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Frontiers of Literary Studies in China最新文献

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Chennault, Cynthia L., Keith N. Knapp, Alan J. Berkowitz, and Albert E. Dien, eds. Early Medieval Chinese Texts: A Bibliographical Guide 陈纳德、辛西娅·L、基思·N·克纳普、阿兰·J·伯科维茨和阿尔伯特·E·迪恩主编:《中世纪早期汉语文本:书目指南》
IF 0.1 4区 文学 Q2 Arts and Humanities Pub Date : 2018-05-15 DOI: 10.3868/16737423-01201010
A. Chan
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引用次数: 1
Cui, Shuqin. Gendered Bodies: Toward a Women’s Visual Art in Contemporary China 崔淑琴。性别身体:走向中国当代女性视觉艺术
IF 0.1 4区 文学 Q2 Arts and Humanities Pub Date : 2018-05-15 DOI: 10.3868/16737423-01201009
S. Welland
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引用次数: 0
A Region Reference to Chen Yingzhen’s Literature: A Perspective from Korea 陈映真文学的地域参照——以韩国为视角
IF 0.1 4区 文学 Q2 Arts and Humanities Pub Date : 2018-02-06 DOI: 10.3868/s010-006-017-0035-3
Gwang-Seok Yeon
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引用次数: 0
“The Tastes of Asia”: Leung Ping-kwan, Foodscape, and the Politics of Representation “亚洲的味道”:梁炳宽、美食与代表政治
IF 0.1 4区 文学 Q2 Arts and Humanities Pub Date : 2018-02-06 DOI: 10.3868/S010-006-017-0038-4
Songjian Zhang
Leung Ping-kwan (1949–2013), a leading writer and cultural critic of Hong Kong, has around ten collections of poems published over the past few decades. Beginning in 1997, Leung wrote about food, making significant contributions to poetry in Chinese. Drawing literary texts from Leung’s collections of poetry, this paper aims to cast light on the role that Leung has played in the shaping of foodscape poetics and how he elaborates and addresses historical memory and cultural politics. In addition, this paper contends that his deconstruction of nationalism and an emphasis on “wisdom of peoples’ livlihood” lies at the core of Leung’s foodscape poetics, and they constitute a “positionality” rooted in his experience in Hong Kong.
梁炳钧(1949-2013)是香港著名的作家和文化评论家,在过去的几十年里出版了大约十部诗集。从1997年开始,梁朝伟开始写关于食物的文章,对中文诗歌做出了重大贡献。从梁朝伟的诗集中提取文学文本,本文旨在揭示梁朝伟在美食诗学的塑造中所扮演的角色,以及他如何阐述和解决历史记忆和文化政治问题。此外,本文认为他对民族主义的解构和对“民生智慧”的强调是梁朝伟美食诗学的核心,它们构成了一种根植于他在香港经历的“位置性”。
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引用次数: 0
Globalization, Women, and Poverty: A Transcultural Reading of Sheng Keyi’s Northern Girls 全球化、妇女与贫困:盛可依《北方女孩》的跨文化解读
IF 0.1 4区 文学 Q2 Arts and Humanities Pub Date : 2018-02-06 DOI: 10.3868/S010-006-017-0036-0
K. Schaffer, Xianlin Song
China’s rise within a global economy has had diverse consequences for Chinese women. For the super rich and the rising middle class, it has offered opportunities for vast wealth. For the newly emergent underclass of migrant workers who have flooded to the cities, it has engendered exploitative states of vulnerability, especially for rural women. In this paper we locate our inquiry in the context of globalization and its impact on rural women’s lives as witnessed through the medium of a unique and distinctive women’s life narrative, Sheng Keyi’s Bei mei ( Northern Girls ) . The text testifies to the underside of women’s lives within the new market economy, documenting the cruelty of global capitalism. It presents an alternative version of the history of China’s rise in the global economy and maps a trajectory of increasing inequality from a previously silenced female perspective. Sheng Keyi’s world speaks to the sordid world of women, the world of yin . It coexists with the dizzying ascent of the yang ―as the powerful nation grapples with social inequality and fragmentation. In its international circulation, Northern Girls opens readers to the contradictions and ambivalent aspects of China’s economic rise and its consequences specifically for migrant women.
