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Einleitung 介绍
Q3 HISTORY Pub Date : 2020-01-01 DOI: 10.25162/jgo-2020-0001
Yaman Kouli, U. Müller
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引用次数: 0
Almost Soviet 几乎苏联
Q3 HISTORY Pub Date : 2020-01-01 DOI: 10.25162/jgo-2020-0012
Artem Latyshev
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引用次数: 0
After Nuremberg 在纽伦堡
Q3 HISTORY Pub Date : 2020-01-01 DOI: 10.25162/jgo-2020-0014
Jasmin Söhner
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引用次数: 2
Ein guter Deal? 很划算吗?
Q3 HISTORY Pub Date : 2020-01-01 DOI: 10.25162/JGO-2020-0002
Yaman Kouli
There is no doubt that the redrawing of the Polish borders after 1945 had a significant impact on the Polish economy. The former eastern territories of Germany made up around one third of the new Poland. However, analysis of the productivity of the territories Poland lost in the east - the so-called Kresy - has been scarce, as have calculations showing the “economic gains” in the Polish west when parts of the former German Reich were attached to Poland. The following article attempts to conduct plausible calculations on the economic productivity of both the Kresy and the former eastern German territories. The paper argues that, while the gross domestic product (GDP) of the Kresy amounted to roughly 9.4 billion 1990 Geary- Khamis dollars (or 19 percent of Poland’s GDP; all figures for 1936), the former East Germany had a GDP of 25.4 billion Geary-Khamis dollars.
毫无疑问,1945年后波兰边界的重新划定对波兰经济产生了重大影响。前德国东部领土约占新波兰领土的三分之一。然而,对波兰在东部失去的领土(所谓的克雷斯)的生产力的分析很少,正如显示波兰西部在前德意志帝国的部分地区附属于波兰时的“经济收益”的计算一样。下面的文章试图对克雷斯和前东德领土的经济生产力进行合理的计算。本文认为,虽然克雷斯族的国内生产总值(GDP)约为94亿1990年格里-哈米斯美元(或波兰GDP的19%;所有数据为1936年),前东德的国内生产总值为254亿格里-哈米斯美元。
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引用次数: 0
„Der Feind ist wieder in unser Land einmarschiert […]“ “敌人又来了。”
Q3 HISTORY Pub Date : 2020-01-01 DOI: 10.25162/jgo-2020-0017
Dmytro Tytarenko
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引用次数: 0
Vernichtungskrieg, Besatzung und juristische Aufarbeitung: Opferperspektiven 受害人观点
Q3 HISTORY Pub Date : 2020-01-01 DOI: 10.25162/jgo-2020-0011
Tanja Penter
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引用次数: 1
A Pitfall on a Nation’s Path of Politics? 一个国家政治道路上的陷阱?
Q3 HISTORY Pub Date : 2019-01-01 DOI: 10.25162/jgo-2019-0007
Lari Rantanen
The reign of Alexander II (1855-1881) provided room for new ideas in the Russian Empire. In Finland, it was a time of liberal socio-economic reform and dawning nationalism, which led to reconsideration of the relationship between the autonomous Grand Duchy of Finland and St Petersburg, and between the Finnish Senate and the Diet. This study focuses on these relations and explores the political conditions for the government’s response to the famine of the 1860s. It shows that the decisions made at the Finnish Diet of 1863-1864 pushed the Senate aside from the markets and reduced its means to cope with severe economic fluctuations in the short term. The lack of defined support from the estates also affected the Senate’s ability to acquire foreign credit in Finland’s name. The study examines the pivotal position of Johan Vilhelm Snellman, an early promoter of Hegelian state theory in Finland and the main controller of the Finnish Senate’s expenditure during the period 1863-1868. It is argued that Snellman’s ideas about national state development and the autonomous position of the Senate led to reservedness in government action concerning credit supply, the initiation of grain purchases and co-operation with the Russian authorities; this reservedness contributed to the outcome of the famine. Finally, the study shows that the credit provided by the Imperial government for seed grain purchase in the spring of 1868 was essential to avoid prolonging the crisis in Finland.
