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Feminist German Studies最新文献

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The Virginal Mother in German Culture: From Sophie von La Roche and Goethe to Metropolis by Lauren Nossett (review) 《德国文化中的童贞母亲:从索菲·冯·拉罗希、歌德到大都会》作者:劳伦·诺塞特
IF 0.2 Q3 Social Sciences Pub Date : 2020-12-28 DOI: 10.1353/fgs.2020.0031
B. Muellner
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引用次数: 0
The Female in German Modernisms: The Visual Turn by Geetha Ramanathan (review) 德国现代主义中的女性:吉塔·拉马纳坦的视觉转向(书评)
IF 0.2 Q3 Social Sciences Pub Date : 2020-12-28 DOI: 10.1353/fgs.2020.0034
Julie Shoults
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引用次数: 0
Henriette Kraze’s Heim Neuland (1908) and the Idealized Nonviolent Colonial Community 亨丽埃特·克拉兹的《海姆·纽兰》(1908)和理想化的非暴力殖民社区
IF 0.2 Q3 Social Sciences Pub Date : 2020-12-28 DOI: 10.5250/femigermstud.36.2.0027
I. Brust
Abstract:This article explores how Friederike Henriette Kraze’s relatively unknown novel Heim Neuland (1908) depicts an idealized community of German colonialists claiming Heimat in Namibia (German South-West Africa) who are dedicated to peaceful coexistence with the indigenous population. Kraze’s novel links the colonial project to the larger national aim of establishing Germany as a global industrial power. Simultaneously, Kraze presents the colonial setting as a space that offers settler women new freedoms. What distinguishes Kraze’s writing from that of her contemporaries is a focus on the importance of nonviolence for the success of German colonialism. Kraze’s writing is infused with racist rhetoric, but she also defines the use of unjustified violence and cruelty as reasons for exclusion from the colonial community. This is a vision that appears in sharp contrast to the German mercilessness that caused the Herero and Nama genocide, which occurred following the writing of Heim Neuland in January 1905 and prior to its publication in 1908.
摘要:本文探讨了弗里德里克·亨丽埃特·克拉泽(Friederike Henriette Kraze)相对不知名的小说《海姆纽兰》(1908)如何描绘了一个理想化的德国殖民主义者在纳米比亚(德属西南非洲)占领海玛特的社区,他们致力于与土著居民和平共处。克拉兹的小说将殖民计划与将德国打造为全球工业大国的更大国家目标联系起来。同时,Kraze将殖民背景呈现为一个为定居者妇女提供新的自由的空间。克拉兹的作品与同时代作家的不同之处在于,她关注非暴力对德国殖民主义成功的重要性。克拉兹的作品充满了种族主义的修辞,但她也将使用不合理的暴力和残忍定义为被殖民社区排斥的理由。这一愿景与德国人的无情形成鲜明对比,后者导致了赫雷罗和纳马种族灭绝,后者发生在1905年1月海姆·纽兰(Heim Neuland)写作之后,1908年出版之前。
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引用次数: 0
The Queer Intersectional in Contemporary Germany ed. by Christopher Sweetapple (review) 《当代德国的酷儿交叉点》克里斯托弗·斯威特苹果主编(书评)
IF 0.2 Q3 Social Sciences Pub Date : 2020-12-28 DOI: 10.1353/fgs.2020.0036
Tiarra Cooper
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引用次数: 0
Gender, Collaboration, and Authorship in German Culture: Literary Joint Ventures, 1750–1850 ed. by Laura Deiulio and John B. Lyon (review) 德国文化中的性别、合作和作者身份:1750-1850年的文学合资企业,劳拉·德留里奥和约翰·b·里昂主编
IF 0.2 Q3 Social Sciences Pub Date : 2020-12-28 DOI: 10.1353/fgs.2020.0020
Lauren Nossett
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引用次数: 0
The Friendship of Our Distant Relations”: Feminism and Animal Families in Marlen Haushofer’s Die Wand (1963) “我们远亲的友谊”:马伦·豪斯霍弗的《死亡魔杖》中的女权主义与动物家庭
IF 0.2 Q3 Social Sciences Pub Date : 2020-12-28 DOI: 10.5250/femigermstud.36.2.0075
A. Richards
Abstract:This article considers Marlen Haushofer’s novel Die Wand (1963) in the contexts of animal (eco)feminism from the 1970s onward and the animal essays of philosopher Cora Diamond. It argues that Haushofer’s novel, in which the female narrator survives behind an invisible wall with a family of animals, anticipates feminist theories of intersection between the oppression of women and of non-human animals and illustrates a feminist ethics of care. The novel attends to animal characters as individuals with agency and, setting up a stylistic and thematic tension between the everyday and the extraordinary, exposes the reader to difficult ideas about animal death and human destructiveness. Despite the novel’s challenge to the conventional way of seeing animals, the narrator ultimately upholds the idea of an unbridgeable barrier between human beings and other species, but she reverses the traditional hierarchy: she values non-human animals more highly than human beings.
