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The first Marxist reflection of Georg Lukács 马克思主义对乔治的第一次反思Lukács
Q3 SOCIOLOGY Pub Date : 2023-10-30 DOI: 10.1177/07255136231199782
Jiayang Qin
The article ‘Aesthetic culture’ was written in 1908. Although it is in the same period as Soul and Form, in essence, the ideas expressed in this article go beyond the pure philosophy of life and the theory of form, which is different from the idealistic tendency of Lukács in this period. Moreover, ‘Aesthetic culture’ and History and Class Consciousness have ontological and epistemological consistency in subject–object relation and class consciousness. This was the first Marxist reflection of Lukács, and also a reliable sign that he was to join the Hungarian Communist Party 10 years later and turned to Marxism. By criticizing the paradox of aesthetic culture itself, Lukács tried to construct a culture as a whole as a category, and tried to solve the deep contradiction between the freedom of consciousness and the passive form of the subject in modern society. This kind of culture as a whole would be based on the class consciousness of the proletariat itself and take life as the main category, so as to provide the proletariat with practical theoretical conception to expand their space for living in bourgeois culture.
《审美文化》一文写于1908年。虽然与《灵魂与形式》处于同一时期,但在本质上,本文所表达的思想超越了纯粹的生命哲学和形式论,这与Lukács在这一时期的唯心主义倾向是不同的。此外,“审美文化”与“历史”、“阶级意识”在主客体关系和阶级意识上具有本体论和认识论的一致性。这是Lukács的第一个马克思主义反映,也是他10年后加入匈牙利共产党并转向马克思主义的可靠标志。Lukács通过对审美文化本身悖论的批判,试图构建一个作为范畴的文化整体,试图解决现代社会意识自由与主体被动形式之间的深层矛盾。这种整体文化将以无产阶级自身的阶级意识为基础,以生命为主要范畴,为无产阶级在资产阶级文化中拓展生存空间提供实践性的理论概念。
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引用次数: 0
Agnes Heller: The time of your life 艾格尼丝·海勒:这是你生命中最重要的时刻
Q3 SOCIOLOGY Pub Date : 2023-10-30 DOI: 10.1177/07255136231199783
David Roberts
The following reflections, occasioned by Agnes Heller’s death, attempt to reconstruct Heller’s sense of temporality and historicity as the key to her rethinking of the idea of philosophy of history after the demise of the grand narratives in the form of a fragmentary philosophy of history and a theory of history.
下文以阿格尼斯·海勒之死为契机,试图以碎片化的历史哲学和历史理论的形式,重构海勒的时间性和历史性,作为她在宏大叙事消亡后重新思考历史哲学理念的关键。
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引用次数: 0
Towards a theory of dependent democracy 走向依赖民主理论
Q3 SOCIOLOGY Pub Date : 2023-10-27 DOI: 10.1177/07255136231202057
Eduardo Enríquez Arévalo
Democracy is seen today as being in erosion or crisis both in the Global North and South. This article puts forward the concept of ‘dependent democracy’ in order to explain that much of the lack of success of democracy in the South in guaranteeing political participation and economic inclusion and wellbeing for the majority of the population is due to a specific tendency of democracy there. Adapting some insights from the more economics focused Dependency theory towards a more contemporary point of view from political sociology and international political sociology, dependent democracy is understood as a democracy that exists in a subaltern position within the hierarchical, post-imperial and neo-imperial global capitalist order. Dependent democracies thus tend to be less ‘democracies’ and more ‘oligarchies’ within a form of government in the South that can be understood as existing in a global pyramid of semi-peripheries, middle peripheries and outer peripheries.
