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AHY volume 54 Cover and Front matter 第54卷封面和封面问题
IF 0.4 3区 历史学 Q2 Arts and Humanities Pub Date : 2023-05-01 DOI: 10.1017/s0067237822000583
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引用次数: 0
Was the Habsburg Empire an Empire? 哈布斯堡帝国是一个帝国吗?
IF 0.4 3区 历史学 Q2 Arts and Humanities Pub Date : 2023-05-01 DOI: 10.1017/S0067237823000395
J. Connelly
Abstract The Habsburg monarchy seems doubly confounding. Its historians call it an empire, but it actually never called itself that. For a fraction of its existence (1804–67), the monarchy counted as a Kaisertum, a word meant to burnish the fading glory of a lost imperial title (of the Holy Roman Empire). But its rulers never evinced the self-confident imperial aggressiveness or the desire to exploit distant territories that characterized British or Russian counterparts, and students of global empires often do not think the Habsburgs fit the category. But after calling the double monarchy an empire, Central European specialists lose the critical edge historians apply to other empires, and celebrate the Habsburgs for holding back nationalism, the force that made the twentieth century so deadly. The monarchy was not only an empire but a virtuous empire. This Kann Memorial Lecture examines a range of theoretical and practical reasons for calling the Habsburg state an empire—as its subjects often did. But if we do, we should recognize that like other empires it abhorred democracy. Perhaps more than a dam holding back the twentieth century and all its evils, the Habsburg Empire was more a conduit.
哈布斯堡王朝似乎双重令人困惑。它的历史学家称其为帝国,但实际上它从未这样称呼自己。在它存在的一小部分时间里(1804 - 1867年),君主制被认为是凯撒王朝,这个词的意思是为失去的帝国头衔(神圣罗马帝国)带来褪色的荣耀。但它的统治者从来没有表现出自信的帝国侵略性,也没有像英国或俄罗斯统治者那样渴望开发遥远的领土,研究全球帝国的学生通常不认为哈布斯堡王朝属于这一类。但是,在把双重君主制称为帝国之后,中欧的专家们失去了历史学家对其他帝国的批判优势,并为哈布斯堡王朝抑制了民族主义而欢呼,民族主义是使20世纪如此致命的力量。君主制不仅是一个帝国,而且是一个有道德的帝国。这篇康恩纪念演讲考察了将哈布斯堡王朝称为帝国的一系列理论和实践原因——正如其臣民经常做的那样。但如果我们这样做,我们应该认识到,像其他帝国一样,它憎恨民主。哈布斯堡帝国与其说是一座阻挡20世纪及其所有罪恶的大坝,不如说是一条管道。
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引用次数: 0
Jan Rybak. Everyday Zionism in East-Central Europe: Nation-Building in War and Revolution, 1914–1920 Oxford: Oxford University Press, 2021. Pp. xiv + 351. Jan Rybak。中欧东部的日常犹太复国主义:战争和革命中的国家建设,1914-1920牛津:牛津大学出版社,2021。第14页+ 351页
IF 0.4 3区 历史学 Q2 Arts and Humanities Pub Date : 2023-05-01 DOI: 10.1017/s0067237823000413
L. Wolff
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引用次数: 0
Verdi's Emperor Charles V: Risorgimento Politics, Habsburg History, and Austrian-Italian Operatic Culture 威尔第的皇帝查理五世:文艺复兴政治、哈布斯堡历史与奥意歌剧文化
IF 0.4 3区 历史学 Q2 Arts and Humanities Pub Date : 2023-05-01 DOI: 10.1017/S0067237823000425
L. Wolff
Abstract This article considers the figure of Habsburg Emperor Charles V in relation to Italy, first as perceived by Italians in his own time, the sixteenth century, but then especially as evaluated by Italians of the Risorgimento—and notably by Verdi in his operatic work. The article emphasizes opera as a crucial cultural medium of Habsburg engagement with the Italian peninsula and of Italian culture within the Habsburg monarchy. Contemporary Italian evaluations of Charles's role in the domination of Italy were both regretful of his military interventions (including the sack of Rome in 1527) and respectful of his political skills. During the Risorgimento, the conventional Mazzinian perspective was deeply hostile to the Habsburgs and conditioned the wars of Italian unification against the Habsburg monarchy. Italian opera, however, especially Rossini's Guillaume Tell (1829), Verdi's Ernani (1844), and Verdi's Don Carlos (1867) indicate a complex operatic perspective on the Habsburgs in Risorgimento culture. While the Austrian Habsburg representative Gessler is the villain in Rossini's Guillaume Tell, Verdi's Ernani actually places Charles V on stage in a major baritone role with beautiful music and an ambivalent presence. In Don Carlos, the ghost of Charles V hovers over and haunts the whole opera.
