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Epilogue 后记
Q1 Arts and Humanities Pub Date : 2019-12-31 DOI: 10.3828/liverpool/9781789620252.003.0037
Cecilia Enjuto-Rangel, S. Faber, Pedro García-Caro, R. Newcomb
This collection of essays shows that Transatlantic Studies allows for a wealth of topics and approaches—even as key methodological questions remain unresolved and the very legitimacy of Transatlantic Studies as such is still under dispute. This volume has sought to advance the discussion by putting the disputes surrounding the field front and center. The field need not reach consensus in order to thrive. Yet in order to be productive, every debate needs to start from an agreement about underlying principles. These would include the basic idea that it is valuable to study and teach the cultural archive in an academic context, or that a deep understanding of that archive can only be achieved through engagement with the languages in which that archive was written. These values have come under question, however, as an increasing number of colleges and universities have eliminated programs, courses, and faculty lines dedicated to serious work in the humanities. And if we cannot afford to disregard our institutional context, we also cannot ignore the changing tone of political discourse, as different forms of nativism and populist nationalism rear their heads across the world.
这本论文集表明,跨大西洋研究允许丰富的主题和方法——即使关键的方法论问题仍未解决,跨大西洋研究的合法性仍在争论中。这本书试图通过把围绕该领域的争议放在前面和中心来推进讨论。这个领域不需要达成共识就能蓬勃发展。然而,为了取得成效,每一场辩论都需要从就基本原则达成一致开始。其中包括在学术背景下研究和教授文化档案是有价值的,或者只有通过接触这些档案所使用的语言才能对这些档案有深刻的理解。然而,随着越来越多的学院和大学取消了专门从事人文学科严肃工作的项目、课程和师资队伍,这些价值观受到了质疑。如果我们不能忽视我们的制度背景,我们也不能忽视政治话语基调的变化,因为不同形式的本土主义和民粹主义民族主义在世界各地抬头。
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引用次数: 0
Correction to: Punching above their weight, but why? Explaining Denmark and Estonia in the transatlantic relationship 更正:出拳超过自己的体重,但为什么呢?解读丹麦和爱沙尼亚的跨大西洋关系
Q1 Arts and Humanities Pub Date : 2019-11-28 DOI: 10.1057/s42738-019-00034-w
A. Wivel, Matthew Crandall
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引用次数: 0
The Exile as Disinherited: 被剥夺继承权的流亡者:
Q1 Arts and Humanities Pub Date : 2019-11-19 DOI: 10.2307/j.ctvsn3p6g.23
J. Duprey
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引用次数: 0
The Atlantic State of Violence: 大西洋暴力之州:
Q1 Arts and Humanities Pub Date : 2019-11-19 DOI: 10.2307/j.ctvsn3p6g.6
Joseba Gabilondo
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引用次数: 0
Transatlantic Studies and the Geopolitics of Hispanism 跨大西洋研究和西班牙语的地缘政治
Q1 Arts and Humanities Pub Date : 2019-11-19 DOI: 10.2307/j.ctvsn3p6g.8
Abril Trigo
Transatlantic Studies are the outcome of a dual shift: a geographical displacement provoked by the geopolitical de-banking of area studies and an epistemological rift produced by the biocapitalist regime of accumulation. This combined shift translates profound geopolitical realignments, economic transformations and epistemological quandaries that make up our global age. If the geographical displacement from continental regions to oceanic ranges was meant to salvage area studies from their geopolitical obsolescence, and the epistemological displacement from hardcore, neo-positivistic and developmentalist social sciences to relativistic, postmodern and postcolonial multiculturalism was a response to the economically driven and globally experienced cultural turn, the emergence of Hispanic Transatlantic studies can be understood as the last-ditch effort of U.S. Hispanism to regain its lost prestige and, perhaps, its historical hegemony by taking part on this global geopolitical realignment. In a familiar way, the academic goals of U.S. Hispanic studies coincide once again with the global strategy of the ideology of Hispanism, confusedly entangled with the overlapping interests of Spanish capitalism and transnational corporations, in such a way that Spanish cultural and moral hegemony over the Hispanic world become an alibi for global economics and international geopolitics.
