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The disappearance as a way of living: Reconciliation with the loss and the paradoxes of human memory in the works of Ogawa Yōko and Kawakami Hiromi 作为一种生活方式的消失:与小川友子和川上广美作品中人类记忆的丧失和悖论的和解
IF 0.1 Q4 AREA STUDIES Pub Date : 2022-07-04 DOI: 10.55105/2500-2872-2022-2-108-119
A. Borkina
The article deals with the representation of the problem of memory in contemporary Japanese fiction. Ogawa Yōko’s novel «The Memory Police» and Kawakami Hiromi’s story «To Disappear», chosen for the analysis, demonstrate similar approaches and some parallels in terms of plot structure. In «The Memory Police», there is a young writer in the center of the narration, who lives on an island where things and memories about them disappear, whereas some people are «immune» to forgetting things and are prosecuted. The main character of «To Disappear» lives in a strange world where people go missing, change their shapes, and communicate with the mystical forces. The memories about those who disappeared vanish, and the main character is the only one who keeps the fragments of the past. For these women, the contact with something missing becomes a tool to form so-called «postmemory», recollection of the events they have not witnessed, as well as a device to fight the unfair social system (the Police and the patriarchal community respectively). Disappearance in Ogawa and Kawakami’s works is also connected with the bodies’ deformation and the following loss of self-identity. Finally, the problems of memory and corporeality loss are linked to the women’s question in the works mentioned above. The loss of voice by the main character in «The Memory Police», the history of family disappearance in «To Disappear» – all these plot lines correspond with the main issues represented in contemporary Japanese women fiction. To sum up, these two works represent a new type of world-view and existence, moving away from the usual model of «personal space». Escapism is hyperbolized, disappearance becomes a way of living, and the written narration is the only chance to leave a trace and to connect to memories and one’s own history.
本文论述了记忆问题在当代日本小说中的表现。小川Yōko的小说《记忆警察》和川上广美的故事《消失》被选为分析对象,它们在情节结构上展示了相似的方法和一些相似之处。在《记忆警察》中,有一个年轻的作家在叙述的中心,他住在一个岛上,在那里,关于他们的事情和记忆消失了,而有些人“免疫”忘记的事情,并被起诉。《消失》的主角生活在一个奇怪的世界里,人们失踪,改变他们的形状,并与神秘力量交流。关于那些消失的人的记忆消失了,主角是唯一一个保留着过去的碎片的人。对这些女性来说,与缺失的东西的接触成为形成所谓“后记忆”的工具,是对她们没有目睹的事件的回忆,也是对抗不公平社会制度(分别是警察和父权社会)的一种手段。小川和川上的作品中的消失也与身体的变形以及随之而来的自我身份的丧失有关。最后,记忆和肉体丧失的问题与上述作品中的女性问题联系在一起。《记忆警察》中主角失声,《消失》中家庭失踪的历史——所有这些情节都与当代日本女性小说中所表现的主要问题相对应。综上所述,这两件作品代表了一种新的世界观和存在,脱离了通常的“个人空间”模式。逃避主义被夸大了,消失成为一种生活方式,而书面叙述是留下痕迹、连接记忆和自己历史的唯一机会。
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Japanese Studies in Russia
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