摘要本文考虑了哈布斯堡皇帝查理五世与意大利的关系,首先是意大利人在他自己的时代,即16世纪所感知的,但后来尤其是意大利文艺复兴时期的意大利人所评价的,尤其是威尔第在其歌剧作品中的评价。文章强调歌剧是哈布斯堡王朝与意大利半岛交往以及哈布斯堡君主制时期意大利文化的重要文化媒介。当代意大利人对查尔斯在意大利统治中的作用的评价既对他的军事干预(包括1527年罗马被洗劫)感到遗憾,也对他的政治技巧表示尊重。在文艺复兴时期,传统的马齐尼主义观点对哈布斯堡王朝怀有深深的敌意,并使意大利统一战争成为反对哈布斯堡君主制的条件。然而,意大利歌剧,尤其是罗西尼的《纪尧姆·泰尔》(1829年)、威尔第的《埃尔纳尼》(1844年)和威尔第的唐·卡洛斯(1867年),表明了对哈布斯堡王朝在文艺复兴文化中的复杂歌剧观。虽然奥地利哈布斯堡王朝的代表人物盖斯勒是罗西尼的《纪尧姆·泰尔》中的反派,但威尔第的《埃尔纳尼》实际上让查理五世在舞台上扮演了一个重要的男中音角色,伴随着优美的音乐和矛盾的存在。在《唐·卡洛斯》中,查理五世的鬼魂在整部歌剧中徘徊。
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引用次数: 0
AHY volume 54 Cover and Back matter AHY第54卷封面和封底
IF 0.4 3区 历史学 Q2 Arts and Humanities Pub Date : 2023-05-01 DOI: 10.1017/s0067237822000595
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引用次数: 0
The Beautiful Public Danube: Water Uses, Water Rights, and the Habsburg Imperial State in the Mid-nineteenth Century 美丽的公共多瑙河:用水、水权和19世纪中叶的哈布斯堡帝国
IF 0.4 3区 历史学 Q2 Arts and Humanities Pub Date : 2023-04-24 DOI: 10.1017/S0067237823000176
Corentin Gruffat
Abstract This article analyzes an 1869 law from Cisleithania that defined all running waters as public goods. Economic and political actors debated the issue of water rights over several decades in the mid-nineteenth century, as is shown in contemporary publications, proceedings of assemblies, and administrative archives. The legal solution that was ultimately adopted established the management of water rights and uses according to a particular form of property which was intentionally preferred over a system of private appropriation. Looking in detail at what “public good” meant for the actors, this article argues that settling the legal status of rivers served to both consolidate the imperial state's power over society and to make water resources available to a productivist economic system. The new relationships to the environment that emerged during this time were inseparable from contemporary political and economic developments, and legislating was one way to bind these aspects together. Moreover, the case of water rights in the Habsburg Empire adds nuance to binary oppositions between private property and commons that dominate the study of property regimes and environment today. It invites us to consider how the establishment of a productivist economic system rested on a combination of different forms of property and strong state intervention.
