Pub Date : 2022-07-03DOI: 10.1080/14787318.2022.2124798
Sihem Gounni
ABSTRACT Suscitant une réévaluation des critères de définition du consentement jusqu'alors en vigueur, le procès de Castellan (1865) pour viol sous emprise magnétique de Joséphine Hugues manifeste les prémisses de la reconnaissance médico-légale d'états de conscience modifiée. Cet article propose de s'emparer des questions soulevées par cette affaire, dont le travail de Nicole Edelman a valorisé l'intérêt historiographique, en mettant notamment en avant le poids des représentations sociales de la marginalité et de la féminité sur le verdict. L'affaire Castellan sera également abordée à la lumière de la littérature villiérienne qui, glissant du cas au conte, les discours d'autorité à leur contingence épistémique.
{"title":"La vierge et le vagabond: Relire l’affaire Castellan à travers ses représentations médico-légales, sociales et littéraires","authors":"Sihem Gounni","doi":"10.1080/14787318.2022.2124798","DOIUrl":"https://doi.org/10.1080/14787318.2022.2124798","url":null,"abstract":"ABSTRACT Suscitant une réévaluation des critères de définition du consentement jusqu'alors en vigueur, le procès de Castellan (1865) pour viol sous emprise magnétique de Joséphine Hugues manifeste les prémisses de la reconnaissance médico-légale d'états de conscience modifiée. Cet article propose de s'emparer des questions soulevées par cette affaire, dont le travail de Nicole Edelman a valorisé l'intérêt historiographique, en mettant notamment en avant le poids des représentations sociales de la marginalité et de la féminité sur le verdict. L'affaire Castellan sera également abordée à la lumière de la littérature villiérienne qui, glissant du cas au conte, les discours d'autorité à leur contingence épistémique.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"26 1","pages":"121 - 138"},"PeriodicalIF":0.1,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46024137","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-03DOI: 10.1080/14787318.2022.2136846
Maria Beliaeva Solomon
ABSTRACT « L'horrible vrai est toujours plus horrible encore ! » s'exclame un personnage d'Une conversation entre onze heures et minuit – conte saturé de violence que Balzac intègre, avec Le Grand d'Espagne, au recueil collectif des Contes bruns, composé à la faveur de la mode frénétique et horrifiante. Ces textes, qui ironisent sur les lois de la littérature marchande tout en y acquiesçant, apportent un éclairage essentiel sur les questionnements que l'écriture balzacienne émet sur elle-même, alors que Balzac s'apprête à abandonner la forme du conte pour le projet, expansif et totalisant, d'une œuvre représentative de la société moderne.
{"title":"« L’horrible vrai » des Contes bruns de Balzac","authors":"Maria Beliaeva Solomon","doi":"10.1080/14787318.2022.2136846","DOIUrl":"https://doi.org/10.1080/14787318.2022.2136846","url":null,"abstract":"ABSTRACT « L'horrible vrai est toujours plus horrible encore ! » s'exclame un personnage d'Une conversation entre onze heures et minuit – conte saturé de violence que Balzac intègre, avec Le Grand d'Espagne, au recueil collectif des Contes bruns, composé à la faveur de la mode frénétique et horrifiante. Ces textes, qui ironisent sur les lois de la littérature marchande tout en y acquiesçant, apportent un éclairage essentiel sur les questionnements que l'écriture balzacienne émet sur elle-même, alors que Balzac s'apprête à abandonner la forme du conte pour le projet, expansif et totalisant, d'une œuvre représentative de la société moderne.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"26 1","pages":"155 - 168"},"PeriodicalIF":0.1,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47104636","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-03DOI: 10.1080/14787318.2022.2129286
Darci L. Gardner
ABSTRACT Marie Kysinska was a pioneer of French free verse, but her detractors characterized her work as derivative. Responding to them, her last collection, Intermèdes: Nouveaux rythmes pittoresques (1903), distances her poetry from its sources of inspiration. Although Intermèdes is replete with borrowed material—from pieces that Krysinska published earlier and from contemporaries' works—Krysinska's appropriations consistently subvert traditions. This article examines poems that indicate how Krysinska's revisions of her own texts and palimpsests of others' works renovate literary conventions. The following readings illustrate the intellectual independence that Krysinska asserted as her career advanced and her efforts to transform inherited paradigms.
