At the turn of the 20th century, the ideas of the English garden city movement influenced the designers and the governments not only regarding the design of the cities but in different aspects, including the design of industrial settlements. The factories built in the early 20th century mostly employed the ideals of the modern movement and turned the factories into a social reform for workers and the cities where these factories were located. Nazilli Sümerbank Textile (Cotton) Printing Factory is one of these social factories, which can be recognised as a self-contained factory complex that was participating in the social transformation of the area. The aim of this paper is to conduct research regarding the impact of the social factories on the cities and society through the case study of Nazilli Sümerbank Textile (Cotton) Printing Factory and document its workers’ settlements.
{"title":"A CITY SHAPED BY MODERNIST ARCHITECTURE: SÜMERBANK TEXTILE (COTTON) PRINTING FACTORY AND ITS WORKER SETTLEMENTS","authors":"H. Doğan","doi":"10.3846/jau.2023.19757","DOIUrl":"https://doi.org/10.3846/jau.2023.19757","url":null,"abstract":"At the turn of the 20th century, the ideas of the English garden city movement influenced the designers and the governments not only regarding the design of the cities but in different aspects, including the design of industrial settlements. The factories built in the early 20th century mostly employed the ideals of the modern movement and turned the factories into a social reform for workers and the cities where these factories were located. Nazilli Sümerbank Textile (Cotton) Printing Factory is one of these social factories, which can be recognised as a self-contained factory complex that was participating in the social transformation of the area. The aim of this paper is to conduct research regarding the impact of the social factories on the cities and society through the case study of Nazilli Sümerbank Textile (Cotton) Printing Factory and document its workers’ settlements.","PeriodicalId":53978,"journal":{"name":"Journal of Architecture and Urbanism","volume":"1 4","pages":""},"PeriodicalIF":0.7,"publicationDate":"2023-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138979884","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
What might have led to the fundamental changes in the built environment during the 20th century? While factors such as postwar reconstruction, urbanization, industrialization, shifts in style, or socio-political changes are surely involved, there may be deeper influences that are associated with the structure and dynamics of the human brain. Iain McGilchrist’s hemisphere hypothesis proposes that the differences between the left and right hemispheres are not functional but embody opposing approaches to the world: the left sees an atomized world made of things to be controlled and manipulated for survival; the right sees an interconnected world of wholes with which it is deeply related. McGilchrist observes that in recent centuries, there has been an increasing shift in the West towards the left hemisphere’s approach. Christopher Alexander’s lifelong quest for wholeness in the built world resonates with McGilchrist’s observations as applied to the field of architecture. Alexander observed that today’s built environment is an expression of our civilization seeing the world as a giant mechanism made of parts rather than an indivisible whole. In response, Alexander developed design methods that approach the world as a unified whole and the building of new places as a further unfolding of that whole.
{"title":"THE DIVIDED BRAIN AND WAYS OF BUILDING THE WORLD: PARALLELS IN THE THOUGHT OF IAIN MCGILCHRIST AND CHRISTOPHER ALEXANDER","authors":"Or Ettlinger","doi":"10.3846/jau.2023.18548","DOIUrl":"https://doi.org/10.3846/jau.2023.18548","url":null,"abstract":"What might have led to the fundamental changes in the built environment during the 20th century? While factors such as postwar reconstruction, urbanization, industrialization, shifts in style, or socio-political changes are surely involved, there may be deeper influences that are associated with the structure and dynamics of the human brain. Iain McGilchrist’s hemisphere hypothesis proposes that the differences between the left and right hemispheres are not functional but embody opposing approaches to the world: the left sees an atomized world made of things to be controlled and manipulated for survival; the right sees an interconnected world of wholes with which it is deeply related. McGilchrist observes that in recent centuries, there has been an increasing shift in the West towards the left hemisphere’s approach. Christopher Alexander’s lifelong quest for wholeness in the built world resonates with McGilchrist’s observations as applied to the field of architecture. Alexander observed that today’s built environment is an expression of our civilization seeing the world as a giant mechanism made of parts rather than an indivisible whole. In response, Alexander developed design methods that approach the world as a unified whole and the building of new places as a further unfolding of that whole.","PeriodicalId":53978,"journal":{"name":"Journal of Architecture and Urbanism","volume":"42 1","pages":""},"PeriodicalIF":0.7,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139208714","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Wrought iron was a determining material in historic times. Although it was mainly used for manufacturing tools and weapons it was also applied for architectural purposes as building structural or architectural elements. In this paper the impact of material and technology of forging on the shaping and the design of wrought iron building structural and architectural elements from the time of the first known application to the 20th century in Europe is analyzed, distinguishing five main periods which are divided by four determining technological shifts in material production and consequently forging technology. Several phenomena are delighted regarding the appearance of the artifacts and the characteristics of the material, which reveal connections between technology and architectural design. The observations are validated by visual analyses of wrought iron samples.