摘要本文分析了1869年西利塔尼亚的一项法律,该法律将所有的流水都定义为公共产品。正如当代出版物、会议记录和行政档案所显示的那样,经济和政治行动者在19世纪中期对水权问题进行了数十年的辩论。最终通过的法律解决办法是根据一种特定形式的财产建立对水权和用水的管理,这种财产故意优于私人占有制度。本文详细考察了“公共利益”对参与者的意义,认为确定河流的法律地位既有助于巩固帝国对社会的权力,又有助于使水资源为生产主义经济体系所用。在此期间出现的与环境的新关系与当代政治和经济发展密不可分,立法是将这些方面结合在一起的一种方式。此外,哈布斯堡帝国的水权案例为私有财产和公地之间的二元对立增加了细微差别,这种对立在今天的财产制度和环境研究中占主导地位。它让我们思考,一个生产主义经济体系的建立是如何建立在不同形式的财产和强大的国家干预的结合之上的。
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引用次数: 0
“Our Adriatic”: Comment on Forum on Adriatic Tourism “我们的亚得里亚海”——评亚得里亚旅游论坛
IF 0.4 3区 历史学 Q2 Arts and Humanities Pub Date : 2023-04-19 DOI: 10.1017/S0067237823000085
Pamela Ballinger
Abstract This short piece comments on the articles presented in the forum on Adriatic tourism and their analyses of competing historical claims to “our Adriatic.” The comment focuses on questions raised about ownership of the sea and the Adriatic's borders of belonging. While sovereignty over areas of the Adriatic has proven an enduring diplomatic issue in both the twentieth and twenty-first centuries, the forum authors instead consider claims by different types of actors: tourists (particularly Czech tourists who claimed a special relationship between Czechs and their South Slav “brothers”); investors in hotels and related infrastructure; socialist Yugoslav tourism planners; and environmentalists concerned with issues of pollution. In tracing out tensions in the agendas of hosts and visitors, as well as planners and scientists, the forum's essays measure and map the socio-ecological metabolism of the modern eastern Adriatic.
摘要这篇短文评论了亚得里亚海旅游论坛上发表的文章,以及他们对“我们的亚得里亚”的历史主张的分析。评论的重点是对海洋所有权和亚得里亚海岸归属边界提出的问题。尽管对亚得里亚海地区的主权在二十世纪和二十一世纪都被证明是一个持久的外交问题,但论坛作者反而考虑了不同类型行为者的主张:游客(尤其是声称捷克人和他们的南斯拉夫“兄弟”之间有特殊关系的捷克游客);酒店及相关基础设施的投资者;南斯拉夫社会主义旅游规划者;以及关注污染问题的环保主义者。在追踪东道主和游客以及规划者和科学家议程中的紧张局势时,论坛的文章测量并绘制了现代东亚得里亚海的社会生态代谢图。
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引用次数: 0
Jiří Přibáň, and Karel Hvížd'ala. In Quest of History: On Czech Statehood and Identity Translated by Stuart Hoskins. Prague: Karolinum Press, 2019. Pp. 290. 在这个事情上的卖美řPřibáň,,and Karel Hvížd 'ala。《探索历史:捷克国家身份与身份》,斯图尔特·霍斯金斯翻译。布拉格:Karolinum出版社,2019年。超越自我,290本。
IF 0.4 3区 历史学 Q2 Arts and Humanities Pub Date : 2023-04-19 DOI: 10.1017/s0067237823000127
Cynthia J. Paces
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引用次数: 0
Theodora Dragostinova. The Cold War from the Margins: A Small Socialist State on the Global Cultural Scene Ithaca, NY: Cornell University Press, 2021. Pp. 330. 狄奥多拉·德拉戈斯蒂诺娃。《来自边缘的冷战:全球文化舞台上的社会主义小国》伊萨卡,纽约:康奈尔大学出版社,2021年。第330页。
IF 0.4 3区 历史学 Q2 Arts and Humanities Pub Date : 2023-04-19 DOI: 10.1017/s0067237823000322
M. Todorova
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引用次数: 0
John-Paul Himka, and Franz A. J. Szabo, eds. Eastern Christians in the Habsburg Monarchy Alberta: CIUS Press, 2021. Pp. xiv + 253. John Paul Himka和Franz A.J.Szabo主编,《阿尔伯塔省哈布斯堡王朝中的东方基督徒》:CIUS出版社,2021年。第xiv+253页。
IF 0.4 3区 历史学 Q2 Arts and Humanities Pub Date : 2023-04-19 DOI: 10.1017/s0067237823000255
Jan M. Surer
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引用次数: 0
期刊
Austrian History Yearbook
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