今天,民主在全球南北都被视为受到侵蚀或危机。本文提出了“依赖民主”的概念,以解释南方民主在保证大多数人口的政治参与、经济包容和福祉方面缺乏成功的原因是由于那里的民主的特定趋势。将依赖理论的一些见解与政治社会学和国际政治社会学的更现代的观点相结合,依赖民主被理解为存在于等级制度、后帝国主义和新帝国主义全球资本主义秩序中处于次等地位的民主。因此,在南方的一种政府形式中,依赖的民主倾向于更少的“民主”和更多的“寡头”,这种政府形式可以理解为存在于半边缘、中边缘和外边缘的全球金字塔中。
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引用次数: 0
The negative Commonwealth: Australia as ‘laboratory’, then and now 消极的联邦:澳大利亚过去和现在都是“实验室”
Q3 SOCIOLOGY Pub Date : 2023-10-27 DOI: 10.1177/07255136231206181
Lorenzo Veracini, Dan Tout
Federated Australia was seen for a long time as a significant social ‘laboratory’. The Commonwealth itself was seen as an ‘experiment’. This widespread metaphor relied on a particular pattern of perception: the country was ‘new’ (it was not), and the country was allegedly isolated (it was not, at least not completely). Many believed that its social environment could be controlled, like that of a scientific laboratory. A laboratory is designed to shut all disturbances out – the value of the data and experiments depends on it. This article outlines this metaphor in the context of Australian history during the 20th century, its rhetorical power and what made it discursively possible.
长期以来,澳大利亚联邦一直被视为一个重要的社会“实验室”。英联邦本身被视为一个“实验”。这个普遍的比喻依赖于一种特殊的感知模式:这个国家是“新”的(它不是),这个国家据称是孤立的(它不是,至少不是完全孤立的)。许多人认为它的社会环境是可以控制的,就像一个科学实验室一样。实验室的设计是为了排除一切干扰——数据和实验的价值就取决于此。本文在20世纪的澳大利亚历史背景下概述了这个隐喻,它的修辞力量以及它在话语上的可能性。
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引用次数: 0
György Márkus, 75% mensch: On the occasion of the publication of the English version of How Is Critical Economic Theory Possible? György Márkus, 75% mensch:值此《批判经济理论如何可能?》英文版出版之际。
Q3 SOCIOLOGY Pub Date : 2023-10-26 DOI: 10.1177/07255136231199781
John Grumley
In this article I give an overall interpretation of the development of the Budapest School in Australia as political emigres, who initially worked and wrote in Melbourne and Sydney until the final years when Heller and Feher moved on to New York in the mid-1980s and then back to Budapest in 1993. The translation of How Is Critical Economic Theory Possible? has allowed us to better grasp the motivations and theoretical innovations of the Budapest School, to appreciate their internal disputes and to recognise fundamental continuities and difference in these two key thinkers. This book was a gallant retrieval of democratic potentials in Marx. It excavated Marx’s own appreciation of needs produced by, and critical of, the alienations of the capitalist system. Ultimately, this early work was unable to realise its ambition to educate the diverse progressive movements of the times. I will show later that the retrieval of progressive potentials took a more social democratic form in the work of Maria Márkus on needs as she encountered them later in the Hawke Labor Government of Australia from 1983. Introducing the world media to the Budapest School in The Times Literary Supplement on 15 February 1971, Lukács described Márkus as ‘75% mensch’. When Lukács first met him, George already had his own philosophical interests, which he would bring with him when he became a key figure in ‘the Budapest School’. Márkus had studied in Moscow where he wrote his dissertation on the topic History and Consciousness and met his Polish wife, Maria. George used to modestly say that he was an expert only on the works of Karl Marx. That was despite that he had taught the history of modern philosophy at Eotvös Loránd University to Hungary’s most promising philosophers for a decade and later to philosophy students at Sydney University for the next 20 years. In the early 1970s, George invited Janos Kis and György Bence to work on his next project that would become the Hungarian version of Überhaupt, which was to become How Is Critical Economic Theory Possible? The new English translation published by Brill this year opens this important rethinking of the work of Marx to an international readership.
