Pub Date : 2022-12-15DOI: 10.1007/s10626-022-00371-7
Rémi Parrot, M. Briday, O. Roux
{"title":"Design and verification of pipelined circuits with Timed Petri Nets","authors":"Rémi Parrot, M. Briday, O. Roux","doi":"10.1007/s10626-022-00371-7","DOIUrl":"https://doi.org/10.1007/s10626-022-00371-7","url":null,"abstract":"","PeriodicalId":55174,"journal":{"name":"Discrete Event Dynamic Systems-Theory and Applications","volume":null,"pages":null},"PeriodicalIF":2.0,"publicationDate":"2022-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48068889","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"计算机科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Each chapter takes as its object of analysis either a pair (for example, Bayle and Malebranche, Leibniz and King, Voltaire and the Deists) or an individual (Hume, Rousseau, Kant, Schopenhauer) who participated in the tradition of theodicean thinking or its critique. Taking the present conditions of the ongoing COVID-19 pandemic, the Black Lives Matter Uprisings in the spring and summer of 2020, and the conceptual framings of tracking-capitalism, ecological collapse, and civil war as his subject matter, he paints a pessimistic picture of the futureless futures and impersonal dominations of the contemporary globalized world. [...]to what extent was it even conceived as a real problem?" (29) Whereas optimists are only interested in the problem of evil in its relationship with good (or God), van der Lugt's value-oriented pessimists reject the necessity of alignment, instead taking reality as it is, discontent, dread, and all. Through King and Liebniz the reader is provided a foundation for Enlightenment optimism that adjusts the Augustinian thesis of responsibility. While King's contribution is given its due, van der Lugt defines optimism by Leibniz's foundation of modern theodicy in his assertion that "we live in 'the best of all possible worlds'" (69): that there is, at the very least, a justification of evil in the world in relation to the good—either through theodicy in that the evil serves the good, or through alignment in that the good outweighs the evil. [...]with the question of whether life is worth living, van der Lugt explains that "the deeper point [schopenhauer] is trying to make […] is that even if the goods of life vastly outweigh the evils, even so, this does nothing to justify existence" (348).
{"title":"Is Real Hell Preferable to Imaginary Paradise?","authors":"Scott B. Ritner","doi":"10.1353/tae.2022.0050","DOIUrl":"https://doi.org/10.1353/tae.2022.0050","url":null,"abstract":"Each chapter takes as its object of analysis either a pair (for example, Bayle and Malebranche, Leibniz and King, Voltaire and the Deists) or an individual (Hume, Rousseau, Kant, Schopenhauer) who participated in the tradition of theodicean thinking or its critique. Taking the present conditions of the ongoing COVID-19 pandemic, the Black Lives Matter Uprisings in the spring and summer of 2020, and the conceptual framings of tracking-capitalism, ecological collapse, and civil war as his subject matter, he paints a pessimistic picture of the futureless futures and impersonal dominations of the contemporary globalized world. [...]to what extent was it even conceived as a real problem?\" (29) Whereas optimists are only interested in the problem of evil in its relationship with good (or God), van der Lugt's value-oriented pessimists reject the necessity of alignment, instead taking reality as it is, discontent, dread, and all. Through King and Liebniz the reader is provided a foundation for Enlightenment optimism that adjusts the Augustinian thesis of responsibility. While King's contribution is given its due, van der Lugt defines optimism by Leibniz's foundation of modern theodicy in his assertion that \"we live in 'the best of all possible worlds'\" (69): that there is, at the very least, a justification of evil in the world in relation to the good—either through theodicy in that the evil serves the good, or through alignment in that the good outweighs the evil. [...]with the question of whether life is worth living, van der Lugt explains that \"the deeper point [schopenhauer] is trying to make […] is that even if the goods of life vastly outweigh the evils, even so, this does nothing to justify existence\" (348).","PeriodicalId":55174,"journal":{"name":"Discrete Event Dynamic Systems-Theory and Applications","volume":null,"pages":null},"PeriodicalIF":2.0,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78373429","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"计算机科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:Beginning with Walter Benjamin's famous essay, "Theses on the Philosophy of History," this paper unfolds a supplementary set of theses on the genealogy of a different concept (survival) and different figure (the survivor). Benjamin's distinction between the "victor" and the "angel" serves as a binary framework for an understanding of the philosophical legacy of survival in the twentieth century—as it runs through the philosophy of history and across a tradition that continually imagines the survivor as historian. The paper traces this narrative through selected readings in the writings of major figures, from Jean-Paul Sartre and Maurice Blanchot to Hannah Arendt and W.G. Sebald. The question throughout is whether the survivor-historian writes the history of the ruling class or the history of the defeated. The paper concludes by offering some reflections on the ramifications of this genealogy of survival for recent debates about the legacy and ongoing practices of settler colonialism.
