Pub Date : 2021-12-07DOI: 10.1163/23526963-04702004
Cristina Vallaro
The subject of this paper is Sir Francis Drake, Elizabeth I’s most famous privateer, and his role in Spanish texts composed throughout the Armada campaign of 1588. A well-known seaman in both the New World and Europe, Drake had a significant impact on Anglo-Spanish relations, acquiring a reputation as a violent and ambitious man determined to serve his country to the death. The fight against him was conducted not only at sea, but also in literature where he was decried as Spain’s worst enemy. In poems by Juan de Castellanos, Góngora, Cervantes and Lope de Vega, Drake is portrayed as the worst enemy Spain had ever faced. Lope de Vega’s La Dragontea, a long poem about Drake’s last voyage, shows how his fearless and arrogant nature, and his disdain for danger, were not enough to enable him to avoid death and to prevent Spaniards from ridiculing him and his fate.
本文的主题是伊丽莎白一世最著名的私掠船弗朗西斯·德雷克爵士，以及他在1588年阿玛达战役期间创作的西班牙语文本中的角色。德雷克是新大陆和欧洲的著名海员，他对英西关系产生了重大影响，以暴力和雄心勃勃的人而闻名，决心为国家服务到死。与他的斗争不仅在海上进行，在文学作品中也被谴责为西班牙最大的敌人。在胡安·德·卡斯特拉诺斯、戈戈拉、塞万提斯和洛佩·德·维加的诗歌中，德雷克被描绘成西班牙有史以来最可怕的敌人。洛佩·德·维加（Lope de Vega）的《龙之地》（La Dragontea）是一首关于德雷克最后一次航行的长诗，它展示了他无畏、傲慢的天性和对危险的蔑视，不足以让他避免死亡，也不足以阻止西班牙人嘲笑他和他的命运。
{"title":"“Sir Francis Drake in the Spanish Literature of the Armada”","authors":"Cristina Vallaro","doi":"10.1163/23526963-04702004","DOIUrl":"https://doi.org/10.1163/23526963-04702004","url":null,"abstract":"\u0000 The subject of this paper is Sir Francis Drake, Elizabeth I’s most famous privateer, and his role in Spanish texts composed throughout the Armada campaign of 1588. A well-known seaman in both the New World and Europe, Drake had a significant impact on Anglo-Spanish relations, acquiring a reputation as a violent and ambitious man determined to serve his country to the death. The fight against him was conducted not only at sea, but also in literature where he was decried as Spain’s worst enemy. In poems by Juan de Castellanos, Góngora, Cervantes and Lope de Vega, Drake is portrayed as the worst enemy Spain had ever faced. Lope de Vega’s La Dragontea, a long poem about Drake’s last voyage, shows how his fearless and arrogant nature, and his disdain for danger, were not enough to enable him to avoid death and to prevent Spaniards from ridiculing him and his fate.","PeriodicalId":55910,"journal":{"name":"Explorations in Renaissance Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42246812","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-07DOI: 10.1163/23526963-04702005
Jennifer S. Ng
This article examines the institution of the Bedchamber of James I of England (1603–1625) through the practice of feasting. Originally comprising James VI’s Scottish entourage, the Bedchamber was a novel introduction to the English royal household in the Jacobean period: as such, this group of attendants came to represent both a body with unparalleled royal access, and a Scottish barrier between James I and his English court. By approaching the Bedchamber through its social and cultural obligations, the institution emerges as a mediating, rather than restrictive, body, serving to enact reconciliation between the king, the Court, and foreign states. Moreover, the Bedchamber’s feasting calendar indicates a broad basis of reward, circulating around several Bedchamber Gentlemen rather than a single favorite. Patterns of Bedchamber feasting ultimately reflected a Court that was largely accessible, not significantly structured by ethnic divisions, and conducive to the proliferation of culture and favor.