在这篇文章中,我对作为政治移民的布达佩斯学派在澳大利亚的发展进行了全面的解释,他们最初在墨尔本和悉尼工作和写作,直到20世纪80年代中期海勒和费赫尔搬到纽约,然后在1993年回到布达佩斯的最后几年。《批判经济理论如何可能?》使我们能够更好地掌握布达佩斯学派的动机和理论创新,欣赏他们的内部争论,并认识到这两位关键思想家的基本连续性和差异。这本书是对马克思的民主潜力的一次勇敢的检索。它挖掘了马克思自己对资本主义制度的异化所产生的需求的欣赏,并对其进行了批判。最终,这部早期作品未能实现其教育当时各种进步运动的雄心。我稍后会说明,在Maria Márkus关于需求的工作中,对进步潜力的检索采取了一种更社会民主的形式,因为她后来在1983年澳大利亚的霍克工党政府中遇到了这些需求。1971年2月15日,Lukács在《泰晤士报文学增刊》向世界媒体介绍布达佩斯学派时,将Márkus描述为“75%的人”。当Lukács第一次见到他时,乔治已经有了自己的哲学兴趣,当他成为“布达佩斯学派”的关键人物时,他将带着这些兴趣。Márkus曾在莫斯科学习,在那里他写了关于历史与意识的论文,并遇到了他的波兰妻子玛丽亚。乔治过去常常谦虚地说,他只是卡尔·马克思著作方面的专家。尽管他在Eotvös Loránd大学为匈牙利最有前途的哲学家教授了10年的现代哲学史,后来又为悉尼大学的哲学系学生教授了20年。在20世纪70年代早期,乔治邀请亚诺斯·基斯和György本斯为他的下一个项目工作,这个项目后来成为匈牙利版Überhaupt,也就是《批判经济理论是如何可能的?》今年由布里尔出版的新英译本向国际读者开启了对马克思著作的重要反思。
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引用次数: 0
Critical economic theory and Maria Márkus’s politicisation of needs 批判经济理论与玛丽亚Márkus的需求政治化
Q3 SOCIOLOGY Pub Date : 2023-10-16 DOI: 10.1177/07255136231199787
Norbert Ebert
Like a message in a bottle, How Is Critical Economic Theory Possible? originally written in the late 1960s in Hungarian, has recently arrived on the shores of critical theory in the form of an English translation. As a critique of Marx’s economic determinism, the authors aim to set Marxist thinking on a more realistic path. This article looks first, at what the authors think are flawed premises in Marx’s work. Second, I sketch the contemporary economic context of a global digital economy to point at issues a critical economic theory inevitably has to contend with today to prove its relevance. Finally, I argue that Maria Márkus’s ideas of a politicisation of needs and civil/decent society make a significant contribution to a potential answer to How Is Critical Economic Theory Possible? and also advance the idea of a mixed economy with the goal to sustain an economic order that allows a maximum of economic and political freedom while simultaneously reducing economic and political inequalities to a minimum.
就像瓶中的信息,批判经济理论如何成为可能?最初写于20世纪60年代末的匈牙利语,最近以英语翻译的形式出现在批判理论的海岸上。作为对马克思经济决定论的批判,作者的目的是将马克思主义思想置于更加现实的道路上。本文首先着眼于作者认为马克思著作中有缺陷的前提。其次,我概述了全球数字经济的当代经济背景,以指出批判性经济理论在今天不可避免地必须与之抗衡以证明其相关性的问题。最后,我认为Maria Márkus关于需求政治化和公民/体面社会的观点对“批判经济理论如何可能?”的潜在答案做出了重大贡献。同时也要推进混合经济的理念,其目标是维持一种允许最大限度的经济和政治自由,同时将经济和政治不平等减少到最低限度的经济秩序。
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引用次数: 0
Is critical economy at all possible? A research note on Márkus, Bence and Kis 有可能实现临界经济吗?关于Márkus,本斯和基斯的研究笔记
Q3 SOCIOLOGY Pub Date : 2023-10-03 DOI: 10.1177/07255136231202043
Peter Beilharz
This research note discusses the text of How Is Critical Economic Theory Possible, seeking to locate it in the moment of its own creation; against the object of its critique, in Das Kapital itself; and to relate it to the moment of the arrival of the Budapest School in Australia and its effects and influence on the emergent journal Thesis Eleven.