{"title":"THE IMPACT OF MATERIAL AND CRAFTING TECHNOLOGY ON THE SHAPING AND DESIGN OF WROUGHT IRON ARCHITECTURAL ELEMENTS","authors":"I. Vidovszky","doi":"10.3846/jau.2023.19631","DOIUrl":"https://doi.org/10.3846/jau.2023.19631","url":null,"abstract":"Wrought iron was a determining material in historic times. Although it was mainly used for manufacturing tools and weapons it was also applied for architectural purposes as building structural or architectural elements. In this paper the impact of material and technology of forging on the shaping and the design of wrought iron building structural and architectural elements from the time of the first known application to the 20th century in Europe is analyzed, distinguishing five main periods which are divided by four determining technological shifts in material production and consequently forging technology. Several phenomena are delighted regarding the appearance of the artifacts and the characteristics of the material, which reveal connections between technology and architectural design. The observations are validated by visual analyses of wrought iron samples.","PeriodicalId":53978,"journal":{"name":"Journal of Architecture and Urbanism","volume":"20 1","pages":""},"PeriodicalIF":0.7,"publicationDate":"2023-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139210679","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Throughout history, dozens of epidemics have appeared cyclically, often causing devastating effects. Some of them, such as plague, cholera, and tuberculosis, have led to significant social, economic, and political consequences, with evident repercussions on cities and architecture. In this regard, urban planning has played an essential role in improving life expectancy and limiting the spread of epidemics. This work aims to study the influence of prevalent pandemics on architecture and urbanism over the centuries to comprehend their response and adaption to new health and social requirements. Through a process of investigation and in-depth examination of the literature review, it has been possible to understand the impact of pandemics in cities. The appearance of the first preventive measures during the plague period, the urban interventions to combat the cholera outbreak, and the neat architectural features adopted following the appearance of tuberculosis are witnesses to this process. Professionals and academics are reflecting on the challenges of the Covid-19 pandemic, which will affect the practice of architecture and urban design. Thanks to the results obtained, it will be possible to reflect on the impact of the pandemic on contemporary cities, understand their potential resilience and hypothesise future strategies.