{"title":"Theses on the Philosophy of Survival","authors":"Adam Y. Stern","doi":"10.1353/tae.2022.0042","DOIUrl":"https://doi.org/10.1353/tae.2022.0042","url":null,"abstract":"Abstract:Beginning with Walter Benjamin's famous essay, \"Theses on the Philosophy of History,\" this paper unfolds a supplementary set of theses on the genealogy of a different concept (survival) and different figure (the survivor). Benjamin's distinction between the \"victor\" and the \"angel\" serves as a binary framework for an understanding of the philosophical legacy of survival in the twentieth century—as it runs through the philosophy of history and across a tradition that continually imagines the survivor as historian. The paper traces this narrative through selected readings in the writings of major figures, from Jean-Paul Sartre and Maurice Blanchot to Hannah Arendt and W.G. Sebald. The question throughout is whether the survivor-historian writes the history of the ruling class or the history of the defeated. The paper concludes by offering some reflections on the ramifications of this genealogy of survival for recent debates about the legacy and ongoing practices of settler colonialism.","PeriodicalId":55174,"journal":{"name":"Discrete Event Dynamic Systems-Theory and Applications","volume":null,"pages":null},"PeriodicalIF":2.0,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81983070","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"计算机科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:In this article I argue that dark comedy is an important democratic resource for challenging ideology. I build this argument by drawing from two voices—trans YouTube activist Natalie Wynn and feminist science fiction writer Joanna Russ. I begin by conducting a close reading of Wynn's video "The Darkness," in which she discusses the hypocrisies of free speech ideology. Critically responding to a transphobic performance by comedian Ricky Gervais, Wynn shows how the language of political correctness and free speech are used to conceal deeper structures of oppression. To think about this problem, I look at Joanna Russ's satirical "How to Suppress Women's Writing," a mock instruction manual for preventing women and people of color from becoming published authors. In this text, Russ theorizes ideology as an organized and escalating progression of responses to anti-hegemonic action. Russ's use of satire to expose these uses of ideology, however, has the effect of undermining their political projects. Drawing insight from this example, I conclude by returning to Wynn's case for the importance of comedy created by marginalized people (she terms this type of comedy "the darkness") as a political tool. While some leftist responses have tended to argue that the medium and structure of comedy facilitates bigotry and erasure, Wynn makes a case for dark comedy as a means of transcending these structures. She shows that dark comedy is an antidote to dominant ideologies, and is a political tool that is more readily available to the oppressed than to their oppressors.
