Pub Date : 2023-12-01DOI: 10.1177/07255136231213718
Qilin Fu
{"title":"A poetical contact with Peter Beilharz through Agnes Heller","authors":"Qilin Fu","doi":"10.1177/07255136231213718","DOIUrl":"https://doi.org/10.1177/07255136231213718","url":null,"abstract":"","PeriodicalId":54188,"journal":{"name":"Thesis Eleven","volume":"103 25","pages":"44 - 61"},"PeriodicalIF":0.8,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138608966","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-26DOI: 10.1177/07255136231209545
Johan Trovik
This article reinterprets the Dialectic of Enlightenment as a retelling of the Christian myth of the Fall. Through its account of the aporia, which Horkheimer and Adorno maintain stands at its core, the Dialectic of Enlightenment rearticulates the doctrine of original sin. The human condition is presented as tragic, and the source of this tragedy is inscribed into the very structure of human subjectivity. While the Dialectic of Enlightenment refuses to abandon hope, emancipation is reconceptualised on the model of redemption; a kind of fulfilment of human nature, which would at the same time be an escape from it. Horkheimer and Adorno dispense, however, with any transcendent source of grace. Instead, the activity of philosophy itself takes on redemptive quality.
{"title":"Dialectical myth of the Fall","authors":"Johan Trovik","doi":"10.1177/07255136231209545","DOIUrl":"https://doi.org/10.1177/07255136231209545","url":null,"abstract":"This article reinterprets the Dialectic of Enlightenment as a retelling of the Christian myth of the Fall. Through its account of the aporia, which Horkheimer and Adorno maintain stands at its core, the Dialectic of Enlightenment rearticulates the doctrine of original sin. The human condition is presented as tragic, and the source of this tragedy is inscribed into the very structure of human subjectivity. While the Dialectic of Enlightenment refuses to abandon hope, emancipation is reconceptualised on the model of redemption; a kind of fulfilment of human nature, which would at the same time be an escape from it. Horkheimer and Adorno dispense, however, with any transcendent source of grace. Instead, the activity of philosophy itself takes on redemptive quality.","PeriodicalId":54188,"journal":{"name":"Thesis Eleven","volume":"2 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2023-11-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139235883","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-20DOI: 10.1177/07255136231212696
Harry Blatterer
{"title":"Interpreter of culture, conveyor of feel: Peter Beilharz’s musicality","authors":"Harry Blatterer","doi":"10.1177/07255136231212696","DOIUrl":"https://doi.org/10.1177/07255136231212696","url":null,"abstract":"","PeriodicalId":54188,"journal":{"name":"Thesis Eleven","volume":"2018 1","pages":"62 - 65"},"PeriodicalIF":0.8,"publicationDate":"2023-11-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139259680","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-08DOI: 10.1177/07255136231209522
Thembisa Waetjen
Can a colonial archive render up form-of-life? To what ends? This essay explores these questions through a methodological exercise that casts a specific historical subject in the role of Giorgio Agamben’s ‘unspeakable girl’. The subject is a woman identified in a 1910 Cape Town police report as a habitual opium smoker. The unspeakable girl is a philosophical construction through which Agamben develops a concept of initiated (or initiating) knowledge. At stake in my forensic re/deconstruction of this case is how a concept of the ‘unspeakable’ may help to unsettle the figure of the ‘addict’ as a stigmatised object of knowledge and paternalism, in service of more humane policy and treatment regimes in the present. The transformative potential of initiating knowledge supports current practice as the ‘come as you are’ motto of harm reduction, and as a bridge between academic analysis and the more intimate concerns of the heart.
{"title":"A blue coat: The addict and the unspeakable girl in South Africa’s colonial archive","authors":"Thembisa Waetjen","doi":"10.1177/07255136231209522","DOIUrl":"https://doi.org/10.1177/07255136231209522","url":null,"abstract":"Can a colonial archive render up form-of-life? To what ends? This essay explores these questions through a methodological exercise that casts a specific historical subject in the role of Giorgio Agamben’s ‘unspeakable girl’. The subject is a woman identified in a 1910 Cape Town police report as a habitual opium smoker. The unspeakable girl is a philosophical construction through which Agamben develops a concept of initiated (or initiating) knowledge. At stake in my forensic re/deconstruction of this case is how a concept of the ‘unspeakable’ may help to unsettle the figure of the ‘addict’ as a stigmatised object of knowledge and paternalism, in service of more humane policy and treatment regimes in the present. The transformative potential of initiating knowledge supports current practice as the ‘come as you are’ motto of harm reduction, and as a bridge between academic analysis and the more intimate concerns of the heart.","PeriodicalId":54188,"journal":{"name":"Thesis Eleven","volume":"4 5‐6","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135392370","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-08DOI: 10.1177/07255136231209519
Emanuel Copilaş
Owing to various reasons, Stalinism still represents, according to this essay, a fertile intellectual topic. Therefore, my aim here is to offer a reading of Pavel Campeanu’s works on Stalinism – a relatively unknown Romanian Marxist – through the social history of the Soviet Union in general and of Stalinism in particular advanced by Moshe Lewin. The argumentation advances by taking into account the overall historical frame of the debate (Eastern and Western Marxism during the Cold War) and by stressing some key issues like primitive accumulation, legitimacy, a certain overstretching of the concept of Stalinism and, finally, the issue of totalitarianism. The stake of the essay resides in claiming that Campeanu’s analyses of Stalinism, original and convincing as they are, may favor, in the above-mentioned issues, and regardless the author’s intentions, interpretations belonging to or deriving from the totalitarian school of Cold War and Soviet Studies.
{"title":"Reading Campeanu through Lewin: A contribution to the political history of Stalinism","authors":"Emanuel Copilaş","doi":"10.1177/07255136231209519","DOIUrl":"https://doi.org/10.1177/07255136231209519","url":null,"abstract":"Owing to various reasons, Stalinism still represents, according to this essay, a fertile intellectual topic. Therefore, my aim here is to offer a reading of Pavel Campeanu’s works on Stalinism – a relatively unknown Romanian Marxist – through the social history of the Soviet Union in general and of Stalinism in particular advanced by Moshe Lewin. The argumentation advances by taking into account the overall historical frame of the debate (Eastern and Western Marxism during the Cold War) and by stressing some key issues like primitive accumulation, legitimacy, a certain overstretching of the concept of Stalinism and, finally, the issue of totalitarianism. The stake of the essay resides in claiming that Campeanu’s analyses of Stalinism, original and convincing as they are, may favor, in the above-mentioned issues, and regardless the author’s intentions, interpretations belonging to or deriving from the totalitarian school of Cold War and Soviet Studies.","PeriodicalId":54188,"journal":{"name":"Thesis Eleven","volume":"161 11‐12","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135393311","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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