亚历山大二世统治时期(1855-1881)为俄罗斯帝国的新思想提供了空间。在芬兰,这是一个自由的社会经济改革和民族主义曙光初现的时代,这导致重新考虑自治的芬兰大公国和圣彼得堡之间的关系,以及芬兰参议院和国会之间的关系。本研究着重于这些关系,并探讨政府应对19世纪60年代饥荒的政治条件。它表明,1863年至1864年芬兰议会作出的决定使参议院远离了市场,并减少了其应对短期内严重经济波动的手段。缺乏来自各阶层的明确支持也影响了参议院以芬兰的名义获得外国信贷的能力。该研究考察了约翰·维尔海姆·斯内尔曼的关键地位,他是黑格尔国家理论在芬兰的早期推动者,也是1863-1868年间芬兰参议院支出的主要控制者。本文认为,斯涅尔曼关于民族国家发展的思想和参议院的自治地位导致了政府在信贷供应、粮食购买和与俄罗斯当局合作方面的行动有所保留;这种缄默导致了饥荒的结果。最后,研究表明,1868年春天,帝国政府为购买种子谷物提供的信贷对于避免芬兰危机的延长至关重要。
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引用次数: 1
Wie sowjetische Musik „vaterländisch“ wurde, oder: Die Avantgarde im Spät- und Postsozialismus neu erfinden (1970–1998) 苏联音乐是如何“时段”或“七十后社会主义”复燃的?
Q3 HISTORY Pub Date : 2019-01-01 DOI: 10.25162/JGO-2019-0015
Boris Belge
During the last decades of the Soviet Union, composers and musicians witnessed a dissolution of the contexts in which they were used to inventing and performing music. “Soviet Music”, a vague but inclusive umbrella term for serious music production, took one of two different directions: on the one hand, it increasingly became part of a global musical avant-garde, on the other hand it was forced to adapt to increasingly narrow, Russocentric and even nationalistic attitudes. This contribution investigates ambiguities surrounding these attributes as well as the concrete problems they created for three composers - Sofia Gubaidulina, Alfred Schnittke and Edison Denisov. In particular, it concentrates on fictions of authenticity created by a milestone of Soviet cinema: Farewell to Matera by Ėlem Klimov and Larisa Shepitko. In doing so, the article questions “1991” as an important caesura and instead makes a case for conceptualizing late and post-Soviet socialism as one common period in Russian musical history.
在苏联的最后几十年里,作曲家和音乐家见证了他们用来创作和表演音乐的环境的解体。“苏联音乐”是一个模糊但包涵广泛的严肃音乐制作的总称,它有两个不同的方向:一方面,它日益成为全球音乐先锋派的一部分,另一方面,它被迫适应日益狭隘的、以俄罗斯为中心的,甚至是民族主义的态度。这篇文章调查了围绕这些属性的模糊之处,以及他们为三位作曲家——索菲亚·古拜杜丽娜、阿尔弗雷德·施尼特克和爱迪生·杰尼索夫——创造的具体问题。特别地,它集中于苏联电影的一个里程碑:Ėlem克里莫夫和拉里萨·舍列科的《告别马泰拉》所创造的真实小说。在这样做的过程中,文章质疑“1991”作为一个重要的停顿,而是提出了一个案例,将苏联后期和后苏联社会主义概念化为俄罗斯音乐史上的一个共同时期。
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引用次数: 0
Roy Medvedev’s Political Diary: An Experiment in Free Socialist Press 罗伊·梅德韦杰夫的政治日记:自由社会主义新闻的实验
Q3 HISTORY Pub Date : 2019-01-01 DOI: 10.25162/jgo-2019-0019
Barbara Martin
This article focuses on the samizdat and tamizdat versions of the journal Political Diary, edited between 1964 and 1970 by the Soviet dissident Roy Medvedev. Based on an analysis of the nearly full collection of issues from the Moscow Memorial archives and interviews with Roy Medvedev, the author explores the functions of the journal during its samizdat and tamizdat periods, its place in the history of socialist dissent in the USSR, the transformations the text underwent for publication abroad, and its reception. The article argues that the journal’s functions were to aggregate reliable information on current Soviet politics, history, and culture gathered through various official and non-official channels; to offer Medvedev and his like-minded reformist socialist readers a space to reflect on current events and socialist democracy, primarily in opposition to attempts by neo-Stalinists to rehabilitate Stalin; and to give Medvedev an outlet and feedback mechanism for his current historical and political research. With the publication of the journal abroad in the 1970s, however, its perception shifted, influenced by the political context and Roy Medvedev’s reputation as a left-wing dissident. As a result, the dissident connections of the journal were downplayed and it was labelled a “loyal” samizdat publication.