跨大西洋研究是双重转变的结果:由区域研究的地缘政治去银行化引发的地理位移,以及由生物资本主义积累制度产生的认识论裂痕。这种综合转变转化了构成我们全球时代的深刻的地缘政治重组、经济转型和认识论困境。如果从大陆地区到海洋范围的地理位移是为了挽救区域研究,使其免于地缘政治的过时,那么从核心的,新实证主义和发展主义的社会科学到相对主义,后现代和后殖民的多元文化主义的认识论位移是对经济驱动和全球经验的文化转向的回应,拉美裔跨大西洋研究的出现可以被理解为美国拉美裔试图通过参与这场全球地缘政治重组来恢复其失去的威望和历史霸权的最后努力。以一种熟悉的方式,美国西班牙裔研究的学术目标再次与西班牙裔意识形态的全球战略相吻合,与西班牙资本主义和跨国公司的重叠利益混淆在一起,以这样一种方式,西班牙对西班牙裔世界的文化和道德霸权成为全球经济和国际地缘政治的借口。
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引用次数: 0
Transatlantic Film Studies in the Age of Neoliberalism: 新自由主义时代的跨大西洋电影研究
Q1 Arts and Humanities Pub Date : 2019-11-19 DOI: 10.2307/j.ctvsn3p6g.27
Antonio Gómez López-Quiñones
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引用次数: 0
Between Empires: Spanish Immigrants in the United States (1868–1945) 帝国之间:美国的西班牙移民(1868-1945)
Q1 Arts and Humanities Pub Date : 2019-11-19 DOI: 10.2307/j.ctvsn3p6g.22
James D. Fernández
In the late nineteenth and early twentieth centuries, tens of thousands of Spanish peasants, seamen, and workers emigrated to the United States, and settled in an archipelago of tight-knit enclaves that dotted the entire country from Barre, Vermont to Monterey, California, and from Boise, Idaho, to Tampa, Florida. Neither friars nor conquistadors, those tens of thousands of immigrants from Spain who ended up in the United States represent just a tiny percentage of the millions of Spaniards who, in those same years, crossed the Atlantic, most with the goal of settling in various points of the Spanish-speaking Americas. Herein lies one of the best-kept demographic secrets of the American hemisphere: the massive presence of Spaniards in the Americas –South, Central and North– is largely a post-imperial phenomenon. For every Spanish friar or explorer from Spain’s Age of Empire who is commemorated by a statue or a street name in the United States, there would arrive, during the Age of Immigration, thousands of Spanish seamen, nannies, cigar-makers, canners, miners, shopkeepers, sheepherders and steelworkers. But because their stories do not easily fit into any conventional national narrative in either country, these working-class Spaniards are, for the most part, absent from standard historical accounts of both Spanish emigration and US immigration. They are, as it were, invisible immigrants.
在19世纪末和20世纪初,成千上万的西班牙农民、海员和工人移民到美国,并在从佛蒙特州的巴雷到加利福尼亚州的蒙特利,从爱达荷州的博伊西到佛罗里达州的坦帕,遍布整个国家的紧密联系的飞地群岛中定居下来。那些从西班牙来到美国的成千上万的移民,既不是修士,也不是征服者,只占当年跨越大西洋的数百万西班牙人的一小部分,大多数人的目标是在讲西班牙语的美洲的各个地方定居。这里隐藏着美洲半球最保守的人口秘密之一:西班牙人在美洲南部、中部和北部的大量存在,在很大程度上是一种后帝国时代的现象。在美国,每有一个西班牙帝国时代的修士或探险家被雕像或街道名纪念,就会有成千上万的西班牙海员、保姆、雪茄制造商、罐头工人、矿工、店主、牧羊人和钢铁工人来到美国。但由于他们的故事不容易融入这两个国家的任何传统民族叙事,这些西班牙工人阶级在西班牙移民和美国移民的标准历史记载中,大多是缺席的。可以说,他们是隐形移民。
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引用次数: 0
Hispanisms in the Works of Pedro Henríquez Ureña 佩德罗作品中的西班牙语Henríquez Ureña
Q1 Arts and Humanities Pub Date : 2019-11-19 DOI: 10.2307/j.ctvsn3p6g.36
V. Salinas
In this article the author looks at the concept of Hispanism in the work of the Dominican writer Pedro Henríquez Ureña. Spain was present in Henríquez Ureña´s personal, humanistic, philological and essayistic interests. Linguistic brotherhood was superior to all other biases he could have held toward peninsular culture. Beginning with "En la orilla. Mi España" (1920), the writings that the author dedicates to Spanish literature are rich and plentiful, but they are not just essays and articles. In the "encyclopédiste" wake, he was closer to embracing an American Project, without giving up its Spanish roots, and open to the concept of “Hispanic”, what today we would call “transatlantic”.