本研究笔记讨论了《批判经济理论如何可能》的文本,试图将其定位于其自身创造的时刻;反对它的批判对象,即反对《资本论》本身;并将其与布达佩斯学派抵达澳大利亚的时刻及其对新兴期刊《论文十一》的影响联系起来。
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引用次数: 0
An introduction to György Márkus’s aesthetics: Transformation from praxis aesthetics to theory of aesthetic modernity György Márkus美学导论:从实践美学到审美现代性理论的转变
Q3 SOCIOLOGY Pub Date : 2023-10-03 DOI: 10.1177/07255136231199777
Fu Qilin
György Márkus, as a leading member of the Budapest School led by György Lukács in Hungary, is closely concerned with aesthetics. His final unfinished writings in political exile in Sydney were focused on the question of modern cultural autonomy. From the 1960s to the new century, from Budapest to Sydney in Australia, he established a new form of Neo-Marxist aesthetics on the basis of critical theory drawn from Lukács to the Frankfurt School. His aesthetics includes three dimensions: an aesthetics of praxis, a reconstruction of Lukács’s aesthetics and a theory of aesthetic modernity. His aesthetics is characteristic of analytic philosophy, especially ‘categorical analysis’. It shifts from philosophical aesthetics in the Hungarian period, which is based on an ontological foundation, that is, materialist phenomenology, to social or sociological aesthetics in the Australian period concerning social modernity, institution, constitution, culture, and so on. This is a turn from a philosophical paradigm to a structural one as regards aesthetics, which indicates a break with Lukács’s late return in the early 1960s to Hegelian inspired Ontology of Social Being. Márkus is strictly and essentially an essayist in fragments, who distinguishes himself from the other members of the Budapest School in this way. Ironically, this genre is once again influenced by the young Lukács’s aesthetics.
György Márkus作为匈牙利György Lukács领导的布达佩斯学派的主要成员,密切关注美学。在悉尼政治流放期间,他最后未完成的作品集中在现代文化自治问题上。从20世纪60年代到新世纪,从布达佩斯到澳大利亚悉尼,他以Lukács到法兰克福学派的批判理论为基础,建立了一种新马克思主义美学的新形式。他的美学包括三个维度:实践美学、Lukács美学的重构和审美现代性理论。他的美学具有分析哲学的特点,特别是“直言分析”。它从匈牙利时期基于本体论基础即唯物现象学的哲学美学转向澳大利亚时期关于社会现代性、制度、宪法、文化等的社会或社会学美学。这是美学从哲学范式到结构范式的转变,这表明了Lukács在20世纪60年代早期晚期回归到黑格尔启发的社会存在本体论的决裂。Márkus严格来说,本质上是一个碎片散文家,在这一点上,他与布达佩斯学派的其他成员区别开来。具有讽刺意味的是,这种类型又一次受到了年轻的Lukács美学的影响。
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引用次数: 0
Alexandre Kojève: Adventures between Philosophy and Wisdom 亚历山大·科约涅夫:哲学与智慧之间的冒险
Q3 SOCIOLOGY Pub Date : 2023-09-21 DOI: 10.1177/07255136231199828
Galin Tihanov
This article examines Alexandre Kojève’s attempts to differentiate between philosophy and wisdom; he thought of the two, particularly later on in his career, but also earlier, as distinctly non-identical. I trace Kojève’s transition from philosophy to practice in the corridors of power, motivated by his quest for wisdom, by outlining in some detail his stance on globalisation and the role of the state in his post-war dialogue with Carl Schmitt.
本文考察了亚历山大·科约涅夫试图区分哲学与智慧的尝试;他认为这两者,尤其是在他职业生涯的后期,但也有早期,是截然不同的。我在战后与卡尔•施密特(Carl Schmitt)的对话中详细概述了他对全球化和国家角色的立场,从而追溯了科耶夫在权力走廊中从哲学到实践的转变,这一转变受到他对智慧的追求的推动。
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引用次数: 0
On Márkus’ new Marxist philosophy of language 论Márkus的新马克思主义语言哲学
Q3 SOCIOLOGY Pub Date : 2023-09-20 DOI: 10.1177/07255136231199786
Shuai Shao
This article elucidates Márkus’ new Marxist philosophy of language based on his critique of the paradigm of language represented by Popper, Wittgenstein, Lévi-Strauss, and Gadamer. His critique suggests that instrumental rationality, pure reason, alienated reason, and objective and idealistic rationality of the paradigm of language are elements that should be overcome. From his critical perspective, value rationality, practical reason, personal reason, and historical materialism are advocated instead. He not only critically develops the philosophy of language but also adds new levels of meaning to Marxism.
本文从Márkus对以波普尔、维特根斯坦、斯特劳斯和伽达默尔为代表的语言范式的批判出发,阐述了他的新马克思主义语言哲学。他的批判指出,工具理性、纯粹理性、异化理性以及语言范式的客观理性和唯心理性都是需要克服的因素。在他的批判视野中,取而代之的是价值理性、实践理性、个人理性和历史唯物主义。他不仅批判性地发展了语言哲学,而且使马克思主义的意义增加了新的层次。
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引用次数: 0
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Thesis Eleven
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