The traditional Balinese house, manifested and translated in an agricultural context, has roles to accommodate domestic and socio-cultural activities. Once the house accommodates tourist activities as an additional function, many parts of the house are transformed. The transformation presents a conflict between economic gain and the preservation of Balinese traditions in the house. In order to illustrate this paradoxical phenomenon, this paper first shows how the traditional house has been reconfigured as a response to address the specific challenges of the tourist economy. Then, using architectural examination and interviews, the paper shows that the infiltration of the tourist activities has blurred the house’s configuration so that the transformed house is no longer able to express its original characteristics, hierarchy values and symbolic meaning.
{"title":"FROM SPIRITUALISTIC TOWARD MORE PRAGMATIC PATTERN: RE-ORDERING BALINESE HOUSES AND VIABILITY OF THE HOUSEHOLD TRADITIONS IN TOURISM ECONOMY","authors":"I. Putra, M. Lozanovska, R. Fullér","doi":"10.3846/JAU.2019.3692","DOIUrl":"https://doi.org/10.3846/JAU.2019.3692","url":null,"abstract":"The traditional Balinese house, manifested and translated in an agricultural context, has roles to accommodate domestic and socio-cultural activities. Once the house accommodates tourist activities as an additional function, many parts of the house are transformed. The transformation presents a conflict between economic gain and the preservation of Balinese traditions in the house. In order to illustrate this paradoxical phenomenon, this paper first shows how the traditional house has been reconfigured as a response to address the specific challenges of the tourist economy. Then, using architectural examination and interviews, the paper shows that the infiltration of the tourist activities has blurred the house’s configuration so that the transformed house is no longer able to express its original characteristics, hierarchy values and symbolic meaning.","PeriodicalId":53978,"journal":{"name":"Journal of Architecture and Urbanism","volume":"52 1","pages":""},"PeriodicalIF":0.7,"publicationDate":"2019-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81116570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A. Suprapti, A. B. Sardjono, I. Indriastjario, E. E. Pandelaki
Globalization perspective considers the world as a large market, which requires the resources readiness as capital to be able to participate actively. Local culture is an important capital to create identity and social harmonization in constructing a better quality of life. In the 15th–16th century AD, the Java north coast of Indonesia was known for having several old towns with their important roles in spreading Islam. Centuries later the legend of Walisanga still greatly influences the people’s lives particularly in Demak. The Muslim community is living tradition in this area has become one of the identity of the city. The development in the last decades has shown significant impacts on the tourism sector. This phenomenon showed that there would be conflicts of interests between social-cultural sectors and economic sectors. In this kind of situation, the community must adapt spatial settings to accommodate their needs. The purpose of this article is to find the concept of spatial setting formed by economic, cultural and religious factors in this historical area. The locus is the Muslim settlements in Kadilangu Demak a site of Sunan Kalijaga’s heritage. This study that employed qualitative research methods, the three spatial concepts proposed are: (1) the identity space of local culture is strongly exists (2) the shift in the value of space, which has changed from the glory of the noble family tothe common people (3) the space for morality control, which functions as the control of community’s moral. The third concepts are local genius, which is significantly potential for tourism.