{"title":"Appropriation and Revision as Subversion in Intermèdes: Krysinska’s Palimpsests","authors":"Darci L. Gardner","doi":"10.1080/14787318.2022.2129286","DOIUrl":"https://doi.org/10.1080/14787318.2022.2129286","url":null,"abstract":"ABSTRACT Marie Kysinska was a pioneer of French free verse, but her detractors characterized her work as derivative. Responding to them, her last collection, Intermèdes: Nouveaux rythmes pittoresques (1903), distances her poetry from its sources of inspiration. Although Intermèdes is replete with borrowed material—from pieces that Krysinska published earlier and from contemporaries' works—Krysinska's appropriations consistently subvert traditions. This article examines poems that indicate how Krysinska's revisions of her own texts and palimpsests of others' works renovate literary conventions. The following readings illustrate the intellectual independence that Krysinska asserted as her career advanced and her efforts to transform inherited paradigms.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"26 1","pages":"139 - 154"},"PeriodicalIF":0.1,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41493676","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-03DOI: 10.1080/14787318.2022.2144339
Sebastian Egholm Lund
ABSTRACT Nineteenth-century France was characterised by theoretical and fictional speculations about planet management, climate change, and anthropogenic power. In this context, Verne's novels strike us as more contemporary than ever. The purpose of his Sans dessus dessous (1889) is a scalar critique that highlights the catastrophic potential of engineering Earth: When terraforming is premised upon extraplanetary sight, it becomes an objectifying instance of ‘anthropoforming’ that mechanically forms Earth in the image of mankind. Reading Sans dessus dessous today evaluates the historical specificity of terraforming while illuminating how ecological crises become the opportune moment for privatising the engineering of Earth.
{"title":"No Earth from Nowhere: Jules Verne’s Critique of Terraforming","authors":"Sebastian Egholm Lund","doi":"10.1080/14787318.2022.2144339","DOIUrl":"https://doi.org/10.1080/14787318.2022.2144339","url":null,"abstract":"ABSTRACT Nineteenth-century France was characterised by theoretical and fictional speculations about planet management, climate change, and anthropogenic power. In this context, Verne's novels strike us as more contemporary than ever. The purpose of his Sans dessus dessous (1889) is a scalar critique that highlights the catastrophic potential of engineering Earth: When terraforming is premised upon extraplanetary sight, it becomes an objectifying instance of ‘anthropoforming’ that mechanically forms Earth in the image of mankind. Reading Sans dessus dessous today evaluates the historical specificity of terraforming while illuminating how ecological crises become the opportune moment for privatising the engineering of Earth.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"26 1","pages":"169 - 185"},"PeriodicalIF":0.1,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45360310","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-25DOI: 10.1080/14787318.2022.2090093
Jennifer Yee
{"title":"Émile Zola’s Black Lives: Colonial Experiments and the Limits of Empathy in La Joie de vivre","authors":"Jennifer Yee","doi":"10.1080/14787318.2022.2090093","DOIUrl":"https://doi.org/10.1080/14787318.2022.2090093","url":null,"abstract":"","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46544533","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-04-03DOI: 10.1080/14787318.2022.2095688
Elizabeth Amann
ABSTRACT This essay examines Marie-Caroline Batz de Trenquelléon's novel Georges ou la Révolution de 1830 et l'homme de 1793 (1832), an early response to the Revolution of 1830. Although its author was a legitimist who blamed the French Revolution on Enlightenment thought, the novel is largely based on Voltaire's play Le fanatisme, ou Mahomet le Prophète (1741). This study explores how Batz de Trenquelléon's critique of the Terror echoes Voltaire's denunciation of fanaticism and how she manipulates her historical sources to reinforce a vision of French history in which 1789 and 1830 are part of a single, ongoing conspiracy. Cet essai examine une des premières réponses littéraires à la Révolution de 1830 : Georges ou la Révolution de 1830 et l'homme de 1793 (1832), un roman de Marie-Caroline Batz de Trenquelléon. Bien que son auteur soit une légitimiste qui attribue la Révolution française à la pensée des Lumières, le roman est largement basé sur la pièce de Voltaire, Le fanatisme, ou Mahomet le Prophète (1741). Cette étude explore comment la critique de la Terreur par Batz de Trenquelléon fait écho à la dénonciation du fanatisme par Voltaire et comment elle manipule ses sources historiques pour renforcer une vision de l'histoire de France dans laquelle 1789 et 1830 font partie d'une conspiration unique et continue.
