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Thesis Eleven最新文献

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Space creator 空间创建者
IF 0.8 Q1 Arts and Humanities Pub Date : 2023-12-01 DOI: 10.1177/07255136231215574
Peter Wagner
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引用次数: 0
Peter Beilharz 彼得-贝哈尔兹
IF 0.8 Q1 Arts and Humanities Pub Date : 2023-12-01 DOI: 10.1177/07255136231212697
J. Carroll
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引用次数: 0
Dialectical myth of the Fall 堕落的辩证神话
IF 0.8 Q1 Arts and Humanities Pub Date : 2023-11-26 DOI: 10.1177/07255136231209545
Johan Trovik
This article reinterprets the Dialectic of Enlightenment as a retelling of the Christian myth of the Fall. Through its account of the aporia, which Horkheimer and Adorno maintain stands at its core, the Dialectic of Enlightenment rearticulates the doctrine of original sin. The human condition is presented as tragic, and the source of this tragedy is inscribed into the very structure of human subjectivity. While the Dialectic of Enlightenment refuses to abandon hope, emancipation is reconceptualised on the model of redemption; a kind of fulfilment of human nature, which would at the same time be an escape from it. Horkheimer and Adorno dispense, however, with any transcendent source of grace. Instead, the activity of philosophy itself takes on redemptive quality.
本文将《启蒙辩证法》重新解释为对基督教堕落神话的重述。霍克海默和阿多诺认为,"空隙 "是《启蒙辩证法》的核心,通过对 "空隙 "的描述,《启蒙辩证法》重新阐释了原罪学说。人类的境况是悲剧性的,而这一悲剧的根源正是人类主体性的结构。虽然启蒙辩证法拒绝放弃希望,但解放却在救赎的模式下被重新概念化;这是一种人性的实现,同时也是对人性的逃避。然而,霍克海默和阿多诺摒弃了任何超验的恩典之源。相反,哲学活动本身具有救赎的性质。
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引用次数: 0
Interpreter of culture, conveyor of feel: Peter Beilharz’s musicality 文化的诠释者,感觉的传递者:彼得-贝哈尔兹的音乐性
IF 0.8 Q1 Arts and Humanities Pub Date : 2023-11-20 DOI: 10.1177/07255136231212696
Harry Blatterer
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引用次数: 0
A blue coat: The addict and the unspeakable girl in South Africa’s colonial archive 一件蓝色外套:南非殖民档案中的瘾君子和无法形容的女孩
Q1 Arts and Humanities Pub Date : 2023-11-08 DOI: 10.1177/07255136231209522
Thembisa Waetjen
Can a colonial archive render up form-of-life? To what ends? This essay explores these questions through a methodological exercise that casts a specific historical subject in the role of Giorgio Agamben’s ‘unspeakable girl’. The subject is a woman identified in a 1910 Cape Town police report as a habitual opium smoker. The unspeakable girl is a philosophical construction through which Agamben develops a concept of initiated (or initiating) knowledge. At stake in my forensic re/deconstruction of this case is how a concept of the ‘unspeakable’ may help to unsettle the figure of the ‘addict’ as a stigmatised object of knowledge and paternalism, in service of more humane policy and treatment regimes in the present. The transformative potential of initiating knowledge supports current practice as the ‘come as you are’ motto of harm reduction, and as a bridge between academic analysis and the more intimate concerns of the heart.