{"title":"THE SPATIAL CONCEPTS OF CULTURAL HERITAGE VILLAGE TOWARD A TOURISM DEVELOPMENT; A CASE STUDY OF KADILANGU DEMAK INDONESIA","authors":"A. Suprapti, A. B. Sardjono, I. Indriastjario, E. E. Pandelaki","doi":"10.3846/JAU.2019.6057","DOIUrl":"https://doi.org/10.3846/JAU.2019.6057","url":null,"abstract":"Globalization perspective considers the world as a large market, which requires the resources readiness as capital to be able to participate actively. Local culture is an important capital to create identity and social harmonization in constructing a better quality of life. In the 15th–16th century AD, the Java north coast of Indonesia was known for having several old towns with their important roles in spreading Islam. Centuries later the legend of Walisanga still greatly influences the people’s lives particularly in Demak. The Muslim community is living tradition in this area has become one of the identity of the city. The development in the last decades has shown significant impacts on the tourism sector. This phenomenon showed that there would be conflicts of interests between social-cultural sectors and economic sectors. In this kind of situation, the community must adapt spatial settings to accommodate their needs. The purpose of this article is to find the concept of spatial setting formed by economic, cultural and religious factors in this historical area. The locus is the Muslim settlements in Kadilangu Demak a site of Sunan Kalijaga’s heritage. This study that employed qualitative research methods, the three spatial concepts proposed are: (1) the identity space of local culture is strongly exists (2) the shift in the value of space, which has changed from the glory of the noble family tothe common people (3) the space for morality control, which functions as the control of community’s moral. The third concepts are local genius, which is significantly potential for tourism.","PeriodicalId":53978,"journal":{"name":"Journal of Architecture and Urbanism","volume":"38 1","pages":""},"PeriodicalIF":0.7,"publicationDate":"2019-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86684096","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
E. Setyowati, S. B. Pribadi, S. A. K. Uda, T. R. Debby, Bangun I. R. Harsritanto
This study aims to determine the green concept of a slum “kampong” with the green concept and carbon footprint approach based on daily activities, building materials and fuel consumption as well as to deliver the concept of renewable energy. The carbon footprint is the measure of total amount of carbon dioxide gas emissions directly or indirectly caused by daily main activities and accumulation of products used daily. It is the case study of Kampong Gampingan-Pakuncen, Yogyakarta. This kampong is known as a densely populated kampong located in the city centre not far from Malioboro, the centre of commercial and business districts in Yogyakarta City. The employed methods were the quantitative-comparative method between carbon footprint of existing and planning condition and the quantitative approach of renewable energy. The results showed that the carbon dioxide concentration of Kampong Pakuncen in the existing condition is 1,712.767 tonnes CO2/month while the total amount of carbon dioxide concentration of the design is 1,293.785 tonnes CO2/month, hence 24.462% carbon dioxide concentration reduction. To save energy consumption in daily activities, it is proposed that water wheel as micro-hydro power should be used for electricity.
{"title":"THE PLANNING AND DESIGN OF KAMPONG PAKUNCEN IN YOGYAKARTA BASED ON THE GREEN CONCEPT","authors":"E. Setyowati, S. B. Pribadi, S. A. K. Uda, T. R. Debby, Bangun I. R. Harsritanto","doi":"10.3846/JAU.2019.6123","DOIUrl":"https://doi.org/10.3846/JAU.2019.6123","url":null,"abstract":"This study aims to determine the green concept of a slum “kampong” with the green concept and carbon footprint approach based on daily activities, building materials and fuel consumption as well as to deliver the concept of renewable energy. The carbon footprint is the measure of total amount of carbon dioxide gas emissions directly or indirectly caused by daily main activities and accumulation of products used daily. It is the case study of Kampong Gampingan-Pakuncen, Yogyakarta. This kampong is known as a densely populated kampong located in the city centre not far from Malioboro, the centre of commercial and business districts in Yogyakarta City. The employed methods were the quantitative-comparative method between carbon footprint of existing and planning condition and the quantitative approach of renewable energy. The results showed that the carbon dioxide concentration of Kampong Pakuncen in the existing condition is 1,712.767 tonnes CO2/month while the total amount of carbon dioxide concentration of the design is 1,293.785 tonnes CO2/month, hence 24.462% carbon dioxide concentration reduction. To save energy consumption in daily activities, it is proposed that water wheel as micro-hydro power should be used for electricity.","PeriodicalId":53978,"journal":{"name":"Journal of Architecture and Urbanism","volume":"50 1","pages":""},"PeriodicalIF":0.7,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75277526","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
During the past two decades, economic crises and climate change have triggered mass migrations from rural areas to big cities and metropolises. Considering that the destination cities often lack the required capacity to systematically accommodate these newcomers, immigrants settle in unofficially on city margins. Since these immigrants have different ethnicities, the informal settlements constructed by them turn into multiethnic informal Settlements in which development of proper social ties becomes impeded. As a result, social cohesion is weakened and eventually ceases to exist among the residents in open community spaces. In this regard, the present study aims to analyze this process and the effects of multiethnicity on social cohesion in the open community spaces of poor urban areas and the role of environmental factors in this mechanism. The Hesar Imam Khomeini neighborhood, which is located in Hamadan Province and has a rural core, has given shelter to Lurish, Kurdish, Turkish and Persian-speaking immigrants during recent years, which makes it a suitable sample for study. Because of the existing limitations and in order to achieve the goal of the study, the grounded theory was used to conduct the research. In-depth interview was carried out on sixteen residents of the neighborhood, four individuals from each ethnicity. After coding the interviews using the theory, a grounded model of the study was formed. The results indicate that multiethnicity has negatively affected behavior settings, vibrancy and consequently social cohesion in the open community spaces of the area of study through the three factors of “different expectations from neighborhood space”, “different time of attendance in open spaces” and “different residence size”. It can be proposed that “creating spatial shared values” is one of the most effective strategies which can be used for narrowing gaps and increasing social cohesion in multiethnic neighborhoods.