本文主要关注1964年至1970年间由苏联持不同政见者罗伊·梅德韦杰夫(Roy Medvedev)编辑的《政治日记》(Political Diary)杂志的地下出版版和地下出版版。基于对莫斯科纪念档案中几乎全部问题的分析和对罗伊·梅德韦杰夫的采访,作者探讨了该杂志在地下出版物和地下出版物时期的功能,它在苏联社会主义异议史上的地位,文本在国外出版时经历的转变,以及它的接受情况。文章认为,该杂志的功能是通过各种官方和非官方渠道收集有关当前苏联政治、历史和文化的可靠信息;为梅德韦杰夫和他志同道合的改革派社会主义读者提供一个反思时事和社会主义民主的空间,主要是为了反对新斯大林主义者为斯大林平反的企图;并为梅德韦杰夫当前的历史和政治研究提供一个出口和反馈机制。然而,随着该杂志在20世纪70年代在国外出版,受政治背景和罗伊•梅德韦杰夫作为左翼持不同政见者的声誉的影响,它的看法发生了转变。结果,该杂志与持不同政见者的联系被淡化了,它被贴上了“忠诚”地下刊物的标签。
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引用次数: 2
Ulitskaia’s Childhood 45–53: Documenting Nostalgic Images and Memories of Growing Up Soviet after the Great War in Literature 乌利茨卡娅的童年45-53:在文学中记录二战后苏联成长的怀旧形象和记忆
Q3 HISTORY Pub Date : 2019-01-01 DOI: 10.25162/JGO-2019-0005
Anja Tippner
This article explores aspects of nostalgia for Soviet childhoods in contemporary Russia. First it describes the complex phenomenon of documentary fiction today and shows how documentary texts create generational and collective memoirs of Soviet childhoods. It then goes on to discuss the position of Liudmila Ulitskaia within this discursive framework and argues that her collection Childhood 45-53 re-creates Soviet childhood as a multifaceted phenomenon. In a next step, the article examines how the photographs in this book contribute to the narrative of growing up Soviet in the 1940s and 1950s, examining the conjoining of childhood and adult spaces in the text. In sum, this article discusses the childhood memories with regard to phenomena of childhood nostalgia and post-socialist nostalgia, and shows that in contrast to common opinion this type of nostalgia is not predominantly regressive or escapist but also conveys elements of cultural critique.
这篇文章探讨了当代俄罗斯对苏联童年的怀旧之情。首先,它描述了当今纪实小说的复杂现象,并展示了纪录片文本如何创造苏联童年的代际和集体回忆录。接着讨论了柳德米拉·乌利茨卡娅在这个话语框架中的地位,并认为她的作品集《童年45-53》将苏联的童年作为一个多方面的现象进行了再现。接下来,这篇文章探讨了这本书中的照片是如何对20世纪40年代和50年代成长的苏联人的叙述做出贡献的,并研究了文本中童年和成人空间的结合。综上所述,本文从童年怀旧和后社会主义怀旧的角度对童年记忆进行了讨论,并表明与一般观点相反,这种怀旧并不主要是倒退或逃避现实,而是传达了文化批判的元素。
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引用次数: 1
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JAHRBUCHER FUR GESCHICHTE OSTEUROPAS
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