摘要:本文认为，黑色喜剧是挑战意识形态的重要民主资源。我通过引用两个声音——跨性别YouTube活动家娜塔莉·韦恩和女权主义科幻作家乔安娜·拉斯——来建立这个论点。我首先仔细阅读了韦恩的视频《黑暗》(The Darkness)，她在视频中讨论了言论自由意识形态的虚伪。韦恩对喜剧演员瑞奇·热维斯(Ricky Gervais)的反变性表演进行了批判性的回应，他展示了政治正确和言论自由的语言是如何被用来掩盖更深层次的压迫结构的。为了思考这个问题，我看了乔安娜·拉斯(Joanna Russ)的讽刺作品《如何抑制女性写作》(How To Suppress Women’s Writing)，这是一本模拟的指导手册，旨在阻止女性和有色人种成为出版作家。在本文中，Russ将意识形态理论化为对反霸权行动的反应的有组织的和不断升级的进展。然而，俄罗斯用讽刺来揭露意识形态的这些用途，却破坏了他们的政治计划。从这个例子中得出结论，我回到Wynn的案例，即边缘化人群创作的喜剧(她称之为“黑暗”)作为政治工具的重要性。虽然一些左翼人士倾向于认为，喜剧的媒介和结构助长了偏见和抹除，但韦恩认为，黑色喜剧是一种超越这些结构的手段。她表明，黑色喜剧是主流意识形态的解毒剂，是被压迫者比压迫者更容易获得的政治工具。
{"title":"Navigating the 'Darkness': Feminist, Trans, and Queer Comedy Against Ideology","authors":"Alena Wolfink","doi":"10.1353/tae.2022.0047","DOIUrl":"https://doi.org/10.1353/tae.2022.0047","url":null,"abstract":"Abstract:In this article I argue that dark comedy is an important democratic resource for challenging ideology. I build this argument by drawing from two voices—trans YouTube activist Natalie Wynn and feminist science fiction writer Joanna Russ. I begin by conducting a close reading of Wynn's video \"The Darkness,\" in which she discusses the hypocrisies of free speech ideology. Critically responding to a transphobic performance by comedian Ricky Gervais, Wynn shows how the language of political correctness and free speech are used to conceal deeper structures of oppression. To think about this problem, I look at Joanna Russ's satirical \"How to Suppress Women's Writing,\" a mock instruction manual for preventing women and people of color from becoming published authors. In this text, Russ theorizes ideology as an organized and escalating progression of responses to anti-hegemonic action. Russ's use of satire to expose these uses of ideology, however, has the effect of undermining their political projects. Drawing insight from this example, I conclude by returning to Wynn's case for the importance of comedy created by marginalized people (she terms this type of comedy \"the darkness\") as a political tool. While some leftist responses have tended to argue that the medium and structure of comedy facilitates bigotry and erasure, Wynn makes a case for dark comedy as a means of transcending these structures. She shows that dark comedy is an antidote to dominant ideologies, and is a political tool that is more readily available to the oppressed than to their oppressors.","PeriodicalId":55174,"journal":{"name":"Discrete Event Dynamic Systems-Theory and Applications","volume":null,"pages":null},"PeriodicalIF":2.0,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89567047","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"计算机科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:Big data impacts us at an ontological level, developing a new idea of personhood—the subatomic individual. This subatomic individual is created by the hegemony of big data and is distinct from the older, atomic form of individualism.. This subatomic individual is made up of individual pieces of information about our empirical selves that are then collected in massive databases and used to influence society. This has a depoliticizing impact, as big data strips the context from the subatomic person, leaving them in a perpetual present with neither a connection to the past nor hope of a transformative future.
{"title":"The Subatomic Person: A New Ontology of Big Data","authors":"E. S. Kehlenbach","doi":"10.1353/tae.2022.0044","DOIUrl":"https://doi.org/10.1353/tae.2022.0044","url":null,"abstract":"Abstract:Big data impacts us at an ontological level, developing a new idea of personhood—the subatomic individual. This subatomic individual is created by the hegemony of big data and is distinct from the older, atomic form of individualism.. This subatomic individual is made up of individual pieces of information about our empirical selves that are then collected in massive databases and used to influence society. This has a depoliticizing impact, as big data strips the context from the subatomic person, leaving them in a perpetual present with neither a connection to the past nor hope of a transformative future.","PeriodicalId":55174,"journal":{"name":"Discrete Event Dynamic Systems-Theory and Applications","volume":null,"pages":null},"PeriodicalIF":2.0,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91132601","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"计算机科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Between Futility and Nihilism: Review of Neil Vallelly's Futilitarianism: Neoliberalism and the Production of Uselessness","authors":"William Callison","doi":"10.1353/tae.2022.0049","DOIUrl":"https://doi.org/10.1353/tae.2022.0049","url":null,"abstract":"","PeriodicalId":55174,"journal":{"name":"Discrete Event Dynamic Systems-Theory and Applications","volume":null,"pages":null},"PeriodicalIF":2.0,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86727590","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"计算机科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:In exploring the intra-active, relational and material connections between humans and non-humans, proponents of posthumanism advocate a questioning of the "human" beyond its traditional anthropocentric conceptualization. By referring specifically to controversial developments in mHealth applications, this paper critically diverges from posthuman accounts of human/non-human assemblages. Indeed, we argue that rather than "dissolving" the human subject, the power of assemblages lies in their capacity to highlight the antagonisms and contradictions that inherently affirm the importance of the subject. In outlining this claim, we propose a turn from the posthuman to the inhuman as a way of understanding the contemporary landscape of (digital) health.