{"title":"ANALYZING SOCIAL COHESION IN OPEN SPACES OF MULTIETHNIC POOR NEIGHBORHOODS: A GROUNDED THEORY STUDY","authors":"M. Salimi, M. Foroutan, A. Naghdi","doi":"10.3846/JAU.2019.6849","DOIUrl":"https://doi.org/10.3846/JAU.2019.6849","url":null,"abstract":"During the past two decades, economic crises and climate change have triggered mass migrations from rural areas to big cities and metropolises. Considering that the destination cities often lack the required capacity to systematically accommodate these newcomers, immigrants settle in unofficially on city margins. Since these immigrants have different ethnicities, the informal settlements constructed by them turn into multiethnic informal Settlements in which development of proper social ties becomes impeded. As a result, social cohesion is weakened and eventually ceases to exist among the residents in open community spaces. In this regard, the present study aims to analyze this process and the effects of multiethnicity on social cohesion in the open community spaces of poor urban areas and the role of environmental factors in this mechanism. The Hesar Imam Khomeini neighborhood, which is located in Hamadan Province and has a rural core, has given shelter to Lurish, Kurdish, Turkish and Persian-speaking immigrants during recent years, which makes it a suitable sample for study. Because of the existing limitations and in order to achieve the goal of the study, the grounded theory was used to conduct the research. In-depth interview was carried out on sixteen residents of the neighborhood, four individuals from each ethnicity. After coding the interviews using the theory, a grounded model of the study was formed. The results indicate that multiethnicity has negatively affected behavior settings, vibrancy and consequently social cohesion in the open community spaces of the area of study through the three factors of “different expectations from neighborhood space”, “different time of attendance in open spaces” and “different residence size”. It can be proposed that “creating spatial shared values” is one of the most effective strategies which can be used for narrowing gaps and increasing social cohesion in multiethnic neighborhoods.","PeriodicalId":53978,"journal":{"name":"Journal of Architecture and Urbanism","volume":"14 1","pages":""},"PeriodicalIF":0.7,"publicationDate":"2019-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84612008","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Titien Woro Murtini, A. R. Harani, Nindita Kresna Murti, M. Wardhani
The existence of Kampung Jajan Pasar in Gajahmungkur Administrative Village, as the village (kampong) in Semarang City that produces traditional snacks for its commodity, has made its people utilize their living houses as a production room to produce food for home industry. Having limited area and facing the demand to extend the rooms for their home industry, these villagers, mostly females, eventually add another use for rooms of their living houses (mix use). These living houses have become the socio-economic places which describe gender equality (for females) in business related to the utilization of rooms using mix use pattern. This research tries to describe the potency of the villagers and their village that has been appointed as the thematic village with topic scope of adaptation resilience at living house towards the production room function. This result is used as the base for the development model of living houses with the gender-based mix use pattern at Kampung Jajan Pasar in Gajahmungkur, Semarang. The data collecting method were literature studies, observations, interviews, and primary and secondary data extraction. The development of the model used graphic design model and the layout design. The given output is a graphic design model of living houses development based on gender and the layout of environmental space as the center of traditional snacks in Semarang City.