{"title":"Breaking Bread with the Bedchamber: Feasting at the Court of James I of England, 1603–1625","authors":"Jennifer S. Ng","doi":"10.1163/23526963-04702005","DOIUrl":"https://doi.org/10.1163/23526963-04702005","url":null,"abstract":"<p>This article examines the institution of the Bedchamber of James <span style=\"font-variant: small-caps;\">I</span> of England (1603–1625) through the practice of feasting. Originally comprising James <span style=\"font-variant: small-caps;\">VI</span>’s Scottish entourage, the Bedchamber was a novel introduction to the English royal household in the Jacobean period: as such, this group of attendants came to represent both a body with unparalleled royal access, and a Scottish barrier between James <span style=\"font-variant: small-caps;\">I</span> and his English court. By approaching the Bedchamber through its social and cultural obligations, the institution emerges as a mediating, rather than restrictive, body, serving to enact reconciliation between the king, the Court, and foreign states. Moreover, the Bedchamber’s feasting calendar indicates a broad basis of reward, circulating around several Bedchamber Gentlemen rather than a single favorite. Patterns of Bedchamber feasting ultimately reflected a Court that was largely accessible, not significantly structured by ethnic divisions, and conducive to the proliferation of culture and favor.</p>","PeriodicalId":55910,"journal":{"name":"Explorations in Renaissance Culture","volume":"34 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138537290","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-07DOI: 10.1163/23526963-04702001
William Fitzhenry
This paper argues that in The Character of Holland and The Loyal Scot, Marvell consistently meditates on the nature of political sovereignty, especially regarding its perils and shortcomings. By ventriloquizing republican propaganda and monarchical ideology in these poems, Marvell creates a space where he can stage and then dematerialize these absolutist forms of power. Marvell demonstrates how the debate regarding union and division in each poem is really an argument about the nature and potential excesses of sovereign power. He does this by constructing a poetics in which his delineations of the political, as well as his own provisional status as an author, call into question the various formations of national identity put forward in these early and late satires. By entangling the political and the aesthetic, Marvell is able to imagine deeper, more abiding kinds of human attachment that transcend national boundaries and limit the exercise of sovereign power.
{"title":"Dematerializing Sovereignties in The Character of Holland and The Loyal Scot","authors":"William Fitzhenry","doi":"10.1163/23526963-04702001","DOIUrl":"https://doi.org/10.1163/23526963-04702001","url":null,"abstract":"\u0000 This paper argues that in The Character of Holland and The Loyal Scot, Marvell consistently meditates on the nature of political sovereignty, especially regarding its perils and shortcomings. By ventriloquizing republican propaganda and monarchical ideology in these poems, Marvell creates a space where he can stage and then dematerialize these absolutist forms of power. Marvell demonstrates how the debate regarding union and division in each poem is really an argument about the nature and potential excesses of sovereign power. He does this by constructing a poetics in which his delineations of the political, as well as his own provisional status as an author, call into question the various formations of national identity put forward in these early and late satires. By entangling the political and the aesthetic, Marvell is able to imagine deeper, more abiding kinds of human attachment that transcend national boundaries and limit the exercise of sovereign power.","PeriodicalId":55910,"journal":{"name":"Explorations in Renaissance Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43649797","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-07DOI: 10.1163/23526963-04702002
Lilian H. Zirpolo
The present study centers on pieced textiles included in Marian paintings of the Proto-Renaissance era rendered in Tuscany. The complex geometric patterns of these cloths mimic those found in the Islamic textiles that were then being imported into Europe, consumed by the aristocracy, and later imitated by Italian cloth makers. On a basic level, their colors and patterning reference the virtues of the Virgin, her mission to bring about the Incarnation of Christ, her selflessness, virtuous character, and majesty. They also contribute to her humanization since these are material objects that belonged in the aristocratic domestic setting and which were familiar to the patrons who paid for the works. On a deeper level, they provide complex layers of meaning, some of which derive from Moorish iconography. They reference the perfection of God’s creation and the promise of an affable afterlife. They also evoke the remote lands where the lives of the Virgin and Christ unfolded. By inserting pieced cloths into Marian iconography, artists were following a long established tradition of utilizing the piecing technique in Early Medieval sacred practice, an issue that until now has not been recognized.
