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Frontiers of Literary Studies in China最新文献

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Match Made in Heaven 天作之合
IF 0.1 4区 文学 Q2 Arts and Humanities Pub Date : 2018-06-05 DOI: 10.3868/S010-007-018-0003-2
Wang Anyi, Todd J. Foley
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引用次数: 0
Screening Torture in The Message : The Body and Soul of a Genre Film 在《信息:一部类型电影的身体和灵魂》中放映酷刑
IF 0.1 4区 文学 Q2 Arts and Humanities Pub Date : 2018-06-05 DOI: 10.3868/S010-007-018-0006-3
Li Yang
AbstractThe 2009 hit espionage thriller The Message ( Fengsheng 风声) was widely regarded as a milestone in Chinese genre filmmaking in the new millennium. Differing from Socialist espionage films, contemporaneous espionage TV series as well as its literary original, the film is first and foremost characterized by its plenitude of torture scenes. A textual critique on these torture scenes reveals the generic elements from both Socialist revolutionary classics and American horror films. The genre mixing in The Message produces the sensorial pleasure of a body genre film while being safeguarded by its revolutionary packaging. As a specimen of the Chinese private film sector’s aggressive dual commercial and political campaign, The Message illustrates the strategies of Chinese genre filmmaking and manifests the splitting logic in the Chinese film industry.
2009年大热的间谍惊悚片《风声》被广泛认为是新世纪中国类型电影的里程碑。与社会主义间谍电影、同时期的间谍电视剧以及文学原著不同,这部电影的首要特点是大量的酷刑场面。对这些酷刑场面的文本批判揭示了社会主义革命经典和美国恐怖电影的一般元素。《讯息》中的类型混合产生了身体类型电影的感官快感,同时被其革命性的包装所保护。作为中国私人电影积极的商业和政治双重运动的样本,《讯息》说明了中国类型电影制作的策略,体现了中国电影工业的分裂逻辑。
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引用次数: 2
Shuqin Cui, Gendered Bodies: Toward a Women’s Visual Art in Contemporary China 崔淑琴:“性别的身体:走向中国当代女性视觉艺术”
IF 0.1 4区 文学 Q2 Arts and Humanities Pub Date : 2018-06-05 DOI: 10.3868/S010-007-018-0008-7
S. Welland
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引用次数: 1
Victor Fan, Cinema Approaching Reality: Locating Chinese Film Theory 《电影走向现实:中国电影理论的定位》
IF 0.1 4区 文学 Q2 Arts and Humanities Pub Date : 2018-06-05 DOI: 10.3868/S010-007-018-0007-0
Yiman Wang
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引用次数: 0
Nicholas Morrow Williams, The Residue of Dreams: Selected Poems of Jao Tsung-i 尼古拉斯·莫罗·威廉姆斯:《梦想的残余:饶宗颐诗歌选集》
IF 0.1 4区 文学 Q2 Arts and Humanities Pub Date : 2018-06-05 DOI: 10.3868/S010-007-018-0011-5
L. Lap
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引用次数: 0
Cynthia L. Chennault et al., Early Medieval Chinese Texts 陈纳德等,《中世纪早期汉语文本》
IF 0.1 4区 文学 Q2 Arts and Humanities Pub Date : 2018-06-05 DOI: 10.3868/s010-007-018-0009-4
A. Chan
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引用次数: 0
Wang Zheng, Finding Women in the State: A Socialist Feminist Revolution in the People’s Republic of China, 1949-1964 王铮:《在国家中寻找女性:1949—1964年中华人民共和国的社会主义女权主义革命》
IF 0.1 4区 文学 Q2 Arts and Humanities Pub Date : 2018-06-05 DOI: 10.3868/S010-007-018-0012-2
Ping Zhu
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引用次数: 1
Williams, Nicholas Morrow. The Residue of Dreams: Selected poems of Jao Tsung-i 威廉姆斯,尼古拉斯·莫罗。梦的残留物:饶宗颐诗歌选集
IF 0.1 4区 文学 Q2 Arts and Humanities Pub Date : 2018-05-15 DOI: 10.3868/16737423-01201012
L. Lap
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引用次数: 0
Fan, Victor. Cinema Approaching Reality: Locating Chinese Film Theory 范,维克多。电影走近现实:中国电影理论的定位
IF 0.1 4区 文学 Q2 Arts and Humanities Pub Date : 2018-05-15 DOI: 10.3868/16737423-01201008
Yiman Wang
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引用次数: 0
Admussen, Nick. Recite and Refuse: Contemporary Chinese Prose Poetry Admussen,尼克。背诵与拒绝:当代中国散文诗
IF 0.1 4区 文学 Q2 Arts and Humanities Pub Date : 2018-05-15 DOI: 10.3868/16737423-01201011
Todd Foley
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引用次数: 0
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Frontiers of Literary Studies in China
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