Gajahmungkur行政村的Kampung Jajan Pasar作为三宝垄市生产传统小吃的村庄(甘榜)的存在，使其人民将他们的生活房屋作为生产家庭工业食品的生产车间。由于面积有限，并且面临着为家庭工业扩大房间的需求，这些村民(大多数是女性)最终为他们的生活房屋增加了另一种用途(混合用途)。这些居住房屋已经成为社会经济场所，在与使用混合使用模式的房间利用有关的商业中描述性别平等(对女性来说)。本研究试图描述被指定为主题村的村民及其村庄的效能，主题范围为生活屋对生产室功能的适应弹性。这一结果被用作三宝垄Gajahmungkur Kampung Jajan Pasar以性别为基础的混合使用模式的生活房屋发展模型的基础。资料收集方法为文献研究法、观察法、访谈法、一手资料和二次资料提取法。模型的开发采用了平面设计模型和版式设计。给定的输出是一个以三宝垄市传统小吃为中心的基于性别的生活住宅发展和环境空间布局的平面设计模型。
{"title":"THE DEVELOPMENT MODEL OF LIVING HOUSES WITH THE MIX USE GENDER-BASED PATTERN (CASE STUDY: KAMPUNG GAJAHMUNGKUR SEMARANG)","authors":"Titien Woro Murtini, A. R. Harani, Nindita Kresna Murti, M. Wardhani","doi":"10.3846/JAU.2019.6054","DOIUrl":"https://doi.org/10.3846/JAU.2019.6054","url":null,"abstract":"The existence of Kampung Jajan Pasar in Gajahmungkur Administrative Village, as the village (kampong) in Semarang City that produces traditional snacks for its commodity, has made its people utilize their living houses as a production room to produce food for home industry. Having limited area and facing the demand to extend the rooms for their home industry, these villagers, mostly females, eventually add another use for rooms of their living houses (mix use). These living houses have become the socio-economic places which describe gender equality (for females) in business related to the utilization of rooms using mix use pattern. This research tries to describe the potency of the villagers and their village that has been appointed as the thematic village with topic scope of adaptation resilience at living house towards the production room function. This result is used as the base for the development model of living houses with the gender-based mix use pattern at Kampung Jajan Pasar in Gajahmungkur, Semarang. The data collecting method were literature studies, observations, interviews, and primary and secondary data extraction. The development of the model used graphic design model and the layout design. The given output is a graphic design model of living houses development based on gender and the layout of environmental space as the center of traditional snacks in Semarang City.","PeriodicalId":53978,"journal":{"name":"Journal of Architecture and Urbanism","volume":"13 1","pages":""},"PeriodicalIF":0.7,"publicationDate":"2019-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85451384","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cities have a long and varied urban history, but cities in developing countries have had a relatively brief experience with the modern city. What are the current urban ideas of Indian Cities? How does this ideology affect modern city design? And how is city design related to traditional City design of related province? These questions have led the author to undertake this study. Urban planning and Designing into towns is the beginning of the difficulties of cities’ futures. Whether the main problem is the way of designing and planning or the policy of increasing the population, what New Towns today mainly suffer is the lack of identity and the differentiation between other cities.“For Indian cities, need of multiple models for well-functioning cities with some common ingredients, including a commitment to equality of opportunity, smart designs for upcoming cities, improved housing facilities, smart designs for upcoming cities and a drive to improve the quality of life for habitants has been felt in the twenty first century.”Sultanpur Lodhi with its legacy to have historic palaces, vital landscape, relics from various architectural styles offers a possibility to explore city module for reviving of historical cities. It was found that 81 percent of the urban population in city lived in overcrowded and substandard houses (Office of Punjab urban planning and development authority, 2017). Therefore this is one amongst the top three most densely populated cities in Punjab, India. Its culture combines Hindu, Buddhist, Islamic, Sikh and British influences. As the economy of this city is based on Agro based industries like Rice Sheller and other small scale industries and subsequent housing demand, there is need to protect vibrant culture and impressions. A fine tunings between available local resources and Contemporary urban design practice need to be explored. The study of Sultanpur Lodhi attempts to give reviving a historical and coherent summary of fragmented information about Punjab’s urban design practice.