在这篇文章中,作者着眼于西班牙裔的概念在多米尼加作家佩德罗Henríquez Ureña的工作。西班牙出现在Henríquez Ureña的个人,人文主义,语言学和散文学的兴趣。语言上的兄弟情谊胜过他对半岛文化可能持有的所有其他偏见。以“我是orilla”开头。米España”(1920),作者致力于西班牙文学的作品丰富而丰富,但它们不仅仅是随笔和文章。在“百科全书式的磨难”之后,他更接近于接受“美国计划”(American Project),但没有放弃其西班牙根源,并对“西班牙裔”(Hispanic)的概念持开放态度,也就是今天我们所说的“跨大西洋”(transatlantic)。
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引用次数: 0
Luis Cernuda’s “Historial de un libro”: 路易斯·塞尔努达的《书的历史》:
Q1 Arts and Humanities Pub Date : 2019-11-19 DOI: 10.2307/j.ctvsn3p6g.17
Christina Karageorgou-Bastea
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引用次数: 0
Nicolás Guillén and Poesia Negra de Expressão Portuguesa (1953) nicolas guillen和葡萄牙黑人诗歌(1953)
Q1 Arts and Humanities Pub Date : 2019-11-19 DOI: 10.2307/j.ctvsn3p6g.34
Lanie Millar
The 1953 poetry notebook Poesia negra de expressão portuguesa [Black Poetry of Portuguese Expression] was first work that brought together negritude poetry from across the Lusophone African world. Edited by Angolan intellectual Mário Pinto de Andrade and Sao Tomean poet Francisco Tenreiro, the short collection declares itself an anti-colonial intervention into the negritude movements underway in the Francophone world since the 1930s. Little has been made, however, of the notebook’s dedication to Cuban poet Nicolás Guillén or the inclusion of Guillén’s poem “Son Número 6” [Son Number 6] in the collection. This article argues that the juxtaposition of Guillén’s “Son No. 6” with the Lusophone poems consolidates an alternative transatlanticism that emphasizes Guillén as a black poet, rather than themes of racial and cultural mixing, and thus shifts the circuits of collaboration away from francophone negritude's colony-metropole axis to the South. Poetic techniques such as call-and-response and the socially-embedded, metonymic construction of blackness shared among Guillén and Lusophone poets Agostinho Neto, Noémia de Sousa, and António Jacinto show how the notebook establishes the origins of both negritude poetry and negritude identity in the trans-Atlantic poetic conversation itself.
1953年出版的诗歌笔记本Poesia negra de express o portuesa[葡萄牙语表达的黑人诗歌]是第一部汇集了整个葡语非洲世界的黑人诗歌的作品。由安哥拉知识分子Mário Pinto de Andrade和圣多美诗人Francisco Tenreiro编辑,这部短篇文集宣称自己是对20世纪30年代以来法语世界正在进行的黑人运动的反殖民干预。然而,很少有人提到这本笔记本是献给古巴诗人Nicolás guillsamen的,也很少有人提到guillsamen的诗“Son Número 6”收录在这本笔记本中。本文认为,将吉列姆的《儿子6号》与葡语诗歌并放在一起,巩固了另一种跨大西洋主义,强调吉列姆是黑人诗人,而不是种族和文化混合的主题,从而将合作的电路从讲法语的黑人的殖民地-大都市轴线转移到南方。诸如“呼唤与回应”的诗歌技巧、社会嵌入的、对黑人的转义构建,这些都是吉尔-海姆和葡萄牙语诗人Agostinho Neto、nosamia de Sousa和António Jacinto所共有的,这些都显示了笔记本如何在跨大西洋诗歌对话中确立了黑人诗歌和黑人身份的起源。
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Journal of Transatlantic Studies
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