中国在全球经济中的崛起对中国女性产生了多种影响。对于超级富豪和正在崛起的中产阶级来说,它提供了获得巨额财富的机会。对于涌入城市的新出现的下层移民工人来说,它造成了脆弱的剥削状态,特别是对农村妇女。在本文中,我们将我们的研究定位在全球化的背景下,以及全球化对农村妇女生活的影响,这是通过盛克益的《北方女孩》这一独特而独特的女性生活叙事媒介所见证的。这本书见证了新市场经济下女性生活的阴暗面,记录了全球资本主义的残酷。它呈现了中国在全球经济中崛起历史的另一种版本,并从以前沉默的女性视角描绘了不平等加剧的轨迹。盛可依的世界讲述的是肮脏的女性世界,阴的世界。与此同时,这个强大的国家还在努力解决社会不平等和分裂问题。在国际发行的《北方女孩》向读者展示了中国经济崛起的矛盾和矛盾方面,尤其是对流动妇女的影响。
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引用次数: 1
Nihilism of Taiwanese Youth in the 1950s and 1960s: Reinterpreting Modernism and the Left-Wing* 五、六十年代台湾青年的虚无主义:对现代主义与左翼的再解读*
IF 0.1 4区 文学 Q2 Arts and Humanities Pub Date : 2018-02-06 DOI: 10.3868/s010-006-017-0034-6
Li Na
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引用次数: 0
Introduction: A Forum on Chen Yingzhen 简介:陈映真论坛
IF 0.1 4区 文学 Q2 Arts and Humanities Pub Date : 2018-02-06 DOI: 10.3868/s010-006-017-0032-2
Liu Zhuo
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引用次数: 0
The First “Richard Wilhelm Lectures” Held at Goethe University Frankfurt 首届“理查德·威廉讲座”在法兰克福歌德大学举行
IF 0.1 4区 文学 Q2 Arts and Humanities Pub Date : 2018-02-06 DOI: 10.3868/S010-006-017-0040-5
Zhiyi Yang
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引用次数: 0
The Narrative Method of Colonial History and Cultural Politics—Taiwanese Literature Studies in Japan 殖民历史与文化政治的叙述方法——日本台湾文学研究
IF 0.1 4区 文学 Q2 Arts and Humanities Pub Date : 2018-02-06 DOI: 10.3868/S010-006-017-0033-9
Zhao Jing-hua
Starting with the debate on Taiwanese national consciousness between Chen Yingzhen and Japanese scholar Shozo Fujii, and Chen’s supporter Masayoshi Matsunaga around 2004, the paper examines the historiography of Taiwanese literature studies since postwar Japan. It is argued that Shozo Fujii’s study of Taiwanese literature during the Japanese occupation period is different from Yoshinori Kobayashi’s On Taiwan , which deliberately seeks to erase the sin of colonial rule. However, in applying Western theories mechanically it is indeed easy to end up on the opposite side of historical criticism, for the reason Shozo Fujii did not provide a necessary alert to the crux in Anderson’s theory. The argumentation among the three parties not only involves how to understand Taiwanese history and literature in the complex structure of East Asia, but more importantly about how to make value judgments regarding two hundred years of colonialism.
本文从2004年前后陈映真与日本学者藤井昭三、陈映真支持者松永正一关于台湾民族意识的争论入手,考察了战后日本以来台湾文学研究的史学。认为藤井昭三对日据时期台湾文学的研究不同于小林义明的《台湾论》,后者刻意抹杀殖民统治的罪恶。然而,机械地应用西方理论确实很容易站在历史批评的对立面,原因是藤井昭三没有对安德森理论的关键提出必要的警告。三方的争论不仅涉及如何在东亚复杂的结构中理解台湾的历史和文学,更重要的是如何对两百年的殖民主义做出价值判断。
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引用次数: 0
The Ideology of “Swings between Reality and Illusion” in Mo Yan’s Pow! 莫言小说中的“虚实摇摆”思想!
IF 0.1 4区 文学 Q2 Arts and Humanities Pub Date : 2018-02-06 DOI: 10.3868/s010-006-017-0037-7
Jerry Xie
According to Angelica Duran and Yuhan Huang, Mo Yan’s “artistic works” are “towering within the literatures of the world.” His novel Si shi yi pao ( Pow! , 2012) offers one of the clearest recent examples of what Shelley W. Chan calls Mo’s “postmodern playfulness.” In his afterword to Pow! Mo says that the story “gives way to an improvisation that swings between reality and illusion,” thus suggesting the notion of “hallucinatory realism” as a “blending” or “merging” of the illusory and the real. This article examines the ideology—that is, the class politics of consciousness—of this swingy postmodern storytelling, taking a critical view of Mo’s playfully bold assertion: “I’ve always taken pride in my lack of ideology, especially when I’m writing.” I argue that the swinginess of “imagination” in Pow! embodies what Marx calls a “happy confusion” that (re)articulates the “post”-class doctrine of “combine two into one.”
根据杜兰和黄毓涵的说法,莫言的“艺术作品”是“世界文学中的高峰”。他的小说《四史一报》(Pow!,2012)提供了雪莱·W·陈所说的莫“后现代嬉戏”的最清晰的例子之一!莫说,这个故事“让位于在现实和幻觉之间摇摆的即兴创作”,从而暗示了“幻觉现实主义”的概念是虚幻和真实的“融合”或“融合”。这篇文章考察了这种摇摆不定的后现代故事的意识形态,也就是意识的阶级政治,对莫开玩笑地大胆断言持批评态度:“我一直为自己缺乏意识形态而自豪,尤其是在写作的时候。”!体现了马克思所说的“快乐的困惑”,重新阐明了“二合一”的“后”阶级学说
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引用次数: 0
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Frontiers of Literary Studies in China
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