{"title":"REVIVING CONTEMPORARY URBAN DESIGN: CASE OF HISTORIC CITY SULTANPUR LODHI, PUNJAB, INDIA","authors":"Vikas Sharma","doi":"10.3846/JAU.2018.6980","DOIUrl":"https://doi.org/10.3846/JAU.2018.6980","url":null,"abstract":"Cities have a long and varied urban history, but cities in developing countries have had a relatively brief experience with the modern city. What are the current urban ideas of Indian Cities? How does this ideology affect modern city design? And how is city design related to traditional City design of related province? These questions have led the author to undertake this study. Urban planning and Designing into towns is the beginning of the difficulties of cities’ futures. Whether the main problem is the way of designing and planning or the policy of increasing the population, what New Towns today mainly suffer is the lack of identity and the differentiation between other cities.“For Indian cities, need of multiple models for well-functioning cities with some common ingredients, including a commitment to equality of opportunity, smart designs for upcoming cities, improved housing facilities, smart designs for upcoming cities and a drive to improve the quality of life for habitants has been felt in the twenty first century.”Sultanpur Lodhi with its legacy to have historic palaces, vital landscape, relics from various architectural styles offers a possibility to explore city module for reviving of historical cities. It was found that 81 percent of the urban population in city lived in overcrowded and substandard houses (Office of Punjab urban planning and development authority, 2017). Therefore this is one amongst the top three most densely populated cities in Punjab, India. Its culture combines Hindu, Buddhist, Islamic, Sikh and British influences. As the economy of this city is based on Agro based industries like Rice Sheller and other small scale industries and subsequent housing demand, there is need to protect vibrant culture and impressions. A fine tunings between available local resources and Contemporary urban design practice need to be explored. The study of Sultanpur Lodhi attempts to give reviving a historical and coherent summary of fragmented information about Punjab’s urban design practice.","PeriodicalId":53978,"journal":{"name":"Journal of Architecture and Urbanism","volume":"3 1","pages":""},"PeriodicalIF":0.7,"publicationDate":"2018-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89198960","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Today, our understanding and experience of heritage sites have been reframed by the advent of social media and the ubiquitous use of smartphones that offer more participatory ways of interacting with heritage. The lifespan of a heritage site is highly concerned with how it is understood and experienced by visitors. This study aims to investigate a heritage site and its participatory culture through the lens of social media and how a certain heritage site could be understood by these online networks. The historic city of Shiraz packed with several monumental buildings and heritage sites has been chosen as the case study of this research. Three social media platforms of Flickr, 500px and Instagram were investigated during 2015 and their photos of Shiraz were downloaded for analysis. The analysis of more than 186 images from these websites has provided an opportunity to investigate how the historical district of Shiraz is remembered in the eyes of social media users. Based on the initial photo audits, Nasir-al-Molk Mosque with more than 74 published images was the most published building and therefore was selected for an in-depth photo survey analysis. The Nasir-al-Molk Mosque images were studied regarding the physical and spiritual qualities of its building and how they contribute to its popularity among social media photographers.