{"title":"READING THE PAST: ANALYSIS OF THE IMPACT OF PREVALENT PANDEMICS ON CITIES","authors":"Stefania Farina, C. Mileto, F. Vegas","doi":"10.3846/jau.2023.19083","DOIUrl":"https://doi.org/10.3846/jau.2023.19083","url":null,"abstract":"Throughout history, dozens of epidemics have appeared cyclically, often causing devastating effects. Some of them, such as plague, cholera, and tuberculosis, have led to significant social, economic, and political consequences, with evident repercussions on cities and architecture. In this regard, urban planning has played an essential role in improving life expectancy and limiting the spread of epidemics. This work aims to study the influence of prevalent pandemics on architecture and urbanism over the centuries to comprehend their response and adaption to new health and social requirements. Through a process of investigation and in-depth examination of the literature review, it has been possible to understand the impact of pandemics in cities. The appearance of the first preventive measures during the plague period, the urban interventions to combat the cholera outbreak, and the neat architectural features adopted following the appearance of tuberculosis are witnesses to this process. Professionals and academics are reflecting on the challenges of the Covid-19 pandemic, which will affect the practice of architecture and urban design. Thanks to the results obtained, it will be possible to reflect on the impact of the pandemic on contemporary cities, understand their potential resilience and hypothesise future strategies.","PeriodicalId":53978,"journal":{"name":"Journal of Architecture and Urbanism","volume":"22 1","pages":""},"PeriodicalIF":0.7,"publicationDate":"2023-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139249611","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Siti Rukayah, Fariz Addo Giovano, Muhammad Abdullah
This article reveals that the problem of sedimentation on the coast causes the loss of the old city. Sedimentation caused the Demak sultanate (1478–1586) no longer be on the coast and lose its power as a Maritime kingdom. What was the old Demak city shape? Historical records state that the strait had become a swamp and experienced frequent flooding. After going through three generations from 1478–1546, the fourth king moved the Demak to Prawata Hill (1546– 1549 AD). Due to the lack of maps and historical data, we analyze the old Demak using maps and pictures of contemporary Javanese sultanate cities such as Cirebon (1506-present) and Banten (1526–1815). We also use its predecessor kingdom, Majapahit (1293 to 1527 AD) as a reference and the successor sultanate as an analytical tool. The long-lasting sultanate had a city centre that grew and developed with complete urban facilities and infrastructure. The sultanate had a short life; the city core was still intact as the city nucleus, like Demak. Due to geological problems, the king needed more time to complete the city plan with city facilities. Demak was a transitional city from the Hindu/Buddhist-Islamic concept and coastal city to the inland concept.
{"title":"THE LOST OF OLD DEMAK SULTANATE CITY PATTERN","authors":"Siti Rukayah, Fariz Addo Giovano, Muhammad Abdullah","doi":"10.3846/jau.2023.17855","DOIUrl":"https://doi.org/10.3846/jau.2023.17855","url":null,"abstract":"This article reveals that the problem of sedimentation on the coast causes the loss of the old city. Sedimentation caused the Demak sultanate (1478–1586) no longer be on the coast and lose its power as a Maritime kingdom. What was the old Demak city shape? Historical records state that the strait had become a swamp and experienced frequent flooding. After going through three generations from 1478–1546, the fourth king moved the Demak to Prawata Hill (1546– 1549 AD). Due to the lack of maps and historical data, we analyze the old Demak using maps and pictures of contemporary Javanese sultanate cities such as Cirebon (1506-present) and Banten (1526–1815). We also use its predecessor kingdom, Majapahit (1293 to 1527 AD) as a reference and the successor sultanate as an analytical tool. The long-lasting sultanate had a city centre that grew and developed with complete urban facilities and infrastructure. The sultanate had a short life; the city core was still intact as the city nucleus, like Demak. Due to geological problems, the king needed more time to complete the city plan with city facilities. Demak was a transitional city from the Hindu/Buddhist-Islamic concept and coastal city to the inland concept.","PeriodicalId":53978,"journal":{"name":"Journal of Architecture and Urbanism","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135351638","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Local reports from different international societies have considered the achievement of the successful Glocalized architecture model in line with the 2030 UN Sustainable Development Goals (SDGs). The Aga Khan Cultural Foundation’s International Program for Islamic Architecture has also prioritized the understanding of the success drivers in architectural projects. This study aimed to detect the potentials of the common global indicators to access qualitative design assessment through analyzing the Aga Khan Award’s reports. The selected methodology in the present study is a quantitative approach using the systematic content analysis and coding techniques for qualitative data obtained from the technical. The physical, non-physical, modern, and traditional factors that have contributed to the success of the works as well as their combinations were extracted and analyzed using Sensible and Abstract international, national, and local indications. There is a relative superiority for Sensible indications (A combination of modern and physical factors). The hybrid data distribution provides the ground to assess the works, and this can be used to manage the globalization challenges in the contemporary architecture of Muslim societies.
