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István Deák (1926–2023): In Memoriam István Deák(1926–2023):在记忆中
IF 0.4 3区 历史学 Q2 HISTORY Pub Date : 2023-05-01 DOI: 10.1017/s0067237823000450
P. Judson, Marsha L. Rozenblit
Abstract This is a tribute to István Deák, a prominent historian of Habsburg history. The tribute covers his early life in Budapest, the son of a middle-class family of Jewish origins who suffered as a Jew in 1944. Deák left Hungary in 1944, spent several years in France and Germany, and then came to the United States in 1956. Much of the commemoration covers his career as a professor of history at Columbia University and his very significant scholarly contributions.
摘要这是对著名哈布斯堡历史历史学家伊斯特凡·德亚克的致敬。致敬内容涵盖了他在布达佩斯的早期生活,他是一个犹太裔中产阶级家庭的儿子,1944年作为犹太人遭受苦难。迪亚克于1944年离开匈牙利,在法国和德国呆了几年,然后于1956年来到美国。纪念活动的大部分内容涵盖了他作为哥伦比亚大学历史教授的职业生涯以及他在学术上的重大贡献。
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引用次数: 0
Ferdinand Kühnel. Ruhe in Frieden? Počivaj v miru? Vom Verschwinden des Slowenischen auf den Friedhöfen Kärntens/Koroška Celovec/Klagenfurt: Mohorjeva Hermagoras, 2021. Pp. 355. 费迪南德Kühnel .安息吧?阿宝čivaj v miru ?斯洛文尼亚在坟墓Kärntens消失/柯洛š库Celovec / Klagenfurt: Mohorjeva Hermagoras, 2021 .Pp工作. 355 .
IF 0.4 3区 历史学 Q2 HISTORY Pub Date : 2023-05-01 DOI: 10.1017/s006723782300019x
P. Pirker
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引用次数: 0
Michael R. Cude The Slovak Question: A Transatlantic Perspective, 1914–1948 Pittsburgh: University of Pittsburgh Press, 2022. Pp. 298. 迈克尔·r·库德斯洛伐克问题:跨大西洋视角,1914-1948匹兹堡:匹兹堡大学出版社,2022。298页。
IF 0.4 3区 历史学 Q2 HISTORY Pub Date : 2023-05-01 DOI: 10.1017/s0067237823000437
M. M. Stolarik
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引用次数: 0
Emily Greble. Muslims and the Making of Modern Europe Oxford: Oxford University Press, 2021. Pp. 376. 艾米丽Greble。穆斯林与现代欧洲的形成牛津:牛津大学出版社,2021。376页。
IF 0.4 3区 历史学 Q2 HISTORY Pub Date : 2023-05-01 DOI: 10.1017/s0067237823000383
Maurits Berger
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引用次数: 0
Julius von Schlosser. Art and Curiosity Cabinets of the Late Renaissance: A Contribution to the History of CollectingEdited by Thomas DaCosta Kaufmann; translated by Jonathan Blower. Los Angeles: Getty Research Institute, 2021. Pp. 232. Julius von Schlosser。文艺复兴晚期的艺术与好奇橱柜:对收藏史的贡献托马斯·达科斯塔·考夫曼编辑;乔纳森·布洛尔翻译。洛杉矶:盖蒂研究所,2021年。第232页。
IF 0.4 3区 历史学 Q2 HISTORY Pub Date : 2023-05-01 DOI: 10.1017/s0067237823000139
Andrea M. Gáldy
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引用次数: 0
István M. Szijártó Estates and Constitution: The Parliament in Eighteenth-Century Hungary Translated by David Robert Evans. New York: Berghahn, 2020. Pp. 350. István M.SzijártóEstates and Constitution:The Parliament in 18th Century Hungary David Robert Evans译。纽约:Berghahn,2020。第350页。
IF 0.4 3区 历史学 Q2 HISTORY Pub Date : 2023-05-01 DOI: 10.1017/s006723782300005x
F. Tóth
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引用次数: 0
Was the Habsburg Empire an Empire? 哈布斯堡帝国是一个帝国吗?
IF 0.4 3区 历史学 Q2 HISTORY Pub Date : 2023-05-01 DOI: 10.1017/S0067237823000395
J. Connelly
Abstract The Habsburg monarchy seems doubly confounding. Its historians call it an empire, but it actually never called itself that. For a fraction of its existence (1804–67), the monarchy counted as a Kaisertum, a word meant to burnish the fading glory of a lost imperial title (of the Holy Roman Empire). But its rulers never evinced the self-confident imperial aggressiveness or the desire to exploit distant territories that characterized British or Russian counterparts, and students of global empires often do not think the Habsburgs fit the category. But after calling the double monarchy an empire, Central European specialists lose the critical edge historians apply to other empires, and celebrate the Habsburgs for holding back nationalism, the force that made the twentieth century so deadly. The monarchy was not only an empire but a virtuous empire. This Kann Memorial Lecture examines a range of theoretical and practical reasons for calling the Habsburg state an empire—as its subjects often did. But if we do, we should recognize that like other empires it abhorred democracy. Perhaps more than a dam holding back the twentieth century and all its evils, the Habsburg Empire was more a conduit.