{"title":"Posthuman to Inhuman: mHealth Technologies and the Digital Health Assemblage","authors":"J. Black, J. Cherrington","doi":"10.1353/tae.2022.0039","DOIUrl":"https://doi.org/10.1353/tae.2022.0039","url":null,"abstract":"Abstract:In exploring the intra-active, relational and material connections between humans and non-humans, proponents of posthumanism advocate a questioning of the \"human\" beyond its traditional anthropocentric conceptualization. By referring specifically to controversial developments in mHealth applications, this paper critically diverges from posthuman accounts of human/non-human assemblages. Indeed, we argue that rather than \"dissolving\" the human subject, the power of assemblages lies in their capacity to highlight the antagonisms and contradictions that inherently affirm the importance of the subject. In outlining this claim, we propose a turn from the posthuman to the inhuman as a way of understanding the contemporary landscape of (digital) health.","PeriodicalId":55174,"journal":{"name":"Discrete Event Dynamic Systems-Theory and Applications","volume":null,"pages":null},"PeriodicalIF":2.0,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81278905","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"计算机科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:A growing literature in democratic theory interrogates concepts of fugitive democracy in conversation with the history of black fugitive thought and practice. However, most accounts tend to underemphasize the degree to which African American democratic thought has engaged fugitivity as an aesthetic politics amid impasse. I turn to the works of author, composer, and NAACP Executive Secretary James Weldon Johnson to discuss the latter, exemplified in his 1912 fictional autobiography. Johnson's representations of improvised Black performance gain a fugitive character by exploiting the limitations of writing to represent sound. In conversation with turn of the century debates over the racial politics of ragtime's syncopated rhythms, I read in Johnson a "ragged writing" structured by performances that, while remaining essential to the narrator's avowed democratic aims, nevertheless escape their fixity in writing.
{"title":"James Weldon Johnson's Democracy Rag","authors":"Daniella Henry","doi":"10.1353/tae.2022.0046","DOIUrl":"https://doi.org/10.1353/tae.2022.0046","url":null,"abstract":"Abstract:A growing literature in democratic theory interrogates concepts of fugitive democracy in conversation with the history of black fugitive thought and practice. However, most accounts tend to underemphasize the degree to which African American democratic thought has engaged fugitivity as an aesthetic politics amid impasse. I turn to the works of author, composer, and NAACP Executive Secretary James Weldon Johnson to discuss the latter, exemplified in his 1912 fictional autobiography. Johnson's representations of improvised Black performance gain a fugitive character by exploiting the limitations of writing to represent sound. In conversation with turn of the century debates over the racial politics of ragtime's syncopated rhythms, I read in Johnson a \"ragged writing\" structured by performances that, while remaining essential to the narrator's avowed democratic aims, nevertheless escape their fixity in writing.","PeriodicalId":55174,"journal":{"name":"Discrete Event Dynamic Systems-Theory and Applications","volume":null,"pages":null},"PeriodicalIF":2.0,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74551195","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"计算机科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This article traces the emergence of an elastic political life emanating from ethnic restaurants vis-à-vis the sinister elasticity of neoliberalism. Upon establishing ethnic food as a paradigmatic case of elastic food that cannot fully replicate the authenticity of the original but still evokes a genuine feeling of being at home among immigrants, it further illustrates how ethnic restaurants provide an informal venue for immigrants to acquire inclusion, belonging, and rights in ways that are at once illusive and real. Terming this formation elastic citizenship, wherein immigrants reanimate their holistic-embodied lives as citizens in circuitous and nonlinear ways, the article points to its surprising political significance and strategic implications for rights-based movements: an elastic politics that 1) focuses on citizenship life beyond formal citizenship rights, 2) targets the market and civil society, and 3) shifts back to the state over the long run in contesting the resilient elasticity of neoliberal democracy.