{"title":"GLOCALIZATION CHALLENGES AND THE CONTEMPORARY ARCHITECTURE: SYSTEMATIC REVIEW OF COMMON GLOBAL INDICATORS IN AGA KHAN AWARD’S WINNERS","authors":"Safa Salkhi Khasraghi, Asma Mehan","doi":"10.3846/jau.2023.17176","DOIUrl":"https://doi.org/10.3846/jau.2023.17176","url":null,"abstract":"Local reports from different international societies have considered the achievement of the successful Glocalized architecture model in line with the 2030 UN Sustainable Development Goals (SDGs). The Aga Khan Cultural Foundation’s International Program for Islamic Architecture has also prioritized the understanding of the success drivers in architectural projects. This study aimed to detect the potentials of the common global indicators to access qualitative design assessment through analyzing the Aga Khan Award’s reports. The selected methodology in the present study is a quantitative approach using the systematic content analysis and coding techniques for qualitative data obtained from the technical. The physical, non-physical, modern, and traditional factors that have contributed to the success of the works as well as their combinations were extracted and analyzed using Sensible and Abstract international, national, and local indications. There is a relative superiority for Sensible indications (A combination of modern and physical factors). The hybrid data distribution provides the ground to assess the works, and this can be used to manage the globalization challenges in the contemporary architecture of Muslim societies.","PeriodicalId":53978,"journal":{"name":"Journal of Architecture and Urbanism","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135898158","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Architect, builder, and professor Christopher Alexander focused his life’s work on trying to understand what makes the physical environment beautiful, and how beautiful environments can be created today. Through careful research, innovative teaching, and unorthodox professional practice, Alexander formulated a unified vision of the physical environment based on a theory of “wholeness.” He observed that achieving beauty and wholeness in the built environment – as well as teaching it – requires the integration of processes and considerations that are usually kept separate: integrating form and function, integrating teaching and practice, integrating design and construction, integrating projects of various scales, and integrating all of these within the ongoing search for how beauty and wholeness might be reached, taught, and proliferated. Alexander explored and developed ways of implementing these observations throughout his decades of teaching at the University of California at Berkeley, culminating in the Building Process Area of Emphasis, which he founded with his colleagues in 1990. His former students from this period, together with new partners, established “Building Beauty” in 2017, a post-graduate program in architecture that continues to teach and expand upon Alexander’s theories and methods of generating beauty and wholeness in the physical environment.
建筑师、建造者、教授克里斯托弗·亚历山大毕生致力于理解是什么让自然环境变得美丽，以及今天如何创造美丽的环境。通过仔细的研究、创新的教学和非正统的专业实践，亚历山大在“整体性”理论的基础上制定了一个统一的物理环境愿景。他观察到，在建筑环境中实现美和整体性——以及教授美和整体性——需要将通常保持分离的过程和考虑因素整合起来:整合形式和功能，整合教学和实践，整合设计和施工，整合各种规模的项目，并将所有这些整合在不断探索如何达到、教授和扩散美和整体性的过程中。亚历山大在加州大学伯克利分校数十年的教学中探索并发展了实现这些观察的方法，最终在1990年与他的同事一起创立了Building Process Area of Emphasis。他在这一时期的学生与新的合作伙伴一起，在2017年建立了“建筑之美”，这是一个建筑研究生课程，继续教授和扩展亚历山大在物理环境中产生美和整体性的理论和方法。
{"title":"TEACHING WHOLENESS IN ARCHITECTURE EDUCATION: ADVANCING CHRISTOPHER ALEXANDER’S TEACHING LEGACY THROUGH THE BUILDING BEAUTY PROGRAM","authors":"Susan Ingham, Or Ettlinger","doi":"10.3846/jau.2023.18358","DOIUrl":"https://doi.org/10.3846/jau.2023.18358","url":null,"abstract":"Architect, builder, and professor Christopher Alexander focused his life’s work on trying to understand what makes the physical environment beautiful, and how beautiful environments can be created today. Through careful research, innovative teaching, and unorthodox professional practice, Alexander formulated a unified vision of the physical environment based on a theory of “wholeness.” He observed that achieving beauty and wholeness in the built environment – as well as teaching it – requires the integration of processes and considerations that are usually kept separate: integrating form and function, integrating teaching and practice, integrating design and construction, integrating projects of various scales, and integrating all of these within the ongoing search for how beauty and wholeness might be reached, taught, and proliferated. Alexander explored and developed ways of implementing these observations throughout his decades of teaching at the University of California at Berkeley, culminating in the Building Process Area of Emphasis, which he founded with his colleagues in 1990. His former students from this period, together with new partners, established “Building Beauty” in 2017, a post-graduate program in architecture that continues to teach and expand upon Alexander’s theories and methods of generating beauty and wholeness in the physical environment.","PeriodicalId":53978,"journal":{"name":"Journal of Architecture and Urbanism","volume":"143 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135834684","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Don Johnson Lontoc, Abigail Arellano, Raquel Baquiran