{"title":"INVESTIGATING HERITAGE SITES THROUGH THE LENS OF SOCIAL MEDIA","authors":"L. Farahani, Bahareh Motamed, Maedeh Ghadirinia","doi":"10.3846/JAU.2018.7057","DOIUrl":"https://doi.org/10.3846/JAU.2018.7057","url":null,"abstract":"Today, our understanding and experience of heritage sites have been reframed by the advent of social media and the ubiquitous use of smartphones that offer more participatory ways of interacting with heritage. The lifespan of a heritage site is highly concerned with how it is understood and experienced by visitors. This study aims to investigate a heritage site and its participatory culture through the lens of social media and how a certain heritage site could be understood by these online networks. The historic city of Shiraz packed with several monumental buildings and heritage sites has been chosen as the case study of this research. Three social media platforms of Flickr, 500px and Instagram were investigated during 2015 and their photos of Shiraz were downloaded for analysis. The analysis of more than 186 images from these websites has provided an opportunity to investigate how the historical district of Shiraz is remembered in the eyes of social media users. Based on the initial photo audits, Nasir-al-Molk Mosque with more than 74 published images was the most published building and therefore was selected for an in-depth photo survey analysis. The Nasir-al-Molk Mosque images were studied regarding the physical and spiritual qualities of its building and how they contribute to its popularity among social media photographers.","PeriodicalId":53978,"journal":{"name":"Journal of Architecture and Urbanism","volume":"25 1","pages":""},"PeriodicalIF":0.7,"publicationDate":"2018-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86600134","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Code riverbank has drawn worldwide attention since 90’s when Architect Mangunwijaya involved in the dispute of urban riverside settlement in Yogyakarta. Struggling for the slum between the municipality and the dwellers gradually dwindled, and one of most significant causes was his humanitarian dwelling self-help scheme on Kampung Code. The project, which was later recognized by Aga Khan Award for Architecture in 1992, was not only purposed for reducing the tension but also promoting appropriate social order by considering the natural environment vulnerability. One of the poorest and most crook riverbank zones of the city had transformed to be a better environment with positive atmosphere afterward. Unfortunately, the project was hardly followed by other dwelling construction either in the site or other parts of the bank. This paper studies how the architecture could cure the social problems as well as resolve the environmental challenges and its sustainability. The social approaches done by Mangunwijaya and how he captured the high-risk of riverbank nature to the dwelling concepts were accessed. The results indicate that in spite of the riverside’s slum controversies, the architecture should be considered as a remedy both for social and natural problems.
{"title":"RIVERBANK SETTLEMENT AND HUMANITARIAN ARCHITECTURE, THE CASE OF MANGUNWIJAYA’S DWELLINGS AND 25 YEARS AFTER, CODE RIVER, YOGYAKARTA, INDONESIA","authors":"N. C. Idham","doi":"10.3846/JAU.2018.6900","DOIUrl":"https://doi.org/10.3846/JAU.2018.6900","url":null,"abstract":"Code riverbank has drawn worldwide attention since 90’s when Architect Mangunwijaya involved in the dispute of urban riverside settlement in Yogyakarta. Struggling for the slum between the municipality and the dwellers gradually dwindled, and one of most significant causes was his humanitarian dwelling self-help scheme on Kampung Code. The project, which was later recognized by Aga Khan Award for Architecture in 1992, was not only purposed for reducing the tension but also promoting appropriate social order by considering the natural environment vulnerability. One of the poorest and most crook riverbank zones of the city had transformed to be a better environment with positive atmosphere afterward. Unfortunately, the project was hardly followed by other dwelling construction either in the site or other parts of the bank. This paper studies how the architecture could cure the social problems as well as resolve the environmental challenges and its sustainability. The social approaches done by Mangunwijaya and how he captured the high-risk of riverbank nature to the dwelling concepts were accessed. The results indicate that in spite of the riverside’s slum controversies, the architecture should be considered as a remedy both for social and natural problems.","PeriodicalId":53978,"journal":{"name":"Journal of Architecture and Urbanism","volume":"153 1","pages":""},"PeriodicalIF":0.7,"publicationDate":"2018-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73515609","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Socio-Alive Building is Architecture where people enjoy being around to live within its environment and want to come back after leaving. This paper discusses the terminology of Socio-Alive Building and identifies the building characteristics which make a building social and alive. The main aim of this paper is to discuss the concept of alive-socio building as an approach to keep the building alive and have social role through the consideration of characteristics of socio-alive building. The paper begins by introducing the definitions of Socio-Alive Building and then discusses the characteristics of Socio-Alive Building to construct a theoretical background, then reports the outcomes of a survey in Bahrain to find out perceptions of people of Bahrain toward building characteristics, which could produce socio-alive build environments. A people’s survey concluded significance scale factors of building characteristics that achieve the sociality and alive of the building in Bahrain which were used to evaluate Bahrain City Center. The paper offers ten compromised building characteristics that can produce Socio-Alive with certain significance scale of each. The authors argue that these could be considered during design process to produce socio-alive buildings.