本文考察了玛丽-卡洛琳·巴茨·德·特伦奎伦的小说《乔治或1830年的革命与1793年的人》(1832)，对1830年革命的早期反应。虽然它的作者是一个以启蒙思想谴责法国革命的合法主义者，但这部小说很大程度上是基于伏尔泰的游戏狂热，或先知穆罕默德(1741)。本研究探讨了Batz de trenquelleon对恐怖主义的批评如何呼应伏尔泰对狂热主义的谴责，以及她如何操纵她的历史来源来强化1789年和1830年是单一阴谋的一部分的法国历史观点。本文探讨了对1830年革命最早的文学回应之一:玛丽-卡罗琳·巴茨·德trenquelleon的小说《乔治或1830年的革命与1793年的人》(1832)。尽管作者是一位正统主义者，他将法国大革命归因于启蒙运动的思想，但这部小说很大程度上是基于伏尔泰的戏剧《狂热》或《先知穆罕默德》(1741)。本研究探讨了Batz de trenquelleon对恐怖主义的批评如何呼应伏尔泰对狂热主义的谴责，以及它如何利用其历史来源来加强1789年和1830年是一个单一和持续阴谋的一部分的法国历史愿景。
{"title":"July Revolution as Repetition Compulsion: Batz de Trenquelléon’s Georges ou la Révolution de 1830 et l’homme de 1793","authors":"Elizabeth Amann","doi":"10.1080/14787318.2022.2095688","DOIUrl":"https://doi.org/10.1080/14787318.2022.2095688","url":null,"abstract":"ABSTRACT This essay examines Marie-Caroline Batz de Trenquelléon's novel Georges ou la Révolution de 1830 et l'homme de 1793 (1832), an early response to the Revolution of 1830. Although its author was a legitimist who blamed the French Revolution on Enlightenment thought, the novel is largely based on Voltaire's play Le fanatisme, ou Mahomet le Prophète (1741). This study explores how Batz de Trenquelléon's critique of the Terror echoes Voltaire's denunciation of fanaticism and how she manipulates her historical sources to reinforce a vision of French history in which 1789 and 1830 are part of a single, ongoing conspiracy. Cet essai examine une des premières réponses littéraires à la Révolution de 1830 : Georges ou la Révolution de 1830 et l'homme de 1793 (1832), un roman de Marie-Caroline Batz de Trenquelléon. Bien que son auteur soit une légitimiste qui attribue la Révolution française à la pensée des Lumières, le roman est largement basé sur la pièce de Voltaire, Le fanatisme, ou Mahomet le Prophète (1741). Cette étude explore comment la critique de la Terreur par Batz de Trenquelléon fait écho à la dénonciation du fanatisme par Voltaire et comment elle manipule ses sources historiques pour renforcer une vision de l'histoire de France dans laquelle 1789 et 1830 font partie d'une conspiration unique et continue.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"26 1","pages":"91 - 109"},"PeriodicalIF":0.1,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41645685","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-04-03DOI: 10.1080/14787318.2022.2085021
K. Foster
ABSTRACT The department store mannequin is often read as representative of commodity or sexual fetishism and, consequently, of woman objectified. This article posits that in Émile Zola’s Au Bonheur des Dames (1883), the mannequin can highlight such objectification to the woman in the text. Through close readings of the text's mannequins this article seeks to analyse the combination of estrangement and excitement which characterizes the experience of living under modernity. It asks whether the headless Zolian mannequin empowers the shopper to recognize and thus reject objectification of the self, or if it is simply a disquieting reminder of one’s own powerlessness.
{"title":"Lèche-vitrines: Human Identity and the Mannequin in Au Bonheur des Dames","authors":"K. Foster","doi":"10.1080/14787318.2022.2085021","DOIUrl":"https://doi.org/10.1080/14787318.2022.2085021","url":null,"abstract":"ABSTRACT The department store mannequin is often read as representative of commodity or sexual fetishism and, consequently, of woman objectified. This article posits that in Émile Zola’s Au Bonheur des Dames (1883), the mannequin can highlight such objectification to the woman in the text. Through close readings of the text's mannequins this article seeks to analyse the combination of estrangement and excitement which characterizes the experience of living under modernity. It asks whether the headless Zolian mannequin empowers the shopper to recognize and thus reject objectification of the self, or if it is simply a disquieting reminder of one’s own powerlessness.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"26 1","pages":"74 - 90"},"PeriodicalIF":0.1,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"59869525","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-04-03DOI: 10.1080/14787318.2022.2083924
Greg Kerr
ABSTRACT In the early 1890s, Jules Lévy organised a series of artistic exhibitions under the title of Les Arts Incohérents. Affiliated with Montmartre cabaret culture, the events lampooned the conventions of the Parisian salons and the conventions and institutions of the fine arts. This article explores the importance of the figure of the blank in a selection of art exhibited by the Incohérents. Adopting a word-and-image-based approach, and drawing on theories of comedy and laughter, the article shows how the Incéohérents' incipient avant-gardism interrogates the limits of the different arts and points to a novel inflection of humour in the period.