A major transformation in contemporary cities is the evolution of the urban core. This paper investigated the issues associated with the surge of shopping malls as an alternative public space and how they may be classified as an “urban core” of contemporary cities. This paper aimed to interpret a new form of urban core and its set of spatial indicators relative to its socio-spatial network with its surroundings. This paper also aimed to introduce spatial indicators of urban core for the practical use of institutional units on how to create equally attractive public place alternatives to shopping malls. The paper argued that shopping malls with significant floor areas, accumulated over the years, substantially influence their surrounding area by increasing lot density and linkages. While these shopping mall complexes do not meet the threshold population to be considered “urban core”, the case studies have demonstrated that shopping malls can establish social hubs that centralize urban activities, and construct a “place” or “destination” with congregated urban services such as public plazas and public transport network.
{"title":"SHOPPING MALL AS NEW URBAN CORE? A MORPHOLOGICAL STUDY OF CONTEMPORARY URBAN FABRIC INFLUENCED BY SHOPPING MALLS","authors":"Don Johnson Lontoc, Abigail Arellano, Raquel Baquiran","doi":"10.3846/jau.2023.17677","DOIUrl":"https://doi.org/10.3846/jau.2023.17677","url":null,"abstract":"A major transformation in contemporary cities is the evolution of the urban core. This paper investigated the issues associated with the surge of shopping malls as an alternative public space and how they may be classified as an “urban core” of contemporary cities. This paper aimed to interpret a new form of urban core and its set of spatial indicators relative to its socio-spatial network with its surroundings. This paper also aimed to introduce spatial indicators of urban core for the practical use of institutional units on how to create equally attractive public place alternatives to shopping malls. The paper argued that shopping malls with significant floor areas, accumulated over the years, substantially influence their surrounding area by increasing lot density and linkages. While these shopping mall complexes do not meet the threshold population to be considered “urban core”, the case studies have demonstrated that shopping malls can establish social hubs that centralize urban activities, and construct a “place” or “destination” with congregated urban services such as public plazas and public transport network.","PeriodicalId":53978,"journal":{"name":"Journal of Architecture and Urbanism","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135344169","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Venice Architecture Biennale emerged with post-modern thought in the late 1970s and early 1980s. It is a medium where political, economic and cultural transformations are experienced in the field of architecture and where mainstream global architecture is discussed and shared. Over time, the Venice Architecture Biennale has created a global focal point with the manifestos produced, while bringing together the architectural products and ideas in the ambiguity of the boundaries of local architecture. Biennial manifestos have an ideological structure that is oriented towards social relations in the field of architecture. Looking at the recent Venice Architecture Biennale, it can be said that knowledge production is at the forefront in discourses and products which develops critical thinking. In this context, the study deals with the manifesto1 of the 16th Venice Architecture Biennale. The 2018’s manifesto which was produced within the scope of the biennial; the curator’s ideology is worth examining because of its subjective and objective judgments. For this reason, Norman Fairclough’s critical discourse analysis (CDA) was used in the study to make a critical reading of the biennial manifestos. By using the characteristics of CDA, findings and conclusions were reached in the topics of ideology, interpretation and consistency of the discourse. Due to the nature of the analysis, the findings and conclusions have revealed a new discourse that is controversial in this field.