{"title":"CHARACTERISTICS OF SOCIO-ALIVE BUILDING: THE CASE OF BAHRAIN CITY CENTER","authors":"A. M. Soliman, Ali M. Alkhalefa","doi":"10.3846/JAU.2018.6142","DOIUrl":"https://doi.org/10.3846/JAU.2018.6142","url":null,"abstract":"Socio-Alive Building is Architecture where people enjoy being around to live within its environment and want to come back after leaving. This paper discusses the terminology of Socio-Alive Building and identifies the building characteristics which make a building social and alive. The main aim of this paper is to discuss the concept of alive-socio building as an approach to keep the building alive and have social role through the consideration of characteristics of socio-alive building. The paper begins by introducing the definitions of Socio-Alive Building and then discusses the characteristics of Socio-Alive Building to construct a theoretical background, then reports the outcomes of a survey in Bahrain to find out perceptions of people of Bahrain toward building characteristics, which could produce socio-alive build environments. A people’s survey concluded significance scale factors of building characteristics that achieve the sociality and alive of the building in Bahrain which were used to evaluate Bahrain City Center. The paper offers ten compromised building characteristics that can produce Socio-Alive with certain significance scale of each. The authors argue that these could be considered during design process to produce socio-alive buildings.","PeriodicalId":53978,"journal":{"name":"Journal of Architecture and Urbanism","volume":"32 1","pages":""},"PeriodicalIF":0.7,"publicationDate":"2018-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83756993","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article aims to synthesize the principles of making cultural quarters in literature and test their applicability in creative industry parks in the Chinese context. Extant literature on creative industry parks in China lacks an evaluation instrument for evaluating the performance of creative industry parks. This research reviews normative theories regarding cultural quarter making and identifies three approaches, namely the area-based approach in cultural quarter design, architectural design principles (tailored to cultural quarters), and a comprehensive framework that comprises three dimensions, i.e., activity, built form, and meaning. These normative approaches were applied to evaluate the quality of creative industry parks that emerged in Shanghai in the recent decade. Qualitative research methods, including on-site reconnaissance, observation, and interview, were adopted. The former two approaches revealed good design practices in Shanghai’s creative industry parks. A systematic evaluation of the said parks through a comparative study suggests significant disparity in the dimensions of architectural design and place making. Additionally, indicators of state support for micro and small creative industry companies and arts funding are less applicable in Shanghai. These findings reveal the role of the private sector in constructing a diversified creative environment which was previously enshrined by the state. With these outcomes, this research partially endorses the value of the normative theories to guide the practice of making and evaluating cultural quarters in the Chinese context.
{"title":"NORMATIVE APPROACHES IN MAKING CULTURAL QUARTERS AND ASSESSMENT OF CREATIVE INDUSTRY PARKS IN SHANGHAI","authors":"Jane Zheng","doi":"10.3846/JAU.2018.6212","DOIUrl":"https://doi.org/10.3846/JAU.2018.6212","url":null,"abstract":"This article aims to synthesize the principles of making cultural quarters in literature and test their applicability in creative industry parks in the Chinese context. Extant literature on creative industry parks in China lacks an evaluation instrument for evaluating the performance of creative industry parks. This research reviews normative theories regarding cultural quarter making and identifies three approaches, namely the area-based approach in cultural quarter design, architectural design principles (tailored to cultural quarters), and a comprehensive framework that comprises three dimensions, i.e., activity, built form, and meaning. These normative approaches were applied to evaluate the quality of creative industry parks that emerged in Shanghai in the recent decade. Qualitative research methods, including on-site reconnaissance, observation, and interview, were adopted. The former two approaches revealed good design practices in Shanghai’s creative industry parks. A systematic evaluation of the said parks through a comparative study suggests significant disparity in the dimensions of architectural design and place making. Additionally, indicators of state support for micro and small creative industry companies and arts funding are less applicable in Shanghai. These findings reveal the role of the private sector in constructing a diversified creative environment which was previously enshrined by the state. With these outcomes, this research partially endorses the value of the normative theories to guide the practice of making and evaluating cultural quarters in the Chinese context.","PeriodicalId":53978,"journal":{"name":"Journal of Architecture and Urbanism","volume":"3 1","pages":""},"PeriodicalIF":0.7,"publicationDate":"2018-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91044667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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