哈布斯堡王朝似乎双重令人困惑。它的历史学家称其为帝国,但实际上它从未这样称呼自己。在它存在的一小部分时间里(1804 - 1867年),君主制被认为是凯撒王朝,这个词的意思是为失去的帝国头衔(神圣罗马帝国)带来褪色的荣耀。但它的统治者从来没有表现出自信的帝国侵略性,也没有像英国或俄罗斯统治者那样渴望开发遥远的领土,研究全球帝国的学生通常不认为哈布斯堡王朝属于这一类。但是,在把双重君主制称为帝国之后,中欧的专家们失去了历史学家对其他帝国的批判优势,并为哈布斯堡王朝抑制了民族主义而欢呼,民族主义是使20世纪如此致命的力量。君主制不仅是一个帝国,而且是一个有道德的帝国。这篇康恩纪念演讲考察了将哈布斯堡王朝称为帝国的一系列理论和实践原因——正如其臣民经常做的那样。但如果我们这样做,我们应该认识到,像其他帝国一样,它憎恨民主。哈布斯堡帝国与其说是一座阻挡20世纪及其所有罪恶的大坝,不如说是一条管道。
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引用次数: 0
AHY volume 54 Cover and Front matter 第54卷封面和封面问题
IF 0.4 3区 历史学 Q2 HISTORY Pub Date : 2023-05-01 DOI: 10.1017/s0067237822000583
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引用次数: 0
AHY volume 54 Cover and Back matter AHY第54卷封面和封底
IF 0.4 3区 历史学 Q2 HISTORY Pub Date : 2023-05-01 DOI: 10.1017/s0067237822000595
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引用次数: 0
Verdi's Emperor Charles V: Risorgimento Politics, Habsburg History, and Austrian-Italian Operatic Culture 威尔第的皇帝查理五世:文艺复兴政治、哈布斯堡历史与奥意歌剧文化
IF 0.4 3区 历史学 Q2 HISTORY Pub Date : 2023-05-01 DOI: 10.1017/S0067237823000425
L. Wolff
Abstract This article considers the figure of Habsburg Emperor Charles V in relation to Italy, first as perceived by Italians in his own time, the sixteenth century, but then especially as evaluated by Italians of the Risorgimento—and notably by Verdi in his operatic work. The article emphasizes opera as a crucial cultural medium of Habsburg engagement with the Italian peninsula and of Italian culture within the Habsburg monarchy. Contemporary Italian evaluations of Charles's role in the domination of Italy were both regretful of his military interventions (including the sack of Rome in 1527) and respectful of his political skills. During the Risorgimento, the conventional Mazzinian perspective was deeply hostile to the Habsburgs and conditioned the wars of Italian unification against the Habsburg monarchy. Italian opera, however, especially Rossini's Guillaume Tell (1829), Verdi's Ernani (1844), and Verdi's Don Carlos (1867) indicate a complex operatic perspective on the Habsburgs in Risorgimento culture. While the Austrian Habsburg representative Gessler is the villain in Rossini's Guillaume Tell, Verdi's Ernani actually places Charles V on stage in a major baritone role with beautiful music and an ambivalent presence. In Don Carlos, the ghost of Charles V hovers over and haunts the whole opera.
摘要本文考虑了哈布斯堡皇帝查理五世与意大利的关系,首先是意大利人在他自己的时代,即16世纪所感知的,但后来尤其是意大利文艺复兴时期的意大利人所评价的,尤其是威尔第在其歌剧作品中的评价。文章强调歌剧是哈布斯堡王朝与意大利半岛交往以及哈布斯堡君主制时期意大利文化的重要文化媒介。当代意大利人对查尔斯在意大利统治中的作用的评价既对他的军事干预(包括1527年罗马被洗劫)感到遗憾,也对他的政治技巧表示尊重。在文艺复兴时期,传统的马齐尼主义观点对哈布斯堡王朝怀有深深的敌意,并使意大利统一战争成为反对哈布斯堡君主制的条件。然而,意大利歌剧,尤其是罗西尼的《纪尧姆·泰尔》(1829年)、威尔第的《埃尔纳尼》(1844年)和威尔第的唐·卡洛斯(1867年),表明了对哈布斯堡王朝在文艺复兴文化中的复杂歌剧观。虽然奥地利哈布斯堡王朝的代表人物盖斯勒是罗西尼的《纪尧姆·泰尔》中的反派,但威尔第的《埃尔纳尼》实际上让查理五世在舞台上扮演了一个重要的男中音角色,伴随着优美的音乐和矛盾的存在。在《唐·卡洛斯》中,查理五世的鬼魂在整部歌剧中徘徊。
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引用次数: 0
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Austrian History Yearbook
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