{"title":"CRITICAL DISCOURSE ANALYSIS (CDA) OF THE 16TH VENICE ARCHITECTURE BIENNALE MANIFESTO","authors":"Gürkan Topaloğlu, Asu Beşgen","doi":"10.3846/jau.2023.18754","DOIUrl":"https://doi.org/10.3846/jau.2023.18754","url":null,"abstract":"The Venice Architecture Biennale emerged with post-modern thought in the late 1970s and early 1980s. It is a medium where political, economic and cultural transformations are experienced in the field of architecture and where mainstream global architecture is discussed and shared. Over time, the Venice Architecture Biennale has created a global focal point with the manifestos produced, while bringing together the architectural products and ideas in the ambiguity of the boundaries of local architecture. Biennial manifestos have an ideological structure that is oriented towards social relations in the field of architecture. Looking at the recent Venice Architecture Biennale, it can be said that knowledge production is at the forefront in discourses and products which develops critical thinking. In this context, the study deals with the manifesto1 of the 16th Venice Architecture Biennale. The 2018’s manifesto which was produced within the scope of the biennial; the curator’s ideology is worth examining because of its subjective and objective judgments. For this reason, Norman Fairclough’s critical discourse analysis (CDA) was used in the study to make a critical reading of the biennial manifestos. By using the characteristics of CDA, findings and conclusions were reached in the topics of ideology, interpretation and consistency of the discourse. Due to the nature of the analysis, the findings and conclusions have revealed a new discourse that is controversial in this field.","PeriodicalId":53978,"journal":{"name":"Journal of Architecture and Urbanism","volume":"88 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135980623","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper aims to explore various spatial strategies in urban operations, particularly operation of collective kitchen as a form of the urban system. Through the tracing of micro spatial practice, this paper expands the idea of domestic in urban design discourse. This paper uses a case study method to investigate urban kitchen system in Kampung Bustaman, Semarang, Indonesia, where cooking operations are part of everyday life that is carried out collectively. It shows that the kampung’s everyday operations generate the system of an urban kitchen, where domestic activities shift from the household to become integrated into society, challenging the dualities between domestic and urban space. The mapping of the everyday operations reveals hidden systems of society where connectivity and spatial negotiations play important role. This paper introduces the idea of the urban kitchen as a form of urban system that is transformative, dynamic, and flexible that is driven by collective domestic operations.
{"title":"URBAN KITCHEN: A FORM OF URBAN SYSTEM BASED ON COLLECTIVE OPERATION","authors":"A. R. Harani, P. Atmodiwirjo, Y. Yatmo","doi":"10.3846/jau.2023.17723","DOIUrl":"https://doi.org/10.3846/jau.2023.17723","url":null,"abstract":"This paper aims to explore various spatial strategies in urban operations, particularly operation of collective kitchen as a form of the urban system. Through the tracing of micro spatial practice, this paper expands the idea of domestic in urban design discourse. This paper uses a case study method to investigate urban kitchen system in Kampung Bustaman, Semarang, Indonesia, where cooking operations are part of everyday life that is carried out collectively. It shows that the kampung’s everyday operations generate the system of an urban kitchen, where domestic activities shift from the household to become integrated into society, challenging the dualities between domestic and urban space. The mapping of the everyday operations reveals hidden systems of society where connectivity and spatial negotiations play important role. This paper introduces the idea of the urban kitchen as a form of urban system that is transformative, dynamic, and flexible that is driven by collective domestic operations.","PeriodicalId":53978,"journal":{"name":"Journal of Architecture and Urbanism","volume":"39 1","pages":""},"PeriodicalIF":0.7,"publicationDate":"2023-08-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83205835","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：