{"title":"Ethnic Restaurants, Immigrant Lives, and Elastic Citizenship in Neoliberal Times","authors":"Charles T. Lee","doi":"10.1353/tae.2022.0040","DOIUrl":"https://doi.org/10.1353/tae.2022.0040","url":null,"abstract":"Abstract:This article traces the emergence of an elastic political life emanating from ethnic restaurants vis-à-vis the sinister elasticity of neoliberalism. Upon establishing ethnic food as a paradigmatic case of elastic food that cannot fully replicate the authenticity of the original but still evokes a genuine feeling of being at home among immigrants, it further illustrates how ethnic restaurants provide an informal venue for immigrants to acquire inclusion, belonging, and rights in ways that are at once illusive and real. Terming this formation elastic citizenship, wherein immigrants reanimate their holistic-embodied lives as citizens in circuitous and nonlinear ways, the article points to its surprising political significance and strategic implications for rights-based movements: an elastic politics that 1) focuses on citizenship life beyond formal citizenship rights, 2) targets the market and civil society, and 3) shifts back to the state over the long run in contesting the resilient elasticity of neoliberal democracy.","PeriodicalId":55174,"journal":{"name":"Discrete Event Dynamic Systems-Theory and Applications","volume":null,"pages":null},"PeriodicalIF":2.0,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72473507","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"计算机科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:Loss is a defining condition of the contemporary moment. This essay theorizes grief and rage as co-constitutive emotional responses to loss often staged in tragic plays. Using Sara Ahmed's work to read Euripides' Medea affectively, I demonstrate how their affinity can provoke affective solidarity arising from the circulation of these emotions. This article constructs an account of the feminist choreography of affective solidarity that can sustain political responses to loss. Placing Medea in conversation with Black feminist thinkers such as Audre Lorde and Saidiya Hartman, I emphasize the way grief and rage can help overcome obstacles like division, powerlessness, and marginalization, which link Medea's plight to those addressed by these thinkers, and chart a new political course. While loss is indeed devastating, engaging Medea through the lens of affective solidarity is instructive as to the generative potential and collective configurations in its wake that we can choreograph into being.
{"title":"Choreographing Affective Solidarity: The Choral Politics of Responding to Loss","authors":"Daniel Hanley","doi":"10.1353/tae.2022.0045","DOIUrl":"https://doi.org/10.1353/tae.2022.0045","url":null,"abstract":"Abstract:Loss is a defining condition of the contemporary moment. This essay theorizes grief and rage as co-constitutive emotional responses to loss often staged in tragic plays. Using Sara Ahmed's work to read Euripides' Medea affectively, I demonstrate how their affinity can provoke affective solidarity arising from the circulation of these emotions. This article constructs an account of the feminist choreography of affective solidarity that can sustain political responses to loss. Placing Medea in conversation with Black feminist thinkers such as Audre Lorde and Saidiya Hartman, I emphasize the way grief and rage can help overcome obstacles like division, powerlessness, and marginalization, which link Medea's plight to those addressed by these thinkers, and chart a new political course. While loss is indeed devastating, engaging Medea through the lens of affective solidarity is instructive as to the generative potential and collective configurations in its wake that we can choreograph into being.","PeriodicalId":55174,"journal":{"name":"Discrete Event Dynamic Systems-Theory and Applications","volume":null,"pages":null},"PeriodicalIF":2.0,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78592359","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"计算机科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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