{"title":"Picturing Israel: A Study of Cinema and Politics","authors":"Sophia Hernandez Tragesser","doi":"10.1353/flm.2022.0015","DOIUrl":"https://doi.org/10.1353/flm.2022.0015","url":null,"abstract":"","PeriodicalId":53571,"journal":{"name":"Film and History","volume":"52 1","pages":"16 - 23"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42803424","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"This is How You See Me?\": Collisions of Influence and Feminocentric Canon Building in Celine Sciamma's Portrait of a Lady on Fire","authors":"Tom Knoblauch","doi":"10.1353/flm.2022.0016","DOIUrl":"https://doi.org/10.1353/flm.2022.0016","url":null,"abstract":"","PeriodicalId":53571,"journal":{"name":"Film and History","volume":"52 1","pages":"24 - 34"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48756761","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Visual Reasoning: 2001: a space odyssey as Film Pedagogy","authors":"Loren P. Q. Baybrook","doi":"10.1353/flm.2022.0018","DOIUrl":"https://doi.org/10.1353/flm.2022.0018","url":null,"abstract":"","PeriodicalId":53571,"journal":{"name":"Film and History","volume":"52 1","pages":"48 - 63"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49611584","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
James Review 2 (2016): 49-74. Historical projections are conglomerations of memory and history weaving through rhetoric, discourse, gestures, and symbols, which connect to sets of ideology in the present as well as material power. Historical projections gain potency from the positionality of its source—particularly those who cast a larger shadow of legitimacy as a source of credible information. Historical projections police the dominant common-sense using history and memory as a justification on the present. Those historically marginalized from the traditional histories passed down through education popular media often face historical erasure. As performances, historical projections regenerate traditional notions of the past for incorporation into the everyday, further securing a dominant narrative while containing statements made by historically marginalized peoples who seek to challenge existing power relations. Accordingly, historical projections are critical sites for culture wars. See also Daniel A of Neoliberalism, from the Sixties to the Reagan Revolution
{"title":"Undefeated: John Wayne’s Confederate-Yankee Adventure in Mexico and the Rise of Populist-Conservatism, 1860s/1960s","authors":"M. Macías, D. McClure","doi":"10.1353/flm.2022.0011","DOIUrl":"https://doi.org/10.1353/flm.2022.0011","url":null,"abstract":"James Review 2 (2016): 49-74. Historical projections are conglomerations of memory and history weaving through rhetoric, discourse, gestures, and symbols, which connect to sets of ideology in the present as well as material power. Historical projections gain potency from the positionality of its source—particularly those who cast a larger shadow of legitimacy as a source of credible information. Historical projections police the dominant common-sense using history and memory as a justification on the present. Those historically marginalized from the traditional histories passed down through education popular media often face historical erasure. As performances, historical projections regenerate traditional notions of the past for incorporation into the everyday, further securing a dominant narrative while containing statements made by historically marginalized peoples who seek to challenge existing power relations. Accordingly, historical projections are critical sites for culture wars. See also Daniel A of Neoliberalism, from the Sixties to the Reagan Revolution","PeriodicalId":53571,"journal":{"name":"Film and History","volume":"52 1","pages":"32 - 46"},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48859301","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Liberating Hollywood: Women Directors & the Feminist Reform of 1970s American Cinema by Montañez Maya Smuckler (review)","authors":"A. Kozma","doi":"10.1353/flm.2022.0001","DOIUrl":"https://doi.org/10.1353/flm.2022.0001","url":null,"abstract":"","PeriodicalId":53571,"journal":{"name":"Film and History","volume":"52 1","pages":"54 - 55"},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46901269","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"White Masculinity in Crisis in Hollywood’s fin de Millennium Cinema by Pete Deakin (review)","authors":"P. Cohen","doi":"10.1353/flm.2022.0012","DOIUrl":"https://doi.org/10.1353/flm.2022.0012","url":null,"abstract":"","PeriodicalId":53571,"journal":{"name":"Film and History","volume":"52 1","pages":"47 - 48"},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46785856","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Jane Russell was one of Hollywood’s leading pre-Marilyn Monroe sex symbols in the 1940s and 1950s. Russell came to prominence in her first film, the notorious The Outlaw, which tested the censorship boundaries of the Production Code. She was presented as a sultry sex siren, yet Russell’s politics were conservative, and she was a passionate Christian. The tension between her onscreen persona and her strong spiritual values is an intriguing area for study.
{"title":"Mean...Moody...Magnificent!: Jane Russell and the Marketing of a Hollywood Legend by Christina Rice (review)","authors":"Kevin Brianton","doi":"10.1353/flm.2022.0006","DOIUrl":"https://doi.org/10.1353/flm.2022.0006","url":null,"abstract":"Jane Russell was one of Hollywood’s leading pre-Marilyn Monroe sex symbols in the 1940s and 1950s. Russell came to prominence in her first film, the notorious The Outlaw, which tested the censorship boundaries of the Production Code. She was presented as a sultry sex siren, yet Russell’s politics were conservative, and she was a passionate Christian. The tension between her onscreen persona and her strong spiritual values is an intriguing area for study.","PeriodicalId":53571,"journal":{"name":"Film and History","volume":"52 1","pages":"67 - 69"},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45112329","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Monstrous Forms: Moving Image Horror Across Media by Adam Charles Hart (review)","authors":"Charlotte Devon Scurlock","doi":"10.1353/flm.2022.0000","DOIUrl":"https://doi.org/10.1353/flm.2022.0000","url":null,"abstract":"","PeriodicalId":53571,"journal":{"name":"Film and History","volume":"52 1","pages":"52 - 53"},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43021294","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ray Bolger: More Than a Scarecrow by Holly Van Leuven (review)","authors":"B. F. Dick","doi":"10.1353/flm.2022.0007","DOIUrl":"https://doi.org/10.1353/flm.2022.0007","url":null,"abstract":"","PeriodicalId":53571,"journal":{"name":"Film and History","volume":"52 1","pages":"70 - 71"},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43091910","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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