殖民时期的档案能呈现出生命的形式吗?目的何在?这篇文章通过一种方法论的练习来探讨这些问题,将一个特定的历史主题置于乔治·阿甘本的“不可言说的女孩”的角色中。在1910年开普敦警方的一份报告中,主人公是一名习惯性吸食鸦片的女性。不可言说的女孩是一种哲学建构,通过它,阿甘本发展了一种初始(或初始)知识的概念。在我对这个案件的法医重新/解构中,关键在于“不可言说”的概念如何有助于动摇“瘾君子”作为知识和家长主义的耻辱对象的形象,为目前更人道的政策和治疗制度服务。发起知识的变革潜力支持当前的实践,作为减少危害的“如实地来”的座右铭,并作为学术分析和更亲密的内心关注之间的桥梁。
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引用次数: 0
Reading Campeanu through Lewin: A contribution to the political history of Stalinism 从卢因看坎佩努:对斯大林主义政治史的贡献
Q1 Arts and Humanities Pub Date : 2023-11-08 DOI: 10.1177/07255136231209519
Emanuel Copilaş
Owing to various reasons, Stalinism still represents, according to this essay, a fertile intellectual topic. Therefore, my aim here is to offer a reading of Pavel Campeanu’s works on Stalinism – a relatively unknown Romanian Marxist – through the social history of the Soviet Union in general and of Stalinism in particular advanced by Moshe Lewin. The argumentation advances by taking into account the overall historical frame of the debate (Eastern and Western Marxism during the Cold War) and by stressing some key issues like primitive accumulation, legitimacy, a certain overstretching of the concept of Stalinism and, finally, the issue of totalitarianism. The stake of the essay resides in claiming that Campeanu’s analyses of Stalinism, original and convincing as they are, may favor, in the above-mentioned issues, and regardless the author’s intentions, interpretations belonging to or deriving from the totalitarian school of Cold War and Soviet Studies.
根据这篇文章,由于各种原因,斯大林主义仍然是一个丰富的智力话题。因此,我在这里的目的是通过苏联的社会历史,尤其是摩西·列文(Moshe Lewin)提出的斯大林主义,来解读帕维尔·坎佩努(Pavel Campeanu)关于斯大林主义的著作,他是一位相对不知名的罗马尼亚马克思主义者。通过考虑辩论的整体历史框架(冷战期间的东方和西方马克思主义),并强调一些关键问题,如原始积累,合法性,斯大林主义概念的某种过度延伸,最后是极权主义问题,论证向前推进。这篇文章的关键在于,坎佩努对斯大林主义的分析,虽然原创性和令人信服,但可能有利于上述问题,无论作者的意图如何,他的解释都属于或源自冷战和苏联研究的极权主义学派。
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引用次数: 0
The first Marxist reflection of Georg Lukács 马克思主义对乔治的第一次反思Lukács
Q1 Arts and Humanities Pub Date : 2023-10-30 DOI: 10.1177/07255136231199782
Jiayang Qin
The article ‘Aesthetic culture’ was written in 1908. Although it is in the same period as Soul and Form, in essence, the ideas expressed in this article go beyond the pure philosophy of life and the theory of form, which is different from the idealistic tendency of Lukács in this period. Moreover, ‘Aesthetic culture’ and History and Class Consciousness have ontological and epistemological consistency in subject–object relation and class consciousness. This was the first Marxist reflection of Lukács, and also a reliable sign that he was to join the Hungarian Communist Party 10 years later and turned to Marxism. By criticizing the paradox of aesthetic culture itself, Lukács tried to construct a culture as a whole as a category, and tried to solve the deep contradiction between the freedom of consciousness and the passive form of the subject in modern society. This kind of culture as a whole would be based on the class consciousness of the proletariat itself and take life as the main category, so as to provide the proletariat with practical theoretical conception to expand their space for living in bourgeois culture.
《审美文化》一文写于1908年。虽然与《灵魂与形式》处于同一时期,但在本质上,本文所表达的思想超越了纯粹的生命哲学和形式论,这与Lukács在这一时期的唯心主义倾向是不同的。此外,“审美文化”与“历史”、“阶级意识”在主客体关系和阶级意识上具有本体论和认识论的一致性。这是Lukács的第一个马克思主义反映,也是他10年后加入匈牙利共产党并转向马克思主义的可靠标志。Lukács通过对审美文化本身悖论的批判,试图构建一个作为范畴的文化整体,试图解决现代社会意识自由与主体被动形式之间的深层矛盾。这种整体文化将以无产阶级自身的阶级意识为基础,以生命为主要范畴,为无产阶级在资产阶级文化中拓展生存空间提供实践性的理论概念。
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引用次数: 0
Agnes Heller: The time of your life 艾格尼丝·海勒:这是你生命中最重要的时刻
Q1 Arts and Humanities Pub Date : 2023-10-30 DOI: 10.1177/07255136231199783
David Roberts
The following reflections, occasioned by Agnes Heller’s death, attempt to reconstruct Heller’s sense of temporality and historicity as the key to her rethinking of the idea of philosophy of history after the demise of the grand narratives in the form of a fragmentary philosophy of history and a theory of history.