{"title":"(De)Constructing the Madonna’s Cloth of Honor","authors":"Lilian H. Zirpolo","doi":"10.1163/23526963-04702002","DOIUrl":"https://doi.org/10.1163/23526963-04702002","url":null,"abstract":"\u0000 The present study centers on pieced textiles included in Marian paintings of the Proto-Renaissance era rendered in Tuscany. The complex geometric patterns of these cloths mimic those found in the Islamic textiles that were then being imported into Europe, consumed by the aristocracy, and later imitated by Italian cloth makers. On a basic level, their colors and patterning reference the virtues of the Virgin, her mission to bring about the Incarnation of Christ, her selflessness, virtuous character, and majesty. They also contribute to her humanization since these are material objects that belonged in the aristocratic domestic setting and which were familiar to the patrons who paid for the works. On a deeper level, they provide complex layers of meaning, some of which derive from Moorish iconography. They reference the perfection of God’s creation and the promise of an affable afterlife. They also evoke the remote lands where the lives of the Virgin and Christ unfolded. By inserting pieced cloths into Marian iconography, artists were following a long established tradition of utilizing the piecing technique in Early Medieval sacred practice, an issue that until now has not been recognized.","PeriodicalId":55910,"journal":{"name":"Explorations in Renaissance Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45092677","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-16DOI: 10.1163/23526963-47010005
Katarzyna Lecky
This essay places Edmund Spenser’s View of the Present State of Ireland (1596) into conversation with John Jones’ 1579 nursing manual Arte and Science in order to contextualize Spenser’s medical solution to Irish rebellion. For both, the Irish wetnurse, who controlled the political system of fosterage undermining England’s agenda in Ireland, is central to the corporate identity of a conjoined Anglo-Irish kingdom. A View’s relationship to Jones’ text reveals the vexed ontological landscape of England’s early imperial self-fashioning, which linked the re-engineering of the genetic nature of colonial bodies to the management of women’s reproductive labor.
本文将埃德蒙·斯潘塞（Edmund Spenser）的《爱尔兰现状论》（1596）与约翰·琼斯（John Jones）1579年的护理手册《艺术与科学》（Arte and Science）进行了对话，以期将斯宾塞解决爱尔兰叛乱的医疗方案置于情境中。对双方来说，爱尔兰人控制着破坏英格兰在爱尔兰议程的寄养政治制度，是一个联合的英爱王国企业身份的核心。《观点》与琼斯文本的关系揭示了英国早期帝国自我塑造的棘手本体论景观，该景观将殖民地身体基因性质的重新设计与女性生殖劳动的管理联系起来。
{"title":"Wetnurse Politics in Spenser’s View and Jones’ Arte and Science","authors":"Katarzyna Lecky","doi":"10.1163/23526963-47010005","DOIUrl":"https://doi.org/10.1163/23526963-47010005","url":null,"abstract":"\u0000This essay places Edmund Spenser’s View of the Present State of Ireland (1596) into conversation with John Jones’ 1579 nursing manual Arte and Science in order to contextualize Spenser’s medical solution to Irish rebellion. For both, the Irish wetnurse, who controlled the political system of fosterage undermining England’s agenda in Ireland, is central to the corporate identity of a conjoined Anglo-Irish kingdom. A View’s relationship to Jones’ text reveals the vexed ontological landscape of England’s early imperial self-fashioning, which linked the re-engineering of the genetic nature of colonial bodies to the management of women’s reproductive labor.","PeriodicalId":55910,"journal":{"name":"Explorations in Renaissance Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46827776","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-16DOI: 10.1163/23526963-47010003
C. A. Berry
Scholars have long noted the eccentric vocabulary of Spenser’s A View of the Present State of Ireland, primarily with an eye toward glossing words unfamiliar outside of a contemporary Irish context. This essay steps back from consideration of individual words to ponder what can be learned from word frequencies, primarily focusing on what the tools of corpus linguistics can tell us about the View and especially the View in relation to Spenser’s poetry. What words are most common in the View? What words in the View are most likely (or least likely) to occur in Spenser’s poetry? Is the vocabulary of Eudoxus similar to or notably different from the vocabulary of Irenius? What parts of Spenser’s poetic corpus have the greatest (or least) affinity, vocabulary-wise, with the View? This essay answers those questions and argues that linguistic analysis must go hand-in-hand with traditional close reading in order to draw conclusions from those answers.