{"title":"Drawing Blanks: Word and Image at the Expositions des Incohérents","authors":"Greg Kerr","doi":"10.1080/14787318.2022.2083924","DOIUrl":"https://doi.org/10.1080/14787318.2022.2083924","url":null,"abstract":"ABSTRACT In the early 1890s, Jules Lévy organised a series of artistic exhibitions under the title of Les Arts Incohérents. Affiliated with Montmartre cabaret culture, the events lampooned the conventions of the Parisian salons and the conventions and institutions of the fine arts. This article explores the importance of the figure of the blank in a selection of art exhibited by the Incohérents. Adopting a word-and-image-based approach, and drawing on theories of comedy and laughter, the article shows how the Incéohérents' incipient avant-gardism interrogates the limits of the different arts and points to a novel inflection of humour in the period.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"26 1","pages":"57 - 73"},"PeriodicalIF":0.1,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48400010","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-04-03DOI: 10.1080/14787318.2022.2092933
Warren Johnson
ABSTRACT Hector Malot’s 1882 novel, Les millions honteux, highlights the interconnections between money and representational practice. Malot’s critique in this neglected text of the construction of personal reputation through journalistic manipulation demonstrates the inextricable linkage between scandal and the press, and suggests the way that scandals themselves might be constructed or inflated like public images by unscrupulous journalists.
马洛(Hector Malot) 1882年的小说《百万富翁》(Les millions honteux)突出了金钱与代表性实践之间的联系。在这篇被忽视的文章中，马洛对通过新闻操纵来构建个人声誉的批评表明，丑闻与媒体之间有着不可分割的联系，并暗示了丑闻本身可能被肆无忌惮的记者构建或夸大的方式，就像公众形象一样。
{"title":"Silencing Scandal: Hector Malot’s Les millions honteux","authors":"Warren Johnson","doi":"10.1080/14787318.2022.2092933","DOIUrl":"https://doi.org/10.1080/14787318.2022.2092933","url":null,"abstract":"ABSTRACT\u0000 Hector Malot’s 1882 novel, Les millions honteux, highlights the interconnections between money and representational practice. Malot’s critique in this neglected text of the construction of personal reputation through journalistic manipulation demonstrates the inextricable linkage between scandal and the press, and suggests the way that scandals themselves might be constructed or inflated like public images by unscrupulous journalists.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"26 1","pages":"110 - 119"},"PeriodicalIF":0.1,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42895316","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-02DOI: 10.1080/14787318.2021.2022877
Marion Glaumaud-Carbonnier
ABSTRACT Curieusement, les personnages des récits racontant le conflit franco-prussien semblent tous partager la même ascendance : ils descendent d'un parent identique, d'un vieillard qui se répète d'histoire en histoire, d'un grand-père ayant participé aux guerres du début du xixe siècle, et qui fait peser son empire sur sa descendance. En s'intéressant à la brisure qui rompt le lien généalogique entre les aïeux victorieux du début du siècle et la génération vaincue de 1870, cet article a pour enjeu d'analyser la valeur de ce personnage 1800 et de comprendre la fonction morale que la fiction accorde à ces figures tutélaires.
{"title":"L’empire des grands-pères : crise de succession dans les fictions de la défaite de 1870–71","authors":"Marion Glaumaud-Carbonnier","doi":"10.1080/14787318.2021.2022877","DOIUrl":"https://doi.org/10.1080/14787318.2021.2022877","url":null,"abstract":"ABSTRACT Curieusement, les personnages des récits racontant le conflit franco-prussien semblent tous partager la même ascendance : ils descendent d'un parent identique, d'un vieillard qui se répète d'histoire en histoire, d'un grand-père ayant participé aux guerres du début du xixe siècle, et qui fait peser son empire sur sa descendance. En s'intéressant à la brisure qui rompt le lien généalogique entre les aïeux victorieux du début du siècle et la génération vaincue de 1870, cet article a pour enjeu d'analyser la valeur de ce personnage 1800 et de comprendre la fonction morale que la fiction accorde à ces figures tutélaires.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":"26 1","pages":"18 - 34"},"PeriodicalIF":0.1,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44830411","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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