下文以阿格尼斯·海勒之死为契机,试图以碎片化的历史哲学和历史理论的形式,重构海勒的时间性和历史性,作为她在宏大叙事消亡后重新思考历史哲学理念的关键。
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引用次数: 0
Towards a theory of dependent democracy 走向依赖民主理论
Q1 Arts and Humanities Pub Date : 2023-10-27 DOI: 10.1177/07255136231202057
Eduardo Enríquez Arévalo
Democracy is seen today as being in erosion or crisis both in the Global North and South. This article puts forward the concept of ‘dependent democracy’ in order to explain that much of the lack of success of democracy in the South in guaranteeing political participation and economic inclusion and wellbeing for the majority of the population is due to a specific tendency of democracy there. Adapting some insights from the more economics focused Dependency theory towards a more contemporary point of view from political sociology and international political sociology, dependent democracy is understood as a democracy that exists in a subaltern position within the hierarchical, post-imperial and neo-imperial global capitalist order. Dependent democracies thus tend to be less ‘democracies’ and more ‘oligarchies’ within a form of government in the South that can be understood as existing in a global pyramid of semi-peripheries, middle peripheries and outer peripheries.
今天,民主在全球南北都被视为受到侵蚀或危机。本文提出了“依赖民主”的概念,以解释南方民主在保证大多数人口的政治参与、经济包容和福祉方面缺乏成功的原因是由于那里的民主的特定趋势。将依赖理论的一些见解与政治社会学和国际政治社会学的更现代的观点相结合,依赖民主被理解为存在于等级制度、后帝国主义和新帝国主义全球资本主义秩序中处于次等地位的民主。因此,在南方的一种政府形式中,依赖的民主倾向于更少的“民主”和更多的“寡头”,这种政府形式可以理解为存在于半边缘、中边缘和外边缘的全球金字塔中。
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引用次数: 0
The negative Commonwealth: Australia as ‘laboratory’, then and now 消极的联邦:澳大利亚过去和现在都是“实验室”
Q1 Arts and Humanities Pub Date : 2023-10-27 DOI: 10.1177/07255136231206181
Lorenzo Veracini, Dan Tout
Federated Australia was seen for a long time as a significant social ‘laboratory’. The Commonwealth itself was seen as an ‘experiment’. This widespread metaphor relied on a particular pattern of perception: the country was ‘new’ (it was not), and the country was allegedly isolated (it was not, at least not completely). Many believed that its social environment could be controlled, like that of a scientific laboratory. A laboratory is designed to shut all disturbances out – the value of the data and experiments depends on it. This article outlines this metaphor in the context of Australian history during the 20th century, its rhetorical power and what made it discursively possible.
长期以来,澳大利亚联邦一直被视为一个重要的社会“实验室”。英联邦本身被视为一个“实验”。这个普遍的比喻依赖于一种特殊的感知模式:这个国家是“新”的(它不是),这个国家据称是孤立的(它不是,至少不是完全孤立的)。许多人认为它的社会环境是可以控制的,就像一个科学实验室一样。实验室的设计是为了排除一切干扰——数据和实验的价值就取决于此。本文在20世纪的澳大利亚历史背景下概述了这个隐喻,它的修辞力量以及它在话语上的可能性。
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引用次数: 0
期刊
Thesis Eleven
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