{"title":"Prosaic Diction: Finding Patterns in the Words of Spenser’s View","authors":"C. A. Berry","doi":"10.1163/23526963-47010003","DOIUrl":"https://doi.org/10.1163/23526963-47010003","url":null,"abstract":"\u0000Scholars have long noted the eccentric vocabulary of Spenser’s A View of the Present State of Ireland, primarily with an eye toward glossing words unfamiliar outside of a contemporary Irish context. This essay steps back from consideration of individual words to ponder what can be learned from word frequencies, primarily focusing on what the tools of corpus linguistics can tell us about the View and especially the View in relation to Spenser’s poetry. What words are most common in the View? What words in the View are most likely (or least likely) to occur in Spenser’s poetry? Is the vocabulary of Eudoxus similar to or notably different from the vocabulary of Irenius? What parts of Spenser’s poetic corpus have the greatest (or least) affinity, vocabulary-wise, with the View? This essay answers those questions and argues that linguistic analysis must go hand-in-hand with traditional close reading in order to draw conclusions from those answers.","PeriodicalId":55910,"journal":{"name":"Explorations in Renaissance Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49555371","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-16DOI: 10.1163/23526963-47010006
N. Popper
This article analyzes the View as an example of knowledge production, rather than plumbing it for representation or ideology as scholars have traditionally done. Tracing the process of construction, sources, and generic conventions that Spenser wielded not only illuminates some of the more curious elements of the View, but also reveals his practices and motivations for it. As this article suggests, such an approach reinforces the idea that Spenser designed the View as an appeal for the patronage and support of Robert Devereux, 2nd Earl of Essex, by modeling specific forms of expertise and counsel characteristic of the Essex circle.
{"title":"Spenser’s View and the Production of Political Knowledge in Elizabethan England","authors":"N. Popper","doi":"10.1163/23526963-47010006","DOIUrl":"https://doi.org/10.1163/23526963-47010006","url":null,"abstract":"\u0000This article analyzes the View as an example of knowledge production, rather than plumbing it for representation or ideology as scholars have traditionally done. Tracing the process of construction, sources, and generic conventions that Spenser wielded not only illuminates some of the more curious elements of the View, but also reveals his practices and motivations for it. As this article suggests, such an approach reinforces the idea that Spenser designed the View as an appeal for the patronage and support of Robert Devereux, 2nd Earl of Essex, by modeling specific forms of expertise and counsel characteristic of the Essex circle.","PeriodicalId":55910,"journal":{"name":"Explorations in Renaissance Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42651631","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-16DOI: 10.1163/23526963-47010004
Brian C. Lockey
This paper considers how Spenser’s conception of conscience and universal law and justice in A View of the Present State of Ireland can be understood within the context of jurist Christopher St. German’s early sixteenth-century tract on equity and the common law and his subsequent tracts on the reformation of Church corruption. The paper attempts to re-situate Spenser’s engagement with legal and political theory within the context of English legal education as it had developed throughout the fifteenth and sixteenth centuries. Ultimately, it shows that Spenser’s engagement with law, theology and politics reflected a commitment to a new Protestant conception of transnational Christendom as well as a re-conception of England as a Protestant nation within that transnational entity.
本文考虑如何在法学家克里斯托弗·圣·日尔曼(Christopher St. German) 16世纪早期关于衡平法和普通法的小册子以及他随后关于教会腐败改革的小册子的背景下理解斯宾塞在《爱尔兰现状观》中关于良心、普遍法和正义的概念。本文试图将斯宾塞对法律和政治理论的研究重新置于15、16世纪英国法律教育的背景下。最终，它表明斯宾塞对法律，神学和政治的参与反映了对跨国基督教世界的新新教概念的承诺，以及对英国作为跨国实体中的新教国家的重新定义。
{"title":"Edmund Spenser’s View of Christendom: New Legal and Theological Contexts for A View of the Present State of Ireland","authors":"Brian C. Lockey","doi":"10.1163/23526963-47010004","DOIUrl":"https://doi.org/10.1163/23526963-47010004","url":null,"abstract":"\u0000This paper considers how Spenser’s conception of conscience and universal law and justice in A View of the Present State of Ireland can be understood within the context of jurist Christopher St. German’s early sixteenth-century tract on equity and the common law and his subsequent tracts on the reformation of Church corruption. The paper attempts to re-situate Spenser’s engagement with legal and political theory within the context of English legal education as it had developed throughout the fifteenth and sixteenth centuries. Ultimately, it shows that Spenser’s engagement with law, theology and politics reflected a commitment to a new Protestant conception of transnational Christendom as well as a re-conception of England as a Protestant nation within that transnational entity.","PeriodicalId":55910,"journal":{"name":"Explorations in Renaissance Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46950471","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-16DOI: 10.1163/23526963-47010007
Denna Iammarino
This study investigates the presence of pastoral themes in Spenser’s prose dialogue, A View of the Present State of Ireland (c. 1596). Tracing the traditional pastoral themes of generational conflict, degeneration, and regeneration in Spenser’s late pastorals, this study considers how Spenser’s inclusion of these pastoral themes shape paradigms of reform in the View. It argues that generational conflict is exacerbated in the colonial space where degeneration is pervasive threatening both the self and the social structure of the English colonial project in Ireland. These connections to pastoral themes suggest that Spenser and his colonial peers, such as Lodowick Bryskett, conceive of their lives in pastoral terms intersected with imperial politics.
