的愤怒的主题是一个神学关注的问题。本文深入探讨了神怒的主题、神怒的对象、神怒的效果、神怒的目的、神怒的挑衅、神怒的避免和安抚的可能性以及神怒的语言表达。它讨论了愤怒的概念,它的感知后果和对神,活人和死者的施加。它还考察了神的愤怒与痛苦和苦难的经历以及保护和福利的关系。分析提供了从愤怒的角度调查埃及宗教的核心信息。
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引用次数: 0
(ET=EtudTrav/50) x 30 (ET=EtudTrav/50)x 30
Q3 Arts and Humanities Pub Date : 2018-12-28 DOI: 10.12775/ETUDTRAV.31.001
K. Myśliwiec
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引用次数: 0
New Dipinti in the Birth Portico of the Hatshepsut Temple at Deir el-Bahari Deir el-Bahari哈特谢普苏特神庙诞生门廊的新Dipinti
Q3 Arts and Humanities Pub Date : 2018-12-28 DOI: 10.12775/ETUDTRAV.31.005
M. Barwik
The subject of the present paper are two hitherto unpublished hieratic dipinti from the Birth Portico of the Temple of Queen Hatshepsut at Deir el-Bahari. One of them had been written on the north wall of the portico and can be related precisely to the second phase of restoration undertaken in the Temple of Queen Hatshepsut in the post-Amarna period, and more specifically to the reign of Ramesses II. The other inscription, written on the south wall of the portico, can be ascribed to a certain Minnakht and his colleague Ired, presumably builders of the temple. In addition, a comment on other dipinti on the walls of the portico and its pillars has been included.
本论文的主题是迄今为止未发表的两幅来自戴尔巴哈里女王哈特谢普苏特神庙出生门廊的神职人员画像。其中一篇写在门廊的北墙上,可以精确地与后阿玛纳时期哈特谢普苏特女王神庙的第二阶段修复有关,更具体地说,与拉美西斯二世的统治有关。另一个铭文,写在门廊的南墙上,可以归因于某个Minnakht和他的同事Ired,可能是寺庙的建造者。此外,还包括了对门廊墙壁和柱子上的其他dipinti的评论。
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引用次数: 3
Hatshepsut and the Apis Race: New Quartzite Relief Fragments from Dra’ Abu el-Naga 哈特谢普苏特和阿皮斯种族:德拉阿布纳加的新石英岩浮雕碎片
Q3 Arts and Humanities Pub Date : 2018-12-28 DOI: 10.12775/etudtrav.31.002
H. Aglan
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引用次数: 0
The Decoration of the Columns and Pillars from the Henket-ankh of Thutmose III (Western Thebes) 图特摩斯三世时期(西底比斯)的石柱装饰
Q3 Arts and Humanities Pub Date : 1900-01-01 DOI: 10.12775/etudtrav.33.004
Linda Chapon
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引用次数: 0
New Prayers and Invocations to Hathor among Unpublished Dipinti from the Thutmose III Temple at Deir el-Bahari Deir el-Bahari的图特摩斯三世神庙中未发表的Dipinti对哈托尔的新祈祷和召唤
Q3 Arts and Humanities Pub Date : 1900-01-01 DOI: 10.12775/etudtrav.33.003
M. Barwik
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引用次数: 0
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