摘要:本文将马伦·豪斯霍弗的小说《Die Wand》(1963)置于20世纪70年代以来的动物(生态)女权主义和哲学家科拉·戴蒙德的动物散文的语境中进行研究。它认为,豪斯霍弗的小说中,女性叙述者与一群动物在一堵看不见的墙后生存,预示了女性主义理论对女性和非人类动物的压迫之间的交叉,并阐明了女性主义的关怀伦理。小说将动物角色视为具有能动性的个体,并在日常与非凡之间建立了风格和主题张力,使读者对动物死亡和人类破坏性的难以理解的观点有所了解。尽管小说挑战了传统的看待动物的方式,但叙述者最终坚持了人类与其他物种之间不可逾越的障碍的观点,但她颠覆了传统的等级观念:她把非人类动物看得比人类更重要。
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引用次数: 0
Screening the Red Army Faction: Historical and Cultural Memory by Christina Gerhardt (review) 《筛选红军派系:历史文化记忆》克里斯蒂娜·格哈特著(书评)
IF 0.2 Q3 Social Sciences Pub Date : 2020-12-28 DOI: 10.1353/fgs.2020.0023
C. Scott
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引用次数: 0
Gender and Sexuality in East German Film: Intimacy and Alienation ed. by Kyle Frackman and Faye Stewart (review) 东德电影中的性别与性:亲密与疏离凯尔·弗莱克曼、费伊·斯图尔特主编(评论)
IF 0.2 Q3 Social Sciences Pub Date : 2020-12-28 DOI: 10.1353/fgs.2020.0022
Elizabeth Mittman
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引用次数: 0
Goethe’s Stalker Snails 歌德的《潜行蜗牛》
IF 0.2 Q3 Social Sciences Pub Date : 2020-12-28 DOI: 10.5250/femigermstud.36.2.0001
B. Nagel
Abstract:“Crab and snail are both rare creatures to me,” reads an epigram by Goethe. This article takes the subjective character of the epigram as a point of departure to investigate the curious insistence of snail figures throughout Goethe’s oeuvre, with particular attention to their flexibility, reversibility, and ultimate incoherence. This incoherence has to do with the versatility of the snail as an asexual, trans, queer, but for Goethe, above all, female figure of victimhood (the persecuted maiden, the debauched lover), which in turn triggers feelings of persecution in the libertine. Yet, when Goethe himself is confronted with the female libertine Mme de Staël, he draws on metaphors of snail seclusion to express his own desire for autonomy as well as protection. The encounter between de Staël and Goethe presents an exemplary attempt of hegemonic masculinity to hijack victimhood and to treat it as the last coveted privilege patriarchy lacks.
摘要:“螃蟹和蜗牛对我来说都是稀有的生物”,这是歌德的一句警句。本文以警句的主观特征为出发点,研究了贯穿歌德作品的蜗牛形象的奇怪坚持,特别注意它们的灵活性,可逆性和最终的不连贯性。这种不连贯与蜗牛作为无性恋、变性、酷儿的多样性有关,但对歌德来说,最重要的是,蜗牛是受害者的女性形象(受迫害的少女,放荡的情人),这反过来又引发了放荡者的受迫害感。然而,当歌德自己面对放荡的女性Mme de Staël时,他借用蜗牛隐居的隐喻来表达自己对自治和保护的渴望。de Staël和歌德之间的相遇展现了一种典型的男性霸权试图劫持受害者,并将其视为父权制所缺乏的最后一个令人垂涎的特权。
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引用次数: 1
Celluloid Revolt: German Screen Cultures and the Long 1968 ed. by Christina Gerhardt and Marco Abel (review) 《赛璐珞的反抗:漫长的1968年德国银幕文化》克里斯蒂娜·格哈特、马尔科·阿贝尔主编
IF 0.2 Q3 Social Sciences Pub Date : 2020-12-28 DOI: 10.1353/fgs.2020.0024
R. McFarland
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引用次数: 0
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Feminist German Studies
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