{"title":"Dressed in Sheep’s Clothing: Pastoral and Reform in Spenser’s A View of the Present State of Ireland","authors":"Denna Iammarino","doi":"10.1163/23526963-47010007","DOIUrl":"https://doi.org/10.1163/23526963-47010007","url":null,"abstract":"\u0000This study investigates the presence of pastoral themes in Spenser’s prose dialogue, A View of the Present State of Ireland (c. 1596). Tracing the traditional pastoral themes of generational conflict, degeneration, and regeneration in Spenser’s late pastorals, this study considers how Spenser’s inclusion of these pastoral themes shape paradigms of reform in the View. It argues that generational conflict is exacerbated in the colonial space where degeneration is pervasive threatening both the self and the social structure of the English colonial project in Ireland. These connections to pastoral themes suggest that Spenser and his colonial peers, such as Lodowick Bryskett, conceive of their lives in pastoral terms intersected with imperial politics.","PeriodicalId":55910,"journal":{"name":"Explorations in Renaissance Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47408696","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-16DOI: 10.1163/23526963-47010008
A. Zurcher
Early modern Ireland was notoriously, or reputedly, a place of disease: the plague, the ague, the country fever, the looseness, the bloody flux, and an assortment of coughs, chills, sweats, and other illnesses—Ireland’s endemii morbi or “reigning diseases”—regularly figure in surviving letters and historical accounts from the period. This essay explores not only the reports of disease issuing from Ireland at this time, but the way in which the experience and rhetoric of contagion help to shape ideas about space, security, and civility in the colonial theory of the period. In Spenser’s View of the present state of Ireland (c. 1596) and Bryskett’s A Discourse of Ciuill Life (1606), illness and its metaphors seem to correlate with, and perhaps to occasion, complex responses to the alleged disorder and promiscuity of the Irish—energies evident, too, in the military and political strategies of deputies Sir Henry Sidney, Arthur Lord Grey, and Sir Arthur Chichester. This essay sees Spenser’s View and Bryskett’s Discourse as polemical attempts – at key moments before the planting of Munster and Ulster – to push New English colonial policy away from the morbid failures of Pale government and violent military suppression toward the corpus sanum of plantation.
{"title":"Plantation, Contagion, and Containment in Spenser and Bryskett","authors":"A. Zurcher","doi":"10.1163/23526963-47010008","DOIUrl":"https://doi.org/10.1163/23526963-47010008","url":null,"abstract":"\u0000Early modern Ireland was notoriously, or reputedly, a place of disease: the plague, the ague, the country fever, the looseness, the bloody flux, and an assortment of coughs, chills, sweats, and other illnesses—Ireland’s endemii morbi or “reigning diseases”—regularly figure in surviving letters and historical accounts from the period. This essay explores not only the reports of disease issuing from Ireland at this time, but the way in which the experience and rhetoric of contagion help to shape ideas about space, security, and civility in the colonial theory of the period. In Spenser’s View of the present state of Ireland (c. 1596) and Bryskett’s A Discourse of Ciuill Life (1606), illness and its metaphors seem to correlate with, and perhaps to occasion, complex responses to the alleged disorder and promiscuity of the Irish—energies evident, too, in the military and political strategies of deputies Sir Henry Sidney, Arthur Lord Grey, and Sir Arthur Chichester. This essay sees Spenser’s View and Bryskett’s Discourse as polemical attempts – at key moments before the planting of Munster and Ulster – to push New English colonial policy away from the morbid failures of Pale government and violent military suppression toward the corpus sanum of plantation.","PeriodicalId":55910,"journal":{"name":"Explorations in Renaissance Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48611133","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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